RELISTENTOTHE Grateful Dead
Re
Bands
Featured
Bands
Grateful Dead
RecentTopVenuesSongsTours
Today In History
June 12th
6 shows
73 tapes
Years
1995
29.9k
PlaybackListensHours
48h58077
7d1.2k161
30d29.9k4.2k
49 shows
341 tapes
1994
10.3k
PlaybackListensHours
48h774109
7d3.3k419
30d10.3k1.4k
85 shows
460 tapes
1993
39.1k
PlaybackListensHours
48h3.4k463
7d5.2k664
30d39.1k5.1k
83 shows
656 tapes
1992
38.3k
PlaybackListensHours
48h4.9k643
7d4k520
30d38.3k5.1k
57 shows
538 tapes
1991
35.5k
PlaybackListensHours
48h6.9k870
7d9.2k1.3k
30d35.5k4.9k
78 shows
973 tapes
1990
46.4k
PlaybackListensHours
48h3.1k404
7d16.3k2k
30d46.4k6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3k373
7d5.5k678
30d47.2k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.2k141
7d2.5k289
30d20.5k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h4.6k515
7d4.1k462
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h1k114
7d1.7k189
30d11.7k1.3k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.8k212
7d3.3k382
30d22k2.6k
73 shows
1,356 tapes
1984
20k
PlaybackListensHours
48h3.5k408
7d6.6k784
30d20k2.5k
67 shows
1,075 tapes
1983
25.2k
PlaybackListensHours
48h1.4k182
7d2.8k375
30d25.2k3.3k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.3k156
7d2.9k361
30d41.5k5.1k
63 shows
753 tapes
1981
42.9k
PlaybackListensHours
48h2k242
7d4k504
30d42.9k5.4k
92 shows
868 tapes
1980
67.9k
PlaybackListensHours
48h5.2k620
7d11.4k1.2k
30d67.9k7.9k
91 shows
794 tapes
1979
20.8k
PlaybackListensHours
48h1.7k234
7d3.1k439
30d20.8k2.9k
79 shows
600 tapes
1978
45.2k
PlaybackListensHours
48h1.9k257
7d3.8k519
30d45.2k6.1k
87 shows
592 tapes
1977
285.7k
PlaybackListensHours
48h8.8k1.2k
7d41.3k5.7k
30d285.7k39.4k
64 shows
418 tapes
1976
60.2k
PlaybackListensHours
48h22.1k2.9k
7d15k2.1k
30d60.2k8.2k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h23926
7d1.2k123
30d6.3k646
25 shows
63 tapes
1974
93.6k
PlaybackListensHours
48h3.5k468
7d12k1.6k
30d93.6k11.9k
42 shows
324 tapes
1973
84.9k
PlaybackListensHours
48h6k823
7d15k2k
30d84.9k10.8k
75 shows
445 tapes
1972
65.4k
PlaybackListensHours
48h2.4k305
7d5.1k634
30d65.4k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.7k183
7d3.5k392
30d33.2k3.8k
82 shows
357 tapes
1970
44.2k
PlaybackListensHours
48h1.5k171
7d7k718
30d44.2k4.7k
101 shows
375 tapes
1969
26.7k
PlaybackListensHours
48h1.4k172
7d3.7k584
30d26.7k4k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h41354
7d1.5k191
30d7.3k921
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14318
7d23934
30d1.6k214
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h40529
7d66742
30d7.9k523
32 shows
78 tapes
1965
618
PlaybackListensHours
48h191
7d1127
30d61836
2 shows
2 tapes
1993
3/27/93
Tuning
1:50
Hell In A Bucket
6:41
Bertha
7:07
The Same Thing
7:38
Peggy-O
6:03
Queen Jane Approximately
7:06
Broken Arrow
6:16
Loose Lucy
7:16
Cassidy
7:18
Casey Jones
5:51
Tuning
1:08
Eyes of the World->
12:01
Estimated Prophet >
11:26
Comes A Time ->
6:59
Corrina ->
10:22
Drums ->
11:37
Space ->
10:00
The Wheel ->
4:34
All Along The Watchtower ->
5:48
The Days Between ->
9:50
One More Saturday Night
4:48
Tuning
0:47
I Fought The Law
2:43
Filler:Shakedown Street
13:10
Filler:Wang Dang Doodle
6:55
Filler: Lazy River Road
6:58
FIN
View on archive.org
Sources
Transferrer: Charlie Miller and Joe Samaritano
2:34:44
SBD
Rating:
7.67 / 7 ratings
Transferrer:
Charlie Miller and Joe Samaritano
SHNID:
gd1993-03-27.sbd.samaritano-miller.92523.sbeok.flac16
Source:
Set 1: SBD -> Dat -> Cassette Master -> Dat ; Set 2: SBD -> Dat
Lineage:
Set 1: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> WAV ; Set 2: Dat (Fostex D5) -> Audiophile 2496 -> Samplitude Professional v7.02 -> WAV
Taper Notes:
View Notes-- Set 2 is seamless -- Other circulating sources have a cassette gen, noise reduction and EQ applied -- This source is a clean transfer directly off of the Dats
Source 2 of 16
6:04:23
SBD
Rating:
8.09 / 23 ratings
SHNID:
gd93-03-27.sbd.nawrocki.31956.sbeok.shnf
Source:
SBD> DAT
Lineage:
D8> 7 pin/digi coax> Montego II
Taper Notes:
View NotesSBD> DAT; via D. DiProsa; Transfer: D8> 7 pin/digi coax> Montego II digi I/O> CDWAV by D. Nawrocki
Taper: Dante DiProsa
3:02:12
SBD
Taper:
Dante DiProsa
Transferrer:
Doug Nawrocki
SHNID:
gd1993-03-27.sbd.nawrocki.555.sbeok.shnf
Source:
SBD -> DAT
Lineage:
D8 -> 7 pin/digi coax -> Montego II digi I/O -> CDWAV
Source 4 of 16
2:34:30
SHNID:
gd1993-03-27.173619.me88.rogosa.flac1648
Source 5 of 16
2:34:30
SHNID:
gd1993-03-27.152952.mtx.seamons.ht133.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro for set 1 and Soundtrack Pro for set 2 (FLAC > AIFF > Final Cut > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) August 7, 2021
Taper Notes:
View NotesNotes: Final performance of Casey Jones. The first set SBD source ran from 0.5% to 0.3% fast and was pitch corrected. Lamarre's tape brings some very nice lower bass that is virtually absent from the SBD. You can feel the Knick rumbling, especially during the second set (see Estimated). No EQ required for either source. Some initial SBD mix fluctuations in Hell In A Bucket. The SBD levels were a couple decibels low for over half of the song and were adjusted to compensate for this. The AUD briefly started out very low too and was adjusted to compensate. Subtle changes to the AUD levels were made throughout the show to find the right mix, as usual. The overall levels were significantly different between the set 1 cassette and the set 2 Dat SBD sources and were adjusted to be more similar, opting for higher levels. There was already significant clipping of the drums during Estimated Prophet and Drums in the original source, particularly in the right channel. The drums are basically what get clipped in other songs from increased levels here, but only slightly and infrequently and it is not an audible issue. Clicks removed or reduced: 7 in Hell In A Bucket, 1 in Bertha, 4 in Peggy-O, 5 in Queen Jane Approximately, 2 in Broken Arrow, 7 in Loose Lucy, 1 in Cassidy, 1 in Casey Jones, numerous in Eyes Of The World, 2 in Estimated Prophet, 9 in Comes A Time, 3 in Corrina, 1 in All Along The Watchtower, 2 in Days Between. Some static was also removed or reduced in Hell In A Bucket and Bertha. Minor anomalies remain throughout the show. There are very faint "flicking" sounds during parts of the second set, particularly during Eyes Of The World, that are part of the SBD recording (also on the official release). I was able to clean up a bunch of this.
Taper: Dave Flaschner
2:34:46
Taper:
Dave Flaschner
Transferrer:
Jeff Mitchell
SHNID:
gd1993-03-27.144223.akg460b.ck63.flac1648
Source:
AKG CK63 > AKG 460B > Custom Pre > Teac DAP-20
Lineage:
DAT(m) @48kHz > Sony PCM-R500 > Korg MR-2000S > Samplitude Pro X3 Suite > dBpoweramp Music Converter > Foobar2000 (Live Show Tagger)
Taper Notes:
View Notes- pre-emphasis was remvoed using iZotope Ozone 5 Equalizer - diginoise in Hell In A Bucket patched with #95957
Taper: Doug Lamarre
2:34:07
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1993-03-27.140009.aud.lamarre.berger.flac1648
Source:
<b>flac16/48kHz</b>; aud dat master, sennheiser 441's>denon dtr-80, taped by Doug Lamarre, transferred & seeded by Rob Berger
Taper: Jim Wise
2:34:35
Taper:
Jim Wise
Transferrer:
Jim Wise and Scott Clugston
SHNID:
gd1993-03-27.139670.fob.schoeps.wise.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Jim Wise's FOB Audience DAT > Schoeps CMC6/MK4 (hand-held ORTF) > Sonosax SX-M2 > Dat (Sony D10 Pro/48k); Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648
Taper: Fitzy
2:33:31
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1993-03-27.136688.Nak300CP4.Fitzy.Keo.Flac1644
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper: Fitzy
2:33:31
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1993-03-27.136687.Nak300CP4.Fitzy.Keo.Flac2496
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper: Dave Boedicker
2:33:59
Taper:
Dave Boedicker
Transferrer:
Dave Boedicker
SHNID:
gd1993-03-27.119209.Boedicker.flac16
Source:
Audience Recording Source:Sony D6 Cassette Master(Dolby "B" ON>Maxell MX-S Metal Cassettes)>Sony TC-D5M Cassette Deck(Playback,Dolby Off)> Edirol R-09 HR(24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders little Helper. Taped By Dave Boedicker. Official Tapers Section
Taper Notes:
View Notes1)Quality Is About A(Subjective Of Course).Samples Included. 2)Tape FLip After"Broken Arrow"(First few Seconds Missing From Beginning Of "Loose Lucy"). 3)Tape Flip During "Drums" 4)Last Ever GD Version Of "Casey Jones" Enjoy!!!!
Taper: heaton
2:38:21
Rating:
10.00 / 1 rating
Taper:
heaton
Transferrer:
Keo
SHNID:
gd1993-03-27.Nak100CP4.110577.flac24
Source:
Master Audience Nakamichi CM100/CP4 Shotguns>Sony D5>Dolby On Tapes: Maxell Metal Capsule 100's Taper:Heaton Transfer By:Keo Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6MHz Tracking/Editing/Sample Rate Conversion with AudioGate Software to 24 Bit/96kHz No Dithering on these files
Taper: Heaton
2:38:20
Rating:
7.00 / 2 ratings
Taper:
Heaton
Transferrer:
Keo
SHNID:
gd1993-03-27.Nak100CP4.110576.flac16
Source:
Master Audience Nakamichi CM100/CP4 Shotguns>Sony D5>Dolby On Tapes: Maxell Metal Capsule 100's Taper:Heaton Transfer By:Keo Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6MHz Tracking/Editing/Sample Rate Conversion with AudioGate Software to 32 Bit Float/96kHz,Dithered with Korg Aqua to 16/44
Taper: Andrew F.
2:34:22
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1993-03-27.akg.andrewf.95958.flac16
Lineage:
MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > R8Brain (to 44.1kHz) TLH > FLAC
Taper Notes:
View NotesNotes: - Sub-second glitch in Peggy-O at 4:43. - Seamless disc break.
Taper: Andrew F.
2:34:22
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1993-03-27.akg.andrewf.95957.flac1648
Lineage:
MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1648
Taper Notes:
View NotesNote: - Sub-second glitch in Peggy-O at 4:43.456.
Taper: James Young
2:36:01
Rating:
9.33 / 3 ratings
Taper:
James Young
Transferrer:
Nick Georges
SHNID:
gd93-03-27.ams-young.georges.6701.sbeok.shnf
Source:
Audience: Soundfield ST-250's
Lineage:
Soundfield ST-250's (blumlein) > Modified Sony D10 Pro-II (48k) > DAT clone (1st gen) > Sony PCM-M1 > Oade Active 7-Pin > Edirol UA-5 via s/pdif (resample) > USB > Soundforge 5 > CD Wave > mkwACT > SHN
Taper Notes:
View NotesFOB section 5, Row N, Seat 8/9 Handheld Soundfield ST-250 (in blumlein mode) > Sony D10 pro II (modified) Taped by James Young DAT clone from master > Sony PCM-M1 > Oade 7pin active cable > Edirol UA-5 (s/pdif in, hardware resample from 48 > 44.1k, USB out > SF 5.0 > CDWave (tracking) > MKW-Act (SHN, seekable) DAT transfer/encoding by [email protected]