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Today In History
June 7th
Years
1995
29.8k
PlaybackListensHours
48h897128
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h52976
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h5.6k755
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.6k335
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h6.3k825
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h2.9k374
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h3.1k384
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.3k156
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.5k278
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h85295
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h1.9k228
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.2k164
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.3k171
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h1.8k223
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.2k288
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h4.9k564
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.3k186
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h2.7k355
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h11.7k1.6k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h4.4k611
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h79364
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.5k566
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h4.8k631
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.6k441
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2.1k241
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h9.7k1k
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h2.8k481
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h42051
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9215
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h29221
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h432
7d1066
30d56034
2 shows
2 tapes
1992
6/11/92
Bertha
6:53
New Minglewood Blues
8:13
Row Jimmy
11:33
Queen Jane Approximately
7:22
Dire Wolf
3:29
BIODTL
3:33
Loose Lucy
7:40
The Music Never Stopped
8:01
Foolish Heart >
11:48
Playing In The Band >
10:27
Uncle John's Band >
9:46
Playing In The Band >
1:04
Drums >
13:21
Space >
15:17
I Need A Miracle >
4:00
Wharf Rat >
8:51
Around
8:14
crowd
2:13
The Mighty Quinn
4:53
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:26:02
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] June 23, 2021
SHNID:
gd1992-06-11.154484.sbd.cm.miller.t.flac16
Source:
SBD > DAT Master (Panasonic SV-3700/48k) > Cassette (Tascam 122mkIII/TDK SA-X100)
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- DAT > Cassette transfer by Dick Latvala -- This is 152717 2496 > 1644
Taper: Don Pearson and Dan Healy
2:26:02
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] June 23, 2021
SHNID:
gd1992-06-11.152717.sbd.miller.flac2448
Source:
SBD > DAT Master (Panasonic SV-3700/48k) > Cassette (Tascam 122mkIII/TDK SA-X100)
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- DAT > Cassette transfer by Dick Latvala
Transferrer: Charlie Miller
2:26:53
SBD
Rating:
8.00 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1992-06-11.sbd.miller.90105.sbeok.flac16
Source:
SBD -> Dat -> Cassette Master (TDK SA-X100) D
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) ->
Taper Notes:
View Notes-- Set 2 is seamless
Source 4 of 23
2:25:50
SBD
Rating:
8.40 / 5 ratings
SHNID:
gd92-06-11.sbd.ladner.8069.sbeok.shnf
Source:
sbd> dat> cass> dat> cdr> wav> shnv3
Taper Notes:
View Notessbd> dat> cass> dat> cdr> wav> shnv3; via cozmic chuck, neo_levo
Taper: Dan Rogosa
2:26:38
Taper:
Dan Rogosa
Transferrer:
Charlie Miller, Mark Goldey
SHNID:
gd1992-06-11.168984.fixed.165916.me88.mc.rogosa.flac1644
Source:
2x Senn ME88s (stand, OTS) > TCD-D3 > line out > TC-D5 (Dolby B) taped by Dan Rogosa
Lineage:
Transfer: MC (MX-90, 100) > Nak CR-7A (no Dolby) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 11 (pitch correction, levels, DDI Codec (Dolby B @ -27.9 dBFS), patch, resample, Lin dither) > FLAC 1644
Taper Notes:
View NotesThis file set is from Dan Rogosa's master cassettes, with a short patch in space from his DAT recording from the same mics, SHNID # 165914. The audio has been pitch corrected to match the DAT. A previous seed of this recording, SHNID 165916, had a strange quirk: side A lacked treble and sounds muddy and distant compared to side B. After sending my Dragon out for restoration, a better transfer was made. Enjoy! --mhg :: 2023-10-27
Taper: Dan Rogosa
2:26:38
Taper:
Dan Rogosa
Transferrer:
Charlie Miller, Mark Goldey
SHNID:
gd1992-06-11.168983.fixed.165915.me88.mc.rogosa.flac2496
Source:
2x Senn ME88s (stand, OTS) > TCD-D3 > line out > TC-D5 (Dolby B) taped by Dan Rogosa
Lineage:
> EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 11 (pitch correction, levels, DDI Codec (Dolby B @ -27.9 dBFS), patch) > FLAC 2496
Taper Notes:
View NotesThis file set is from Dan Rogosa's master cassettes, with a short patch in space from his DAT recording from the same mics, SHNID # 165914. The audio has been pitch corrected to match the DAT. A previous seed of this recording, SHNID 165915, had a strange quirk: side A lacked treble and sounds muddy and distant compared to side B. After sending my Dragon out for restoration, a better transfer was made. Enjoy! --mhg :: 2023-10-27
Taper: Dan Rogosa
2:26:44
Taper:
Dan Rogosa
Transferrer:
Mark Goldey
SHNID:
gd1992-06-11.165916.me88.mc.rogosa.flac1644
Source:
2x Senn ME88s (stand, OTS) > TCD-D3 by Dan Rogosa
Lineage:
Transfer: MC (MX-90, 100) > Nak CR-7A (no Dolby) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 11 (pitch correction, levels, DDI Codec (Dolby B @ -32.5 dBFS), patch, EQ, resample, Lin dither) > FLAC 1644
Taper Notes:
View NotesThis file set is from Dan Rogosa's master cassettes, with a short patch in space from his DAT recording from the same mics, SHNID # 165914. The audio has been pitch corrected to match the DAT. The cassettes had a strange quirk: side A lacked treble and sounds muddy and distant compared to side B. After several transfers using different decks and azimuth adjustments, we concluded that this is just how the recordings are. Ozone EQ was used to brighten up the first side of each tape, but the sound quality changes noticeably after Dire Wolf and during Space. Enjoy! --mhg :: 2023-10-09
Taper: Dan Rogosa
2:26:44
Taper:
Dan Rogosa
Transferrer:
Mark Goldey
SHNID:
gd1992-06-11.165915.me88.mc.rogosa.flac2496
Source:
2x Senn ME88s (stand, OTS) > TCD-D3 by Dan Rogosa
Lineage:
Transfer: MC (MX-90, 100) > Nak CR-7A (no Dolby) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 11 (pitch correction, levels, DDI Codec (Dolby B @ -32.5 dBFS), patch, EQ) > FLAC 2496
Taper Notes:
View NotesThanks to Dan for taping and Charlie Miller for facilitating. This file set is from Dan Rogosa's master cassettes, with a short patch in space from his DAT recording from the same mics, SHNID # 165914. The audio has been pitch corrected to match the DAT. The cassettes had a strange quirk: side A lacked treble and sounds muddy and distant compared to side B. After several transfers using different decks and azimuth adjustments, we concluded that this is just how the recordings are. Ozone EQ was used to brighten up the first side of each tape, but the sound quality changes noticeably after Dire Wolf and during Space. Enjoy! --mhg :: 2023-10-09
Taper: Dan Rogosa
2:27:57
Taper:
Dan Rogosa
SHNID:
gd1992-06-11.165914.me88.dat.rogosa.flac1648
Source:
2x Senn ME88s (stand, OTS) > TCD-D3 by Dan Rogosa
Lineage:
Transfer: MDAT > Fostex D-15 > Tascam DA-3000 > WAV @ 16/48 Master: Wavelab 11 (tracking, fades, remove DC offset) > FLAC 1648
Taper Notes:
View NotesThanks to Dan for taping and Charlie Miller for facilitating
Taper: Taped By Jeff Travitz
2:30:33
Taper:
Taped By Jeff Travitz
Transferrer:
Transfers by Pete Ebel April 5, 2020
SHNID:
gd1992-06-11.149565.ts.schoeps34.travitz.ebel.flac16
Source:
TS: Schoeps CMC3 MK4-> Panasonic SV255-> DAT
Lineage:
Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1)
Taper Notes:
View NotesNotes: * All Tracks Are Seamless * Appears the PA was not on to start Bertha
Taper: Most Likely Taped By Clay Brennecke
59:52
Taper:
Most Likely Taped By Clay Brennecke
Transferrer:
Transfers by Pete Ebel April 5, 2020
SHNID:
gd1992-06-11.149564.set1.fob.BK4011.ebel.flac16
Source:
FOB B&K 4011-> Sony D10 Pro II-> DAT
Lineage:
Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1)
Taper Notes:
View NotesNotes: * All Tracks Are Seamless * Appears the PA was not on to start Bertha ***Set #1 Only***
Taper: Bob Block
2:25:17
Taper:
Bob Block
Transferrer:
bltz
SHNID:
gd1992-06-11.139452.akg568.flac2448
Source:
AKG 568s -> Oade Power Supply > Casio DA-7 Portable DAT Deck -> Sony PCM-R500 Deck -> Hosa ODL-312 Optical AES/EBU Link -> Audacity on a Macintosh, all digital end-to-end. Front row tapers, center section; Taped by Bob Block, tracked and seeded by bltz
Taper Notes:
View NotesA previously unreleased original master audience DAT.
Taper: Doug Lamarre
2:21:11
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1992-06-11.137755.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90/100’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger
Taper: Doug Lamarre
2:21:11
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1992-06-11.137754.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90/100’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger
Taper: Dave Boedicker
2:28:58
Taper:
Dave Boedicker
Transferrer:
Dave Boedicker
SHNID:
gd1992-06-11.137459.nak300.boedicker.flac16
Source:
Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck>Sony WM-D6C Cassette Deck (Maxell MX-90 Minute Metal Tapes,1st Set,Sony SR-100 Minute Metal Tapes,2nd Set)>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8, Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,1st Row Official Taping Section
Taper: Fitzy
2:25:27
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1992-06-11.134957.Nak300CP4.Fitzy.Keo.Flac2496
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show!One small section in Foolish Heart had a three second spike in recording levels, some higher recording levels in I Need A Miracle and Around and Around.All and all another excellent share from the Fitzy collection of masters and the Grateful Dead's summer 1992 Tour!!!!!!!!!!!!! AS ALWAYS ENJOY!!!!!
Taper: Fitzy
2:25:27
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1992-06-11.134956.Nak300CP4.Fitzy.Keo.Flac1644
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show!One small section in Foolish Heart had a three second spike in recording levels, some higher recording levels in I Need A Miracle and Around and Around.All and all another excellent share from the Fitzy collection of masters and the Grateful Dead's summer 1992 Tour!!!!!!!!!!!!! AS ALWAYS ENJOY!!!!!
Taper: Dave Boedicker
2:28:48
Taper:
Dave Boedicker
Transferrer:
Dave Boedicker
SHNID:
gd1992-06-11.nak.boedicker.116122.flac16
Source:
Source:Sony D6 Cassette Master(Dolby B On)>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback,Dolby Off)>Cd Wav Editor>Traders Little Helper>Flac Level 8. Sector Boundaries Aligned Using Traders Little Helper. Taped 1st Row Official Tapers Section.Taped By Dave Boedicker
Taper Notes:
View NotesNotes: 1)Quality Is About A For The Most Part(Subjective Of Course).Nice Crisp And Clear Sound 2)Tape Flip After"Queen Jane ApproximatelY"(No Music Missed On Next Song "Dire Wolf") 3)Tape Flip After "Drums" Enjoy!!!!
Taper: Baker
2:26:34
Rating:
10.00 / 1 rating
Taper:
Baker
Transferrer:
Keo and SIRMick
SHNID:
gd1992-06-11.nak300.baker-keo.sirmick.110979.sbeok.flac16
Source:
Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D6 > MAC (1 x Maxell MX-S100 + 1 x MX-S90);
Lineage:
MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > iZotope RX Advanced > CD Wave > TLH > Flac 16; taped by Baker and transferred by Keo
Taper Notes:
View Notes- PA mix problems at the start of "Bertha" - Tape flip after "Dire Wolf" crossfaded Patches: - "Foolish Heart" due to excessive distortion in this source 3:53 - 3:58 - "Space" 1:16 - 4:27 patch source: Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DG-Dat tape. Mics on 7-foot stand in OTS. (shnid 86034) Comments: Thanks to Mr. Baker for the source tapes! As with all the Knickerbocker Arena shows the boys played their best and this capture came out sweet IMO! Once again big thanks to St Alan for making it possible for me to get this show to SIRMick and to SIRMick for his mastering work for all to listen to and Enjoy! Keo Thanks to Baker, Keo and St. Alan without whom....... edited and mastered SIRMick December 2010
Taper: Baker
2:26:35
Taper:
Baker
Transferrer:
Keo and SIRMick
SHNID:
gd1992-06-11.nak300.baker-keo.sirmick.110978.flac24
Source:
Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D6 > MAC (1 x Maxell MX-S100 + 1 x MX-S90);
Lineage:
MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > CD Wave > TLH > Flac 24 taped by Baker and transferred by Keo
Taper Notes:
View Notes- PA mix problems at the start of "Bertha" - Tape flip after "Dire Wolf" crossfaded Patches: - "Foolish Heart" (due to excessive distortion in this source) 3:53 - 3:58 - "Space" 1:16 - 4:27 patch source: Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DG-Dat tape. Mics on 7-foot stand in OTS. (shnid 86034) Comments: Thanks to Mr. Baker for the source tapes! As with all the Knickerbocker Arena shows the boys played their best and this capture came out sweet IMO! Once again big thanks to St Alan for making it possible for me to get this show to SIRMick and to SIRMick for his mastering work for all to listen to and Enjoy! Keo Thanks to Baker, Keo and St. Alan without whom....... edited and mastered SIRMick December 2010
Taper: Andrew F
2:28:40
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1992-06-11.nakcm300.andrewf.86035.flac1648
Source:
Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DG-Dat tape. Mics on 7-foot stand in OTS.
Lineage:
MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (48kHz) > CD-Wave > TLH > FLAC.
Taper Notes:
View Notes- PA mix problems at the start of Bertha. - Soundforge used to make fades. - TLH used for FLAC compression, and making checksums. - Taped and transferred (June 2007) by Andrew F.
Taper: Andrew F
2:28:40
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1992-06-11.nak300.andrewf.86034.sbeok.flac16
Source:
Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DG-Dat tape. Mics on 7-foot stand in OTS.
Lineage:
MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (48kHz) > CD-Wave > R8Brain (44.1kHz) > TLH > FLAC
Taper Notes:
View NotesNotes: - PA mix problems at the start of Bertha. - To fit show onto two CDR's, end disc one after Foolish Heart. - Break between d2t05 and d3t01 is seamless. - Soundforge used to make fades. - TLH used for SBE-OK, FLAC compression, and making checksums. - Taped and transferred (June 2007) by Andrew F.
Taper: Unknown
2:29:39
Rating:
8.00 / 1 rating
SHNID:
gd92-06-11.aud.vernon.18581.sbeok.shnf
Source:
Audience Recording