Bands
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Bands
Grateful Dead
Today In History
June 7th
Years
1995
29.8k
PlaybackListensHours
48h822115
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h59985
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h4.5k599
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.8k353
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h8.1k1.1k
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h2.7k356
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h2.9k366
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.2k147
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.3k258
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h87296
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h1.8k212
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.1k140
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k189
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h1.8k220
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.3k301
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h5.6k618
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.2k172
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h2.3k306
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h15.9k2.2k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h3.8k523
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h79174
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.3k556
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h4.7k610
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.5k430
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2k225
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h9.4k965
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h2.3k386
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h41049
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10916
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h23318
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h493
7d1066
30d56034
2 shows
2 tapes
1993
Sources
Transferrer: Charlie Miller
2:39:29
SBD
Rating:
8.00 / 5 ratings
Transferrer:
Charlie Miller
SHNID:
gd1993-03-11.sbd.miller.120726.flac16
Source:
SBD -> Master Dat (44.1k)
Lineage:
Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Flibberty Jib On The Bippity Bop and The Island with Ken Nordine
Source 2 of 7
2:36:25
SBD
Rating:
7.23 / 15 ratings
SHNID:
gd93-03-11.sbd.wharfrat.10383.sbeok.shnf
Source:
SBD>CAS>DAT>CD
Taper Notes:
View NotesSBD>CAS>DAT>CD; Seeded to etree by wharf_ratt
Transferrer: Hunter Seamons
2:40:46
Rating:
9.00 / 6 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1993-03-11.mtx.seamons.120865.flac16
Source:
Matrix by Jubal H. Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
Taper Notes:
View Notes*with Ken Nordine Jerry Garcia - Lead Guitar, Vocals Mickey Hart - Drums Bill Kreutzmann - Drums Phil Lesh - Electric Bass, Vocals Bob Weir - Rhythm Guitar, Vocals Vince Welnick - Keyboards, Vocals *Matrix* ----------------------------------------------------------------- SBD (shnid=120726): Recording Info: SBD -> Master Dat (44.1k) Transfer Info: Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC (3 Discs Audio / 1 DVD FLAC) All Transfers and Mastering By Charlie Miller [email protected] June 13, 2012 ----------------------------------------------------------------- AUD (shnid=119637): Master Audience Recorded By Mr. Darby AKGC451EB/CK1's (DIN/Section 3 Row 48 Seat 8/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1:Sony Metal-ES,Set 2:Denon MG-X Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8) Tracks Renamed/Dithered/Flacked with Korg Aqua To 16/44 By Keo SBE's Checked/Fixed With Trader's Little Helper Metadata Tagging With Tag&Rename Comments:Another Huge Thanks out to Mr. Darby For recording and sharing his source for this final show of the Rosemont Horizon 1993 run of shows! Another excellent share from the Darby collection of Grateful Dead Master Audiences! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!! [shnid=10538 patches the cut at the beginning of Masterpiece] [3/28/12] ----------------------------------------------------------------- Thank you to Charlie Miller for the SBD transfer, to Mike Darby for recording the show on cassette, and to Keo for the AUD transfer. Matrix by Jubal H. Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) June 23, 2012 This was the first show my older brother, Ben, went to, who was the same guy who helped me get on the bus around this time, when I was 11 or 12 years old. I recall being particularly inspired after listening to a bootleg from his tape collection. The show was 9/27/72 at the Stanley Theatre, with the "Morning Dew" opener. I played that song over and over on that tape, without really venturing into the rest of the show. "Morning Dew" had such an ancient and familiar emotional quality to it, and Jerry's voice seemed timeless. The song transcended its immediate subject in the lyrics, and spoke some deeper level of age-old wisdom through the melody itself - and Jerry's guitar. It blew my mind. Anyway, last summer I was walking down Wabash Avenue in Chicago under the 'L' tracks with Ben and asked him what his first show was (not sure why it took so long to ask that question). His words: "Rosemont '93, 'Help-Slip-Frank's' opener." That was it - nothing more to explain. So, this matrix was the first time I actually listened to this show - because how can you listen to a '93 soundboard without being immediately turned off by the sound of the Grateful Dead playing into a cardboard box on the floor that's in some dark room back stage? It just doesn't make sense to hear Jerry's guitar playing to "nothing" and not reverberating in the room and ears of thousands of happy, hungry people. And NO guitar can resound in a room like Jerry's, so why not provide a more accurate picture of what went down? This makes all the difference sonically, in my opinion, and what makes it a "show" on tape. And what a show it is! I perused a bunch of reviews online, and this show appears to be one of the top-rated shows of '93. Ken Nordine doing "Flibberty Jib On The Bippity Bop"? - gotta matrix THAT voice! And how about a "Days Between" for the ages, or that scorching "Other One"? "So Many Roads" is always a treat. So dig in and have fun! I recommend adding a little bass on your EQ to make up for the '93 soundboard sterility, which is why I haven't been too keen on working with '93 tapes in the first place. But there are, of course, worthy exceptions...as in Chicago '93, and my brother's first show. JHS ----------------------------- facebook.com/GratefulDeadTrix -----------------------------
Taper: Mike Darby
2:35:26
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1993-03-11.AKG451.Darby.119637.Flac1644
Source:
Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section 3 Row 48 Seat 8/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1:Sony Metal-ES,Set 2:Denon MG-X; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked with Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View Notes* With Ken Nordine * Comments:Another Huge Thanks out to Mr. Darby For recording and sharing his source for this final show of the Rosemont Horizon 1993 run of shows! Another excellent share from the Darby collection of Grateful Dead Master Audiences! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!
Taper: Mike Darby
2:35:26
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1993-03-11.AKG451.Darby.119636.Flac2448
Source:
Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section 3 Row 48 Seat 8/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1:Sony Metal-ES,Set 2:Denon MG-X; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
Taper Notes:
View Notes* With Ken Nordine * Comments:Another Huge Thanks out to Mr. Darby For recording and sharing his source for this final show of the Rosemont Horizon 1993 run of shows! Another excellent share from the Darby collection of Grateful Dead Master Audiences! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!
Taper: Keith Litzenberger
2:41:25
Rating:
10.00 / 1 rating
Taper:
Keith Litzenberger
Transferrer:
Keith Litzenberger
SHNID:
gd1993-03-11.sennME80.wklitz.96384.flac16
Source:
Sennheiser ME-80's>Technics SV-MD1
Lineage:
DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades, Sample Rate Conversion)>CDWAV>FLAC
Transferrer: Tony G
2:40:43
Rating:
10.00 / 3 ratings
Transferrer:
Tony G
SHNID:
gd93-03-11.aud.gardner.10538.sbeok.shnf
Source:
Audience: AKG 460's
Lineage:
AKG 460's > DAT > CDR > EAC (secure) > SHN
Taper Notes:
View NotesAUD>DAT>CDR (AKG 460's); via Paul; Seeded to etree by Tony G