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Today In History
June 11th
5 shows
52 tapes
Years
1995
29.8k
PlaybackListensHours
48h51169
7d1.4k198
30d29.8k4.2k
49 shows
341 tapes
1994
9.4k
PlaybackListensHours
48h1.5k192
7d2.4k311
30d9.4k1.3k
85 shows
460 tapes
1993
40.5k
PlaybackListensHours
48h2.7k358
7d7.5k961
30d40.5k5.3k
83 shows
656 tapes
1992
37.9k
PlaybackListensHours
48h2k268
7d5.2k669
30d37.9k5k
57 shows
539 tapes
1991
35.4k
PlaybackListensHours
48h4.1k509
7d12.8k1.8k
30d35.4k4.9k
78 shows
973 tapes
1990
41.7k
PlaybackListensHours
48h7.7k957
7d12.1k1.5k
30d41.7k5.4k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.7k330
7d5.7k714
30d47k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k127
7d2.6k307
30d20.5k2.4k
82 shows
882 tapes
1987
33.1k
PlaybackListensHours
48h2.3k264
7d4.2k473
30d33.1k3.6k
88 shows
1,025 tapes
1986
11.6k
PlaybackListensHours
48h912102
7d1.7k188
30d11.6k1.3k
47 shows
684 tapes
1985
21.4k
PlaybackListensHours
48h1.8k208
7d3.4k393
30d21.4k2.5k
73 shows
1,356 tapes
1984
17.2k
PlaybackListensHours
48h4.3k512
7d3.8k475
30d17.2k2.2k
67 shows
1,075 tapes
1983
29.1k
PlaybackListensHours
48h1.2k160
7d2.9k383
30d29.1k3.8k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k145
7d3.2k389
30d41.6k5.2k
63 shows
753 tapes
1981
43.3k
PlaybackListensHours
48h2.2k281
7d4k511
30d43.3k5.4k
92 shows
868 tapes
1980
69.4k
PlaybackListensHours
48h2.2k257
7d12k1.3k
30d69.4k8.1k
91 shows
794 tapes
1979
21.4k
PlaybackListensHours
48h1.5k213
7d2.9k416
30d21.4k3k
79 shows
600 tapes
1978
50k
PlaybackListensHours
48h1.9k254
7d4.2k562
30d50k6.8k
87 shows
592 tapes
1977
285.5k
PlaybackListensHours
48h10.6k1.4k
7d40.2k5.6k
30d285.5k39.4k
64 shows
419 tapes
1976
53.8k
PlaybackListensHours
48h17.4k2.3k
7d9.8k1.4k
30d53.8k7.4k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h19321
7d1.5k143
30d6.4k651
25 shows
63 tapes
1974
98.2k
PlaybackListensHours
48h3.7k488
7d12.1k1.6k
30d98.2k12.5k
42 shows
324 tapes
1973
80.4k
PlaybackListensHours
48h10.3k1.4k
7d10.6k1.4k
30d80.4k10.2k
75 shows
445 tapes
1972
66.1k
PlaybackListensHours
48h1.9k244
7d6k751
30d66.1k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k185
7d3.8k423
30d33.2k3.8k
82 shows
357 tapes
1970
45.4k
PlaybackListensHours
48h1.6k189
7d12k1.2k
30d45.4k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h1.2k156
7d4.3k706
30d26.6k4k
112 shows
326 tapes
1968
7.1k
PlaybackListensHours
48h52767
7d1.4k179
30d7.1k900
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8012
7d25334
30d1.6k211
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h43028
7d53635
30d7.8k525
32 shows
78 tapes
1965
585
PlaybackListensHours
48h614
7d895
30d58534
2 shows
2 tapes
1992
6/6/92
Touch Of Grey
8:02
Greatest Story Ever Told
5:19
Althea
8:34
It's All Over Now
8:35
Friend Of The Devil
8:54
When I Paint My Masterpiece
6:23
Take A Step Back
1:44
Ramble On Rose
8:36
Let It Grow
12:53
Iko Iko
6:50
Estimated Prophet ->
13:36
The Same Thing
7:10
He's Gone ->
9:28
Drums ->
13:16
Space ->
7:07
The Other One ->
9:09
The Wheel ->
5:21
Throwing Stones ->
9:11
One More Saturday Night
4:55
Crowd
2:54
Baba O'Riley ->
3:11
Tomorrow Never Knows
3:50
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:40:14
SBD
Rating:
9.33 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1992-06-06.140277.sbd.cm.miller.flac1644
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- There is a really cool Spanish Jam in The Other One -- Two sets of masters were used to make this show complete -- This file set is 16 bit
Transferrer: Charlie Miller
2:40:14
SBD
Transferrer:
Charlie Miller
SHNID:
gd1992-06-06.140203.sbd.miller.flac2496
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- There is a really cool Spanish Jam in The Other One -- Two sets of masters were used to make this show complete
Source 3 of 15
1:35:56
SBD
Rating:
6.00 / 11 ratings
SHNID:
gd92-06-06.set2.sbd.herman.16815.sbeok.shnf
Source:
Soundboard Set 2 Only
Lineage:
set 2 SBD DAT>WAV>CE>CDWAV>CDR & SHN via Steve Herman (<a href= "http://db.etree.org/shninfo_detail.php?shnid=14042">previous</a> source but with sbe's fixed and made seekable) encoded by Chris Ladner
Taper Notes:
View Notesset 2 SBD DAT>WAV>CE>CDWAV>CDR & SHN via Steve Herman (<a href="http://db.etree.org/shninfo_detail.php?shnid=14042" rel="ugc nofollow">previous</a> source but with sbe's fixed and made seekable) encoded by Chris Ladner
Transferrer: DAT to CDR by Steve Herman
1:35:55
SBD
Transferrer:
DAT to CDR by Steve Herman
SHNID:
gd1992-06-06.sbd.caroselli.nerman.14042.shnf
Source:
SBD DAT>WAV>CE>CDWAV>CDR & SHN
Taper Notes:
View NotesMade appropriate fades where necessary at the beginning/end of disks & sets only. Provided for an overlap between disks as necessary. It sounds like the tape was recording during the pre set tuning, paused, then started again just as Iko Iko began. Iko Iko and Estimated Prophet are littered with static pops which were left unedited. The pops almost entirely clear up by The Same Thing. The set is hindered by a few band ear PA gestures and some non-so-needed affects by Healy. Significantly reduced 2 nasty dropouts in Iko Iko with only slight remnants of the edits. Significantly reduced a segment of digital noise near the end of Estimate Prophet with only slight remnant of the edit. Removed 2 pops from the beginning of The Wheel. Removed tick from Tomorrow Never Knows.
Taper: Michael Hessberg
2:39:51
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1992-06-06.164744.nak300.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Robert Mullen for the DAK 5245 + PZM mics matrix source which supplies a 0:25 patch in "Space" - Pitch corrected Mastered by Scott Clugston May 2023
Taper: Michael Hessberg
2:39:51
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1992-06-06.164743.nak300.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Robert Mullen for the DAK 5245 + PZM mics matrix source which supplies a 0:25 patch in "Space" - Pitch corrected Mastered by Scott Clugston May 2023
Taper: Doug Lamarre
2:33:05
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1992-06-06.137752.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90/100’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger
Taper: Doug Lamarre
2:33:05
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1992-06-06.137751.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger
Taper: Fitzy
2:38:15
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1992-06-06.134943.Nak300CP4.Fitzy.Keo.Flac2496
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! Some light wind picked uo in first set and some high recording levels in masterpiece and also near the end of set 2.All and all another excellent share from the Fitzy collection and the Grateful Dead's Summer 1992 Tour!!!! AS ALWAYS ENJOY!!!!!!!!!!
Taper: Fitzy
2:38:15
Rating:
10.00 / 1 rating
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1992-06-06.134942.Nak300CP4.Fitzy-Keo.Flac1644
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! Some light wind picked uo in first set and some high recording levels in masterpiece and also near the end of set 2.All and all another excellent share from the Fitzy collection and the Grateful Dead's Summer 1992 Tour!!!! AS ALWAYS ENJOY!!!!!!!!!!
Taper: Todd Evans
2:45:14
Taper:
Todd Evans
Transferrer:
Jamie Waddell ; remastered by eywood
SHNID:
gd1992-06-06.124862.eywood.flac16
Source:
MAD Recording - FOB DFC Audience; 1st Two Songs of Set 1: B&K4011's; Balance of Show: Schoeps CMC32's Spaced Omni's (6' Stand and 8' Spread) -> Monster M1000 Cable -> Panasonic sv255 DAT Deck 16/48; Recorded by Todd Evans; Edited by: Jamie Waddell; EQ and hard limiting, as well as reindexing disc 3 done by }{eywood
Taper Notes:
View NotesFurther EQ and hard limiting, as well as reindexing disc 3 done by }{eywood December 2008
Taper: Robert Mullen
2:37:01
Taper:
Robert Mullen
Transferrer:
Robert Mullen
SHNID:
gd1992-06-06.119035.aud.mtx.dak5245.pzm.mullen.flac16
Source:
Recorded & Transfered By: Robert Mullen; Source: Master Audience cassette; Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 channel Mixer>Sony D6C Portable Stereo Cassette Recorder
Lineage:
Master cassette(TDK SA-X90)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8)
Taper Notes:
View NotesHere is our recording of the 92' Buffalo Show. We made it there after not seeing them in 1991. Thought I'd offer this up as we used a 4 Mic configuration that would be a bit unique. The weather was a bit overcast and a little breezy as I recall. This was our first time seeing Vince in the band and we enjoyed the show. Enjoy the recording folks.
Taper: John Bleich
2:41:26
Taper:
John Bleich
Transferrer:
SIRMick
SHNID:
gd1992-06-06.nak300.bleich-sirmick.111171.sbeok.flac16
Source:
Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC;
Lineage:
MAC > Sony WM-D6 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped and transferred by John Bleich
Taper Notes:
View Notespatches: - "Iko Iko" 0:00 - 0:17 - "Space" 3:23 -3:59 patch source: Schoeps CMC32's Spaced Omni's (6' Stand and 8' Spread) -> Monster M1000 Cable -> Panasonic sv255 DAT Deck 16/48 (shnid 82444) Lineage: DAT 16/48 > TASCAM DA-20 (spdif out) > Apogee Wide Eye Spdif Digital Cable > Lynx Two Soundcard (spdif in) > Wavelab 6.0 - other tape flips crossfaded Comments: Steve Miller opened My thanks to John edited and mastered SIRMick December 2010
Taper: Todd Evans
2:44:58
Rating:
6.00 / 3 ratings
Taper:
Todd Evans
Transferrer:
Jamie Waddell
SHNID:
gd1992-06-06.fob.evens.gems.82444.sbeok.flac16
Source:
Schoeps CMC32's Spaced Omni's (6' Stand and 8' Spread) -> Monster M1000 Cable -> Panasonic sv255 DAT Deck 16/48
Lineage:
DAT 16/48 > TASCAM DA-20 (spdif out) > Apogee Wide Eye Spdif Digital Cable > Lynx Two Soundcard (spdif in) > Wavelab 6.0
Taper Notes:
View NotesMAD Recording - FOB DFC Audience General Admission Show 1st Two Songs of Set 1 - B&K4011's Balance of Show Schoeps CMC32's Spaced Omni's (6' Stand and 8' Spread) -> Monster M1000 Cable -> Panasonic sv255 DAT Deck 16/48 Recorded by Todd Evans Edited by: Jamie Waddell Wavelab 6.0 SBE FREE 16/44.1 A **GEMS** Production www.shnflac.net February 2007
Source 15 of 15
2:41:21
Rating:
7.20 / 10 ratings
SHNID:
gd92-06-06.aud.8242.sbeok.shnf
Source:
AUD > CM > DAT > CDR > WAV > SHN