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1992
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June 16th
5 shows
82 tapes
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1995
30.1k
49 shows
343 tapes
1994
12.7k
85 shows
460 tapes
1993
38k
83 shows
656 tapes
1992
45.1k
57 shows
539 tapes
1991
43k
78 shows
973 tapes
1990
48.5k
78 shows
1,139 tapes
1989
48.9k
78 shows
1,017 tapes
1988
20.3k
82 shows
882 tapes
1987
42.7k
88 shows
1,025 tapes
1986
12.5k
47 shows
684 tapes
1985
24.7k
73 shows
1,357 tapes
1984
27k
67 shows
1,075 tapes
1983
21k
71 shows
1,069 tapes
1982
42.4k
63 shows
753 tapes
1981
31.2k
92 shows
868 tapes
1980
71.1k
91 shows
794 tapes
1979
21.7k
79 shows
608 tapes
1978
38.8k
87 shows
592 tapes
1977
267.8k
64 shows
418 tapes
1976
91.9k
45 shows
298 tapes
1975
6.3k
25 shows
63 tapes
1974
89.9k
42 shows
324 tapes
1973
90.4k
75 shows
445 tapes
1972
62.9k
88 shows
361 tapes
1971
33.7k
82 shows
357 tapes
1970
39.3k
101 shows
376 tapes
1969
28.3k
112 shows
326 tapes
1968
8.1k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8k
32 shows
78 tapes
1965
639
2 shows
2 tapes
1992
6/11/92
Tuning
2:30
Bertha
7:04
Minglewood Blues
8:10
Row Jimmy
11:42
Queen Jane Approximately
6:36
Dire Wolf
4:34
Beat It On Down The Line
3:23
Loose Lucy
7:51
The Music Never Stopped
7:52
Tuning
1:43
Foolish Heart
10:50
Playin' In The Band-> Jam->
10:24
Uncle John's Band->
11:10
Drums ->
18:02
Jam ->
10:16
I Need A Miracle ->
3:58
Wharf Rat ->
8:54
Around & Around
9:13
E: The Mighty Quinn
4:46
FIN
View on archive.org
Sources
Taper: Dan Rogosa
2:26:38
Taper:
Dan Rogosa
Transferrer:
Charlie Miller, Mark Goldey
SHNID:
gd1992-06-11.168984.fixed.165916.me88.mc.rogosa.flac1644
Source:
2x Senn ME88s (stand, OTS) > TCD-D3 > line out > TC-D5 (Dolby B) taped by Dan Rogosa
Lineage:
Transfer: MC (MX-90, 100) > Nak CR-7A (no Dolby) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 11 (pitch correction, levels, DDI Codec (Dolby B @ -27.9 dBFS), patch, resample, Lin dither) > FLAC 1644
Taper Notes:
View NotesThis file set is from Dan Rogosa's master cassettes, with a short patch in space from his DAT recording from the same mics, SHNID # 165914. The audio has been pitch corrected to match the DAT. A previous seed of this recording, SHNID 165916, had a strange quirk: side A lacked treble and sounds muddy and distant compared to side B. After sending my Dragon out for restoration, a better transfer was made. Enjoy! --mhg :: 2023-10-27
Taper: Dan Rogosa
2:26:38
Taper:
Dan Rogosa
Transferrer:
Charlie Miller, Mark Goldey
SHNID:
gd1992-06-11.168983.fixed.165915.me88.mc.rogosa.flac2496
Source:
2x Senn ME88s (stand, OTS) > TCD-D3 > line out > TC-D5 (Dolby B) taped by Dan Rogosa
Lineage:
> EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 11 (pitch correction, levels, DDI Codec (Dolby B @ -27.9 dBFS), patch) > FLAC 2496
Taper Notes:
View NotesThis file set is from Dan Rogosa's master cassettes, with a short patch in space from his DAT recording from the same mics, SHNID # 165914. The audio has been pitch corrected to match the DAT. A previous seed of this recording, SHNID 165915, had a strange quirk: side A lacked treble and sounds muddy and distant compared to side B. After sending my Dragon out for restoration, a better transfer was made. Enjoy! --mhg :: 2023-10-27
Taper: Dan Rogosa
2:26:44
Taper:
Dan Rogosa
Transferrer:
Mark Goldey
SHNID:
gd1992-06-11.165916.me88.mc.rogosa.flac1644
Source:
2x Senn ME88s (stand, OTS) > TCD-D3 by Dan Rogosa
Lineage:
Transfer: MC (MX-90, 100) > Nak CR-7A (no Dolby) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 11 (pitch correction, levels, DDI Codec (Dolby B @ -32.5 dBFS), patch, EQ, resample, Lin dither) > FLAC 1644
Taper Notes:
View NotesThis file set is from Dan Rogosa's master cassettes, with a short patch in space from his DAT recording from the same mics, SHNID # 165914. The audio has been pitch corrected to match the DAT. The cassettes had a strange quirk: side A lacked treble and sounds muddy and distant compared to side B. After several transfers using different decks and azimuth adjustments, we concluded that this is just how the recordings are. Ozone EQ was used to brighten up the first side of each tape, but the sound quality changes noticeably after Dire Wolf and during Space. Enjoy! --mhg :: 2023-10-09
Taper: Dan Rogosa
2:26:44
Taper:
Dan Rogosa
Transferrer:
Mark Goldey
SHNID:
gd1992-06-11.165915.me88.mc.rogosa.flac2496
Source:
2x Senn ME88s (stand, OTS) > TCD-D3 by Dan Rogosa
Lineage:
Transfer: MC (MX-90, 100) > Nak CR-7A (no Dolby) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 11 (pitch correction, levels, DDI Codec (Dolby B @ -32.5 dBFS), patch, EQ) > FLAC 2496
Taper Notes:
View NotesThanks to Dan for taping and Charlie Miller for facilitating. This file set is from Dan Rogosa's master cassettes, with a short patch in space from his DAT recording from the same mics, SHNID # 165914. The audio has been pitch corrected to match the DAT. The cassettes had a strange quirk: side A lacked treble and sounds muddy and distant compared to side B. After several transfers using different decks and azimuth adjustments, we concluded that this is just how the recordings are. Ozone EQ was used to brighten up the first side of each tape, but the sound quality changes noticeably after Dire Wolf and during Space. Enjoy! --mhg :: 2023-10-09
Taper: Fitzy
2:25:27
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1992-06-11.134957.Nak300CP4.Fitzy.Keo.Flac2496
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show!One small section in Foolish Heart had a three second spike in recording levels, some higher recording levels in I Need A Miracle and Around and Around.All and all another excellent share from the Fitzy collection of masters and the Grateful Dead's summer 1992 Tour!!!!!!!!!!!!! AS ALWAYS ENJOY!!!!!
Taper: Fitzy
2:25:27
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1992-06-11.134956.Nak300CP4.Fitzy.Keo.Flac1644
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show!One small section in Foolish Heart had a three second spike in recording levels, some higher recording levels in I Need A Miracle and Around and Around.All and all another excellent share from the Fitzy collection of masters and the Grateful Dead's summer 1992 Tour!!!!!!!!!!!!! AS ALWAYS ENJOY!!!!!
Taper: Baker
2:26:34
Rating:
10.00 / 1 rating
Taper:
Baker
Transferrer:
Keo and SIRMick
SHNID:
gd1992-06-11.nak300.baker-keo.sirmick.110979.sbeok.flac16
Source:
Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D6 > MAC (1 x Maxell MX-S100 + 1 x MX-S90);
Lineage:
MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > iZotope RX Advanced > CD Wave > TLH > Flac 16; taped by Baker and transferred by Keo
Taper Notes:
View Notes- PA mix problems at the start of "Bertha" - Tape flip after "Dire Wolf" crossfaded Patches: - "Foolish Heart" due to excessive distortion in this source 3:53 - 3:58 - "Space" 1:16 - 4:27 patch source: Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DG-Dat tape. Mics on 7-foot stand in OTS. (shnid 86034) Comments: Thanks to Mr. Baker for the source tapes! As with all the Knickerbocker Arena shows the boys played their best and this capture came out sweet IMO! Once again big thanks to St Alan for making it possible for me to get this show to SIRMick and to SIRMick for his mastering work for all to listen to and Enjoy! Keo Thanks to Baker, Keo and St. Alan without whom....... edited and mastered SIRMick December 2010
Taper: Baker
2:26:35
Taper:
Baker
Transferrer:
Keo and SIRMick
SHNID:
gd1992-06-11.nak300.baker-keo.sirmick.110978.flac24
Source:
Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D6 > MAC (1 x Maxell MX-S100 + 1 x MX-S90);
Lineage:
MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > CD Wave > TLH > Flac 24 taped by Baker and transferred by Keo
Taper Notes:
View Notes- PA mix problems at the start of "Bertha" - Tape flip after "Dire Wolf" crossfaded Patches: - "Foolish Heart" (due to excessive distortion in this source) 3:53 - 3:58 - "Space" 1:16 - 4:27 patch source: Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DG-Dat tape. Mics on 7-foot stand in OTS. (shnid 86034) Comments: Thanks to Mr. Baker for the source tapes! As with all the Knickerbocker Arena shows the boys played their best and this capture came out sweet IMO! Once again big thanks to St Alan for making it possible for me to get this show to SIRMick and to SIRMick for his mastering work for all to listen to and Enjoy! Keo Thanks to Baker, Keo and St. Alan without whom....... edited and mastered SIRMick December 2010