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Today In History
June 12th
Years
1995
30.1k
PlaybackListensHours
48h55474
7d1.7k235
30d30.1k4.2k
49 shows
341 tapes
1994
10.6k
PlaybackListensHours
48h1.5k185
7d3.6k457
30d10.6k1.5k
85 shows
460 tapes
1993
41.4k
PlaybackListensHours
48h3.2k434
7d8.4k1.1k
30d41.4k5.4k
83 shows
656 tapes
1992
38.5k
PlaybackListensHours
48h2.4k321
7d5.9k756
30d38.5k5.1k
57 shows
538 tapes
1991
36.3k
PlaybackListensHours
48h5k628
7d13.7k1.9k
30d36.3k5k
78 shows
973 tapes
1990
47.4k
PlaybackListensHours
48h7.3k910
7d17.8k2.2k
30d47.4k6.1k
78 shows
1,139 tapes
1989
48.3k
PlaybackListensHours
48h2.9k355
7d7k875
30d48.3k6k
78 shows
1,017 tapes
1988
21.2k
PlaybackListensHours
48h1.1k134
7d3.3k385
30d21.2k2.4k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.7k304
7d5.4k604
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h990112
7d2.2k244
30d12.1k1.4k
47 shows
684 tapes
1985
22.5k
PlaybackListensHours
48h1.8k213
7d4.4k514
30d22.5k2.6k
73 shows
1,356 tapes
1984
20.5k
PlaybackListensHours
48h4.2k499
7d7.1k857
30d20.5k2.6k
67 shows
1,075 tapes
1983
29.7k
PlaybackListensHours
48h1.4k178
7d3.5k469
30d29.7k3.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k147
7d3.8k473
30d42.2k5.2k
63 shows
753 tapes
1981
44.6k
PlaybackListensHours
48h2.4k301
7d5.3k673
30d44.6k5.6k
92 shows
868 tapes
1980
70.7k
PlaybackListensHours
48h2.4k275
7d13.3k1.5k
30d70.7k8.2k
91 shows
794 tapes
1979
22.2k
PlaybackListensHours
48h1.5k213
7d3.7k527
30d22.2k3.1k
79 shows
600 tapes
1978
51k
PlaybackListensHours
48h1.9k267
7d5.2k704
30d51k7k
87 shows
592 tapes
1977
292.7k
PlaybackListensHours
48h10.2k1.4k
7d47.4k6.5k
30d292.7k40.4k
64 shows
418 tapes
1976
61.3k
PlaybackListensHours
48h20.1k2.6k
7d17.3k2.4k
30d61.3k8.4k
45 shows
298 tapes
1975
6.5k
PlaybackListensHours
48h21723
7d1.6k153
30d6.5k662
25 shows
63 tapes
1974
100.5k
PlaybackListensHours
48h3.8k505
7d14.4k1.9k
30d100.5k12.8k
42 shows
324 tapes
1973
87.2k
PlaybackListensHours
48h10.2k1.4k
7d17.5k2.3k
30d87.2k11.1k
75 shows
445 tapes
1972
67.2k
PlaybackListensHours
48h2k258
7d7.1k888
30d67.2k8.2k
88 shows
361 tapes
1971
34.1k
PlaybackListensHours
48h1.7k192
7d4.7k527
30d34.1k3.9k
82 shows
357 tapes
1970
46.3k
PlaybackListensHours
48h1.6k190
7d12.9k1.3k
30d46.3k4.9k
101 shows
375 tapes
1969
27.2k
PlaybackListensHours
48h1.3k170
7d4.9k785
30d27.2k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h56972
7d1.7k222
30d7.5k943
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h9114
7d28941
30d1.6k218
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h49432
7d77949
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h504
7d1368
30d63237
2 shows
2 tapes
1992
12/17/92
Touch of Grey
7:46
Walkin Blues
6:21
Loser
7:45
Queen Jane Approximately
7:47
So Many Roads
7:01
Music Never Stopped (end set)
8:24
Scarlet Begonias>
9:53
Fire on the Mountain
12:43
Long Way to go Home
6:15
Corinna>
9:09
Uncle John's Band>
8:27
Playing In The Band Reprise ->
5:23
Drums>
9:42
Space>
19:55
The Last Time>
6:31
Here Comes Sunshine>
7:03
Throwing Stones>
9:39
Not Fade Away
9:24
Baba O'Reilly>
3:35
Tomorrow Never Knows
4:45
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:46:17
SBD
Transferrer:
Charlie Miller
SHNID:
gd1992-12-17.140854.sbd.cm.miller.flac1644
Source:
SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This file set is 16 bit
Transferrer: Charlie Miller
2:46:17
SBD
Rating:
10.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1992-12-17.140832.sbd.miller.flac2496
Source:
SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper: See info file
2:47:28
SBD
Rating:
8.00 / 3 ratings
Taper:
See info file
Transferrer:
Kevin Tobin
SHNID:
gd1992-12-17.mtx.tobin.87983.sbeok.flac16
Source:
SBD + AUD Matrix 4 Source Mix (60%-SBD/40%-AUD)
Lineage:
See info file
Taper Notes:
View NotesAudio Source Information SBD (shnid=5552) Dan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) > absconded & confiscated by Dick Latvala : ^) > analog to digital by kingbee using Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR Thanks to Tommy Banjo & MerryPranksterTree seeded to etree by StoneBear 9/27/2001 StoneBear 9/27/2001 AUD1 (shnid=79732) Recording- Digital FOB Audience Taper: Chip Copeland Neumann km140 (110 deg. ORTF) -> Neumann Supply -> Panasonic sv255 Transfer- DAT Clone from Dat Master from collection of Todd Evans - [email protected] DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav May 2006 Editing Info- All editing and mastering by Jamie Waddell Wavelab 6.0 - 48/16 wav> BBE, L3 dither type1, Crystal SRC(ultra)> 44.1/16> FLAC Level8 flacfrontend SBE FREE [email protected] October 2006 Notes- * mid way through Fire until the first verse of Uncle John's Band patched with sbd source, shnid5552 A **GEMS Production** www.shnflac.net AUD2 (shnid=29086) Source: Set 1- A(FOB):Schoeps CMC5 MK4's>DAT(48kHz) Set 2- A: AKG 460 B's w/ CK8>DAT(48)kHz Transfer: DAT>ZA2(S/PDIF)>Samplitude2496>CD-r Tapes provided from Tom through Roger Transfer by Chris Larson ([email protected]) AUD3 (no shn id) 2nd Generation Video with LPCM audio supplied by Awolfoutwest --------------------------------------------------------- Tech Notes SHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & both AUD sources. Audition 2.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - FLAC conversion 26-OCT-2007 --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD .5 AUD -1.5 SET TWO Stereo Matrix SBD .5 AUD -1.5 --------------------------------------------------------- Audio Faults: 1) Between So Many Roads and The Music Never Stopped, 06.821 seconds were missing from the soundboard source and was filled in with audio from the AUD3 audience source. This portion of the audio was normalized to blend in better. 2) About 4 minutes into Fire On The Mountain, 26 minutes and 46.643 seconds were missing from the AUD1 audience source and filled in with audio from the AUD2 audience source. This portion of the audio was normalized to blend in better. 3) Between Fire On The Mountain and Long Way to go Home, 1 minute and 05.798 seconds were missing from the soundboard source and was filled in with audio from the AUD3 audience source. This portion of the audio was normalized to blend in better. 4) During Drums, 05.865 seconds were missing from the soundboard source and was filled in with audio from the AUD3 audience source. This portion of the audio was normalized to blend in better. 5) During Space, 06.743 seconds were missing from the soundboard source and was filled in with audio from the AUD3 audience source. This portion of the audio was normalized to blend in better. 6) The encore on the GEM (AUD1) had a speed problem being almost 6% slow (almost 3 seconds every minute). As no video existed for this segment, I compared to similar encore from 5/31/92 and used that as a basis to correct the speed of the GEM. The video and the GEM recording provided the timing referenece being almost exactly alike whereas the Healy sbd was slightly fast (aprox 1% or .5 seconds every 2 minutes). The first set was synced to the GEM and the 2nd set was synced to the video except the encore that was missing. Brokedown House Production
Source 4 of 9
2:45:38
SBD
Rating:
7.38 / 20 ratings
SHNID:
gd92-12-17.sbd-2track.stonebear.5552.sbeok.shnf
Source:
Soundboard
Lineage:
Dan Healy 2 track pa sbd dat master > Healy cassette > analog to digital by kingbee using Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR
Taper Notes:
View NotesDan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) > confiscated by Dick Latvala > analog to digital by kingbee using Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR; stemming from Tommy Banjo & MerryPranksterTree, seeded to etree by StoneBear
Transferrer: D5scott
2:24:59
Rating:
8.00 / 1 rating
Transferrer:
D5scott
SHNID:
gd1992-12-17.119222.sonicsolution.d5scott.flac16
Source:
Source: Sonic Solution DSM-1S/x microphones (up front-center) > Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > PreSonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notesnotes: ** Recorded with 2 Beyer M-160 microphones. I switched microphones after Loser and went stealth. --------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: See info file
2:47:28
Rating:
6.00 / 1 rating
Taper:
See info file
Transferrer:
Kevin Tobin
SHNID:
gd1992-12-17.dts.tobin.88013.flac
Source:
See info file
Lineage:
See info file
Taper Notes:
View Notes--------------------------------------------------------- Tech Notes SHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & both AUD sources. Audition 2.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - FLAC conversion 27-OCT-2007 --------------------------------------------------------- Audio Faults: 1) Between So Many Roads and The Music Never Stopped, 06.821 seconds were missing from the soundboard source and was filled in with audio from the AUD3 audience source. This portion of the audio was normalized to blend in better. 2) About 4 minutes into Fire On The Mountain, 26 minutes and 46.643 seconds were missing from the AUD1 audience source and filled in with audio from the AUD2 audience source. This portion of the audio was normalized to blend in better. 3) Between Fire On The Mountain and Long Way to go Home, 1 minute and 05.798 seconds were missing from the soundboard source and was filled in with audio from the AUD3 audience source. This portion of the audio was normalized to blend in better. 4) During Drums, 05.865 seconds were missing from the soundboard source and was filled in with audio from the AUD3 audience source. This portion of the audio was normalized to blend in better. 5) During Space, 06.743 seconds were missing from the soundboard source and was filled in with audio from the AUD3 audience source. This portion of the audio was normalized to blend in better. 6) The encore on the GEM (AUD1) had a speed problem being almost 6% slow (almost 3 seconds every minute). As no video existed for this segment, I compared to similar encore from 5/31/92 and used that as a basis to correct the speed of the GEM. The video and the GEM recording provided the timing referenece being almost exactly alike whereas the Healy sbd was slightly fast (aprox 1% or .5 seconds every 2 minutes). The first set was synced to the GEM and the 2nd set was synced to the video except the encore that was missing. --------------------------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -2db SBD Surround Left Channel -2db AUD Right Channel -2db AUD Sub/LFE Mixed to mono -2db SBD -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Productions
Taper: Chip Copeland
2:56:05
Rating:
8.00 / 3 ratings
Taper:
Chip Copeland
Transferrer:
Todd Evans and Jamie Waddell
SHNID:
gd1992-12-17.fob.neumann.copeland.gems.79732.sbeok.flac16
Source:
Neumann km140 (110 deg. ORTF) -> Neumann Supply -> Panasonic sv255
Lineage:
DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav
Taper: Unknown
2:46:42
Transferrer:
Chris Larson
SHNID:
gd1992-12-17.aud.larson.29086.sbeok.shnf
Source:
Set 1- A(FOB):Schoeps CMC5 MK4's>DAT(48kHz) Set 2- A: AKG 460 B's w/ CK8>DAT(48)kHz
Lineage:
DAT>ZA2(S/PDIF)>Samplitude2496>CD-r
Transferrer: Chris Larson
2:46:42
Rating:
10.00 / 1 rating
Transferrer:
Chris Larson
SHNID:
gd1992-12-17.aud.larson.28903.sbeok.shnf
Source:
Set 1- A(FOB):Schoeps CMC5 MK4's>DAT(48kHz) Set 2- A: AKG 460 B's w/ CK8>DAT(48)kHz
Lineage:
DAT>ZA2(S/PDIF)>Samplitude2496>CD-r