Bands
Featured
Bands
Grateful Dead
Today In History
June 6th
5 shows
39 tapes
Years
1995
29.2k
PlaybackListensHours
48h1.4k197
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h59083
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h5.8k786
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h2k261
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h4.6k606
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.8k366
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3.3k404
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.2k143
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.5k273
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h82293
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k235
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.4k187
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.4k181
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.9k239
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.2k279
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.9k689
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.2k179
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h3.7k482
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h12.2k1.7k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h5.4k755
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h85171
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.5k564
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.4k583
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.5k433
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.2k242
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h9.4k952
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.5k594
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h59572
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13521
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h30323
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h382
7d1277
30d57234
2 shows
2 tapes
1992
Sources
Taper: Don Pearson and Dan Healy
2:40:09
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] June 28, 2021
SHNID:
gd1992-06-12.154491.sbd.cm.miller.t.flac16
Source:
SBD > DAT Master (Panasonic SV-3700/48k) > Cassette (Tascam 122mkIII/TDK SA-X100)
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- DAT > Cassette transfer by Dick Latvala -- Thanks to Tim Dalton for the patch source -- This is 152725 2448 > 1644
Taper: Don Pearson and Dan Healy
2:40:09
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] June 28, 2021
SHNID:
gd1992-06-12.152725.sbd.miller.flac2448
Source:
SBD > DAT Master (Panasonic SV-3700/48k) > Cassette (Tascam 122mkIII/TDK SA-X100)
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- DAT > Cassette transfer by Dick Latvala -- Thanks to Tim Dalton for the patch source
Transferrer: Charlie Miller
2:40:17
SBD
Rating:
7.71 / 8 ratings
Transferrer:
Charlie Miller
SHNID:
gd1992-06-12.sbd.miller.90111.sbeok.flac16
Source:
SBD -> Dat -> Cassette Master (TDK SA-X100) D
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) ->
Taper Notes:
View Notes-- Set 2 is seamless
Transferrer: Peter Braverman and Bill Tetzeli
2:37:17
SBD
Transferrer:
Peter Braverman and Bill Tetzeli
SHNID:
gd1992-06-12.sbd.braverman-edited.83901.pitch-corrected.sbeok.flac16
Source:
MSC > cassette > DAT > CoolEdit > CD > Peak edits > SHN (shnid 15821)
Lineage:
SHN > WAV > editing in Cool Edit Pro > CD Wave (patched tracks) > shntool > FLAC
Taper Notes:
View NotesPitch correction of shnid 15821. Main Source: MSC > cassette > DAT > CoolEdit > CD > Peak edits > SHN (shnid 15821) Patch Source: (FOB)B+K 4011 > DAT > CDR/? > EAC > CDR > EAC > SHNv3 (shnid 4882) Edit: SHN > WAV > editing in Cool Edit Pro > CD Wave (patched tracks) > shntool > FLAC Main source time/pitch stretched to 104.23% to match FOB, which seems to have an all digi lineage and therefore no pitch issues. FOB patch source used to patch in drums and space. Transition between CDs 2 and 3 is seamless. Thanks to Peter Braverman for supplying the original SBD source, and Mark Fochesato for the AUD (available at LlaMA). Quality Note: The original source had EQ appied to it. There's also a warbly quality to it, whether from the EQ or cassette wow, I don't know. Slowing the speed seems to have actually made it less obvious, rather than more as I was expecting. Go figure. Edited and seeded by Bill Tetzeli ([email protected]) 6:31 PM 4/5/2007
Source 5 of 24
2:13:24
SBD
Rating:
6.44 / 9 ratings
SHNID:
gd92-06-12.sbd.braverman.15821.sbeok.shnf
Source:
Soundboard
Lineage:
SBD > Master cassette> cassette> DAT> CoolEdit> CD> Peak edits> SHN
Taper Notes:
View NotesSBD > Master cassette> cassette> DAT> CoolEdit> CD> Peak edits> SHN via Johnny Venus encoded by Peter Braverman
Taper: Dan Rogosa
2:42:27
Taper:
Dan Rogosa
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1992-06-12.169061.fixed.165919.mc.rogosa.flac1644
Source:
2x Senn ME88s (stand, OTS) > TCD-D3 > line out > TC-D5 (Dolby B) taped by Dan Rogosa
Lineage:
Transfer: MC (MX-90, 100) > Nak Dragon (no Dolby) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 11 (pitch correction, levels, DDI Codec (Dolby B @ -27.6 dBFS), patch, resample, Lin dither) > FLAC 1644
Taper Notes:
View NotesThis file set is from Dan Rogosa's master cassettes, with a short patch in space from his DAT recording from the same mics, SHNID # 165917. The audio has been pitch corrected to match the DAT. A previous seed of this recording, SHNID 165918, had a strange quirk: side A lacked treble and sounds muddy and distant compared to side B. After sending my Dragon out for restoration, a better transfer was made. Enjoy! --mhg :: 2023-11-09
Taper: Dan Rogosa
2:42:27
Taper:
Dan Rogosa
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1992-06-12.169060.fixed.165918.mc.rogosa.flac2496
Source:
2x Senn ME88s (stand, OTS) > TCD-D3 > line out > TC-D5 (Dolby B) taped by Dan Rogosa
Lineage:
Transfer: MC (MX-90, 100) > Nak Dragon (no Dolby) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 11 (pitch correction, levels, DDI Codec (Dolby B @ -27.6 dBFS), patch) > FLAC 2496
Taper Notes:
View NotesThis file set is from Dan Rogosa's master cassettes, with a short patch in space from his DAT recording from the same mics, SHNID # 165917. The audio has been pitch corrected to match the DAT. A previous seed of this recording, SHNID 165918, had a strange quirk: side A lacked treble and sounds muddy and distant compared to side B. After sending my Dragon out for restoration, a better transfer was made. Enjoy! --mhg :: 2023-11-09
Taper: Tim Dalton
2:44:57
Taper:
Tim Dalton
Transferrer:
Joe Noel and Charlie Miller
SHNID:
gd1992-06-12.145128.AUD.PCM.Composite.Dalton.Miller.Noel.t-flac1644
Source:
Set I: AKG 451eb/ck3 (FOB) > DAT (Sony D10 Pro) > PCM Set II: Neumann KMi86 (OTS) > DAT (Panasonic SV255) > PCM
Lineage:
Beta PCM (video track) digital output: Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (FLAC 16-bit/44.1k)
Taper: Dan Rogosa
2:43:01
Taper:
Dan Rogosa
Transferrer:
Mark Goldey
SHNID:
gd1992-06-12.165919.me88.mc.rogosa.flac1644
Source:
Source: 2x Senn ME88s (stand, OTS) > TCD-D3 > line out > TC-D5 (Dolby B) taped by Dan Rogosa
Lineage:
Transfer: MC (MX-90, 100) > Nak CR-7A (no Dolby) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 11 (pitch correction, levels, DDI Codec (Dolby B @ -32.5 dBFS), patch, EQ, resample, Lin dither) > FLAC 1644
Taper Notes:
View NotesThanks to Dan for taping and Charlie Miller for facilitating This file set is from Dan Rogosa's master cassettes, with a short patch in space from his DAT recording from the same mics, SHNID # 165917. The audio has been pitch corrected to match the DAT. The cassettes had a strange quirk: side A lacked treble and sounds muddy and distant compared to side B. After several transfers using different decks and azimuth adjustments, we concluded that this is just how the recordings are. Ozone EQ was used to brighten up the first side of each tape, but the sound quality changes noticeably after Black Throated Wind and at the end of the Drums. Enjoy! --mhg :: 2023-10-09
Taper: Dan Rogosa
2:43:01
Taper:
Dan Rogosa
Transferrer:
Mark Goldey
SHNID:
gd1992-06-12.165918.me88.mc.rogosa.flac2496
Source:
Source: 2x Senn ME88s (stand, OTS) > TCD-D3 > line out > TC-D5 (Dolby B) taped by Dan Rogosa
Lineage:
Transfer: MC (MX-90, 100) > Nak CR-7A (no Dolby) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 11 (pitch correction, levels, DDI Codec (Dolby B @ -32.5 dBFS), patch, EQ) > FLAC 2496
Taper Notes:
View NotesThanks to Dan for taping and Charlie Miller for facilitating This file set is from Dan Rogosa's master cassettes, with a short patch in space from his DAT recording from the same mics, SHNID # 165917. The audio has been pitch corrected to match the DAT. The cassettes had a strange quirk: side A lacked treble and sounds muddy and distant compared to side B. After several transfers using different decks and azimuth adjustments, we concluded that this is just how the recordings are. Ozone EQ was used to brighten up the first side of each tape, but the sound quality changes noticeably after Black Throated Wind and at the end of the Drums. Enjoy! --mhg :: 2023-10-09
Taper: Dan Rogosa
2:44:04
Taper:
Dan Rogosa
Transferrer:
Mark Goldey
SHNID:
gd1992-06-12.165917.me88.dat.rogosa.flac1648
Source:
2x Senn ME88s (stand, OTS) > TCD-D3 by Dan Rogosa
Lineage:
Transfer: MDAT > Fostex D-15 > Tascam DA-3000 > WAV @ 16/48 Master: Wavelab 11 (tracking, fades, levels, remove DC offset) > FLAC 1648
Taper Notes:
View NotesThanks to Dan for taping and Charlie Miller for facilitating
Taper: Doug Lamarre
2:38:40
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1992-06-12.137824.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90/100’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger
Taper: Doug Lamarre
2:38:40
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1992-06-12.137823.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90/100’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger
Taper: Dave Boedicker
2:41:21
Taper:
Dave Boedicker
Transferrer:
Dave Boedicker
SHNID:
gd1992-06-12.137492.boedicker.flac16
Source:
Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck>Sony WM-D6C Cassette Deck(Maxell MX-90 Minute Metal Tapes,1st Set,Sony SR-100 Minute Metal; Tapes, 2nd Set)>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8, Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,1st Row Official Taping Section
Taper: Fitzy
2:39:24
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1992-06-12.134968.Nak300CP4.Fitzy.Keo.Flac2496
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! There is a short second or so of tape warble at the end of Sugar Magnoila, a couple small bits missing from Drums and Attic's Of My Life.All and all another excellent share from the Fitzy collection of masters and the Grateful Dead's Summer 1992 Tour!!!!!! AS ALWAYS ENJOY!!!!!
Taper: Fitzy
2:39:24
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1992-06-12.134967.Nak300CP4.Fitzy.Keo.Flac1644
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! There is a short second or so of tape warble at the end of Sugar Magnoila, a couple small bits missing from Drums and Attic's Of My Life.All and all another excellent share from the Fitzy collection of masters and the Grateful Dead's Summer 1992 Tour!!!!!! AS ALWAYS ENJOY!!!!!
Taper: Bob Crupi
2:37:07
Taper:
Bob Crupi
Transferrer:
Bob Crupi
SHNID:
gd1992-06-12.123682.crupi.flac16
Source:
Source: OTS/DFC/Audix shotguns > Sony WM-D6 (Set 1: 90 min Denon HD8; Set 2: 100 min Denon HD8 type II/NR: on);
Lineage:
Nakamichi BX300 (Analog master/NR: off) > AudioQuest Sidewinder Cables (attenuated) > V3 (24/44.1) > Edirol UA25 > Sonar LE > Sound Forge 9.0 (convert 16 bit, tracking, added fades and normalize) > TLH (flac@8/ffp/sbe); Recorded, transferred and seeded by Bob Crupi
Taper: Dave Boedicker
2:43:26
Taper:
Dave Boedicker
Transferrer:
Dave Boedicker
SHNID:
gd1992-06-12.116279.naks.boedicker.flac16
Source:
Source: Sony D6 Cassette Master>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8. Sector Boudaries Aligned Using Traders Little Helper. Taped By Dave Boedicker, 1st Row Taper Section.
Taper Notes:
View NotesNotes: 1)Tape Flip After"Brown Eyed Woman"(No Music Missed On Next Song "Black Throated Wind") 2)Tape Flip After Drums 3)Quality IS A For The Most Part(Subjective Of Course)>Nice Crisp And Clear Sound. Enjoy!!!!
Taper: Baker
2:41:19
Taper:
Baker
Transferrer:
Keo and SIRMick
SHNID:
gd1992-06-12.nak300.baker-keo.sirmick.111080.sbeok.flac16
Source:
Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D6 > MAC (Maxell MX, 1x90, 1x100);
Lineage:
MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > iZotope RX Advanced > CD Wave > TLH > Flac 16; taped by Baker and transferred by Keo
Taper Notes:
View Notespatches: - "Jack Straw" tape problem - "Brown Eyed Women" tape flip - "Black Throated Wind" tape flip - "Drums" tape flip 3:38 - 4:27 - crowd/tuning after "Sunshine Daydream" tape paused 0:03 - 1:07 - "Attics Of My Mind" start - 0:11 patch source: Source: Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DT-Dat tape. Mics on 7-foot stand in OTS. Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7, set up in OTS. Cloned Coax SPDIF > Casio DA-7. Lineage: 1st Set MAD & 2nd Set clone > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) CD-Wave > R8Brain (to 44.1kHz) > TLH > FLAC - there is a small patch of static ? during "Sugaree" and "Brown Eyed Women" - seamless transition between discs 2 and 3 Comments: Thanks again to Mr. Baker for lending me his masters to transfer. Another awesome capture of another awesome show that I attended! Thanks also to St. Alan for the means to get this show to SIRMick to work on and to SIRMick for his DEADication and love for the music, ENJOY! Keo My thanks to the usual suspects. edited and mastered SIRMick December 2010
Taper: Baker
2:41:14
Taper:
Baker
Transferrer:
Keo and SIRMick
SHNID:
gd1992-06-12.nak300.baker-keo.sirmick.111079.flac24
Source:
Source: Master Audience > Nakamichi CM300 with CP4 caps > Sony D6 > (Maxell MX, 1x90, 1x100);
Lineage:
MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > CD Wave > TLH > Flac 24; taped by Baker and transferred by Keo
Taper Notes:
View Notespatches: - "Jack Straw" tape problem - "Brown Eyed Women" tape flip - "Black Throated Wind" tape flip - "Drums" tape flip 3:38 - 4:27 - crowd/tuning after "Sunshine Daydream" tape paused 0:03 - 1:07 - "Attics Of My Mind" start - 0:11 patch source: Source: Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DT-Dat tape. Mics on 7-foot stand in OTS. Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7, set up in OTS. Cloned Coax SPDIF > Casio DA-7. Lineage: 1st Set MAD & 2nd Set clone > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) CD-Wave > R8Brain (to 44.1kHz) > TLH > FLAC - there is a small patch of static ? during "Sugaree" and "Brown Eyed Women" Comments: Thanks again to Mr. Baker for lending me his masters to transfer.Another awesome capture of another awesome show that I attended!Thanks also to St. Alan for the means to get this show to SIRMick to work on and to SIRMick for his DEADication and love for the music, ENJOY! Keo My thanks to the usual suspects. edited and mastered SIRMick December 2010
Taper: Keith Litzenberger
2:47:24
Taper:
Keith Litzenberger
Transferrer:
Keith Litzenberger
SHNID:
gd1992-06-12.sennME80.wklitz.96095.flac16
Source:
Sennheiser MD421's>Technics SV-MD1
Lineage:
DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades,Sample Rate Conversion)>CDWAV>FLAC
Taper: Andrew F.
2:46:04
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1992-06-12.aud.andrewf.86096.flac1648
Source:
Set One: Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DT-Dat tape. Mics on 7-foot stand in OTS.%0DSet Two: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7, set up in OTS. Cloned Coax SPDIF > Casio DA-7
Lineage:
MAD/Clone > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC
Taper Notes:
View NotesNotes: - 2nd Set tape failed at show, set cloned after the show. - Soundforge used to make fades. - TLH used for FLAC compression, and making checksums. - Taped and transferred (June 2007) by Andrew F.
Taper: Andrew F
2:46:04
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1992-06-12.aud.andrewf.86095.sbeok.flac16
Source:
Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DT-Dat tape. Mics on 7-foot stand in OTS. Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7, set up in OTS. Cloned Coax SPDIF > Casio DA-7.
Lineage:
1st Set MAD & 2nd Set clone > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain (to 44.1kHz) > TLH > FLAC
Taper Notes:
View NotesNotes: - 2nd Set tape failed at show, set cloned after the show. - Break between d2t07 and d3t01 is seamless. - Soundforge used to make fades. - TLH used for SBE-OK, FLAC compression, & making checksums. - Taped and transferred (June 2007) by Andrew F.
Source 24 of 24
2:42:02
Rating:
9.25 / 8 ratings
SHNID:
gd92-06-12.bk4011.Fochesato.4882.sbeok.shnf
Source:
(FOB)B+K 4011 > DAT > CDR/? > EAC > CDR > EAC > SHNv3
Taper Notes:
View Notes(FOB)B+K 4011 > DAT > CDR/? > EAC > CDR > EAC > SHNv3; via Scott Agne