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June 9th
Years
1995
29.8k
PlaybackListensHours
48h62284
7d4k544
30d29.8k4.2k
49 shows
341 tapes
1994
8.4k
PlaybackListensHours
48h1.7k213
7d1.4k195
30d8.4k1.2k
85 shows
460 tapes
1993
38.1k
PlaybackListensHours
48h3.1k375
7d8k1.1k
30d38.1k5k
83 shows
656 tapes
1992
35.9k
PlaybackListensHours
48h2.3k300
7d4k503
30d35.9k4.8k
57 shows
539 tapes
1991
38.5k
PlaybackListensHours
48h3.2k464
7d11k1.5k
30d38.5k5.2k
78 shows
973 tapes
1990
34.4k
PlaybackListensHours
48h9.2k1.1k
7d5.6k731
30d34.4k4.5k
78 shows
1,139 tapes
1989
46.7k
PlaybackListensHours
48h2.4k299
7d7.2k909
30d46.7k5.8k
78 shows
1,017 tapes
1988
21.1k
PlaybackListensHours
48h1.1k132
7d2.7k310
30d21.1k2.4k
82 shows
882 tapes
1987
33.6k
PlaybackListensHours
48h1.8k198
7d5.2k565
30d33.6k3.7k
88 shows
1,025 tapes
1986
12k
PlaybackListensHours
48h69578
7d1.9k211
30d12k1.4k
47 shows
683 tapes
1985
21.3k
PlaybackListensHours
48h1.4k158
7d3.9k464
30d21.3k2.5k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h2.6k316
7d2.8k363
30d15.3k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.2k160
7d3.2k413
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k144
7d3.7k457
30d41.6k5.2k
63 shows
753 tapes
1981
49.2k
PlaybackListensHours
48h1.4k174
7d4.6k599
30d49.2k6.2k
92 shows
868 tapes
1980
69.6k
PlaybackListensHours
48h5k568
7d11.8k1.3k
30d69.6k8.1k
91 shows
794 tapes
1979
24.5k
PlaybackListensHours
48h1.5k215
7d2.8k389
30d24.5k3.4k
79 shows
600 tapes
1978
53.2k
PlaybackListensHours
48h1.7k230
7d11k1.4k
30d53.2k7.3k
87 shows
592 tapes
1977
286k
PlaybackListensHours
48h20.1k2.8k
7d35.1k4.7k
30d286k39.4k
64 shows
419 tapes
1976
49.6k
PlaybackListensHours
48h5.8k829
7d14.8k2.1k
30d49.6k6.7k
45 shows
298 tapes
1975
6.2k
PlaybackListensHours
48h58757
7d1.7k157
30d6.2k638
25 shows
63 tapes
1974
98.7k
PlaybackListensHours
48h7.3k965
7d9.1k1.1k
30d98.7k12.5k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h5.6k721
7d9.2k1.2k
30d79.3k10.1k
75 shows
445 tapes
1972
69.8k
PlaybackListensHours
48h2.2k285
7d6.8k831
30d69.8k8.5k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h1.6k177
7d4.5k500
30d33.5k3.8k
82 shows
357 tapes
1970
44.4k
PlaybackListensHours
48h2k227
7d16.6k1.7k
30d44.4k4.7k
101 shows
376 tapes
1969
25.9k
PlaybackListensHours
48h1.8k293
7d5.7k931
30d25.9k3.8k
112 shows
326 tapes
1968
6.7k
PlaybackListensHours
48h900122
7d991122
30d6.7k831
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13618
7d26437
30d1.5k202
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h29316
7d76858
30d7.9k532
32 shows
78 tapes
1965
579
PlaybackListensHours
48h342
7d925
30d57934
2 shows
2 tapes
1992
6/6/92
crowd/tuning
1:08
Touch Of Grey
6:40
Greatest Story Ever Told
3:54
crowd/tuning
1:17
Althea
7:23
It's All Over Now
1:10
crowd/tuning
6:18
Friend Of The Devil
2:01
crowd/tuning
7:27
When I Paint My Masterpiece
1:03
crowd/tuning/take a step back
4:49
Ramble On Rose
3:08
crowd/tuning
7:31
Let It Grow
1:07
Iko Iko
12:51
Estimated Prophet >
6:45
The Same Thing
13:32
He's Gone >
7:06
Drums >
9:14
Space >
13:02
The Other One >
8:39
The Wheel >
7:54
Throwing Stones >
5:13
One More Saturday Night
9:06
crowd/tuning
4:49
Baba O'Riley >
1:29
Tomorrow Never Knows
3:09
gd1992-06-06d3t08.mp3
3:41
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:40:14
SBD
Rating:
9.33 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1992-06-06.140277.sbd.cm.miller.flac1644
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- There is a really cool Spanish Jam in The Other One -- Two sets of masters were used to make this show complete -- This file set is 16 bit
Transferrer: Charlie Miller
2:40:14
SBD
Transferrer:
Charlie Miller
SHNID:
gd1992-06-06.140203.sbd.miller.flac2496
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- There is a really cool Spanish Jam in The Other One -- Two sets of masters were used to make this show complete
Source 3 of 15
1:35:56
SBD
Rating:
6.00 / 11 ratings
SHNID:
gd92-06-06.set2.sbd.herman.16815.sbeok.shnf
Source:
Soundboard Set 2 Only
Lineage:
set 2 SBD DAT>WAV>CE>CDWAV>CDR & SHN via Steve Herman (<a href= "http://db.etree.org/shninfo_detail.php?shnid=14042">previous</a> source but with sbe's fixed and made seekable) encoded by Chris Ladner
Taper Notes:
View Notesset 2 SBD DAT>WAV>CE>CDWAV>CDR & SHN via Steve Herman (<a href="http://db.etree.org/shninfo_detail.php?shnid=14042" rel="ugc nofollow">previous</a> source but with sbe's fixed and made seekable) encoded by Chris Ladner
Transferrer: DAT to CDR by Steve Herman
1:35:55
SBD
Transferrer:
DAT to CDR by Steve Herman
SHNID:
gd1992-06-06.sbd.caroselli.nerman.14042.shnf
Source:
SBD DAT>WAV>CE>CDWAV>CDR & SHN
Taper Notes:
View NotesMade appropriate fades where necessary at the beginning/end of disks & sets only. Provided for an overlap between disks as necessary. It sounds like the tape was recording during the pre set tuning, paused, then started again just as Iko Iko began. Iko Iko and Estimated Prophet are littered with static pops which were left unedited. The pops almost entirely clear up by The Same Thing. The set is hindered by a few band ear PA gestures and some non-so-needed affects by Healy. Significantly reduced 2 nasty dropouts in Iko Iko with only slight remnants of the edits. Significantly reduced a segment of digital noise near the end of Estimate Prophet with only slight remnant of the edit. Removed 2 pops from the beginning of The Wheel. Removed tick from Tomorrow Never Knows.
Taper: Michael Hessberg
2:39:51
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1992-06-06.164744.nak300.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Robert Mullen for the DAK 5245 + PZM mics matrix source which supplies a 0:25 patch in "Space" - Pitch corrected Mastered by Scott Clugston May 2023
Taper: Michael Hessberg
2:39:51
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1992-06-06.164743.nak300.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Robert Mullen for the DAK 5245 + PZM mics matrix source which supplies a 0:25 patch in "Space" - Pitch corrected Mastered by Scott Clugston May 2023
Taper: Doug Lamarre
2:33:05
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1992-06-06.137752.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90/100’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger
Taper: Doug Lamarre
2:33:05
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1992-06-06.137751.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger
Taper: Fitzy
2:38:15
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1992-06-06.134943.Nak300CP4.Fitzy.Keo.Flac2496
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! Some light wind picked uo in first set and some high recording levels in masterpiece and also near the end of set 2.All and all another excellent share from the Fitzy collection and the Grateful Dead's Summer 1992 Tour!!!! AS ALWAYS ENJOY!!!!!!!!!!
Taper: Fitzy
2:38:15
Rating:
10.00 / 1 rating
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1992-06-06.134942.Nak300CP4.Fitzy-Keo.Flac1644
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! Some light wind picked uo in first set and some high recording levels in masterpiece and also near the end of set 2.All and all another excellent share from the Fitzy collection and the Grateful Dead's Summer 1992 Tour!!!! AS ALWAYS ENJOY!!!!!!!!!!
Taper: Todd Evans
2:45:14
Taper:
Todd Evans
Transferrer:
Jamie Waddell ; remastered by eywood
SHNID:
gd1992-06-06.124862.eywood.flac16
Source:
MAD Recording - FOB DFC Audience; 1st Two Songs of Set 1: B&K4011's; Balance of Show: Schoeps CMC32's Spaced Omni's (6' Stand and 8' Spread) -> Monster M1000 Cable -> Panasonic sv255 DAT Deck 16/48; Recorded by Todd Evans; Edited by: Jamie Waddell; EQ and hard limiting, as well as reindexing disc 3 done by }{eywood
Taper Notes:
View NotesFurther EQ and hard limiting, as well as reindexing disc 3 done by }{eywood December 2008
Taper: Robert Mullen
2:37:01
Taper:
Robert Mullen
Transferrer:
Robert Mullen
SHNID:
gd1992-06-06.119035.aud.mtx.dak5245.pzm.mullen.flac16
Source:
Recorded & Transfered By: Robert Mullen; Source: Master Audience cassette; Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 channel Mixer>Sony D6C Portable Stereo Cassette Recorder
Lineage:
Master cassette(TDK SA-X90)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8)
Taper Notes:
View NotesHere is our recording of the 92' Buffalo Show. We made it there after not seeing them in 1991. Thought I'd offer this up as we used a 4 Mic configuration that would be a bit unique. The weather was a bit overcast and a little breezy as I recall. This was our first time seeing Vince in the band and we enjoyed the show. Enjoy the recording folks.
Taper: John Bleich
2:41:26
Taper:
John Bleich
Transferrer:
SIRMick
SHNID:
gd1992-06-06.nak300.bleich-sirmick.111171.sbeok.flac16
Source:
Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC;
Lineage:
MAC > Sony WM-D6 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped and transferred by John Bleich
Taper Notes:
View Notespatches: - "Iko Iko" 0:00 - 0:17 - "Space" 3:23 -3:59 patch source: Schoeps CMC32's Spaced Omni's (6' Stand and 8' Spread) -> Monster M1000 Cable -> Panasonic sv255 DAT Deck 16/48 (shnid 82444) Lineage: DAT 16/48 > TASCAM DA-20 (spdif out) > Apogee Wide Eye Spdif Digital Cable > Lynx Two Soundcard (spdif in) > Wavelab 6.0 - other tape flips crossfaded Comments: Steve Miller opened My thanks to John edited and mastered SIRMick December 2010
Taper: Todd Evans
2:44:58
Rating:
6.00 / 3 ratings
Taper:
Todd Evans
Transferrer:
Jamie Waddell
SHNID:
gd1992-06-06.fob.evens.gems.82444.sbeok.flac16
Source:
Schoeps CMC32's Spaced Omni's (6' Stand and 8' Spread) -> Monster M1000 Cable -> Panasonic sv255 DAT Deck 16/48
Lineage:
DAT 16/48 > TASCAM DA-20 (spdif out) > Apogee Wide Eye Spdif Digital Cable > Lynx Two Soundcard (spdif in) > Wavelab 6.0
Taper Notes:
View NotesMAD Recording - FOB DFC Audience General Admission Show 1st Two Songs of Set 1 - B&K4011's Balance of Show Schoeps CMC32's Spaced Omni's (6' Stand and 8' Spread) -> Monster M1000 Cable -> Panasonic sv255 DAT Deck 16/48 Recorded by Todd Evans Edited by: Jamie Waddell Wavelab 6.0 SBE FREE 16/44.1 A **GEMS** Production www.shnflac.net February 2007
Source 15 of 15
2:41:21
Rating:
7.20 / 10 ratings
SHNID:
gd92-06-06.aud.8242.sbeok.shnf
Source:
AUD > CM > DAT > CDR > WAV > SHN