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June 16th
5 shows
82 tapes
Years
1995
30.1k
49 shows
343 tapes
1994
12.7k
85 shows
460 tapes
1993
38k
83 shows
656 tapes
1992
45.1k
57 shows
539 tapes
1991
43k
78 shows
973 tapes
1990
48.5k
78 shows
1,139 tapes
1989
48.9k
78 shows
1,017 tapes
1988
20.3k
82 shows
882 tapes
1987
42.7k
88 shows
1,025 tapes
1986
12.5k
47 shows
684 tapes
1985
24.7k
73 shows
1,357 tapes
1984
27k
67 shows
1,075 tapes
1983
21k
71 shows
1,069 tapes
1982
42.4k
63 shows
753 tapes
1981
31.2k
92 shows
868 tapes
1980
71.1k
91 shows
794 tapes
1979
21.7k
79 shows
608 tapes
1978
38.8k
87 shows
592 tapes
1977
267.8k
64 shows
418 tapes
1976
91.9k
45 shows
298 tapes
1975
6.3k
25 shows
63 tapes
1974
89.9k
42 shows
324 tapes
1973
90.4k
75 shows
445 tapes
1972
62.9k
88 shows
361 tapes
1971
33.7k
82 shows
357 tapes
1970
39.3k
101 shows
376 tapes
1969
28.3k
112 shows
326 tapes
1968
8.1k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8k
32 shows
78 tapes
1965
639
2 shows
2 tapes
1992
12/11/92
crowd
0:18
Cold Rain And Snow
6:27
Wang Dang Doodle
8:26
Althea
8:30
When I Paint My Masterpiece
6:15
Stagger Lee
8:45
Cassidy
6:46
Deal
7:29
Iko Iko ->
10:48
Looks Like Rain ->
9:01
Eyes Of The World ->
10:38
Corrina ->
7:49
Jam ->
5:29
Drums ->
13:12
Space ->
9:44
The Wheel ->
6:18
Stella Blue ->
8:44
Sugar Magnolia ->
6:39
Sunshine Daydream
3:57
crowd
2:21
U.S. Blues
5:42
FIN
View on archive.org
Sources
Taper: OldNeumanntapr
2:29:36
Taper:
OldNeumanntapr
Transferrer:
OldNeumanntapr
SHNID:
gd1992-12-11.168865.cm300.ont.flac1644
Source:
Nakamichi CM 300 Shotguns >Sony TC-D5M [SA 90s] OTS; SEC 109, Row O, Seat #3
Lineage:
Cassette Masters Transferred Via Denon DR-M12HR >Tascam DR100mkII (24bit/48kHz) WAV >Audacity (Amplify, Balance Levels, Track Splits, Down Sample To 16bit/44.1kHz, Minor Edits [Tape Flips] & Fades) Fix SBEs >FLAC (Level 8) + Tags Via xACT 2.53
Taper Notes:
View NotesOldNeumanntapr Notes; This was the second to last time that I recorded the Grateful Dead at the Oakland Coliseum. I recorded the 12/18/93 Dead show in the tapers section at the Coliseum but those tapes are missing from my collection. I have the ticket stub, but that's all. My friend Jack recorded the 12/18/93 show up front with the Nyquist Omni's >TCD-D3 DAT, and I'm sure that I thought his recording sounded better than mine so I most likely ditched my tapes. I couldn't find the ticket stub to the 12/11/92 show, but at least I still had the tapes in my cassette collection. I can remember being in the tapers section of the 12/18/93 Oakland show because that's when I first saw a new Sony TCD-D7 DAT recorder. I wouldn't be able to afford one until May of 1995. (I've recorded the Dead at the Oakland Coliseum Arena a lot over the years and they all seem to run together in a blur.) I always thought that 5/22/93 Shoreline was my first show mastered with my D5, but apparently this one was, because I bought the D5 from my friend Jack in late 1992 when he switched to DAT. I remember that I used the D5 to record James Cotton through the board at the SLO Vets' Hall and liked the loud headphone amp because it made it easier to monitor the sound. Thanks to my friend Dave for the use of his Denon cassette deck so could transfer all my cassette masters that hadn't been completed before. I don't believe that this show has ever been shared, or at least not for a long time.
Taper: Master Digital FOB Recording by Marcus Buick & Rob Darroch w/ assistance of John Ammons
2:35:15
Taper:
Master Digital FOB Recording by Marcus Buick & Rob Darroch w/ assistance of John Ammons
Transferrer:
Transfer by Marcus Buick Edited & Mastered using Adobe Audition (2020) by Joe Noel August 08, 2020
SHNID:
gd1992-12-11.150535.FOB.Schoeps.Buick.Darroch.Noel.t.flac1648
Source:
Schoeps MK4 CMC3mod (ORTF)> MIT shotgun XLR > TAO/Oade PS > MIT shotgun XLR > Panasonic SV250mod > Master DAT (16bit48kHz) Location, FOB, DFC. Mics handheld 5'9"-1st Set, 5'10"-2nd Set
Lineage:
Transfer: Master DAT > Panasonic SV3800 > S/PDIF(16bit48kHz) > Edirol-R4 > WAV 48/16
Taper Notes:
View NotesNotes; - Thanks to Marcus Buick & Rob Darroch for recording the show. - Thanks to Pete Oshman for the use of the SV3800 - Thanks to John Ammons for coordinating this - Set I is an upgrade to shnid 141731
Taper: Jeff Silberman
2:35:09
Taper:
Jeff Silberman
Transferrer:
Joe Noel and John Ammons
SHNID:
gd1992-12-11.141731.FOB.Schoeps.AMS250.Silberman.Ammons.Noel-flac1648
Source:
<b>flac16/48kHz</b>; Recording info: Set I: Schoeps CMC34 (110° ORTF) > MIT Cable > TAO Research P.S. > Panasonic SV225 > DAT Recorded by John Ammons, hand held @ 5'9" FOB, center; Set II: AMS ST-250 (ambisonic mode)> 4 track Nagra D open reel 24 bit digital deck> 2 channel stereo DAT (Blumlein pattern)> DAT; Recorded by Jeff Silberman, just left of center, FOB; Transfer info: Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Transfer by John Ammons of his s1 Master DAT & s2 clone of Silberman Master DAT
Taper Notes:
View NotesPatch info: - shnid 079264 (Neumann km140) supplies - first 2 & last 2 tracks of s2 Notes: - Thanks to Ammons & Silverman recording & sharing - Thanks to John for the transfer. - Grateful for Chip Copeland's efforts & the GEMS team that provides the patch source - Sadly Iko & US Blues could not be resuscitated. - people of the earth