Standing On The Moon-> | 1992-12-12 | Grateful Dead

2:30:49
SBD
Rating:
9.14 / 7 ratings
Transferrer:
hansokolow
SHNID:
gd1992-12-12.mtx.hansokolow.97937.flac16
Source:
matrix of SBD: shnid=5549 and AUD: shnid: set 1=23220, set 2=28878 by hansokolow using ProTools
Taper Notes:
View NotesThis is a matrix, done my hansokolow in ProTools, of the following sources:

SBD: shnid=5549
Dan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) > confiscated by Dick Latvala > analog to digital by kingbee using Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR; stemming from Tommy Banjo & MerryPranksterTree, seeded to etree by StoneBear; d2 tracked for 80 min

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AUD: shnid, set 1=23220, set 2=28878

set 1:
Source: fob 30' center(from stage) hand held cmc 4,41 ortf>canare star quad cables>koch power supply > canare star quad cables>koch modified panasonic sv-255 panasonic sv-3700>hhb 830>CD-r>EAC (secure mode)>.wav>Flac Taped and transfered (DAT to Cd-r) Ed Boardman & CD-r>EAC>.wav>Flac by C Evans

set 2:
(FOB) Soundfield AMS ST250 (Blumlein) -> Nagra D Digital Reel To Reel (20 bit) -> Dat -> Dat Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Recorded By Jeff Silberman Dat Supplied By JC Mahoney Transferred By Charlie Miller

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Hansokolow's Notes:
The SBD has a fair amount of crackle and pops here and there.  I fixed some of it.  Crowd noise missing oon the SBD between Desolation Row and Birdsong.  In set 2 the right and left channels appear to be switched on the AUD, so I reversed them to match the SBD.  Quite a lot of separation between R and L on both of these recordings.  If you don't mind splitting the nice little segue between Crazy Fingers and Women Are Smarter, you could fit this on two discs.  There was a tapeflip gap on the SBD in Space from 4:20 to 4:32.  Some track breaks on the SBD needed some space added to match the DAUD, as if a small bit was missing.  I tried to smooth over these breaks, but since there's a fair amount of hiss on the SBD, the momentary absence of that hiss makes it noticeable.  Both sources had a fadeout during the break before the encore, I there wasn't any overlap, so here the DAUD fades out, and then the SBD fades immediately in, with the DAUD coming back a little later.  This is all crowd and tuning, no music is affected.

I saw this show with my dad and step-mom, and my step-mom and I took acid.  She had a nice, easy time of it, though she hadn't tripped in maybe twenty years, while I went into it confident, yet had a deep, mind-expanding experience, which was far from easy.  My main memory was that at some point during Space, I saw the Goddess in the room, swirling overhead.  That's how I remember it, anyway.  It was also pretty intense when they played my first Dark Star.