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Today In History
June 7th
6 shows
37 tapes
Years
1995
29.8k
PlaybackListensHours
48h1.1k158
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h63590
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h6.5k874
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.6k329
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h5.7k744
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h3k389
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h3.4k423
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.4k159
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.7k297
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h87197
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h2.1k246
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.4k185
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k190
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h1.9k242
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.4k313
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h6k698
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.3k190
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h3.2k420
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h11.9k1.7k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h5.1k706
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h87272
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.8k594
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h4.8k625
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.8k471
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2.3k258
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h10.4k1.1k
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h3.6k620
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h50961
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h12018
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h31822
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h443
7d1066
30d56034
2 shows
2 tapes
1993
9/28/93
[crowd]
1:50
Greatest Story Ever Told >
6:49
Bertha
4:04
[tuning]
1:31
The Same Thing
12:17
Peggy-O
6:46
Queen Jane Approximately
1:06
West L.A. Fadeaway
6:18
[tuning]
5:24
Eternity
12:33
Tennessee Jed
0:51
Picasso Moon
6:50
New Speedway Boogie
6:01
Victim or the Crime >
6:50
He's Gone >
10:06
Jam >
14:06
Drums >
13:56
Space >
14:03
Turn On Your Lovelight >
5:15
Stella Blue >
9:47
Turn On Your Lovelight
7:14
[crowd]
2:00
Liberty*
5:31
FIN
View on archive.org
Sources
Transferrer: Matrix by Roger Eichorn
2:43:28
SBD
Transferrer:
Matrix by Roger Eichorn
SHNID:
gd1993-09-28.125382.mtx.eichorn.sbeok.t-flac16
Taper Notes:
View NotesGeneral Notes: - Thanks go to everyone who worked on and made available the sources used in this matrix. Obviously, this project would have been impossible without their prior efforts. - Both sets are seamless. - So Many Roads. Technical Notes: - I cleaned up a few imperfections in the SBD source using Izotope RX 2 Advanced. - I lowered the gain of the Larsen source by 4dB, from the beginning of Set 1 through the opening of "Greatest Story," at which point it seems that the taper turned the input down. - I remastered the SBD and the AUD sources individually, prior to combining them. The files were remastered and mixed in Logic Pro 9. They were split in WaveLab LE 7. SBE's were fixed using Trader's Little Helper. - Speed correction (using Izotope Radius in Logic Pro 9): Pujol AUD: -0.075% (speed) / -1 cent (pitch) Larsen AUD: -0.037% (speed) More fine-grained syncing was done manually. - There are several spots during the show at which the SBD and the AUD sources differ in more or less dramatic ways. It seems that some processing was done to the signal coming from the SBD after it was sent to the tape but before it was sent to the speakers. These include: the exploding bass drums at the end of "Touch of Grey" and the beginning of "Greatest Story" on the AUD copies. The most significant spot occurs toward the end of "Row Jimmy": on both of the AUD sources, some sort of reverb is suddenly applied to the vocals, or perhaps the entire mix. (You can hear the crowd react to it.) This change is not on the SBD. The result, as far as this matrix goes, is that it sounds as though the SBD and one or more of the AUD sources have gone out of sync. But they have not. In other words, the matrix is in places more echo-y than I would like, but I know of no way to get rid of the problem, short of cutting the AUD sources entirely, which would obviously defeat my purpose. - During "Throwing Stones," two seconds are missing from the Pujol source. There is no break; the source simply skips ahead two seconds. I fixed the problem. Roger Eichorn [email protected] August 11, 2013
Transferrer: Charlie Miller
2:42:12
SBD
Rating:
8.67 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1993-09-28.sbd.miller.79058.sbeok.flac16
Source:
SBD -> Dat (48k)
Lineage:
Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless
Transferrer: Marc Pujol and Charlie Miller
2:36:57
SBD
Rating:
7.86 / 14 ratings
Transferrer:
Marc Pujol and Charlie Miller
SHNID:
gd93-09-28.aud-sbd.miller.12850.sbeok.shnf
Source:
Set 1: Audience; Set 2: Soundboard
Taper Notes:
View NotesLineage: Set 1: Schoeps>Dat>Sound Forge>CD (previous aud shn seed via Marc Pujol et. al.) Set 2: SBD>Dat>Cm>Dat>Samplitiude>CD Dat>CD Transfer for sbd portion done by Charlie Miller
Transferrer: Roger Eichorn
2:41:08
SBD
Rating:
6.00 / 1 rating
Transferrer:
Roger Eichorn
SHNID:
gd1993-09-28.126746.mtx-redo2.eichorn.sbeok.t-flac16
Source:
Matrix from Source 1: SBD Recording Info: SBD -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC Source 2: AUD Source: A: NeumannShotguns>DAT;
Taper Notes:
View NotesThis is the *third* matrix of this show that I've released. The first two were released in rapid succession in August 2013 (within a week or two of my first starting to make matrixes). Why am I releasing a new version of the show now? If you compare this release to either of the two earlier ones, you'll have all the answer you need! FRESH LEGS, VOL. 2 (Matrix) freshdeadlegs.wordpress.com/ www.facebook.com/freshdeadlegs/ General Notes: - Thanks go to everyone who worked on and made available the sources used in this matrix. Obviously, this project would have been impossible without their efforts. - This show is one of my personal favorites. It's also a bit of a sentimental favorite, seeing as it was supposed to be my first Dead show. Alas, it didn't work out, and I had to wait still longer before seeing them. It's a very strong show, worthy of your attention even if you're leery of late-era Dead. The highlight of the show is undoubtedly the "So Many Roads," which is the best one I've ever heard by a long shot. The "China Cat/Rider" is also very, very nice: it's got my personal favorite "Wish I was a headlight..." verse. The "Uncle John's Band" has less flubbing of the lyrics than usual; you can tell, if you listen close, that Jerry was into it and was hearing the melody in new ways (as he often did in later years), but had no space to explore because of the harmonizing. The "Attics of My Life" and "Row Jimmy" are both very nice as well, as they often were around this time. Finally, it's got one of my favorite "Drums." Source Notes: - I cleaned up a number of imperfections in the SBD source using iZotope RX 3 Advanced. - During "Throwing Stones," two seconds are missing from the Pujol source. There is no break; the source simply skips ahead two seconds. I fixed the problem. Technical Notes: - The sources were remastered and mixed in Logic Pro 9. Clean-up was done using iZotope RX 3 Advanced. The sets were split in WaveLab LE 7. SBE's were fixed using Trader's Little Helper. - I speed- and pitch-corrected both AUD sources using the iZotope Radius algorithm. Fine-tune syncing was done in Logic Pro 9. Roger Eichorn freshdeadlegs.wordpress.com www.facebook.com/freshdeadlegs/ January 15, 2013
Transferrer: Matrix by Roger Eichorn
2:31:31
SBD
Transferrer:
Matrix by Roger Eichorn
SHNID:
gd1993-09-28.125461.-redo.mtx.eichorn.sbeok.t-flac16
Source:
Matrix of Source 1: SBD Recording Info: SBD -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC, Source 2: AUD Source: NeumannShotguns>DAT;
Taper Notes:
View NotesGeneral Notes: - Thanks go to everyone who worked on and made available the sources used in this matrix. Obviously, this project would have been impossible without their efforts. - Both sets are seamless. - So Many Roads. Seriously. Listen to it -- loud. Technical Notes: - The sources were remastered and mixed in Logic Pro 9. They were split in WaveLab LE 7. SBE's were fixed using Trader's Little Helper. Final mastering was done in iZotope RX 2 Advanced. - Speed correction (using the iZotope Radius algorithm in Logic Pro 9): Pujol AUD: -0.075% (speed) / -1 cent (pitch) Larsen AUD: -0.037% (speed) More fine-grained syncing was done manually. - I cleaned up a few imperfections in the SBD source using iZotope RX 2 Advanced. - I lowered the gain of the Larsen source by 4dB, from the beginning of Set 1 through the opening of "Greatest Story," at which point it seems that the taper turned the input down. - During "Throwing Stones," two seconds are missing from the Pujol source. There is no break; the source simply skips ahead two seconds. I fixed the problem. - There are several spots during the show at which the SBD and the AUD sources differ in more or less dramatic ways. It seems that some processing was done to the signal coming from the SBD after it was sent to the tape but before it was sent to the speakers. These include: the exploding bass drums at the end of "Touch of Grey" and the beginning of "Greatest Story" on the AUD copies. The most significant spot occurs toward the end of "Row Jimmy": on both of the AUD sources, some sort of reverb is suddenly applied to the vocals, or perhaps the entire mix. (You can hear the crowd react to it.) This change is not on the SBD. The result, as far as this matrix goes, is that it sounds as though the SBD and one or more of the AUD sources have gone out of sync. But they have not. In other words, the matrix is in places more echo-y than I would like, but I know of no way to get rid of the problem, short of cutting the AUD sources entirely, which would obviously defeat my purpose. Roger Eichorn [email protected] August 16, 2013
Taper: Dan Rogosa
2:39:52
Taper:
Dan Rogosa
Transferrer:
Charlie Miller, Mark Goldey
SHNID:
gd1993-09-28.164516.me88.rogosa.flac1648
Source:
2x Sennheiser ME 88's (stand) > Sony TCD-D7
Lineage:
Transfer: MDAT > Fostex D-15 > Tascam DA-3000 > WAV @ 16/48 Master: Wavelab 11 (tracking, fades, remove DC offset) > FLAC 1648
Taper Notes:
View NotesThanks to Dan for taping and Charlie Miller for facilitating The fourth of six nights at Boston Garden. Enjoy! --mhg :: 2023-04-23
Taper: Rich Gastwirt
2:40:31
Taper:
Rich Gastwirt
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1993-09-28.140131.schoeps.cmc4.mk4.gastwirt.miller.clugston.flac1648
Source:
Rich Gastwirt's Master Audience Dat 16/48; Schoeps CMC4/MK4 -> Oade P/S -> Panasonic SV-255
Taper Notes:
View NotesNotes: - Thanks to Rich Gastwirt for the master Dat source - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid87780 nakamichi cm300 source that was used to patch a 0:02 dropout in "New Minglewood Blues" Mastered by Scott Clugston 12/4/17
Source 8 of 15
2:38:03
SHNID:
gd1993-09-28.172811.mtx.eichorn2025.143772.t-flac1644
Source:
2-Source Matrix by RE Eichorn (July 2025)
Taper Notes:
View NotesBack in 2013, in a fit of youthful enthusiasm, I released several (!) matrixes of this show. They are all garbage, with the possible exception of the final version, which is surprisingly listenable, to my ears. Even so, I believe this new matrix is superior to my old efforts in every way, and I'm releasing it now in an effort to atone for the sonic sins of my past. Why is this matrix superior to my old attempts? The AUD source is newer and better; I have a much more efficient and effective method; and I know a lot more about mixing and mastering now than I did twelve years ago. Is this new matrix perfect? --No. But is it currently the best, most "well-rounded" source available for this show? --Yes, I believe it is. Your mileage may vary, of course. But I hope that anyone who finds their way to this matrix will enjoy it. A late-late-era show, but quite a good one, I think! The So Many Roads is the best ever, for my money, and I think the China Cat > Rider is the definitive late-late-era version. -- Thanks go to everyone responsible for making the sources used in this matrix and for making them available. -- I try to take a "less is more" approach when it comes to mastering (EQ and the like), but in the case of this show, I found that the SBD source was improved greatly by the use of what's called "Dynamic EQ" to tame some of the drums, specifically Billy's bass drum and Micky's aggressive toms. They're much less overpowering now, but without sacrificing the punch of Phil's bass or the power of the low-end in general, I think. I hope you agree. -- A curiosity: I always assumed that '93 SBD recordings simply replicated the mix that was sent to the sound system at the venue, but apparently that's not the case. About 3 minutes into "Minglewood," Vince launches into an organ solo that's almost entirely absent from the SBD, but can be heard clearly (at least at first) on the AUD source.
Taper: Doug Lamarre
2:38:43
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1993-09-28.139981.aud.lamarre.berger.flac1648
Source:
<b>flac16/48kHz</b>; aud dat master, sennheiser 441's>denon dtr-80, taped by Doug Lamarre, transferred & seeded by Rob Berger
Taper: Dave Boedicker
2:41:40
Taper:
Dave Boedicker
Transferrer:
Dave Boedicker
SHNID:
gd1993-09-28.128694.boedicker.flac16
Source:
Source:Sony D6 Cassette Master>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using traders Little Helper.Taped By Dave Boedicker,Taper; Section,Section 38,Row CC,Seat 14
Taper Notes:
View Notes1)Quality IS About A Or A-(Subjective Of Course.) 2)Tape Flip After "So Many Roads"(First Few Seconds Missing At Beginning Of Next Song"Masterpiece"). 3)Tape Flip During "Drums" Enjoy!!!
Taper: Jim Birkhead
2:43:13
Taper:
Jim Birkhead
Transferrer:
Bill Koucky
SHNID:
gd1993-09-28.neumann-birkhead.koucky.87989.flac16
Source:
Neumann km 82i > Sonosax SX-PR power supply > Sony TCD D10 PRO II DAT x1
Lineage:
Panasonic SV-3700 > M-Audio Audiophile 2496 to 48 khz Wavelab 5.0 mastering with iZotope Ozone 3 > dithered to 44.1 khz > CDWAV1.9 > FLAC (level 8).
Taper: Andrew F
2:40:24
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1993-09-28.nak300.andrewf.87781.flac16
Source:
Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Sony DT-Dat tape. Mics on 7-foot stand, pointed at stacks, floor OTS aprx 2 or 3 rows behind soundboard.
Lineage:
MAD > Sony TCD-D10P > SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC.
Taper Notes:
View NotesNotes: - Break between D2 and D3 is seamless. - Soundforge used to make fades. - TLH used for SBE-OK, FLAC compression, and making checksums.
Taper: Andrew F
2:40:25
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1993-09-28.nak300.andrewf.87780.flac1648
Source:
Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Sony DT-Dat tape. Mics on 7-foot stand, pointed at stacks, floor OTS aprx 2 or 3 rows behind soundboard.
Lineage:
MAD > Sony TCD-D10P > SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC.
Taper Notes:
View NotesNotes: - Soundforge used to make fades. - TLH used for FLAC compression, and making checksums.
Taper: Tapes provided by Tom and Roger
2:38:31
Taper:
Tapes provided by Tom and Roger
Transferrer:
Conversion by Chris Larson
SHNID:
gd1993-09-28.neumann.larson.28899.shnf
Source:
NeumannShotguns>DAT
Lineage:
DAT>ZA2 (S/PIDF)>Samplitude 2496>CD-r (or shn)
Taper: Dave Minor
2:43:00
Rating:
8.00 / 2 ratings
Taper:
Dave Minor
Transferrer:
Marc Pujol
SHNID:
gd93-09-28.schoeps.pujol.12378.sbeok.shnf
Source:
Audience: Schoeps