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Bands
Leftover Salmon
Today In History
June 10th
1 show
1 tape
Years
2026
628
PlaybackListensHours
48h242
7d899
30d62864
11 shows
18 tapes
2025
181
PlaybackListensHours
48h252
7d945m
30d18117
44 shows
64 tapes
2024
95
PlaybackListensHours
48h00m
7d13m
30d9510
43 shows
65 tapes
2023
15
PlaybackListensHours
48h527m
7d838m
30d152
25 shows
35 tapes
2022
20
PlaybackListensHours
48h00m
7d00m
30d202
18 shows
25 tapes
2021
73
PlaybackListensHours
48h00m
7d523m
30d739
20 shows
31 tapes
2020
1
PlaybackListensHours
48h00m
7d00m
30d112m
7 shows
9 tapes
2019
22
PlaybackListensHours
48h324m
7d730m
30d222
32 shows
42 tapes
2018
55
PlaybackListensHours
48h00m
7d354
30d557
44 shows
58 tapes
2017
25
PlaybackListensHours
48h00m
7d00m
30d252
35 shows
52 tapes
2016
26
PlaybackListensHours
48h00m
7d252
30d262
26 shows
42 tapes
2015
13
PlaybackListensHours
48h101
7d00m
30d132
33 shows
53 tapes
2014
49
PlaybackListensHours
48h00m
7d172
30d496
29 shows
52 tapes
2013
4
PlaybackListensHours
48h00m
7d00m
30d421m
40 shows
63 tapes
2012
30
PlaybackListensHours
48h00m
7d110m
30d303
39 shows
69 tapes
2011
106
PlaybackListensHours
48h00m
7d543m
30d10613
19 shows
33 tapes
2010
4
PlaybackListensHours
48h00m
7d11m
30d415m
6 shows
7 tapes
2009
1 show
1 tape
2008
12
PlaybackListensHours
48h00m
7d00m
30d122
3 shows
4 tapes
2007
5 shows
6 tapes
2004
93
PlaybackListensHours
48h00m
7d404
30d9311
30 shows
38 tapes
2003
43
PlaybackListensHours
48h00m
7d161
30d434
36 shows
52 tapes
2002
98
PlaybackListensHours
48h00m
7d152
30d9810
48 shows
56 tapes
2001
85
PlaybackListensHours
48h162
7d17m
30d858
44 shows
48 tapes
2000
445
PlaybackListensHours
48h1043m
7d857
30d44538
53 shows
61 tapes
1999
424
PlaybackListensHours
48h141
7d15114
30d42438
40 shows
46 tapes
1998
336
PlaybackListensHours
48h930m
7d13411
30d33630
79 shows
90 tapes
1997
248
PlaybackListensHours
48h00m
7d596
30d24822
64 shows
80 tapes
1996
234
PlaybackListensHours
48h00m
7d18m
30d23417
39 shows
43 tapes
1995
350
PlaybackListensHours
48h684
7d1099
30d35028
35 shows
41 tapes
1994
134
PlaybackListensHours
48h00m
7d314m
30d13411
18 shows
19 tapes
1993
100
PlaybackListensHours
48h626m
7d484
30d1009
7 shows
7 tapes
1992
2
PlaybackListensHours
48h00m
7d00m
30d25m
1 show
1 tape
1991
2 shows
2 tapes
1995
Sources
Taper: Scott Bernstein
2:31:49
SBD
Taper:
Scott Bernstein
Transferrer:
Scott Bernstein
SHNID:
los1995-02-04.ecm959.sbd
Source:
Audience DAT + SBD DAT
Taper Notes:
View Notes* = w/"L.A. Woman" (The Doors) tease I scrubbed about 35 loud nearby yells, whistles, and claps from the audience portion of this recording (1st 49 minutes of the show) Acoustic Forum opened -- I don't believe that I taped them Recorded, transferred (4/1/2012), tracked (9/26/2019), and mastered (12/18-21/2019), and posted (12/21/2019) by Scott Bernstein Taper notes: By request, for BARN202 I'm dipping back into my Leftover Salmon early days (last represented in my BARN series as release #22, posted on March 6, 2010 -- 9 years back) -- this is my recording of the 3rd time I saw them (2nd time I taped them) at good old Wetlands. This is a band REALLY on the upswing -- hungry, but feeling good, completely at the top of their game and with their original lineup before tragedy and other forces conspired to various lineup changes. This show was an absolute blast -- showcasing every facet of their performing repertoire at the time -- the Polyethnic Cajun Slamgrass in full effect...with bluegrass, Cajun, reggae, a capella, blues, polka, rock, and everything inbetween. This is also a marathon performance at 38 songs and just over 2 1/2 hours. I recorded this show with my old Sony ECM-959 stereo microphone (2 1/2 years before I bought my Neumann TLM170s) on my trusty old Denon DTR-80p DAT deck (6 AA batteries); but for whatever reason, the DAT tape was unplayable beyond the 49th minute of the recording. Thank goodness I did manage to get a dub of the soundboard source for the show (though I can't recall who I got it from) soon afterwards. So the first part of this recording is my audience recording (EQ'd a bit to sweeten up the sound of a cheaper, but still solid microphone), and the rest is a straight soundboard source (both normalized to match each-others' volume). While the soundboard recording is nice and crisp, you'll quickly see why I prefer the sound of audience recordings from good-sounding rooms (when you're in a good location) -- while the soundboard definitely has the edge in terms of clarity of vocals, cymbals, and some other instruments, the amount of bass guitar in the recording is greatly reduced, and you lose the live sound of the crowd reacting to the music. (On the other hand, I don't generally have to scrub annoying claps, yells, whistles, etc. from a soundboard source.) I saw and taped them at least a dozen times during the 1993-2008 period represented by my DAT recordings, so you'll surely hear more Leftover Salmon archival recordings from me in the future... Enjoy! Follow me on Twitter to track my postings of FREE live music and concert photography: <a href="http://www.twitter.com/scott_bernstein" rel="nofollow">http://www.twitter.com/scott_bernstein</a> Or become a "fan" on Facebook here: <a href="https://www.facebook.com/pages/Scott-Bernsteins-Live-Music-Photos-Page/166706713365451" rel="nofollow">https://www.facebook.com/pages/Scott-Bernsteins-Live-Music-Photos-Page/166706713365451</a>