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Grateful Dead
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2,080
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293k
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1,864
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1,868
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311
936
248
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283
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7 Walkers
202
67
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104
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Ace Bandage
27
49
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49
tapes
Adam Deitch
395
81
shows
114
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Akron/Family
20
40
shows
43
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American Babies
28
87
shows
106
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Andrew Bird
256
125
shows
133
tapes
Andy Frasco & The UN
364
82
shows
114
tapes
Animal Collective
311
123
shows
134
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Animal Liberation Orchestra
1.8k
429
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533
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Antibalas
134
81
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92
tapes
Aquarium Rescue Unit
1.3k
159
shows
236
tapes
Aqueous
164
161
shows
248
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Assembly of Dust
604
286
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421
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Barefoot Manner
34
102
shows
107
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Bela Fleck and the Flecktones
1.4k
488
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610
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Ben Kweller
30
32
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35
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Benevento Russo Duo
247
277
shows
380
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Bernie Worrell
43
7
shows
7
tapes
Bernie Worrell and the WOO Warriors
76
27
shows
29
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Bernie Worrell Orchestra
20
19
shows
27
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Big Something
345
351
shows
522
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Billy & the Kids
2.3k
17
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61
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Billy Strings
90.2k
539
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1,056
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Blind Melon
1.7k
62
shows
76
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Blueground Undergrass
56
182
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205
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Grateful Dead
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Today In History
June 17th
8 shows
70 tapes
Years
1995
30.9k
49
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343
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1994
12.9k
85
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460
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1993
38.6k
83
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656
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1992
46.1k
57
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539
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1991
43k
78
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973
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1990
51.1k
78
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1,139
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1989
48.5k
78
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1,017
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1988
20.2k
82
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882
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1987
43k
88
shows
1,025
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1986
12.7k
47
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684
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1985
28.5k
73
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1,357
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1984
27.2k
67
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1,075
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1983
20.6k
71
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1,069
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1982
42.4k
63
shows
753
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1981
30.4k
92
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868
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1980
70.9k
91
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794
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1979
21.2k
79
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608
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1978
38k
87
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592
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1977
253k
64
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418
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1976
99.8k
45
shows
298
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1975
6.3k
25
shows
63
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1974
88.3k
42
shows
324
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1973
90.5k
75
shows
445
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1972
58.6k
88
shows
361
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1971
33.7k
82
shows
357
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1970
38.8k
101
shows
376
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1969
28.5k
112
shows
326
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1968
7.7k
41
shows
125
tapes
1967
1.7k
23
shows
55
tapes
1966
8.2k
32
shows
78
tapes
1965
638
2
shows
2
tapes
1992
SBD
12/17
SBD
Oakland-Alameda County Coliseum
Oakland, CA, USA
130
2:56:05
9
tapes
12/16
SBD
Oakland-Alameda County Coliseum
Oakland, CA, USA
107
3:35:07
12
tapes
12/13
SBD
Oakland-Alameda County Coliseum
Oakland, CA, USA
48
4:45:21
10
tapes
12/12
SBD
Oakland-Alameda County Coliseum
Oakland, CA, USA
73
2:35:22
10
tapes
12/11
SBD
Oakland-Alameda County Coliseum
Oakland, CA, USA
154
4:51:45
12
tapes
12/06
SBD
Compton Terrace Amphitheatre
Tempe, AZ, USA
221
2:40:33
13
tapes
12/05
SBD
Compton Terrace Amphitheatre
Tempe, AZ, USA
116
2:44:47
6
tapes
12/03
SBD
McNichols Sports Arena
Denver, CO, USA
18
2:33:13
9
tapes
12/02
SBD
McNichols Sports Arena
Denver, CO, USA
68
2:32:07
9
tapes
7/01
SBD
Buckeye Lake Music Center
Hebron, OH, USA
183
2:29:46
7
tapes
6/29
SBD
Deer Creek Music Center
Noblesville, IN, USA
113
2:20:08
10
tapes
6/28
SBD
Deer Creek Music Center
Noblesville, IN, USA
199
2:30:37
14
tapes
6/26
SBD
Soldier Field
Chicago, IL, USA
64
2:35:46
2
tapes
6/25
SBD
Soldier Field
Chicago, IL, USA
177
5:40:24
10
tapes
6/23
SBD
Star Lake Ampitheater
Burgettstown, PA, USA
69
2:34:46
6
tapes
6/22
SBD
Star Lake Ampitheater
Burgettstown, PA, USA
223
2:37:08
7
tapes
6/20
SBD
RFK Stadium
Washington, DC, USA
190
5:14:26
8
tapes
6/18
SBD
Charlotte Coliseum
Charlotte, NC, USA
131
2:29:25
8
tapes
6/17
SBD
Charlotte Coliseum
Charlotte, NC, USA
174
2:22:29
6
tapes
6/15
SBD
Giants Stadium
East Rutherford, NJ, USA
961
2:32:45
4
tapes
6/14
SBD
Giants Stadium
East Rutherford, NJ, USA
1.4k
2:28:12
7
tapes
6/12
SBD
Knickerbocker Arena
Albany, NY, USA
3.7k
2:47:24
24
tapes
6/11
SBD
Knickerbocker Arena
Albany, NY, USA
1.8k
2:30:33
23
tapes
6/09
SBD
Richfield Coliseum
Richfield, OH, USA
544
2:37:13
9
tapes
6/08
SBD
Richfield Coliseum
Richfield, OH, USA
1.4k
2:31:55
10
tapes
6/06
SBD
Rich Stadium
Buffalo, NY, USA
2.2k
2:45:14
15
tapes
5/31
SBD
Sam Boyd Silver Bowl, U.N.L.V.
Las Vegas, NV, USA
5.8k
2:55:43
10
tapes
5/30
SBD
Sam Boyd Silver Bowl, U.N.L.V.
Las Vegas, NV, USA
4.2k
2:35:54
9
tapes
5/29
SBD
Sam Boyd Silver Bowl, U.N.L.V.
Las Vegas, NV, USA
3.7k
2:47:48
9
tapes
5/25
SBD
Shoreline Amphitheatre
Mountain View, CA, USA
1.5k
2:20:26
8
tapes
5/24
SBD
Shoreline Amphitheatre
Mountain View, CA, USA
2.7k
2:41:34
9
tapes
5/23
SBD
Shoreline Amphitheatre
Mountain View, CA, USA
2.4k
2:40:12
8
tapes
5/21
SBD
Cal Expo
Sacramento, CA, USA
1.9k
6:04:16
11
tapes
5/20
SBD
Cal Expo
Sacramento, CA, USA
3.1k
2:31:08
12
tapes
5/19
SBD
Cal Expo
Sacramento, CA, USA
2.6k
2:45:57
10
tapes
3/24
SBD
The Palace
Auburn Hills, MI, USA
175
2:36:02
7
tapes
3/23
SBD
The Palace
Auburn Hills, MI, USA
208
2:49:44
7
tapes
3/21
SBD
Copps Coliseum
Hamilton, Ontario, Canada
229
2:22:54
11
tapes
3/20
SBD
Copps Coliseum
Hamilton, Ontario, Canada
250
2:47:04
10
tapes
3/18
SBD
The Spectrum
Philadelphia, PA, USA
156
2:59:41
11
tapes
3/17
SBD
The Spectrum
Philadelphia, PA, USA
167
2:24:12
12
tapes
3/16
SBD
The Spectrum
Philadelphia, PA, USA
150
2:55:09
15
tapes
3/13
SBD
Nassau Coliseum
Uniondale, NY, USA
145
2:36:19
9
tapes
3/12
SBD
Nassau Coliseum
Uniondale, NY, USA
97
2:31:09
10
tapes
3/11
SBD
Nassau Coliseum
Uniondale, NY, USA
184
2:35:37
12
tapes
3/09
SBD
Capital Centre
Landover, MD, USA
150
2:28:10
12
tapes
3/08
SBD
Capital Centre
Landover, MD, USA
141
2:58:13
8
tapes
3/06
SBD
Hampton Coliseum
Hampton, VA, USA
100
2:51:37
8
tapes
3/05
SBD
Hampton Coliseum
Hampton, VA, USA
221
2:41:22
9
tapes
3/03
SBD
The Omni
Atlanta, GA, USA
147
2:29:21
5
tapes
3/02
SBD
The Omni
Atlanta, GA, USA
245
2:36:37
8
tapes
3/01
SBD
The Omni
Atlanta, GA, USA
271
2:33:31
7
tapes
2/24
SBD
Oakland-Alameda County Coliseum
Oakland, CA, USA
251
2:44:32
12
tapes
2/23
SBD
Oakland-Alameda County Coliseum
Oakland, CA, USA
190
2:48:08
10
tapes
2/22
SBD
Oakland-Alameda County Coliseum
Oakland, CA, USA
152
2:45:32
8
tapes
2/21
Club Front Studio
San Rafael, CA
61
46:55
1
tape
2/13
SBD
Club Front
, San Rafael, CA
4
5:24
1
tape
12/17/92
Touch of Grey
7:43
Walkin Blues
6:13
Loser
7:48
Queen Jane Approximately
7:46
So Many Roads
6:52
The Music Never Stopped
8:38
Scarlet Begonias
5:34
Fire on the Mountain
15:15
Long Way to go Home
6:06
Corinna
9:12
Uncle John's Band
10:47
Playin' in the Band Reprise
2:51
Drums
5:49
Space
23:59
The Last Time
6:29
Here Comes Sunshine
7:07
Throwing Stones
9:32
Not Fade Away
9:33
Baba O'Reilly
3:26
Tomorrow Never Knows
4:58
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:46:17
SBD
Transferrer:
Charlie Miller
SHNID:
gd1992-12-17.140854.sbd.cm.miller.flac1644
Source:
SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View Notes
Notes: -- This file set is 16 bit
Transferrer: Charlie Miller
2:46:17
SBD
Rating:
10.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1992-12-17.140832.sbd.miller.flac2496
Source:
SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper: See info file
2:47:28
SBD
Rating:
8.00 / 3 ratings
Taper:
See info file
Transferrer:
Kevin Tobin
SHNID:
gd1992-12-17.mtx.tobin.87983.sbeok.flac16
Source:
SBD + AUD Matrix 4 Source Mix (60%-SBD/40%-AUD)
Lineage:
See info file
Taper Notes:
View Notes
Audio Source Information SBD (shnid=5552) Dan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) > absconded & confiscated by Dick Latvala : ^) > analog to digital by kingbee using Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR Thanks to Tommy Banjo & MerryPranksterTree seeded to etree by StoneBear 9/27/2001 StoneBear 9/27/2001 AUD1 (shnid=79732) Recording- Digital FOB Audience Taper: Chip Copeland Neumann km140 (110 deg. ORTF) -> Neumann Supply -> Panasonic sv255 Transfer- DAT Clone from Dat Master from collection of Todd Evans -
[email protected]
DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav May 2006 Editing Info- All editing and mastering by Jamie Waddell Wavelab 6.0 - 48/16 wav> BBE, L3 dither type1, Crystal SRC(ultra)> 44.1/16> FLAC Level8 flacfrontend SBE FREE
[email protected]
October 2006 Notes- * mid way through Fire until the first verse of Uncle John's Band patched with sbd source, shnid5552 A **GEMS Production** www.shnflac.net AUD2 (shnid=29086) Source: Set 1- A(FOB):Schoeps CMC5 MK4's>DAT(48kHz) Set 2- A: AKG 460 B's w/ CK8>DAT(48)kHz Transfer: DAT>ZA2(S/PDIF)>Samplitude2496>CD-r Tapes provided from Tom through Roger Transfer by Chris Larson (
[email protected]
) AUD3 (no shn id) 2nd Generation Video with LPCM audio supplied by Awolfoutwest --------------------------------------------------------- Tech Notes SHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & both AUD sources. Audition 2.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by
[email protected]
- FLAC conversion 26-OCT-2007 --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD .5 AUD -1.5 SET TWO Stereo Matrix SBD .5 AUD -1.5 --------------------------------------------------------- Audio Faults: 1) Between So Many Roads and The Music Never Stopped, 06.821 seconds were missing from the soundboard source and was filled in with audio from the AUD3 audience source. This portion of the audio was normalized to blend in better. 2) About 4 minutes into Fire On The Mountain, 26 minutes and 46.643 seconds were missing from the AUD1 audience source and filled in with audio from the AUD2 audience source. This portion of the audio was normalized to blend in better. 3) Between Fire On The Mountain and Long Way to go Home, 1 minute and 05.798 seconds were missing from the soundboard source and was filled in with audio from the AUD3 audience source. This portion of the audio was normalized to blend in better. 4) During Drums, 05.865 seconds were missing from the soundboard source and was filled in with audio from the AUD3 audience source. This portion of the audio was normalized to blend in better. 5) During Space, 06.743 seconds were missing from the soundboard source and was filled in with audio from the AUD3 audience source. This portion of the audio was normalized to blend in better. 6) The encore on the GEM (AUD1) had a speed problem being almost 6% slow (almost 3 seconds every minute). As no video existed for this segment, I compared to similar encore from 5/31/92 and used that as a basis to correct the speed of the GEM. The video and the GEM recording provided the timing referenece being almost exactly alike whereas the Healy sbd was slightly fast (aprox 1% or .5 seconds every 2 minutes). The first set was synced to the GEM and the 2nd set was synced to the video except the encore that was missing. Brokedown House Production
Source 4 of 9
2:45:38
SBD
Rating:
7.38 / 20 ratings
SHNID:
gd92-12-17.sbd-2track.stonebear.5552.sbeok.shnf
Source:
Soundboard
Lineage:
Dan Healy 2 track pa sbd dat master > Healy cassette > analog to digital by kingbee using Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR
Taper Notes:
View Notes
Dan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) > confiscated by Dick Latvala > analog to digital by kingbee using Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR; stemming from Tommy Banjo & MerryPranksterTree, seeded to etree by StoneBear
Transferrer: D5scott
2:24:59
Rating:
8.00 / 1 rating
Transferrer:
D5scott
SHNID:
gd1992-12-17.119222.sonicsolution.d5scott.flac16
Source:
Source: Sonic Solution DSM-1S/x microphones (up front-center) > Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > PreSonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes
notes: ** Recorded with 2 Beyer M-160 microphones. I switched microphones after Loser and went stealth. --------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: See info file
2:47:28
Rating:
6.00 / 1 rating
Taper:
See info file
Transferrer:
Kevin Tobin
SHNID:
gd1992-12-17.dts.tobin.88013.flac
Source:
See info file
Lineage:
See info file
Taper Notes:
View Notes
--------------------------------------------------------- Tech Notes SHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & both AUD sources. Audition 2.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by
[email protected]
- FLAC conversion 27-OCT-2007 --------------------------------------------------------- Audio Faults: 1) Between So Many Roads and The Music Never Stopped, 06.821 seconds were missing from the soundboard source and was filled in with audio from the AUD3 audience source. This portion of the audio was normalized to blend in better. 2) About 4 minutes into Fire On The Mountain, 26 minutes and 46.643 seconds were missing from the AUD1 audience source and filled in with audio from the AUD2 audience source. This portion of the audio was normalized to blend in better. 3) Between Fire On The Mountain and Long Way to go Home, 1 minute and 05.798 seconds were missing from the soundboard source and was filled in with audio from the AUD3 audience source. This portion of the audio was normalized to blend in better. 4) During Drums, 05.865 seconds were missing from the soundboard source and was filled in with audio from the AUD3 audience source. This portion of the audio was normalized to blend in better. 5) During Space, 06.743 seconds were missing from the soundboard source and was filled in with audio from the AUD3 audience source. This portion of the audio was normalized to blend in better. 6) The encore on the GEM (AUD1) had a speed problem being almost 6% slow (almost 3 seconds every minute). As no video existed for this segment, I compared to similar encore from 5/31/92 and used that as a basis to correct the speed of the GEM. The video and the GEM recording provided the timing referenece being almost exactly alike whereas the Healy sbd was slightly fast (aprox 1% or .5 seconds every 2 minutes). The first set was synced to the GEM and the 2nd set was synced to the video except the encore that was missing. --------------------------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -2db SBD Surround Left Channel -2db AUD Right Channel -2db AUD Sub/LFE Mixed to mono -2db SBD -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Productions
Taper: Chip Copeland
2:56:05
Rating:
8.00 / 3 ratings
Taper:
Chip Copeland
Transferrer:
Todd Evans and Jamie Waddell
SHNID:
gd1992-12-17.fob.neumann.copeland.gems.79732.sbeok.flac16
Source:
Neumann km140 (110 deg. ORTF) -> Neumann Supply -> Panasonic sv255
Lineage:
DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav
Taper: Unknown
2:46:42
Transferrer:
Chris Larson
SHNID:
gd1992-12-17.aud.larson.29086.sbeok.shnf
Source:
Set 1- A(FOB):Schoeps CMC5 MK4's>DAT(48kHz) Set 2- A: AKG 460 B's w/ CK8>DAT(48)kHz
Lineage:
DAT>ZA2(S/PDIF)>Samplitude2496>CD-r
Transferrer: Chris Larson
2:46:42
Rating:
10.00 / 1 rating
Transferrer:
Chris Larson
SHNID:
gd1992-12-17.aud.larson.28903.sbeok.shnf
Source:
Set 1- A(FOB):Schoeps CMC5 MK4's>DAT(48kHz) Set 2- A: AKG 460 B's w/ CK8>DAT(48)kHz
Lineage:
DAT>ZA2(S/PDIF)>Samplitude2496>CD-r