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Today In History
June 10th
Years
1995
30.1k
PlaybackListensHours
48h61583
7d4.3k583
30d30.1k4.2k
49 shows
341 tapes
1994
9.1k
PlaybackListensHours
48h1.7k223
7d2.2k287
30d9.1k1.3k
85 shows
460 tapes
1993
39.7k
PlaybackListensHours
48h2.8k344
7d9.6k1.3k
30d39.7k5.2k
83 shows
656 tapes
1992
37.2k
PlaybackListensHours
48h2k255
7d5.3k681
30d37.2k4.9k
57 shows
539 tapes
1991
40k
PlaybackListensHours
48h3k437
7d12.5k1.7k
30d40k5.4k
78 shows
973 tapes
1990
39.4k
PlaybackListensHours
48h8.8k1.1k
7d10.6k1.4k
30d39.4k5.2k
78 shows
1,139 tapes
1989
48k
PlaybackListensHours
48h2.4k294
7d8.5k1.1k
30d48k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.1k127
7d3.4k389
30d21.8k2.5k
82 shows
882 tapes
1987
34.4k
PlaybackListensHours
48h1.8k199
7d6k654
30d34.4k3.7k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h70378
7d2.3k257
30d12.5k1.4k
47 shows
684 tapes
1985
22.1k
PlaybackListensHours
48h1.5k167
7d4.7k552
30d22.1k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h3.8k445
7d3.2k420
30d15.8k2k
67 shows
1,075 tapes
1983
33.9k
PlaybackListensHours
48h1.2k156
7d3.8k501
30d33.9k4.5k
71 shows
1,069 tapes
1982
42.3k
PlaybackListensHours
48h1.1k136
7d4.4k549
30d42.3k5.3k
63 shows
753 tapes
1981
50k
PlaybackListensHours
48h1.5k189
7d5.5k706
30d50k6.3k
92 shows
868 tapes
1980
73.6k
PlaybackListensHours
48h3.5k402
7d15.8k1.8k
30d73.6k8.5k
91 shows
794 tapes
1979
25.3k
PlaybackListensHours
48h1.5k214
7d3.6k507
30d25.3k3.5k
79 shows
600 tapes
1978
54.1k
PlaybackListensHours
48h1.8k239
7d11.8k1.5k
30d54.1k7.4k
87 shows
592 tapes
1977
296.5k
PlaybackListensHours
48h18.7k2.6k
7d45.5k6.3k
30d296.5k40.9k
64 shows
419 tapes
1976
51.2k
PlaybackListensHours
48h8k1.1k
7d16.4k2.3k
30d51.2k7k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h38842
7d2.1k192
30d6.6k673
25 shows
63 tapes
1974
104k
PlaybackListensHours
48h5.5k734
7d14.3k1.8k
30d104k13.2k
42 shows
324 tapes
1973
81.1k
PlaybackListensHours
48h7.3k937
7d11.1k1.4k
30d81.1k10.3k
75 shows
445 tapes
1972
71k
PlaybackListensHours
48h2k263
7d8k987
30d71k8.6k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.7k193
7d5.2k585
30d34.3k3.9k
82 shows
357 tapes
1970
45.8k
PlaybackListensHours
48h1.7k185
7d17.9k1.8k
30d45.8k4.9k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.4k218
7d7k1.1k
30d27.1k4.1k
112 shows
326 tapes
1968
7.2k
PlaybackListensHours
48h857113
7d1.5k192
30d7.2k901
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13318
7d34448
30d1.5k213
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h32819
7d86062
30d8k535
32 shows
78 tapes
1965
594
PlaybackListensHours
48h584
7d1076
30d59434
2 shows
2 tapes
1992
6/11/92
Tuning
2:47
Bertha
7:05
Minglewood Blues
8:14
Row Jimmy
11:33
Queen Jane
7:22
Dire Wolf
4:32
Beat It On Down The Line
3:34
Loose Lucy
7:38
Music Never Stopped
7:53
Tuning
1:06
Foolish Heart
10:48
Playing In The Band
10:20
Uncle John's Band
9:31
Playing In the Band Reprise
1:40
Drumz
17:59
Space
10:26
I Need a Miracle
4:02
Wharf Rat
8:51
around & around
10:21
The Mighty Quinn
4:51
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:26:02
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] June 23, 2021
SHNID:
gd1992-06-11.154484.sbd.cm.miller.t.flac16
Source:
SBD > DAT Master (Panasonic SV-3700/48k) > Cassette (Tascam 122mkIII/TDK SA-X100)
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- DAT > Cassette transfer by Dick Latvala -- This is 152717 2496 > 1644
Taper: Don Pearson and Dan Healy
2:26:02
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] June 23, 2021
SHNID:
gd1992-06-11.152717.sbd.miller.flac2448
Source:
SBD > DAT Master (Panasonic SV-3700/48k) > Cassette (Tascam 122mkIII/TDK SA-X100)
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- DAT > Cassette transfer by Dick Latvala
Transferrer: Charlie Miller
2:26:53
SBD
Rating:
8.00 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1992-06-11.sbd.miller.90105.sbeok.flac16
Source:
SBD -> Dat -> Cassette Master (TDK SA-X100) D
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) ->
Taper Notes:
View Notes-- Set 2 is seamless
Source 4 of 23
2:25:50
SBD
Rating:
8.40 / 5 ratings
SHNID:
gd92-06-11.sbd.ladner.8069.sbeok.shnf
Source:
sbd> dat> cass> dat> cdr> wav> shnv3
Taper Notes:
View Notessbd> dat> cass> dat> cdr> wav> shnv3; via cozmic chuck, neo_levo
Taper: Dan Rogosa
2:26:38
Taper:
Dan Rogosa
Transferrer:
Charlie Miller, Mark Goldey
SHNID:
gd1992-06-11.168984.fixed.165916.me88.mc.rogosa.flac1644
Source:
2x Senn ME88s (stand, OTS) > TCD-D3 > line out > TC-D5 (Dolby B) taped by Dan Rogosa
Lineage:
Transfer: MC (MX-90, 100) > Nak CR-7A (no Dolby) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 11 (pitch correction, levels, DDI Codec (Dolby B @ -27.9 dBFS), patch, resample, Lin dither) > FLAC 1644
Taper Notes:
View NotesThis file set is from Dan Rogosa's master cassettes, with a short patch in space from his DAT recording from the same mics, SHNID # 165914. The audio has been pitch corrected to match the DAT. A previous seed of this recording, SHNID 165916, had a strange quirk: side A lacked treble and sounds muddy and distant compared to side B. After sending my Dragon out for restoration, a better transfer was made. Enjoy! --mhg :: 2023-10-27
Taper: Dan Rogosa
2:26:38
Taper:
Dan Rogosa
Transferrer:
Charlie Miller, Mark Goldey
SHNID:
gd1992-06-11.168983.fixed.165915.me88.mc.rogosa.flac2496
Source:
2x Senn ME88s (stand, OTS) > TCD-D3 > line out > TC-D5 (Dolby B) taped by Dan Rogosa
Lineage:
> EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 11 (pitch correction, levels, DDI Codec (Dolby B @ -27.9 dBFS), patch) > FLAC 2496
Taper Notes:
View NotesThis file set is from Dan Rogosa's master cassettes, with a short patch in space from his DAT recording from the same mics, SHNID # 165914. The audio has been pitch corrected to match the DAT. A previous seed of this recording, SHNID 165915, had a strange quirk: side A lacked treble and sounds muddy and distant compared to side B. After sending my Dragon out for restoration, a better transfer was made. Enjoy! --mhg :: 2023-10-27
Taper: Dan Rogosa
2:26:44
Taper:
Dan Rogosa
Transferrer:
Mark Goldey
SHNID:
gd1992-06-11.165916.me88.mc.rogosa.flac1644
Source:
2x Senn ME88s (stand, OTS) > TCD-D3 by Dan Rogosa
Lineage:
Transfer: MC (MX-90, 100) > Nak CR-7A (no Dolby) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 11 (pitch correction, levels, DDI Codec (Dolby B @ -32.5 dBFS), patch, EQ, resample, Lin dither) > FLAC 1644
Taper Notes:
View NotesThis file set is from Dan Rogosa's master cassettes, with a short patch in space from his DAT recording from the same mics, SHNID # 165914. The audio has been pitch corrected to match the DAT. The cassettes had a strange quirk: side A lacked treble and sounds muddy and distant compared to side B. After several transfers using different decks and azimuth adjustments, we concluded that this is just how the recordings are. Ozone EQ was used to brighten up the first side of each tape, but the sound quality changes noticeably after Dire Wolf and during Space. Enjoy! --mhg :: 2023-10-09
Taper: Dan Rogosa
2:26:44
Taper:
Dan Rogosa
Transferrer:
Mark Goldey
SHNID:
gd1992-06-11.165915.me88.mc.rogosa.flac2496
Source:
2x Senn ME88s (stand, OTS) > TCD-D3 by Dan Rogosa
Lineage:
Transfer: MC (MX-90, 100) > Nak CR-7A (no Dolby) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 11 (pitch correction, levels, DDI Codec (Dolby B @ -32.5 dBFS), patch, EQ) > FLAC 2496
Taper Notes:
View NotesThanks to Dan for taping and Charlie Miller for facilitating. This file set is from Dan Rogosa's master cassettes, with a short patch in space from his DAT recording from the same mics, SHNID # 165914. The audio has been pitch corrected to match the DAT. The cassettes had a strange quirk: side A lacked treble and sounds muddy and distant compared to side B. After several transfers using different decks and azimuth adjustments, we concluded that this is just how the recordings are. Ozone EQ was used to brighten up the first side of each tape, but the sound quality changes noticeably after Dire Wolf and during Space. Enjoy! --mhg :: 2023-10-09
Taper: Dan Rogosa
2:27:57
Taper:
Dan Rogosa
SHNID:
gd1992-06-11.165914.me88.dat.rogosa.flac1648
Source:
2x Senn ME88s (stand, OTS) > TCD-D3 by Dan Rogosa
Lineage:
Transfer: MDAT > Fostex D-15 > Tascam DA-3000 > WAV @ 16/48 Master: Wavelab 11 (tracking, fades, remove DC offset) > FLAC 1648
Taper Notes:
View NotesThanks to Dan for taping and Charlie Miller for facilitating
Taper: Taped By Jeff Travitz
2:30:33
Taper:
Taped By Jeff Travitz
Transferrer:
Transfers by Pete Ebel April 5, 2020
SHNID:
gd1992-06-11.149565.ts.schoeps34.travitz.ebel.flac16
Source:
TS: Schoeps CMC3 MK4-> Panasonic SV255-> DAT
Lineage:
Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1)
Taper Notes:
View NotesNotes: * All Tracks Are Seamless * Appears the PA was not on to start Bertha
Taper: Most Likely Taped By Clay Brennecke
59:52
Taper:
Most Likely Taped By Clay Brennecke
Transferrer:
Transfers by Pete Ebel April 5, 2020
SHNID:
gd1992-06-11.149564.set1.fob.BK4011.ebel.flac16
Source:
FOB B&K 4011-> Sony D10 Pro II-> DAT
Lineage:
Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1)
Taper Notes:
View NotesNotes: * All Tracks Are Seamless * Appears the PA was not on to start Bertha ***Set #1 Only***
Taper: Bob Block
2:25:17
Taper:
Bob Block
Transferrer:
bltz
SHNID:
gd1992-06-11.139452.akg568.flac2448
Source:
AKG 568s -> Oade Power Supply > Casio DA-7 Portable DAT Deck -> Sony PCM-R500 Deck -> Hosa ODL-312 Optical AES/EBU Link -> Audacity on a Macintosh, all digital end-to-end. Front row tapers, center section; Taped by Bob Block, tracked and seeded by bltz
Taper Notes:
View NotesA previously unreleased original master audience DAT.
Taper: Doug Lamarre
2:21:11
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1992-06-11.137755.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90/100’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger
Taper: Doug Lamarre
2:21:11
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1992-06-11.137754.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90/100’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger
Taper: Dave Boedicker
2:28:58
Taper:
Dave Boedicker
Transferrer:
Dave Boedicker
SHNID:
gd1992-06-11.137459.nak300.boedicker.flac16
Source:
Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck>Sony WM-D6C Cassette Deck (Maxell MX-90 Minute Metal Tapes,1st Set,Sony SR-100 Minute Metal Tapes,2nd Set)>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8, Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,1st Row Official Taping Section
Taper: Fitzy
2:25:27
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1992-06-11.134957.Nak300CP4.Fitzy.Keo.Flac2496
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show!One small section in Foolish Heart had a three second spike in recording levels, some higher recording levels in I Need A Miracle and Around and Around.All and all another excellent share from the Fitzy collection of masters and the Grateful Dead's summer 1992 Tour!!!!!!!!!!!!! AS ALWAYS ENJOY!!!!!
Taper: Fitzy
2:25:27
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1992-06-11.134956.Nak300CP4.Fitzy.Keo.Flac1644
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show!One small section in Foolish Heart had a three second spike in recording levels, some higher recording levels in I Need A Miracle and Around and Around.All and all another excellent share from the Fitzy collection of masters and the Grateful Dead's summer 1992 Tour!!!!!!!!!!!!! AS ALWAYS ENJOY!!!!!
Taper: Dave Boedicker
2:28:48
Taper:
Dave Boedicker
Transferrer:
Dave Boedicker
SHNID:
gd1992-06-11.nak.boedicker.116122.flac16
Source:
Source:Sony D6 Cassette Master(Dolby B On)>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback,Dolby Off)>Cd Wav Editor>Traders Little Helper>Flac Level 8. Sector Boundaries Aligned Using Traders Little Helper. Taped 1st Row Official Tapers Section.Taped By Dave Boedicker
Taper Notes:
View NotesNotes: 1)Quality Is About A For The Most Part(Subjective Of Course).Nice Crisp And Clear Sound 2)Tape Flip After"Queen Jane ApproximatelY"(No Music Missed On Next Song "Dire Wolf") 3)Tape Flip After "Drums" Enjoy!!!!
Taper: Baker
2:26:34
Rating:
10.00 / 1 rating
Taper:
Baker
Transferrer:
Keo and SIRMick
SHNID:
gd1992-06-11.nak300.baker-keo.sirmick.110979.sbeok.flac16
Source:
Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D6 > MAC (1 x Maxell MX-S100 + 1 x MX-S90);
Lineage:
MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > iZotope RX Advanced > CD Wave > TLH > Flac 16; taped by Baker and transferred by Keo
Taper Notes:
View Notes- PA mix problems at the start of "Bertha" - Tape flip after "Dire Wolf" crossfaded Patches: - "Foolish Heart" due to excessive distortion in this source 3:53 - 3:58 - "Space" 1:16 - 4:27 patch source: Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DG-Dat tape. Mics on 7-foot stand in OTS. (shnid 86034) Comments: Thanks to Mr. Baker for the source tapes! As with all the Knickerbocker Arena shows the boys played their best and this capture came out sweet IMO! Once again big thanks to St Alan for making it possible for me to get this show to SIRMick and to SIRMick for his mastering work for all to listen to and Enjoy! Keo Thanks to Baker, Keo and St. Alan without whom....... edited and mastered SIRMick December 2010
Taper: Baker
2:26:35
Taper:
Baker
Transferrer:
Keo and SIRMick
SHNID:
gd1992-06-11.nak300.baker-keo.sirmick.110978.flac24
Source:
Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D6 > MAC (1 x Maxell MX-S100 + 1 x MX-S90);
Lineage:
MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > CD Wave > TLH > Flac 24 taped by Baker and transferred by Keo
Taper Notes:
View Notes- PA mix problems at the start of "Bertha" - Tape flip after "Dire Wolf" crossfaded Patches: - "Foolish Heart" (due to excessive distortion in this source) 3:53 - 3:58 - "Space" 1:16 - 4:27 patch source: Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DG-Dat tape. Mics on 7-foot stand in OTS. (shnid 86034) Comments: Thanks to Mr. Baker for the source tapes! As with all the Knickerbocker Arena shows the boys played their best and this capture came out sweet IMO! Once again big thanks to St Alan for making it possible for me to get this show to SIRMick and to SIRMick for his mastering work for all to listen to and Enjoy! Keo Thanks to Baker, Keo and St. Alan without whom....... edited and mastered SIRMick December 2010
Taper: Andrew F
2:28:40
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1992-06-11.nakcm300.andrewf.86035.flac1648
Source:
Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DG-Dat tape. Mics on 7-foot stand in OTS.
Lineage:
MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (48kHz) > CD-Wave > TLH > FLAC.
Taper Notes:
View Notes- PA mix problems at the start of Bertha. - Soundforge used to make fades. - TLH used for FLAC compression, and making checksums. - Taped and transferred (June 2007) by Andrew F.
Taper: Andrew F
2:28:40
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1992-06-11.nak300.andrewf.86034.sbeok.flac16
Source:
Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DG-Dat tape. Mics on 7-foot stand in OTS.
Lineage:
MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (48kHz) > CD-Wave > R8Brain (44.1kHz) > TLH > FLAC
Taper Notes:
View NotesNotes: - PA mix problems at the start of Bertha. - To fit show onto two CDR's, end disc one after Foolish Heart. - Break between d2t05 and d3t01 is seamless. - Soundforge used to make fades. - TLH used for SBE-OK, FLAC compression, and making checksums. - Taped and transferred (June 2007) by Andrew F.
Taper: Unknown
2:29:39
Rating:
8.00 / 1 rating
SHNID:
gd92-06-11.aud.vernon.18581.sbeok.shnf
Source:
Audience Recording