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Today In History
June 15th
7 shows
74 tapes
Years
1995
29.8k
PlaybackListensHours
48h1.4k169
7d1.1k147
30d29.8k4.1k
49 shows
343 tapes
1994
11.4k
PlaybackListensHours
48h1.7k254
7d3.2k469
30d11.4k1.6k
85 shows
460 tapes
1993
37.2k
PlaybackListensHours
48h1.8k238
7d6.1k807
30d37.2k4.9k
83 shows
656 tapes
1992
43.7k
PlaybackListensHours
48h2.7k363
7d6.7k894
30d43.7k5.8k
57 shows
539 tapes
1991
41.1k
PlaybackListensHours
48h2.7k357
7d9.1k1.2k
30d41.1k5.5k
78 shows
973 tapes
1990
47.2k
PlaybackListensHours
48h5.1k718
7d11.1k1.4k
30d47.2k6.1k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.1k268
7d6.1k752
30d47.5k5.9k
78 shows
1,017 tapes
1988
19.6k
PlaybackListensHours
48h1.2k137
7d2.7k313
30d19.6k2.3k
82 shows
882 tapes
1987
39.4k
PlaybackListensHours
48h4.4k545
7d10.4k1.2k
30d39.4k4.4k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h86199
7d2.1k240
30d12.1k1.4k
47 shows
684 tapes
1985
22.6k
PlaybackListensHours
48h6.4k736
7d3.8k444
30d22.6k2.7k
73 shows
1,357 tapes
1984
25.1k
PlaybackListensHours
48h2.4k295
7d10.2k1.2k
30d25.1k3.1k
67 shows
1,075 tapes
1983
20.5k
PlaybackListensHours
48h958121
7d2.9k375
30d20.5k2.7k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.3k163
7d2.9k357
30d41.7k5.2k
63 shows
753 tapes
1981
30.2k
PlaybackListensHours
48h1.9k241
7d4.3k544
30d30.2k3.8k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h4k455
7d12.3k1.5k
30d68.1k7.9k
91 shows
794 tapes
1979
21k
PlaybackListensHours
48h1k150
7d3.5k485
30d21k2.9k
79 shows
608 tapes
1978
38k
PlaybackListensHours
48h1.6k212
7d4.1k561
30d38k5.1k
87 shows
592 tapes
1977
263k
PlaybackListensHours
48h7.8k1.1k
7d21.8k3k
30d263k36.4k
64 shows
418 tapes
1976
85k
PlaybackListensHours
48h15.4k2.1k
7d35k4.6k
30d85k11.5k
45 shows
298 tapes
1975
6.1k
PlaybackListensHours
48h44046
7d61164
30d6.1k619
25 shows
63 tapes
1974
88.2k
PlaybackListensHours
48h3.1k400
7d8.1k1k
30d88.2k11.2k
42 shows
324 tapes
1973
88.1k
PlaybackListensHours
48h4k527
7d16.4k2.3k
30d88.1k11.3k
75 shows
445 tapes
1972
61.4k
PlaybackListensHours
48h2.5k314
7d5.1k654
30d61.4k7.5k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h1.5k165
7d3.7k417
30d33.1k3.8k
82 shows
357 tapes
1970
38.5k
PlaybackListensHours
48h1.2k148
7d3.5k413
30d38.5k4.1k
101 shows
376 tapes
1969
27.3k
PlaybackListensHours
48h1.5k238
7d2.8k384
30d27.3k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h77093
7d1.1k143
30d7.5k947
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h12517
7d22933
30d1.6k222
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h41925
7d79154
30d7.9k530
32 shows
78 tapes
1965
623
PlaybackListensHours
48h322
7d937
30d62337
2 shows
2 tapes
1992
12/17/92
Touch Of Grey
7:46
Walkin' Blues
6:21
Loser
7:45
Queen Jane Approximately
7:47
So Many Roads
7:01
The Music Never Stopped
8:24
Scarlet Begonias ->
9:53
Fire On The Mountain
12:43
Long Way To Go Home
6:15
Corrina ->
9:09
Uncle John's Band ->
8:27
Playing In The Band Reprise ->
5:23
Drums ->
9:42
Space ->
19:55
The Last Time ->
6:31
Here Comes Sunshine ->
7:03
Throwing Stones ->
9:39
Not Fade Away
9:24
Baba O'Riley ->
3:35
Tomorrow Never Knows
4:45
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:46:17
SBD
Transferrer:
Charlie Miller
SHNID:
gd1992-12-17.140854.sbd.cm.miller.flac1644
Source:
SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This file set is 16 bit
Transferrer: Charlie Miller
2:46:17
SBD
Rating:
10.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1992-12-17.140832.sbd.miller.flac2496
Source:
SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper: See info file
2:47:28
SBD
Rating:
8.00 / 3 ratings
Taper:
See info file
Transferrer:
Kevin Tobin
SHNID:
gd1992-12-17.mtx.tobin.87983.sbeok.flac16
Source:
SBD + AUD Matrix 4 Source Mix (60%-SBD/40%-AUD)
Lineage:
See info file
Taper Notes:
View NotesAudio Source Information SBD (shnid=5552) Dan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) > absconded & confiscated by Dick Latvala : ^) > analog to digital by kingbee using Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR Thanks to Tommy Banjo & MerryPranksterTree seeded to etree by StoneBear 9/27/2001 StoneBear 9/27/2001 AUD1 (shnid=79732) Recording- Digital FOB Audience Taper: Chip Copeland Neumann km140 (110 deg. ORTF) -> Neumann Supply -> Panasonic sv255 Transfer- DAT Clone from Dat Master from collection of Todd Evans - [email protected] DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav May 2006 Editing Info- All editing and mastering by Jamie Waddell Wavelab 6.0 - 48/16 wav> BBE, L3 dither type1, Crystal SRC(ultra)> 44.1/16> FLAC Level8 flacfrontend SBE FREE [email protected] October 2006 Notes- * mid way through Fire until the first verse of Uncle John's Band patched with sbd source, shnid5552 A **GEMS Production** www.shnflac.net AUD2 (shnid=29086) Source: Set 1- A(FOB):Schoeps CMC5 MK4's>DAT(48kHz) Set 2- A: AKG 460 B's w/ CK8>DAT(48)kHz Transfer: DAT>ZA2(S/PDIF)>Samplitude2496>CD-r Tapes provided from Tom through Roger Transfer by Chris Larson ([email protected]) AUD3 (no shn id) 2nd Generation Video with LPCM audio supplied by Awolfoutwest --------------------------------------------------------- Tech Notes SHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & both AUD sources. Audition 2.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - FLAC conversion 26-OCT-2007 --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD .5 AUD -1.5 SET TWO Stereo Matrix SBD .5 AUD -1.5 --------------------------------------------------------- Audio Faults: 1) Between So Many Roads and The Music Never Stopped, 06.821 seconds were missing from the soundboard source and was filled in with audio from the AUD3 audience source. This portion of the audio was normalized to blend in better. 2) About 4 minutes into Fire On The Mountain, 26 minutes and 46.643 seconds were missing from the AUD1 audience source and filled in with audio from the AUD2 audience source. This portion of the audio was normalized to blend in better. 3) Between Fire On The Mountain and Long Way to go Home, 1 minute and 05.798 seconds were missing from the soundboard source and was filled in with audio from the AUD3 audience source. This portion of the audio was normalized to blend in better. 4) During Drums, 05.865 seconds were missing from the soundboard source and was filled in with audio from the AUD3 audience source. This portion of the audio was normalized to blend in better. 5) During Space, 06.743 seconds were missing from the soundboard source and was filled in with audio from the AUD3 audience source. This portion of the audio was normalized to blend in better. 6) The encore on the GEM (AUD1) had a speed problem being almost 6% slow (almost 3 seconds every minute). As no video existed for this segment, I compared to similar encore from 5/31/92 and used that as a basis to correct the speed of the GEM. The video and the GEM recording provided the timing referenece being almost exactly alike whereas the Healy sbd was slightly fast (aprox 1% or .5 seconds every 2 minutes). The first set was synced to the GEM and the 2nd set was synced to the video except the encore that was missing. Brokedown House Production
Source 4 of 9
2:45:38
SBD
Rating:
7.38 / 20 ratings
SHNID:
gd92-12-17.sbd-2track.stonebear.5552.sbeok.shnf
Source:
Soundboard
Lineage:
Dan Healy 2 track pa sbd dat master > Healy cassette > analog to digital by kingbee using Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR
Taper Notes:
View NotesDan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) > confiscated by Dick Latvala > analog to digital by kingbee using Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR; stemming from Tommy Banjo & MerryPranksterTree, seeded to etree by StoneBear
Transferrer: D5scott
2:24:59
Rating:
8.00 / 1 rating
Transferrer:
D5scott
SHNID:
gd1992-12-17.119222.sonicsolution.d5scott.flac16
Source:
Source: Sonic Solution DSM-1S/x microphones (up front-center) > Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > PreSonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notesnotes: ** Recorded with 2 Beyer M-160 microphones. I switched microphones after Loser and went stealth. --------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: See info file
2:47:28
Rating:
6.00 / 1 rating
Taper:
See info file
Transferrer:
Kevin Tobin
SHNID:
gd1992-12-17.dts.tobin.88013.flac
Source:
See info file
Lineage:
See info file
Taper Notes:
View Notes--------------------------------------------------------- Tech Notes SHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & both AUD sources. Audition 2.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - FLAC conversion 27-OCT-2007 --------------------------------------------------------- Audio Faults: 1) Between So Many Roads and The Music Never Stopped, 06.821 seconds were missing from the soundboard source and was filled in with audio from the AUD3 audience source. This portion of the audio was normalized to blend in better. 2) About 4 minutes into Fire On The Mountain, 26 minutes and 46.643 seconds were missing from the AUD1 audience source and filled in with audio from the AUD2 audience source. This portion of the audio was normalized to blend in better. 3) Between Fire On The Mountain and Long Way to go Home, 1 minute and 05.798 seconds were missing from the soundboard source and was filled in with audio from the AUD3 audience source. This portion of the audio was normalized to blend in better. 4) During Drums, 05.865 seconds were missing from the soundboard source and was filled in with audio from the AUD3 audience source. This portion of the audio was normalized to blend in better. 5) During Space, 06.743 seconds were missing from the soundboard source and was filled in with audio from the AUD3 audience source. This portion of the audio was normalized to blend in better. 6) The encore on the GEM (AUD1) had a speed problem being almost 6% slow (almost 3 seconds every minute). As no video existed for this segment, I compared to similar encore from 5/31/92 and used that as a basis to correct the speed of the GEM. The video and the GEM recording provided the timing referenece being almost exactly alike whereas the Healy sbd was slightly fast (aprox 1% or .5 seconds every 2 minutes). The first set was synced to the GEM and the 2nd set was synced to the video except the encore that was missing. --------------------------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -2db SBD Surround Left Channel -2db AUD Right Channel -2db AUD Sub/LFE Mixed to mono -2db SBD -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Productions
Taper: Chip Copeland
2:56:05
Rating:
8.00 / 3 ratings
Taper:
Chip Copeland
Transferrer:
Todd Evans and Jamie Waddell
SHNID:
gd1992-12-17.fob.neumann.copeland.gems.79732.sbeok.flac16
Source:
Neumann km140 (110 deg. ORTF) -> Neumann Supply -> Panasonic sv255
Lineage:
DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav
Taper: Unknown
2:46:42
Transferrer:
Chris Larson
SHNID:
gd1992-12-17.aud.larson.29086.sbeok.shnf
Source:
Set 1- A(FOB):Schoeps CMC5 MK4's>DAT(48kHz) Set 2- A: AKG 460 B's w/ CK8>DAT(48)kHz
Lineage:
DAT>ZA2(S/PDIF)>Samplitude2496>CD-r
Transferrer: Chris Larson
2:46:42
Rating:
10.00 / 1 rating
Transferrer:
Chris Larson
SHNID:
gd1992-12-17.aud.larson.28903.sbeok.shnf
Source:
Set 1- A(FOB):Schoeps CMC5 MK4's>DAT(48kHz) Set 2- A: AKG 460 B's w/ CK8>DAT(48)kHz
Lineage:
DAT>ZA2(S/PDIF)>Samplitude2496>CD-r