RELISTENTOTHE Grateful Dead
Re
Bands
Featured
Bands
Grateful Dead
RecentTopVenuesSongsTours
Today In History
June 8th
9 shows
70 tapes
Years
1995
29.8k
PlaybackListensHours
48h53971
7d6.7k904
30d29.8k4.2k
49 shows
341 tapes
1994
8.3k
PlaybackListensHours
48h1.1k133
7d1.3k189
30d8.3k1.2k
85 shows
460 tapes
1993
37.2k
PlaybackListensHours
48h2.3k301
7d7.4k999
30d37.2k4.9k
83 shows
656 tapes
1992
35.1k
PlaybackListensHours
48h2.1k266
7d3.5k452
30d35.1k4.7k
57 shows
539 tapes
1991
37.3k
PlaybackListensHours
48h5.9k822
7d7.1k946
30d37.3k5.1k
78 shows
972 tapes
1990
34k
PlaybackListensHours
48h5.4k681
7d5.6k727
30d34k4.5k
78 shows
1,139 tapes
1989
46.2k
PlaybackListensHours
48h2.6k328
7d7.3k920
30d46.2k5.8k
78 shows
1,013 tapes
1988
21.2k
PlaybackListensHours
48h1.1k132
7d2.7k307
30d21.2k2.4k
82 shows
882 tapes
1987
34k
PlaybackListensHours
48h1.7k189
7d5.5k591
30d34k3.7k
88 shows
1,025 tapes
1986
13.8k
PlaybackListensHours
48h78686
7d1.9k211
30d13.8k1.6k
47 shows
683 tapes
1985
21.1k
PlaybackListensHours
48h1.4k159
7d4k474
30d21.1k2.5k
73 shows
1,356 tapes
1984
15.2k
PlaybackListensHours
48h989129
7d2.8k362
30d15.2k2k
67 shows
1,075 tapes
1983
32.9k
PlaybackListensHours
48h1.4k186
7d3k387
30d32.9k4.4k
71 shows
1,069 tapes
1982
41.1k
PlaybackListensHours
48h1.6k190
7d3.6k451
30d41.1k5.1k
63 shows
753 tapes
1981
51k
PlaybackListensHours
48h1.9k237
7d4.5k586
30d51k6.4k
92 shows
868 tapes
1980
68.2k
PlaybackListensHours
48h8k860
7d8.6k992
30d68.2k8k
91 shows
794 tapes
1979
25k
PlaybackListensHours
48h1.4k195
7d2.7k378
30d25k3.5k
79 shows
600 tapes
1978
55.4k
PlaybackListensHours
48h1.7k226
7d11.3k1.4k
30d55.4k7.6k
87 shows
592 tapes
1977
286.7k
PlaybackListensHours
48h21.5k3k
7d28k3.8k
30d286.7k39.5k
64 shows
419 tapes
1976
48.8k
PlaybackListensHours
48h2.9k396
7d26.1k3.6k
30d48.8k6.6k
45 shows
298 tapes
1975
5.8k
PlaybackListensHours
48h87284
7d1.4k132
30d5.8k599
25 shows
63 tapes
1974
97.7k
PlaybackListensHours
48h6.7k862
7d9.3k1.2k
30d97.7k12.3k
42 shows
324 tapes
1973
78.3k
PlaybackListensHours
48h3.7k488
7d8.9k1.2k
30d78.3k10k
75 shows
445 tapes
1972
72.7k
PlaybackListensHours
48h2.6k317
7d6.7k830
30d72.7k8.8k
88 shows
361 tapes
1971
33.4k
PlaybackListensHours
48h1.5k171
7d4.9k544
30d33.4k3.8k
82 shows
357 tapes
1970
41.4k
PlaybackListensHours
48h4.8k473
7d13.9k1.4k
30d41.4k4.5k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h2.4k376
7d5k818
30d25.4k3.8k
112 shows
326 tapes
1968
6.7k
PlaybackListensHours
48h62887
7d1.1k134
30d6.7k832
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10814
7d26938
30d1.5k201
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h16913
7d89659
30d7.9k525
32 shows
78 tapes
1965
561
PlaybackListensHours
48h422
7d845
30d56133
2 shows
2 tapes
1993
3/27/93
Tuning
0:51
Hell In A Bucket
6:38
Bertha
7:10
The Same Thing
7:32
Peggy-O
6:08
Queen Jane Approximately
7:08
Broken Arrow
6:11
Loose Lucy
7:20
Cassidy
7:19
Casey Jones
6:01
Tuning
0:58
Eyes Of The World
12:00
Estimated Prophet
11:21
Comes a Time
6:54
Corinna >
10:37
Drums >
11:23
Space >
10:09
The Wheel >
4:34
All Along The Watchtower >
5:47
The Days Between
9:46
One More Saturday Night
5:03
Tuning
0:40
I Fought the Law
2:52
FIN
View on archive.org
Sources
Transferrer: Charlie Miller and Joe Samaritano
2:34:44
SBD
Rating:
7.67 / 7 ratings
Transferrer:
Charlie Miller and Joe Samaritano
SHNID:
gd1993-03-27.sbd.samaritano-miller.92523.sbeok.flac16
Source:
Set 1: SBD -> Dat -> Cassette Master -> Dat ; Set 2: SBD -> Dat
Lineage:
Set 1: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> WAV ; Set 2: Dat (Fostex D5) -> Audiophile 2496 -> Samplitude Professional v7.02 -> WAV
Taper Notes:
View Notes-- Set 2 is seamless -- Other circulating sources have a cassette gen, noise reduction and EQ applied -- This source is a clean transfer directly off of the Dats
Source 2 of 16
6:04:23
SBD
Rating:
8.09 / 23 ratings
SHNID:
gd93-03-27.sbd.nawrocki.31956.sbeok.shnf
Source:
SBD> DAT
Lineage:
D8> 7 pin/digi coax> Montego II
Taper Notes:
View NotesSBD> DAT; via D. DiProsa; Transfer: D8> 7 pin/digi coax> Montego II digi I/O> CDWAV by D. Nawrocki
Taper: Dante DiProsa
3:02:12
SBD
Taper:
Dante DiProsa
Transferrer:
Doug Nawrocki
SHNID:
gd1993-03-27.sbd.nawrocki.555.sbeok.shnf
Source:
SBD -> DAT
Lineage:
D8 -> 7 pin/digi coax -> Montego II digi I/O -> CDWAV
Source 4 of 16
2:34:30
SHNID:
gd1993-03-27.173619.me88.rogosa.flac1648
Source 5 of 16
2:34:30
SHNID:
gd1993-03-27.152952.mtx.seamons.ht133.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro for set 1 and Soundtrack Pro for set 2 (FLAC > AIFF > Final Cut > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) August 7, 2021
Taper Notes:
View NotesNotes: Final performance of Casey Jones. The first set SBD source ran from 0.5% to 0.3% fast and was pitch corrected. Lamarre's tape brings some very nice lower bass that is virtually absent from the SBD. You can feel the Knick rumbling, especially during the second set (see Estimated). No EQ required for either source. Some initial SBD mix fluctuations in Hell In A Bucket. The SBD levels were a couple decibels low for over half of the song and were adjusted to compensate for this. The AUD briefly started out very low too and was adjusted to compensate. Subtle changes to the AUD levels were made throughout the show to find the right mix, as usual. The overall levels were significantly different between the set 1 cassette and the set 2 Dat SBD sources and were adjusted to be more similar, opting for higher levels. There was already significant clipping of the drums during Estimated Prophet and Drums in the original source, particularly in the right channel. The drums are basically what get clipped in other songs from increased levels here, but only slightly and infrequently and it is not an audible issue. Clicks removed or reduced: 7 in Hell In A Bucket, 1 in Bertha, 4 in Peggy-O, 5 in Queen Jane Approximately, 2 in Broken Arrow, 7 in Loose Lucy, 1 in Cassidy, 1 in Casey Jones, numerous in Eyes Of The World, 2 in Estimated Prophet, 9 in Comes A Time, 3 in Corrina, 1 in All Along The Watchtower, 2 in Days Between. Some static was also removed or reduced in Hell In A Bucket and Bertha. Minor anomalies remain throughout the show. There are very faint "flicking" sounds during parts of the second set, particularly during Eyes Of The World, that are part of the SBD recording (also on the official release). I was able to clean up a bunch of this.
Taper: Dave Flaschner
2:34:46
Taper:
Dave Flaschner
Transferrer:
Jeff Mitchell
SHNID:
gd1993-03-27.144223.akg460b.ck63.flac1648
Source:
AKG CK63 > AKG 460B > Custom Pre > Teac DAP-20
Lineage:
DAT(m) @48kHz > Sony PCM-R500 > Korg MR-2000S > Samplitude Pro X3 Suite > dBpoweramp Music Converter > Foobar2000 (Live Show Tagger)
Taper Notes:
View Notes- pre-emphasis was remvoed using iZotope Ozone 5 Equalizer - diginoise in Hell In A Bucket patched with #95957
Taper: Doug Lamarre
2:34:07
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1993-03-27.140009.aud.lamarre.berger.flac1648
Source:
<b>flac16/48kHz</b>; aud dat master, sennheiser 441's>denon dtr-80, taped by Doug Lamarre, transferred & seeded by Rob Berger
Taper: Jim Wise
2:34:35
Taper:
Jim Wise
Transferrer:
Jim Wise and Scott Clugston
SHNID:
gd1993-03-27.139670.fob.schoeps.wise.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Jim Wise's FOB Audience DAT > Schoeps CMC6/MK4 (hand-held ORTF) > Sonosax SX-M2 > Dat (Sony D10 Pro/48k); Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648
Taper: Fitzy
2:33:31
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1993-03-27.136688.Nak300CP4.Fitzy.Keo.Flac1644
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper: Fitzy
2:33:31
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1993-03-27.136687.Nak300CP4.Fitzy.Keo.Flac2496
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper: Dave Boedicker
2:33:59
Taper:
Dave Boedicker
Transferrer:
Dave Boedicker
SHNID:
gd1993-03-27.119209.Boedicker.flac16
Source:
Audience Recording Source:Sony D6 Cassette Master(Dolby "B" ON>Maxell MX-S Metal Cassettes)>Sony TC-D5M Cassette Deck(Playback,Dolby Off)> Edirol R-09 HR(24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders little Helper. Taped By Dave Boedicker. Official Tapers Section
Taper Notes:
View Notes1)Quality Is About A(Subjective Of Course).Samples Included. 2)Tape FLip After"Broken Arrow"(First few Seconds Missing From Beginning Of "Loose Lucy"). 3)Tape Flip During "Drums" 4)Last Ever GD Version Of "Casey Jones" Enjoy!!!!
Taper: heaton
2:38:21
Rating:
10.00 / 1 rating
Taper:
heaton
Transferrer:
Keo
SHNID:
gd1993-03-27.Nak100CP4.110577.flac24
Source:
Master Audience Nakamichi CM100/CP4 Shotguns>Sony D5>Dolby On Tapes: Maxell Metal Capsule 100's Taper:Heaton Transfer By:Keo Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6MHz Tracking/Editing/Sample Rate Conversion with AudioGate Software to 24 Bit/96kHz No Dithering on these files
Taper: Heaton
2:38:20
Rating:
7.00 / 2 ratings
Taper:
Heaton
Transferrer:
Keo
SHNID:
gd1993-03-27.Nak100CP4.110576.flac16
Source:
Master Audience Nakamichi CM100/CP4 Shotguns>Sony D5>Dolby On Tapes: Maxell Metal Capsule 100's Taper:Heaton Transfer By:Keo Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6MHz Tracking/Editing/Sample Rate Conversion with AudioGate Software to 32 Bit Float/96kHz,Dithered with Korg Aqua to 16/44
Taper: Andrew F.
2:34:22
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1993-03-27.akg.andrewf.95958.flac16
Lineage:
MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > R8Brain (to 44.1kHz) TLH > FLAC
Taper Notes:
View NotesNotes: - Sub-second glitch in Peggy-O at 4:43. - Seamless disc break.
Taper: Andrew F.
2:34:22
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1993-03-27.akg.andrewf.95957.flac1648
Lineage:
MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1648
Taper Notes:
View NotesNote: - Sub-second glitch in Peggy-O at 4:43.456.
Taper: James Young
2:36:01
Rating:
9.33 / 3 ratings
Taper:
James Young
Transferrer:
Nick Georges
SHNID:
gd93-03-27.ams-young.georges.6701.sbeok.shnf
Source:
Audience: Soundfield ST-250's
Lineage:
Soundfield ST-250's (blumlein) > Modified Sony D10 Pro-II (48k) > DAT clone (1st gen) > Sony PCM-M1 > Oade Active 7-Pin > Edirol UA-5 via s/pdif (resample) > USB > Soundforge 5 > CD Wave > mkwACT > SHN
Taper Notes:
View NotesFOB section 5, Row N, Seat 8/9 Handheld Soundfield ST-250 (in blumlein mode) > Sony D10 pro II (modified) Taped by James Young DAT clone from master > Sony PCM-M1 > Oade 7pin active cable > Edirol UA-5 (s/pdif in, hardware resample from 48 > 44.1k, USB out > SF 5.0 > CDWave (tracking) > MKW-Act (SHN, seekable) DAT transfer/encoding by [email protected]