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Today In History
June 10th
5 shows
52 tapes
Years
1995
29.8k
PlaybackListensHours
48h57077
7d2.1k285
30d29.8k4.2k
49 shows
341 tapes
1994
8.7k
PlaybackListensHours
48h2k257
7d1.8k240
30d8.7k1.2k
85 shows
460 tapes
1993
39.3k
PlaybackListensHours
48h2.4k301
7d9k1.2k
30d39.3k5.2k
83 shows
656 tapes
1992
37k
PlaybackListensHours
48h1.5k197
7d4.8k614
30d37k4.9k
57 shows
539 tapes
1991
35k
PlaybackListensHours
48h2.9k419
7d11.7k1.6k
30d35k4.8k
78 shows
973 tapes
1990
38.5k
PlaybackListensHours
48h9.6k1.2k
7d9.3k1.2k
30d38.5k5k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.5k308
7d6.5k807
30d47k5.9k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.1k135
7d2.7k310
30d21k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h2.1k237
7d4.7k520
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h79591
7d1.8k197
30d11.7k1.3k
47 shows
684 tapes
1985
21.3k
PlaybackListensHours
48h1.7k194
7d3.7k437
30d21.3k2.5k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h5.5k637
7d2.6k335
30d15.3k2k
67 shows
1,075 tapes
1983
33.4k
PlaybackListensHours
48h1.2k157
7d3k402
30d33.4k4.4k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k148
7d3.8k466
30d41.6k5.2k
63 shows
753 tapes
1981
45.9k
PlaybackListensHours
48h1.9k236
7d4.5k573
30d45.9k5.8k
92 shows
868 tapes
1980
69.5k
PlaybackListensHours
48h2.6k300
7d14.6k1.6k
30d69.5k8.1k
91 shows
794 tapes
1979
22.9k
PlaybackListensHours
48h1.5k210
7d2.9k413
30d22.9k3.2k
79 shows
600 tapes
1978
51.7k
PlaybackListensHours
48h1.9k254
7d5.7k756
30d51.7k7.1k
87 shows
592 tapes
1977
285.6k
PlaybackListensHours
48h17.1k2.3k
7d36.3k5.1k
30d285.6k39.4k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h11.8k1.6k
7d8.9k1.2k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h33836
7d1.8k162
30d6.3k644
25 shows
63 tapes
1974
98.8k
PlaybackListensHours
48h4.2k559
7d12.3k1.6k
30d98.8k12.5k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h10.7k1.4k
7d8.9k1.2k
30d79.3k10.1k
75 shows
445 tapes
1972
68.1k
PlaybackListensHours
48h2.1k275
7d6.8k827
30d68.1k8.3k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h1.7k197
7d4.1k452
30d33.5k3.8k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.8k199
7d15.5k1.6k
30d45k4.8k
101 shows
376 tapes
1969
26.5k
PlaybackListensHours
48h1.1k163
7d6.2k1k
30d26.5k4k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h70688
7d1.3k168
30d6.9k870
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9114
7d27740
30d1.5k206
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h41726
7d55340
30d7.8k523
32 shows
78 tapes
1965
576
PlaybackListensHours
48h654
7d885
30d57633
2 shows
2 tapes
1992
6/6/92
01 Touch Of Grey
6:48
02 Greatest Story Ever Told
5:19
03 Althea
8:21
04 It's All Over Now
8:16
05 Friend Of The Devil
8:52
06 When I Paint My Masterpiece
5:01
07 Take A Step Back
1:41
08 Ramble On Rose
8:32
09 Let It Grow
12:38
10 Iko Iko
6:35
11 Estimated Prophet
13:27
12 The Same Thing
7:04
13 He's Gone
9:12
14 Drums
13:17
15 Space
7:03
16 The Other One
9:10
17 The Wheel
5:11
18 Throwing Stones
9:05
19 One More Saturday Night
4:50
20 Encore Break
2:54
21 Baba O'Riley
3:08
22 Tomorrow Never Knows
3:50
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:40:14
SBD
Rating:
9.33 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1992-06-06.140277.sbd.cm.miller.flac1644
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- There is a really cool Spanish Jam in The Other One -- Two sets of masters were used to make this show complete -- This file set is 16 bit
Transferrer: Charlie Miller
2:40:14
SBD
Transferrer:
Charlie Miller
SHNID:
gd1992-06-06.140203.sbd.miller.flac2496
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- There is a really cool Spanish Jam in The Other One -- Two sets of masters were used to make this show complete
Source 3 of 15
1:35:56
SBD
Rating:
6.00 / 11 ratings
SHNID:
gd92-06-06.set2.sbd.herman.16815.sbeok.shnf
Source:
Soundboard Set 2 Only
Lineage:
set 2 SBD DAT>WAV>CE>CDWAV>CDR & SHN via Steve Herman (<a href= "http://db.etree.org/shninfo_detail.php?shnid=14042">previous</a> source but with sbe's fixed and made seekable) encoded by Chris Ladner
Taper Notes:
View Notesset 2 SBD DAT>WAV>CE>CDWAV>CDR & SHN via Steve Herman (<a href="http://db.etree.org/shninfo_detail.php?shnid=14042" rel="ugc nofollow">previous</a> source but with sbe's fixed and made seekable) encoded by Chris Ladner
Transferrer: DAT to CDR by Steve Herman
1:35:55
SBD
Transferrer:
DAT to CDR by Steve Herman
SHNID:
gd1992-06-06.sbd.caroselli.nerman.14042.shnf
Source:
SBD DAT>WAV>CE>CDWAV>CDR & SHN
Taper Notes:
View NotesMade appropriate fades where necessary at the beginning/end of disks & sets only. Provided for an overlap between disks as necessary. It sounds like the tape was recording during the pre set tuning, paused, then started again just as Iko Iko began. Iko Iko and Estimated Prophet are littered with static pops which were left unedited. The pops almost entirely clear up by The Same Thing. The set is hindered by a few band ear PA gestures and some non-so-needed affects by Healy. Significantly reduced 2 nasty dropouts in Iko Iko with only slight remnants of the edits. Significantly reduced a segment of digital noise near the end of Estimate Prophet with only slight remnant of the edit. Removed 2 pops from the beginning of The Wheel. Removed tick from Tomorrow Never Knows.
Taper: Michael Hessberg
2:39:51
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1992-06-06.164744.nak300.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Robert Mullen for the DAK 5245 + PZM mics matrix source which supplies a 0:25 patch in "Space" - Pitch corrected Mastered by Scott Clugston May 2023
Taper: Michael Hessberg
2:39:51
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1992-06-06.164743.nak300.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Robert Mullen for the DAK 5245 + PZM mics matrix source which supplies a 0:25 patch in "Space" - Pitch corrected Mastered by Scott Clugston May 2023
Taper: Doug Lamarre
2:33:05
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1992-06-06.137752.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90/100’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger
Taper: Doug Lamarre
2:33:05
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1992-06-06.137751.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger
Taper: Fitzy
2:38:15
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1992-06-06.134943.Nak300CP4.Fitzy.Keo.Flac2496
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! Some light wind picked uo in first set and some high recording levels in masterpiece and also near the end of set 2.All and all another excellent share from the Fitzy collection and the Grateful Dead's Summer 1992 Tour!!!! AS ALWAYS ENJOY!!!!!!!!!!
Taper: Fitzy
2:38:15
Rating:
10.00 / 1 rating
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1992-06-06.134942.Nak300CP4.Fitzy-Keo.Flac1644
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! Some light wind picked uo in first set and some high recording levels in masterpiece and also near the end of set 2.All and all another excellent share from the Fitzy collection and the Grateful Dead's Summer 1992 Tour!!!! AS ALWAYS ENJOY!!!!!!!!!!
Taper: Todd Evans
2:45:14
Taper:
Todd Evans
Transferrer:
Jamie Waddell ; remastered by eywood
SHNID:
gd1992-06-06.124862.eywood.flac16
Source:
MAD Recording - FOB DFC Audience; 1st Two Songs of Set 1: B&K4011's; Balance of Show: Schoeps CMC32's Spaced Omni's (6' Stand and 8' Spread) -> Monster M1000 Cable -> Panasonic sv255 DAT Deck 16/48; Recorded by Todd Evans; Edited by: Jamie Waddell; EQ and hard limiting, as well as reindexing disc 3 done by }{eywood
Taper Notes:
View NotesFurther EQ and hard limiting, as well as reindexing disc 3 done by }{eywood December 2008
Taper: Robert Mullen
2:37:01
Taper:
Robert Mullen
Transferrer:
Robert Mullen
SHNID:
gd1992-06-06.119035.aud.mtx.dak5245.pzm.mullen.flac16
Source:
Recorded & Transfered By: Robert Mullen; Source: Master Audience cassette; Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 channel Mixer>Sony D6C Portable Stereo Cassette Recorder
Lineage:
Master cassette(TDK SA-X90)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8)
Taper Notes:
View NotesHere is our recording of the 92' Buffalo Show. We made it there after not seeing them in 1991. Thought I'd offer this up as we used a 4 Mic configuration that would be a bit unique. The weather was a bit overcast and a little breezy as I recall. This was our first time seeing Vince in the band and we enjoyed the show. Enjoy the recording folks.
Taper: John Bleich
2:41:26
Taper:
John Bleich
Transferrer:
SIRMick
SHNID:
gd1992-06-06.nak300.bleich-sirmick.111171.sbeok.flac16
Source:
Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC;
Lineage:
MAC > Sony WM-D6 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped and transferred by John Bleich
Taper Notes:
View Notespatches: - "Iko Iko" 0:00 - 0:17 - "Space" 3:23 -3:59 patch source: Schoeps CMC32's Spaced Omni's (6' Stand and 8' Spread) -> Monster M1000 Cable -> Panasonic sv255 DAT Deck 16/48 (shnid 82444) Lineage: DAT 16/48 > TASCAM DA-20 (spdif out) > Apogee Wide Eye Spdif Digital Cable > Lynx Two Soundcard (spdif in) > Wavelab 6.0 - other tape flips crossfaded Comments: Steve Miller opened My thanks to John edited and mastered SIRMick December 2010
Taper: Todd Evans
2:44:58
Rating:
6.00 / 3 ratings
Taper:
Todd Evans
Transferrer:
Jamie Waddell
SHNID:
gd1992-06-06.fob.evens.gems.82444.sbeok.flac16
Source:
Schoeps CMC32's Spaced Omni's (6' Stand and 8' Spread) -> Monster M1000 Cable -> Panasonic sv255 DAT Deck 16/48
Lineage:
DAT 16/48 > TASCAM DA-20 (spdif out) > Apogee Wide Eye Spdif Digital Cable > Lynx Two Soundcard (spdif in) > Wavelab 6.0
Taper Notes:
View NotesMAD Recording - FOB DFC Audience General Admission Show 1st Two Songs of Set 1 - B&K4011's Balance of Show Schoeps CMC32's Spaced Omni's (6' Stand and 8' Spread) -> Monster M1000 Cable -> Panasonic sv255 DAT Deck 16/48 Recorded by Todd Evans Edited by: Jamie Waddell Wavelab 6.0 SBE FREE 16/44.1 A **GEMS** Production www.shnflac.net February 2007
Source 15 of 15
2:41:21
Rating:
7.20 / 10 ratings
SHNID:
gd92-06-06.aud.8242.sbeok.shnf
Source:
AUD > CM > DAT > CDR > WAV > SHN