03
1992
Sources
Taper: Recording by Dave Brotman & Jeff Metchick
53:40
Taper:
Recording by Dave Brotman & Jeff Metchick
Transferrer:
Transfer by Anonymous Edited & Mastered (Adobe Audition) by Joe Noel January 15, 2022
SHNID:
gd1992-03-21.155836.Set2.FOBSchoepsMasterDAT.BrotmanMetchickAnonNoel.t-flac1648
Source:
Recording: FOB Schoeps CMC34 (ORTF) > Tao Research > M1000 cables > Panasonic SV-255mod (16/48) > Master DAT
Lineage:
Transfer: Master DAT > Panasonic SV-3800 (spdif out) > Digigram VX Pocket sound card > Panasonic Toughbook (spdif in) > Steinberg Nuendo > WAV 1648
Taper Notes:
View NotesNotes: - Each tape was adjusted electronically & mechanically in the SV3800 to ensure proper play. - None of these tapes have emphasis. Thanks to; - Dave Brotman & Jeff Metchick for recording the show. - Anon for the transfer, while hiding out away from the Bay Area. - Ted Mattes, for organizing this project & seeing it though.
Taper: Alan Schmit
1:22:33
Taper:
Alan Schmit
Transferrer:
Dave Mallick
SHNID:
gd1992-03-21.116405.bk.schmit.mallick.flac16
Source:
Set 1 and partial Set 2 Master: B&K 4011's>Sony D10 Pro>D5 by Alan Schmit, 14th row center, patched out of Clay Brennecke; Conversion: Cass(m)>Onkyo TA-6711>Tascam DA-20 (A/D)>Microtrack 24/96>WAV WAV>Sound Studio 2.2.4>xACT 2.13>FLAC; by Dave Mallick
Taper Notes:
View NotesNotes from Alan: I patched out of Clay Brennecke for the Copps Coliseum B&K source. Oddly enough, those are the very same B&K's I eventually bought from Clay's taping partner -- Jamie Young -- not too long after that show, although clueless at the time that I would some day own such awesome mics! We hand held the first set and for the second set we ran on a stand, and as usual, Clay was taking some pretty big chances and ran the stand pretty high, probably 6.5 - 7' And, well, security came by and end of story! :(