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Today In History
June 10th
5 shows
52 tapes
Years
1995
30.1k
PlaybackListensHours
48h61683
7d4.3k583
30d30.1k4.2k
49 shows
341 tapes
1994
9.1k
PlaybackListensHours
48h1.8k221
7d2.2k287
30d9.1k1.3k
85 shows
460 tapes
1993
39.7k
PlaybackListensHours
48h3.2k390
7d9.6k1.3k
30d39.7k5.2k
83 shows
656 tapes
1992
37.2k
PlaybackListensHours
48h2.3k300
7d5.3k681
30d37.2k4.9k
57 shows
539 tapes
1991
40k
PlaybackListensHours
48h3.2k463
7d12.5k1.7k
30d40k5.4k
78 shows
973 tapes
1990
39.4k
PlaybackListensHours
48h9.4k1.2k
7d10.6k1.4k
30d39.4k5.2k
78 shows
1,139 tapes
1989
48k
PlaybackListensHours
48h2.4k303
7d8.5k1.1k
30d48k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.2k138
7d3.4k389
30d21.8k2.5k
82 shows
882 tapes
1987
34.4k
PlaybackListensHours
48h1.8k206
7d6k654
30d34.4k3.7k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h71180
7d2.3k257
30d12.5k1.4k
47 shows
683 tapes
1985
22.1k
PlaybackListensHours
48h1.5k168
7d4.7k552
30d22.1k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h2.8k335
7d3.2k420
30d15.8k2k
67 shows
1,075 tapes
1983
33.9k
PlaybackListensHours
48h1.2k161
7d3.8k501
30d33.9k4.5k
71 shows
1,069 tapes
1982
42.3k
PlaybackListensHours
48h1.2k145
7d4.4k549
30d42.3k5.3k
63 shows
753 tapes
1981
50k
PlaybackListensHours
48h1.4k179
7d5.5k706
30d50k6.3k
92 shows
868 tapes
1980
73.6k
PlaybackListensHours
48h5k565
7d15.8k1.8k
30d73.6k8.5k
91 shows
794 tapes
1979
25.3k
PlaybackListensHours
48h1.5k224
7d3.6k507
30d25.3k3.5k
79 shows
600 tapes
1978
54.1k
PlaybackListensHours
48h1.8k237
7d11.8k1.5k
30d54.1k7.4k
87 shows
592 tapes
1977
296.5k
PlaybackListensHours
48h20.6k2.9k
7d45.5k6.3k
30d296.5k40.9k
64 shows
419 tapes
1976
51.2k
PlaybackListensHours
48h6k871
7d16.4k2.3k
30d51.2k7k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h52252
7d2.1k192
30d6.6k673
25 shows
63 tapes
1974
104k
PlaybackListensHours
48h7.4k973
7d14.3k1.8k
30d104k13.2k
42 shows
324 tapes
1973
81.1k
PlaybackListensHours
48h5.8k736
7d11.1k1.4k
30d81.1k10.3k
75 shows
445 tapes
1972
71k
PlaybackListensHours
48h2.3k288
7d8k987
30d71k8.6k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.6k182
7d5.2k585
30d34.3k3.9k
82 shows
357 tapes
1970
45.8k
PlaybackListensHours
48h2k222
7d17.9k1.8k
30d45.8k4.9k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.8k284
7d7k1.1k
30d27.1k4.1k
112 shows
326 tapes
1968
7.2k
PlaybackListensHours
48h925125
7d1.5k192
30d7.2k901
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13618
7d34448
30d1.5k213
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h28516
7d86062
30d8k535
32 shows
78 tapes
1965
594
PlaybackListensHours
48h392
7d1076
30d59434
2 shows
2 tapes
1993
1/26/93
Tuning
0:20
Picasso Moon
8:13
Row Jimmy
10:20
Wang Dang Doodle
8:06
Brown Eyed Women
5:53
Desolation Row
11:12
Ramble On Rose
8:13
Promised Land
4:47
tuning
0:51
Man Smart (Woman Smarter) ->
8:48
Eyes Of The World ->
12:37
Estimated Prophet ->
12:31
Terrapin Station ->
11:59
Jam ->
5:43
Drums** ->
11:02
Space ->
17:37
Jam * ->
2:11
The Other One * ->
6:39
Stella Blue* ->
11:01
Turn On Your Lovelight*
8:07
crowd
4:45
(e) Gloria*
7:58
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:52:31
SBD
Rating:
10.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1993-01-26.143219.sbd.cm.miller.flac1644
Source:
SBD > Dat Master > Cassette Master (Tascam 122mkIII/TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Dragon Dance during Drums -- Space thru the end of the show with Carlos Santana -- Thanks to Rob Darroch, John Ammons and Joe Noel for the patch source -- This file set is 16 bit @ 44.1
Transferrer: Charlie Miller
2:52:32
SBD
Transferrer:
Charlie Miller
SHNID:
gd1993-01-26.143161.sbd.miller.flac2496
Source:
SBD > Dat Master > Cassette Master (Tascam 122mkIII/TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Dragon Dance during Drums -- Space thru the end of the show with Carlos Santana -- Thanks to Rob Darroch, John Ammons and Joe Noel for the patch source
Source 3 of 10
2:51:14
SBD
Rating:
6.67 / 10 ratings
SHNID:
gd93-01-26.sbd.miller.26346.sbeok.shnf
Source:
SBD> Dat> Cassette Master> Dat> CD> EAC> SHN
Taper Notes:
View NotesSBD> Dat> Cassette Master> Dat> CD> EAC> SHN; Converted To SHN By Charlie Miller
Taper: Rob Darroch
1:57:51
Taper:
Rob Darroch
Transferrer:
Joe Noel and John Ammons
SHNID:
gd1993-01-26.141744.FOB.s2.Schoeps.Darroch.Ammons.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>; Set 2 Rob Darroch recording [FOB DFC]: Schoeps MK4 Capsules in hat > Bill Reutelhuber PS > Panasonic SV250. Mics worn in hat by Rob Darroch; John Ammons Transfer; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave
Taper Notes:
View NotesNotes: - Chinese Acrobats opened - Dragon Parade during Drums * w/ Carlos Santana - Happy FourTwenty!
Source 5 of 10
2:58:01
SHNID:
gd1993-01-26.141068.fob.cmc3-mk4.ebel.flac1644
Source:
<b/>flac16/44.1 </b> Source Info:FOB Schoeps CMC3 Mk4-> DAT (Traded to me as so, but not so sure)Transfer Info:Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's)Extract Wav-> Flac Level 8-> Tagged (16/44.1)Transfers by Pete Ebel
Taper Notes:
View NotesNotes: * Crowd fill before Encore from source #85933. Deck was paused (1:48:47->1:52:06) of set. * Set #2 is Seamless * Not sure why this one's sound is so off. The FOB claps are very clear, but the music is distant.
Taper: unknown
2:55:24
Transferrer:
jbraveman
SHNID:
gd1993-01-26.134781.fob.jbraveman.flac1648
Lineage:
DATx > Microtrack 24/96 16/48 > WAV > Flac (TLH)
Taper Notes:
View NotesNotes: Few edits made in Goldwave, no flaws noted, excellent upfront audience recording. DAT Transfer by [email protected] December 2015
Taper: Scott Swayne and Carl S.
2:58:53
Rating:
8.00 / 1 rating
Taper:
Scott Swayne and Carl S.
Transferrer:
Scott Swayne
SHNID:
gd1993-01-26.akg.swayne-carls.85934.flac1648
Source:
AKG 460/CK8's (2' spacing on custom T-Bar) > Marantz PMD-700 > (clone) DA-P20
Lineage:
Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8)
Taper Notes:
View Notes* with Carlos Santana ** Dragon Parade My at-the-show notes indicate some PA issues during 'Women' and 'Eyes,' most apparent in ' Women'in the form of a slight low-end resonance. This gets resolved. This is the 48k version. Down-sampling to 44.1k required for burning to audio CD. The 44.1k version was also seeded for this source. I went through all of my Oakland OTS tapes, and decided to seed this one. There's something about this show I really dig (the space actually). Trust and believe, some really crappy Oakland tapes were made (since they sounded like they were recorded from inside the crapper). I don't think this is one of them, but make no mistake, FOB's of shows at this venue are what you want when it's said-and-done. Those of us who stuck to the OTS could be divided into to groups... whose who tried to make the best of a bad taping section, and those who were just fine making their tapes up towards the nosebleed end of this wretched OTS. I was in the first group. Our mics were on the flont rail of the section. We would've used some unsuspecting show-go-er to extend our mics out over this rail if we could've been certain the 30' foot drop to the concrete below wouldn't have injured them too bad... :) Like I said, this recording is not FOB, but it's no echoey-boomy-muddy turd, either. I feel it's superior to that which is currently available on the LMA, especially with headphones on. Since we were running an extra-wide custom T-Bar, (about 2 feet from mic-to-mic), we were able to get better separation, about as good as you could do in the taping section without overdoing it and getting an unnatural-sounding image. Take it for what it's worth. FOB's will materialize someday.
Taper: Scott Swayne and Carl S.
2:58:53
Taper:
Scott Swayne and Carl S.
Transferrer:
Scott Swayne
SHNID:
gd1993-01-26.akg.swayne-carls.85933.flac16
Source:
AKG 460/CK8's (2' spacing on custom T-Bar) > Marantz PMD-700 > (clone) DA-P20
Lineage:
Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1kHz) > CDWave > FLAC (L8)
Taper Notes:
View Notes* with Carlos Santana **Dragon Parade My at-the-show notes indicate some PA issues during 'Women' and 'Eyes,' most apparent in 'Women'in the form of a slight low-end resonance. This gets resolved. ------------------ ABOUT THIS SOURCE ------------------ This is the 44.1k version. The 48k version was also seeded for this source. I went through all of my Oakland OTS tapes, and decided to seed this one. There's something about this show I really dig (the space actually). Trust and believe, some really crappy Oakland tapes were made (since they sounded like they were recorded from inside the crapper). I don't think this is one of them, but make no mistake, FOB's of shows at this venue are what you want when it's said-and-done. Those of us who stuck to the OTS could be divided into to groups... whose who tried to make the best of a bad taping section, and those who were just fine making their tapes up towards the nosebleed end of this wretched OTS. I was in the first group. Our mics were on the flont rail of the section. We would've used some unsuspecting show-go-er to extend our mics out over this rail if we could've been certain the 30' foot drop to the concrete below wouldn't have injured them too bad... :) Like I said, this recording is not FOB, but it's no echoey-boomy-muddy turd, either. I feel it's superior to that which is currently available on the LMA, especially with headphones on. Since we were running an extra-wide custom T-Bar, (about 2 feet from mic-to-mic), we were able to get better separation, about as good as you could do in the taping section without overdoing it and getting an unnatural-sounding image. Take it for what it's worth. FOB's will materialize someday.
Transferrer: Jon Seff
2:54:53
Rating:
7.20 / 5 ratings
Transferrer:
Jon Seff
SHNID:
gd93-01-26.aud.ladner.21493.sbeok.shnf
Taper Notes:
View NotesEnd of set 2 with Carlos Santana.
Transferrer: Jon Seff
5:49:45
Rating:
8.00 / 1 rating
Transferrer:
Jon Seff
SHNID:
gd1993-01-26.aud.seff.4083.shnf
Source:
AUD > DAT @48k
Lineage:
DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction)
Taper Notes:
View Notes* - w/Carlos Santana