Bands
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Bands
Grateful Dead
Today In History
June 12th
Years
1995
30.1k
PlaybackListensHours
48h53372
7d1.7k235
30d30.1k4.2k
49 shows
341 tapes
1994
10.6k
PlaybackListensHours
48h1.2k150
7d3.6k457
30d10.6k1.5k
85 shows
460 tapes
1993
41.4k
PlaybackListensHours
48h3.2k433
7d8.4k1.1k
30d41.4k5.4k
83 shows
656 tapes
1992
38.5k
PlaybackListensHours
48h3k397
7d5.9k756
30d38.5k5.1k
57 shows
538 tapes
1991
36.3k
PlaybackListensHours
48h5.5k688
7d13.7k1.9k
30d36.3k5k
78 shows
973 tapes
1990
47.4k
PlaybackListensHours
48h5.5k709
7d17.8k2.2k
30d47.4k6.1k
78 shows
1,139 tapes
1989
48.3k
PlaybackListensHours
48h2.7k340
7d7k875
30d48.3k6k
78 shows
1,017 tapes
1988
21.2k
PlaybackListensHours
48h1.1k131
7d3.3k385
30d21.2k2.4k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h3.2k359
7d5.4k604
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h993112
7d2.2k244
30d12.1k1.4k
47 shows
684 tapes
1985
22.5k
PlaybackListensHours
48h1.7k201
7d4.4k514
30d22.5k2.6k
73 shows
1,356 tapes
1984
20.5k
PlaybackListensHours
48h3.6k421
7d7.1k857
30d20.5k2.6k
67 shows
1,075 tapes
1983
29.7k
PlaybackListensHours
48h1.4k179
7d3.5k469
30d29.7k3.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.1k141
7d3.8k473
30d42.2k5.2k
63 shows
753 tapes
1981
44.6k
PlaybackListensHours
48h2k258
7d5.3k673
30d44.6k5.6k
92 shows
868 tapes
1980
70.7k
PlaybackListensHours
48h3.2k372
7d13.3k1.5k
30d70.7k8.2k
91 shows
794 tapes
1979
22.2k
PlaybackListensHours
48h1.5k208
7d3.7k527
30d22.2k3.1k
79 shows
600 tapes
1978
51k
PlaybackListensHours
48h1.8k255
7d5.2k704
30d51k7k
87 shows
592 tapes
1977
292.7k
PlaybackListensHours
48h8.8k1.2k
7d47.4k6.5k
30d292.7k40.4k
64 shows
418 tapes
1976
61.3k
PlaybackListensHours
48h19.7k2.6k
7d17.3k2.4k
30d61.3k8.4k
45 shows
298 tapes
1975
6.5k
PlaybackListensHours
48h23025
7d1.6k153
30d6.5k662
25 shows
63 tapes
1974
100.5k
PlaybackListensHours
48h3.6k476
7d14.4k1.9k
30d100.5k12.8k
42 shows
324 tapes
1973
87.2k
PlaybackListensHours
48h8.2k1.2k
7d17.5k2.3k
30d87.2k11.1k
75 shows
445 tapes
1972
67.2k
PlaybackListensHours
48h2k257
7d7.1k888
30d67.2k8.2k
88 shows
361 tapes
1971
34.1k
PlaybackListensHours
48h1.5k171
7d4.7k527
30d34.1k3.9k
82 shows
357 tapes
1970
46.3k
PlaybackListensHours
48h1.5k178
7d12.9k1.3k
30d46.3k4.9k
101 shows
375 tapes
1969
27.2k
PlaybackListensHours
48h1.3k165
7d4.9k785
30d27.2k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h46959
7d1.7k222
30d7.5k943
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h10714
7d28941
30d1.6k218
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h47330
7d77949
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h322
7d1368
30d63237
2 shows
2 tapes
1993
Sources
Transferrer: Charlie Miller
2:52:31
SBD
Rating:
10.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1993-01-26.143219.sbd.cm.miller.flac1644
Source:
SBD > Dat Master > Cassette Master (Tascam 122mkIII/TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Dragon Dance during Drums -- Space thru the end of the show with Carlos Santana -- Thanks to Rob Darroch, John Ammons and Joe Noel for the patch source -- This file set is 16 bit @ 44.1
Transferrer: Charlie Miller
2:52:32
SBD
Transferrer:
Charlie Miller
SHNID:
gd1993-01-26.143161.sbd.miller.flac2496
Source:
SBD > Dat Master > Cassette Master (Tascam 122mkIII/TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Dragon Dance during Drums -- Space thru the end of the show with Carlos Santana -- Thanks to Rob Darroch, John Ammons and Joe Noel for the patch source
Source 3 of 10
2:51:14
SBD
Rating:
6.67 / 10 ratings
SHNID:
gd93-01-26.sbd.miller.26346.sbeok.shnf
Source:
SBD> Dat> Cassette Master> Dat> CD> EAC> SHN
Taper Notes:
View NotesSBD> Dat> Cassette Master> Dat> CD> EAC> SHN; Converted To SHN By Charlie Miller
Taper: Rob Darroch
1:57:51
Taper:
Rob Darroch
Transferrer:
Joe Noel and John Ammons
SHNID:
gd1993-01-26.141744.FOB.s2.Schoeps.Darroch.Ammons.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>; Set 2 Rob Darroch recording [FOB DFC]: Schoeps MK4 Capsules in hat > Bill Reutelhuber PS > Panasonic SV250. Mics worn in hat by Rob Darroch; John Ammons Transfer; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave
Taper Notes:
View NotesNotes: - Chinese Acrobats opened - Dragon Parade during Drums * w/ Carlos Santana - Happy FourTwenty!
Source 5 of 10
2:58:01
SHNID:
gd1993-01-26.141068.fob.cmc3-mk4.ebel.flac1644
Source:
<b/>flac16/44.1 </b> Source Info:FOB Schoeps CMC3 Mk4-> DAT (Traded to me as so, but not so sure)Transfer Info:Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's)Extract Wav-> Flac Level 8-> Tagged (16/44.1)Transfers by Pete Ebel
Taper Notes:
View NotesNotes: * Crowd fill before Encore from source #85933. Deck was paused (1:48:47->1:52:06) of set. * Set #2 is Seamless * Not sure why this one's sound is so off. The FOB claps are very clear, but the music is distant.
Taper: unknown
2:55:24
Transferrer:
jbraveman
SHNID:
gd1993-01-26.134781.fob.jbraveman.flac1648
Lineage:
DATx > Microtrack 24/96 16/48 > WAV > Flac (TLH)
Taper Notes:
View NotesNotes: Few edits made in Goldwave, no flaws noted, excellent upfront audience recording. DAT Transfer by [email protected] December 2015
Taper: Scott Swayne and Carl S.
2:58:53
Rating:
8.00 / 1 rating
Taper:
Scott Swayne and Carl S.
Transferrer:
Scott Swayne
SHNID:
gd1993-01-26.akg.swayne-carls.85934.flac1648
Source:
AKG 460/CK8's (2' spacing on custom T-Bar) > Marantz PMD-700 > (clone) DA-P20
Lineage:
Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8)
Taper Notes:
View Notes* with Carlos Santana ** Dragon Parade My at-the-show notes indicate some PA issues during 'Women' and 'Eyes,' most apparent in ' Women'in the form of a slight low-end resonance. This gets resolved. This is the 48k version. Down-sampling to 44.1k required for burning to audio CD. The 44.1k version was also seeded for this source. I went through all of my Oakland OTS tapes, and decided to seed this one. There's something about this show I really dig (the space actually). Trust and believe, some really crappy Oakland tapes were made (since they sounded like they were recorded from inside the crapper). I don't think this is one of them, but make no mistake, FOB's of shows at this venue are what you want when it's said-and-done. Those of us who stuck to the OTS could be divided into to groups... whose who tried to make the best of a bad taping section, and those who were just fine making their tapes up towards the nosebleed end of this wretched OTS. I was in the first group. Our mics were on the flont rail of the section. We would've used some unsuspecting show-go-er to extend our mics out over this rail if we could've been certain the 30' foot drop to the concrete below wouldn't have injured them too bad... :) Like I said, this recording is not FOB, but it's no echoey-boomy-muddy turd, either. I feel it's superior to that which is currently available on the LMA, especially with headphones on. Since we were running an extra-wide custom T-Bar, (about 2 feet from mic-to-mic), we were able to get better separation, about as good as you could do in the taping section without overdoing it and getting an unnatural-sounding image. Take it for what it's worth. FOB's will materialize someday.
Taper: Scott Swayne and Carl S.
2:58:53
Taper:
Scott Swayne and Carl S.
Transferrer:
Scott Swayne
SHNID:
gd1993-01-26.akg.swayne-carls.85933.flac16
Source:
AKG 460/CK8's (2' spacing on custom T-Bar) > Marantz PMD-700 > (clone) DA-P20
Lineage:
Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1kHz) > CDWave > FLAC (L8)
Taper Notes:
View Notes* with Carlos Santana **Dragon Parade My at-the-show notes indicate some PA issues during 'Women' and 'Eyes,' most apparent in 'Women'in the form of a slight low-end resonance. This gets resolved. ------------------ ABOUT THIS SOURCE ------------------ This is the 44.1k version. The 48k version was also seeded for this source. I went through all of my Oakland OTS tapes, and decided to seed this one. There's something about this show I really dig (the space actually). Trust and believe, some really crappy Oakland tapes were made (since they sounded like they were recorded from inside the crapper). I don't think this is one of them, but make no mistake, FOB's of shows at this venue are what you want when it's said-and-done. Those of us who stuck to the OTS could be divided into to groups... whose who tried to make the best of a bad taping section, and those who were just fine making their tapes up towards the nosebleed end of this wretched OTS. I was in the first group. Our mics were on the flont rail of the section. We would've used some unsuspecting show-go-er to extend our mics out over this rail if we could've been certain the 30' foot drop to the concrete below wouldn't have injured them too bad... :) Like I said, this recording is not FOB, but it's no echoey-boomy-muddy turd, either. I feel it's superior to that which is currently available on the LMA, especially with headphones on. Since we were running an extra-wide custom T-Bar, (about 2 feet from mic-to-mic), we were able to get better separation, about as good as you could do in the taping section without overdoing it and getting an unnatural-sounding image. Take it for what it's worth. FOB's will materialize someday.
Transferrer: Jon Seff
2:54:53
Rating:
7.20 / 5 ratings
Transferrer:
Jon Seff
SHNID:
gd93-01-26.aud.ladner.21493.sbeok.shnf
Taper Notes:
View NotesEnd of set 2 with Carlos Santana.
Transferrer: Jon Seff
5:49:45
Rating:
8.00 / 1 rating
Transferrer:
Jon Seff
SHNID:
gd1993-01-26.aud.seff.4083.shnf
Source:
AUD > DAT @48k
Lineage:
DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction)
Taper Notes:
View Notes* - w/Carlos Santana