03
1992
Sources
Transferrer: Kevin Tobin
2:46:17
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1992-03-16.dts.tobin.122040.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix</b> SBD (shn id 13571)SBD->DAT->?->Cas->CD->EAC->SHN via Dan + AUD1 (shn id 85338)Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape. Mics on 7-foot stand in front row of OTS:
Lineage:
MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. + AUD2 (no shn id) Audience recording from Video soundtrack - dts mixing by Kevin Tobin
Taper Notes:
View NotesSBD 1 Source: shnid = 13571 SBD->DAT->?->Cas->CD->EAC->SHN Dan ([email protected]) AUD1 Source: no shnid LCPM audio from video soundtrack - used for patching only AUD2 Source: shnid = 85338 AUD Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape. Mics on 7-foot stand in front row of OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. Notes: - The band's sound system was not loud enough at this concert. - Some loud feedback (Jerry's guitar) during Watchtower. - Soundforge used to make fades. - TLH used for FLAC compression, and making checksums. --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 16-SEP-2012 - Trader Little Helper -Tagged 16-SEP-2012 - Tag&Rename --------------------------------------------------------- Audio Patches: 1) About 2 minutes into Drums. 8 minute and 46.682 seconds were added to SBD1 soundtrack from AUD1 in order to match the video. 2) I used the video soundtrack as the timing reference and while the SBD1 was very fast averaging about 2.1 seconds a minute faster than the video, the AUD2 matched the video almost exactly. 3) As video came in 48k 16 bit, I used the 48k 24 bit Andrew F. recording and upped the bitrate of the soundboard using rBrain so that it matched the video and audience to mix the matrix for the video. Matrix was mixed down to 44.1k 16 bit using rBrain8. ----------------------------------------------------------- Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -1db Matrix Surround Left Channel +1db AUD Right Channel +1db AUD Sub/LFE Mixed to mono -1db Matrix -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Kevin Tobin
2:46:17
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Kevin Tobin
SHNID:
gd1992-03-16.upg-sbd.tobin.122021.flac16
Source:
SBD->DAT->?->Cas->CD->EAC->SHN via Dan - patched and speed corrected version of shnid 13571 by Kevin Tobin
Taper Notes:
View NotesPatched using AUD1 no shnid LCPM audio from video soundtrack - used for patching only --------------------------------------------------------- Audio Patches: 1) About 2 minutes into Drums. 8 minute and 46.682 seconds were added to SBD1 soundtrack from AUD1 in order to match the video. 2) I used the video soundtrack as the timing reference and while the SBD1 was very fast averaging about 2.1 seconds a minute faster than the video, the AUD2 matched the video almost exactly. 3) As video came in 48k 16 bit, I used the 48k 24 bit Andrew F. recording and upped the bitrate of the soundboard using rBrain so that it matched the video and audience to mix the matrix for the video. Matrix was mixed down to 44.1k 16 bit using rBrain8. Brokedown House Production
Transferrer: Kevin Tobin
2:46:17
SBD
Rating:
6.00 / 1 rating
Transferrer:
Kevin Tobin
SHNID:
gd1992-03-16.mtx.tobin.122020.flac16
Source:
Matrix 3 Source Mix - SBD (shn id 13571)SBD->DAT->?->Cas->CD->EAC->SHN via Dan + AUD1 (shn id 85338)Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape. Mics on 7-foot stand in front row of OTS:
Lineage:
MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. + AUD2 (no shn id) Audience recording from Video soundtrack - matrix mixing by Kevin Tobin
Taper Notes:
View NotesAudio Source Information SBD + AUD Matrix 3 Source Mix (45%-AUD/55%-SBD) SBD 1 Source: shnid = 13571 SBD->DAT->?->Cas->CD->EAC->SHN Dan ([email protected]) AUD1 Source: no shnid LCPM audio from video soundtrack - used for patching only AUD2 Source: shnid = 85338 AUD Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape. Mics on 7-foot stand in front row of OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. Notes: - The band's sound system was not loud enough at this concert. - Some loud feedback (Jerry's guitar) during Watchtower. - Soundforge used to make fades. - TLH used for FLAC compression, and making checksums. --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 16-SEP-2012 - Trader Little Helper -Tagged 16-SEP-2012 - Tag&Rename --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD +1 AUD +1 SET TWO Stereo Matrix SBD +1 AUD +1 --------------------------------------------------------- Audio Patches: 1) About 2 minutes into Drums. 8 minute and 46.682 seconds were added to SBD1 soundtrack from AUD1 in order to match the video. 2) I used the video soundtrack as the timing reference and while the SBD1 was very fast averaging about 2.1 seconds a minute faster than the video, the AUD2 matched the video almost exactly. 3) As video came in 48k 16 bit, I used the 48k 24 bit Andrew F. recording and upped the bitrate of the soundboard using rBrain so that it matched the video and audience to mix the matrix for the video. Matrix was mixed down to 44.1k 16 bit using rBrain8. Brokedown House Production
Taper: Recording by Dave Brotman & Jeff Metchick
2:53:22
Taper:
Recording by Dave Brotman & Jeff Metchick
Transferrer:
Transfer by Anonymous Edited & Mastered (Adobe Audition) by Joe Noel January 17, 2022
SHNID:
gd1992-03-16.155832.FOBSchoepsMasterDAT.BrotmanMetchickAnonNoel.t-flac1648
Source:
Recording info (Set I): FOB Schoeps CMC34 (ORTF) > Tao Research > M1000 cables > Panasonic SV-255mod (16/48) > Master DAT > clone Recording info (Set II): FOB Schoeps CMC34 (ORTF) > Tao Research > M1000 cables > Panasonic SV-255mod (16/48) > Master DAT Location: 18th Row Center
Lineage:
Transfer: Master DAT > Panasonic SV-3800 (spdif out) > Digigram VX Pocket sound card > Panasonic Toughbook (spdif in) > Steinberg Nuendo > WAV 1648
Taper Notes:
View NotesNotes: - Each tape was adjusted electronically & mechanically in the SV3800 to ensure proper play. - None of these tapes have emphasis. Thanks to; - Dave Brotman & Jeff Metchick for recording the show. - Anon for the transfer, while hiding out away from the Bay Area. - Ted Mattes, for organizing this project & seeing it though.