RELISTENTOTHE Grateful Dead
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1993
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Today In History
June 16th
5 shows
82 tapes
Years
1995
30.1k
PlaybackListensHours
48h1.5k182
7d1.4k185
30d30.1k4.2k
49 shows
343 tapes
1994
12.7k
PlaybackListensHours
48h1.6k240
7d4.5k665
30d12.7k1.8k
85 shows
460 tapes
1993
38k
PlaybackListensHours
48h1.8k247
7d6.9k909
30d38k5k
83 shows
656 tapes
1992
45.1k
PlaybackListensHours
48h2.8k375
7d8.2k1.1k
30d45.1k6k
57 shows
539 tapes
1991
43k
PlaybackListensHours
48h2.7k360
7d11.1k1.4k
30d43k5.8k
78 shows
973 tapes
1990
48.5k
PlaybackListensHours
48h5.3k747
7d12.4k1.6k
30d48.5k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.2k274
7d7.4k925
30d48.9k6.1k
78 shows
1,017 tapes
1988
20.3k
PlaybackListensHours
48h1.1k134
7d3.4k397
30d20.3k2.3k
82 shows
882 tapes
1987
42.7k
PlaybackListensHours
48h4.1k505
7d13.8k1.7k
30d42.7k4.8k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h86499
7d2.6k292
30d12.5k1.4k
47 shows
684 tapes
1985
24.7k
PlaybackListensHours
48h6.8k776
7d5.9k693
30d24.7k2.9k
73 shows
1,357 tapes
1984
27k
PlaybackListensHours
48h2.2k280
7d12.1k1.4k
30d27k3.3k
67 shows
1,075 tapes
1983
21k
PlaybackListensHours
48h967122
7d3.4k441
30d21k2.7k
71 shows
1,069 tapes
1982
42.4k
PlaybackListensHours
48h1.3k159
7d3.6k443
30d42.4k5.3k
63 shows
753 tapes
1981
31.2k
PlaybackListensHours
48h1.9k242
7d5.3k665
30d31.2k3.9k
92 shows
868 tapes
1980
71.1k
PlaybackListensHours
48h3.9k441
7d15.3k1.8k
30d71.1k8.3k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.1k161
7d4.1k580
30d21.7k3k
79 shows
608 tapes
1978
38.8k
PlaybackListensHours
48h1.6k216
7d4.9k672
30d38.8k5.2k
87 shows
592 tapes
1977
267.8k
PlaybackListensHours
48h7.8k1.1k
7d26.6k3.7k
30d267.8k37k
64 shows
418 tapes
1976
91.9k
PlaybackListensHours
48h16.1k2.2k
7d42k5.6k
30d91.9k12.4k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h42745
7d88291
30d6.3k647
25 shows
63 tapes
1974
89.9k
PlaybackListensHours
48h3.2k412
7d9.8k1.3k
30d89.9k11.4k
42 shows
324 tapes
1973
90.4k
PlaybackListensHours
48h4k517
7d18.7k2.6k
30d90.4k11.6k
75 shows
445 tapes
1972
62.9k
PlaybackListensHours
48h2.5k314
7d6.6k846
30d62.9k7.7k
88 shows
361 tapes
1971
33.7k
PlaybackListensHours
48h1.6k169
7d4.3k482
30d33.7k3.9k
82 shows
357 tapes
1970
39.3k
PlaybackListensHours
48h1.2k146
7d4.3k504
30d39.3k4.2k
101 shows
376 tapes
1969
28.3k
PlaybackListensHours
48h1.5k231
7d3.8k540
30d28.3k4.2k
112 shows
326 tapes
1968
8.1k
PlaybackListensHours
48h73290
7d1.7k205
30d8.1k1k
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h13819
7d31345
30d1.7k233
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h45828
7d89261
30d8k538
32 shows
78 tapes
1965
639
PlaybackListensHours
48h302
7d1097
30d63938
2 shows
2 tapes
1993
9/28/93
Tuning
2:45
Touch of Grey
6:49
Greatest Story Ever Told
4:04
Tuning
1:31
Row Jimmy
12:17
New Minglewood Blues
6:46
Tuning
1:06
So Many Roads
6:18
Masterpiece
6:18
Bird Song
1:57
Tuning
6:50
China Cat Sunflower >
6:02
I Know You Rider
6:50
Samson & Delilah
10:06
Uncle John's Band >
14:06
Playin' In the Band >
13:48
Drums >
14:11
Space >
5:15
Attics of My Life >
9:46
Throwing Stones >
7:17
Good Lovin'
1:57
Crowd
5:32
FIN
View on archive.org
Sources
Transferrer: Matrix by Roger Eichorn
2:43:28
SBD
Transferrer:
Matrix by Roger Eichorn
SHNID:
gd1993-09-28.125382.mtx.eichorn.sbeok.t-flac16
Taper Notes:
View NotesGeneral Notes: - Thanks go to everyone who worked on and made available the sources used in this matrix. Obviously, this project would have been impossible without their prior efforts. - Both sets are seamless. - So Many Roads. Technical Notes: - I cleaned up a few imperfections in the SBD source using Izotope RX 2 Advanced. - I lowered the gain of the Larsen source by 4dB, from the beginning of Set 1 through the opening of "Greatest Story," at which point it seems that the taper turned the input down. - I remastered the SBD and the AUD sources individually, prior to combining them. The files were remastered and mixed in Logic Pro 9. They were split in WaveLab LE 7. SBE's were fixed using Trader's Little Helper. - Speed correction (using Izotope Radius in Logic Pro 9): Pujol AUD: -0.075% (speed) / -1 cent (pitch) Larsen AUD: -0.037% (speed) More fine-grained syncing was done manually. - There are several spots during the show at which the SBD and the AUD sources differ in more or less dramatic ways. It seems that some processing was done to the signal coming from the SBD after it was sent to the tape but before it was sent to the speakers. These include: the exploding bass drums at the end of "Touch of Grey" and the beginning of "Greatest Story" on the AUD copies. The most significant spot occurs toward the end of "Row Jimmy": on both of the AUD sources, some sort of reverb is suddenly applied to the vocals, or perhaps the entire mix. (You can hear the crowd react to it.) This change is not on the SBD. The result, as far as this matrix goes, is that it sounds as though the SBD and one or more of the AUD sources have gone out of sync. But they have not. In other words, the matrix is in places more echo-y than I would like, but I know of no way to get rid of the problem, short of cutting the AUD sources entirely, which would obviously defeat my purpose. - During "Throwing Stones," two seconds are missing from the Pujol source. There is no break; the source simply skips ahead two seconds. I fixed the problem. Roger Eichorn [email protected] August 11, 2013
Transferrer: Roger Eichorn
2:41:08
SBD
Rating:
6.00 / 1 rating
Transferrer:
Roger Eichorn
SHNID:
gd1993-09-28.126746.mtx-redo2.eichorn.sbeok.t-flac16
Source:
Matrix from Source 1: SBD Recording Info: SBD -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC Source 2: AUD Source: A: NeumannShotguns>DAT;
Taper Notes:
View NotesThis is the *third* matrix of this show that I've released. The first two were released in rapid succession in August 2013 (within a week or two of my first starting to make matrixes). Why am I releasing a new version of the show now? If you compare this release to either of the two earlier ones, you'll have all the answer you need! FRESH LEGS, VOL. 2 (Matrix) freshdeadlegs.wordpress.com/ www.facebook.com/freshdeadlegs/ General Notes: - Thanks go to everyone who worked on and made available the sources used in this matrix. Obviously, this project would have been impossible without their efforts. - This show is one of my personal favorites. It's also a bit of a sentimental favorite, seeing as it was supposed to be my first Dead show. Alas, it didn't work out, and I had to wait still longer before seeing them. It's a very strong show, worthy of your attention even if you're leery of late-era Dead. The highlight of the show is undoubtedly the "So Many Roads," which is the best one I've ever heard by a long shot. The "China Cat/Rider" is also very, very nice: it's got my personal favorite "Wish I was a headlight..." verse. The "Uncle John's Band" has less flubbing of the lyrics than usual; you can tell, if you listen close, that Jerry was into it and was hearing the melody in new ways (as he often did in later years), but had no space to explore because of the harmonizing. The "Attics of My Life" and "Row Jimmy" are both very nice as well, as they often were around this time. Finally, it's got one of my favorite "Drums." Source Notes: - I cleaned up a number of imperfections in the SBD source using iZotope RX 3 Advanced. - During "Throwing Stones," two seconds are missing from the Pujol source. There is no break; the source simply skips ahead two seconds. I fixed the problem. Technical Notes: - The sources were remastered and mixed in Logic Pro 9. Clean-up was done using iZotope RX 3 Advanced. The sets were split in WaveLab LE 7. SBE's were fixed using Trader's Little Helper. - I speed- and pitch-corrected both AUD sources using the iZotope Radius algorithm. Fine-tune syncing was done in Logic Pro 9. Roger Eichorn freshdeadlegs.wordpress.com www.facebook.com/freshdeadlegs/ January 15, 2013
Transferrer: Matrix by Roger Eichorn
2:31:31
SBD
Transferrer:
Matrix by Roger Eichorn
SHNID:
gd1993-09-28.125461.-redo.mtx.eichorn.sbeok.t-flac16
Source:
Matrix of Source 1: SBD Recording Info: SBD -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC, Source 2: AUD Source: NeumannShotguns>DAT;
Taper Notes:
View NotesGeneral Notes: - Thanks go to everyone who worked on and made available the sources used in this matrix. Obviously, this project would have been impossible without their efforts. - Both sets are seamless. - So Many Roads. Seriously. Listen to it -- loud. Technical Notes: - The sources were remastered and mixed in Logic Pro 9. They were split in WaveLab LE 7. SBE's were fixed using Trader's Little Helper. Final mastering was done in iZotope RX 2 Advanced. - Speed correction (using the iZotope Radius algorithm in Logic Pro 9): Pujol AUD: -0.075% (speed) / -1 cent (pitch) Larsen AUD: -0.037% (speed) More fine-grained syncing was done manually. - I cleaned up a few imperfections in the SBD source using iZotope RX 2 Advanced. - I lowered the gain of the Larsen source by 4dB, from the beginning of Set 1 through the opening of "Greatest Story," at which point it seems that the taper turned the input down. - During "Throwing Stones," two seconds are missing from the Pujol source. There is no break; the source simply skips ahead two seconds. I fixed the problem. - There are several spots during the show at which the SBD and the AUD sources differ in more or less dramatic ways. It seems that some processing was done to the signal coming from the SBD after it was sent to the tape but before it was sent to the speakers. These include: the exploding bass drums at the end of "Touch of Grey" and the beginning of "Greatest Story" on the AUD copies. The most significant spot occurs toward the end of "Row Jimmy": on both of the AUD sources, some sort of reverb is suddenly applied to the vocals, or perhaps the entire mix. (You can hear the crowd react to it.) This change is not on the SBD. The result, as far as this matrix goes, is that it sounds as though the SBD and one or more of the AUD sources have gone out of sync. But they have not. In other words, the matrix is in places more echo-y than I would like, but I know of no way to get rid of the problem, short of cutting the AUD sources entirely, which would obviously defeat my purpose. Roger Eichorn [email protected] August 16, 2013
Source 8 of 15
2:38:03
SHNID:
gd1993-09-28.172811.mtx.eichorn2025.143772.t-flac1644
Source:
2-Source Matrix by RE Eichorn (July 2025)
Taper Notes:
View NotesBack in 2013, in a fit of youthful enthusiasm, I released several (!) matrixes of this show. They are all garbage, with the possible exception of the final version, which is surprisingly listenable, to my ears. Even so, I believe this new matrix is superior to my old efforts in every way, and I'm releasing it now in an effort to atone for the sonic sins of my past. Why is this matrix superior to my old attempts? The AUD source is newer and better; I have a much more efficient and effective method; and I know a lot more about mixing and mastering now than I did twelve years ago. Is this new matrix perfect? --No. But is it currently the best, most "well-rounded" source available for this show? --Yes, I believe it is. Your mileage may vary, of course. But I hope that anyone who finds their way to this matrix will enjoy it. A late-late-era show, but quite a good one, I think! The So Many Roads is the best ever, for my money, and I think the China Cat > Rider is the definitive late-late-era version. -- Thanks go to everyone responsible for making the sources used in this matrix and for making them available. -- I try to take a "less is more" approach when it comes to mastering (EQ and the like), but in the case of this show, I found that the SBD source was improved greatly by the use of what's called "Dynamic EQ" to tame some of the drums, specifically Billy's bass drum and Micky's aggressive toms. They're much less overpowering now, but without sacrificing the punch of Phil's bass or the power of the low-end in general, I think. I hope you agree. -- A curiosity: I always assumed that '93 SBD recordings simply replicated the mix that was sent to the sound system at the venue, but apparently that's not the case. About 3 minutes into "Minglewood," Vince launches into an organ solo that's almost entirely absent from the SBD, but can be heard clearly (at least at first) on the AUD source.