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Today In History
June 10th
5 shows
52 tapes
Years
1995
29.8k
PlaybackListensHours
48h57077
7d2.1k285
30d29.8k4.2k
49 shows
341 tapes
1994
8.7k
PlaybackListensHours
48h2k257
7d1.8k240
30d8.7k1.2k
85 shows
460 tapes
1993
39.3k
PlaybackListensHours
48h2.4k301
7d9k1.2k
30d39.3k5.2k
83 shows
656 tapes
1992
37k
PlaybackListensHours
48h1.5k197
7d4.8k614
30d37k4.9k
57 shows
539 tapes
1991
35k
PlaybackListensHours
48h2.9k419
7d11.7k1.6k
30d35k4.8k
78 shows
973 tapes
1990
38.5k
PlaybackListensHours
48h9.6k1.2k
7d9.3k1.2k
30d38.5k5k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.5k308
7d6.5k807
30d47k5.9k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.1k135
7d2.7k310
30d21k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h2.1k237
7d4.7k520
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h79591
7d1.8k197
30d11.7k1.3k
47 shows
684 tapes
1985
21.3k
PlaybackListensHours
48h1.7k194
7d3.7k437
30d21.3k2.5k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h5.5k637
7d2.6k335
30d15.3k2k
67 shows
1,075 tapes
1983
33.4k
PlaybackListensHours
48h1.2k157
7d3k402
30d33.4k4.4k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k148
7d3.8k466
30d41.6k5.2k
63 shows
753 tapes
1981
45.9k
PlaybackListensHours
48h1.9k236
7d4.5k573
30d45.9k5.8k
92 shows
868 tapes
1980
69.5k
PlaybackListensHours
48h2.6k300
7d14.6k1.6k
30d69.5k8.1k
91 shows
794 tapes
1979
22.9k
PlaybackListensHours
48h1.5k210
7d2.9k413
30d22.9k3.2k
79 shows
600 tapes
1978
51.7k
PlaybackListensHours
48h1.9k254
7d5.7k756
30d51.7k7.1k
87 shows
592 tapes
1977
285.6k
PlaybackListensHours
48h17.1k2.3k
7d36.3k5.1k
30d285.6k39.4k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h11.8k1.6k
7d8.9k1.2k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h33836
7d1.8k162
30d6.3k644
25 shows
63 tapes
1974
98.8k
PlaybackListensHours
48h4.2k559
7d12.3k1.6k
30d98.8k12.5k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h10.7k1.4k
7d8.9k1.2k
30d79.3k10.1k
75 shows
445 tapes
1972
68.1k
PlaybackListensHours
48h2.1k275
7d6.8k827
30d68.1k8.3k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h1.7k197
7d4.1k452
30d33.5k3.8k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.8k199
7d15.5k1.6k
30d45k4.8k
101 shows
376 tapes
1969
26.5k
PlaybackListensHours
48h1.1k163
7d6.2k1k
30d26.5k4k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h70688
7d1.3k168
30d6.9k870
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9114
7d27740
30d1.5k206
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h41726
7d55340
30d7.8k523
32 shows
78 tapes
1965
576
PlaybackListensHours
48h654
7d885
30d57633
2 shows
2 tapes
1992
3/16/92
Let the Good Times Roll >
4:23
Feel Like a Stranger
10:07
Friend of the Devil
9:25
C.C. Rider >
5:46
It Takes a Lot to Laugh, It Takes a Train to Cry
7:00
Black Throated Wind
7:35
Ramble on Rose
8:24
Let it Grow
13:54
Corinna >
10:17
Scarlet Begonias >
11:03
Fire on the Mountain >
11:08
Estimated Prophet >
12:23
Drums >
12:35
Space >
15:05
All Along the Watchtower >
9:42
Morning Dew
12:09
Johnny B. Gooode
5:21
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:41:57
SBD
Rating:
10.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1992-03-16.138167.sbd.miller.sbeok.flac16
Source:
SBD > Cassette Master (TDK SA-X100/Tascam Deck)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This is shnid 138163 24 > 16
Transferrer: Charlie Miller
2:41:57
SBD
Transferrer:
Charlie Miller
SHNID:
gd1992-03-16.138163.sbd.miller.flac24
Source:
SBD > Cassette Master (TDK SA-X100/Tascam Deck)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Transferrer: Kevin Tobin
2:46:17
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1992-03-16.dts.tobin.122040.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix</b> SBD (shn id 13571)SBD->DAT->?->Cas->CD->EAC->SHN via Dan + AUD1 (shn id 85338)Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape. Mics on 7-foot stand in front row of OTS:
Lineage:
MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. + AUD2 (no shn id) Audience recording from Video soundtrack - dts mixing by Kevin Tobin
Taper Notes:
View NotesSBD 1 Source: shnid = 13571 SBD->DAT->?->Cas->CD->EAC->SHN Dan ([email protected]) AUD1 Source: no shnid LCPM audio from video soundtrack - used for patching only AUD2 Source: shnid = 85338 AUD Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape. Mics on 7-foot stand in front row of OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. Notes: - The band's sound system was not loud enough at this concert. - Some loud feedback (Jerry's guitar) during Watchtower. - Soundforge used to make fades. - TLH used for FLAC compression, and making checksums. --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 16-SEP-2012 - Trader Little Helper -Tagged 16-SEP-2012 - Tag&Rename --------------------------------------------------------- Audio Patches: 1) About 2 minutes into Drums. 8 minute and 46.682 seconds were added to SBD1 soundtrack from AUD1 in order to match the video. 2) I used the video soundtrack as the timing reference and while the SBD1 was very fast averaging about 2.1 seconds a minute faster than the video, the AUD2 matched the video almost exactly. 3) As video came in 48k 16 bit, I used the 48k 24 bit Andrew F. recording and upped the bitrate of the soundboard using rBrain so that it matched the video and audience to mix the matrix for the video. Matrix was mixed down to 44.1k 16 bit using rBrain8. ----------------------------------------------------------- Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -1db Matrix Surround Left Channel +1db AUD Right Channel +1db AUD Sub/LFE Mixed to mono -1db Matrix -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Kevin Tobin
2:46:17
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Kevin Tobin
SHNID:
gd1992-03-16.upg-sbd.tobin.122021.flac16
Source:
SBD->DAT->?->Cas->CD->EAC->SHN via Dan - patched and speed corrected version of shnid 13571 by Kevin Tobin
Taper Notes:
View NotesPatched using AUD1 no shnid LCPM audio from video soundtrack - used for patching only --------------------------------------------------------- Audio Patches: 1) About 2 minutes into Drums. 8 minute and 46.682 seconds were added to SBD1 soundtrack from AUD1 in order to match the video. 2) I used the video soundtrack as the timing reference and while the SBD1 was very fast averaging about 2.1 seconds a minute faster than the video, the AUD2 matched the video almost exactly. 3) As video came in 48k 16 bit, I used the 48k 24 bit Andrew F. recording and upped the bitrate of the soundboard using rBrain so that it matched the video and audience to mix the matrix for the video. Matrix was mixed down to 44.1k 16 bit using rBrain8. Brokedown House Production
Transferrer: Kevin Tobin
2:46:17
SBD
Rating:
6.00 / 1 rating
Transferrer:
Kevin Tobin
SHNID:
gd1992-03-16.mtx.tobin.122020.flac16
Source:
Matrix 3 Source Mix - SBD (shn id 13571)SBD->DAT->?->Cas->CD->EAC->SHN via Dan + AUD1 (shn id 85338)Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape. Mics on 7-foot stand in front row of OTS:
Lineage:
MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. + AUD2 (no shn id) Audience recording from Video soundtrack - matrix mixing by Kevin Tobin
Taper Notes:
View NotesAudio Source Information SBD + AUD Matrix 3 Source Mix (45%-AUD/55%-SBD) SBD 1 Source: shnid = 13571 SBD->DAT->?->Cas->CD->EAC->SHN Dan ([email protected]) AUD1 Source: no shnid LCPM audio from video soundtrack - used for patching only AUD2 Source: shnid = 85338 AUD Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape. Mics on 7-foot stand in front row of OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. Notes: - The band's sound system was not loud enough at this concert. - Some loud feedback (Jerry's guitar) during Watchtower. - Soundforge used to make fades. - TLH used for FLAC compression, and making checksums. --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 16-SEP-2012 - Trader Little Helper -Tagged 16-SEP-2012 - Tag&Rename --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD +1 AUD +1 SET TWO Stereo Matrix SBD +1 AUD +1 --------------------------------------------------------- Audio Patches: 1) About 2 minutes into Drums. 8 minute and 46.682 seconds were added to SBD1 soundtrack from AUD1 in order to match the video. 2) I used the video soundtrack as the timing reference and while the SBD1 was very fast averaging about 2.1 seconds a minute faster than the video, the AUD2 matched the video almost exactly. 3) As video came in 48k 16 bit, I used the 48k 24 bit Andrew F. recording and upped the bitrate of the soundboard using rBrain so that it matched the video and audience to mix the matrix for the video. Matrix was mixed down to 44.1k 16 bit using rBrain8. Brokedown House Production
Source 6 of 15
2:31:34
SBD
Rating:
7.09 / 11 ratings
SHNID:
gd92-03-16.sbd.13571.sbefail.shnf
Source:
SBD->DAT->?->Cas->CD->EAC->SHN via Dan
Taper Notes:
View NotesSBD->DAT->?->Cas->CD->EAC->SHN via Dan
Taper: Jim Wise
2:52:41
Taper:
Jim Wise
Transferrer:
Charlie Miller, Scott Clugston
SHNID:
gd1992-03-16.139653.fob.akg.414.wise.miller.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Jim Wise's FOB Audience DAT> AKG 414 > Sony D10 Pro II; Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648; Transfer by Charlie Miller; Mastered by Scott Clugston
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for the master fob source DAT Transfer by Charlie Miller Mastered by Scott Clugston 10/31/17
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
2:46:26
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1992-03-16.156985.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound (48k) mixed in Adobe Audition CC 2014
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 06-JUN-2022 - Trader Little Helper -Tagged 06-JUN-2022 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Taper: Recording by Dave Brotman & Jeff Metchick
2:53:22
Taper:
Recording by Dave Brotman & Jeff Metchick
Transferrer:
Transfer by Anonymous Edited & Mastered (Adobe Audition) by Joe Noel January 17, 2022
SHNID:
gd1992-03-16.155832.FOBSchoepsMasterDAT.BrotmanMetchickAnonNoel.t-flac1648
Source:
Recording info (Set I): FOB Schoeps CMC34 (ORTF) > Tao Research > M1000 cables > Panasonic SV-255mod (16/48) > Master DAT > clone Recording info (Set II): FOB Schoeps CMC34 (ORTF) > Tao Research > M1000 cables > Panasonic SV-255mod (16/48) > Master DAT Location: 18th Row Center
Lineage:
Transfer: Master DAT > Panasonic SV-3800 (spdif out) > Digigram VX Pocket sound card > Panasonic Toughbook (spdif in) > Steinberg Nuendo > WAV 1648
Taper Notes:
View NotesNotes: - Each tape was adjusted electronically & mechanically in the SV3800 to ensure proper play. - None of these tapes have emphasis. Thanks to; - Dave Brotman & Jeff Metchick for recording the show. - Anon for the transfer, while hiding out away from the Bay Area. - Ted Mattes, for organizing this project & seeing it though.
Transferrer: Pete Ebel
2:55:09
Transferrer:
Pete Ebel
SHNID:
gd1992-03-16.149240.fob.bk4011.ebel.fixed.flac16
Source:
FOB B&K 4011-> DAT
Lineage:
Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1)
Taper Notes:
View NotesTransfers by Pete Ebel Late 90's and December 18, 2019 Notes: ***This Version Fixes Digital Noise during Scarlet Begonias (shn ID #148530) - The housekeeping files are new. All other FLAC files are the same. Set #2 is Seamless
Transferrer: Pete Ebel
2:55:06
Transferrer:
Pete Ebel
SHNID:
gd1992-03-16.148530.fob.BK4011.ebel.fixed.flac16
Source:
FOB B&K 4011-> DAT
Lineage:
Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1)
Taper Notes:
View NotesTransfers by Pete Ebel Late 90's and November 25, 2019 Notes: ***This Version Fixes Digital Noise during Corrina - The housekeeping files are new. All other FLAC files are the same. Set #2 is Seamless
Transferrer: Pete Ebel
2:55:06
Transferrer:
Pete Ebel
SHNID:
gd1992-03-16.148408.fob.BK4011.ebel.flac16
Source:
FOB B&K 4011-> DAT
Lineage:
Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1)
Taper Notes:
View NotesTransfers by Pete Ebel Late 90's and November 25, 2019 Notes: Set #2 is Seamless
Taper: Dave Boedicker
2:47:05
Taper:
Dave Boedicker
Transferrer:
Dave Boedicker
SHNID:
gd1992-03-16.147757.nak300.Boedicker.flac1644
Source:
Nakamichi 300 Mics W/CP1 Cardioids>Sony WM-D6C Cassette Master>2 Maxell Metal Cassette Master Tapes(Sony MX-90 Minute 1st Set,MX-S 100 Minute Tape 2nd Set)>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)> Cd Wav Editor>Traders Little Helper>Flac Level 8.Sector BoundariesAligned Using Traders Little Helper.
Taper Notes:
View NotesNotes: 1)Tape Flip After "Train To Cry"(No Music Missed On Next Song "Black Throated Wind" 2)Tape Flip During Drums. Warts And All. Enjoy!!!
Taper: Andrew F.
2:50:38
Rating:
7.33 / 3 ratings
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1992-03-16.schoeps.andrewf.85423.sbeok.flac16
Source:
Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape. Mics on 7-foot stand in front row of OTS.
Lineage:
Master DAT > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC.
Taper Notes:
View Notes- The band's sound system was not loud enough at this concert. - Some loud feedback (Jerry's guitar) during Watchtower. - Soundforge used to make fades. - TLH used for SBE-OK, FLAC compression, and making checksums. - Discs two and three can be rejoined seamlessly onto longer media.
Taper: Andrew F.
2:50:38
Rating:
10.00 / 1 rating
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1992-03-16.schoeps.andrewf.85338.flac1648
Source:
Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape
Lineage:
MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC
Taper Notes:
View NotesNotes: - The band's sound system was not loud enough at this concert. - Some loud feedback (Jerry's guitar) during Watchtower. - Soundforge used to make fades. - TLH used for FLAC compression, and making checksums.