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Today In History
June 7th
Years
1995
29.5k
PlaybackListensHours
48h773107
7d10.9k1.5k
30d29.5k4.1k
49 shows
340 tapes
1994
8.3k
PlaybackListensHours
48h63389
7d1.3k193
30d8.3k1.2k
85 shows
460 tapes
1993
34.5k
PlaybackListensHours
48h4k525
7d4.8k654
30d34.5k4.6k
83 shows
656 tapes
1992
33.3k
PlaybackListensHours
48h2.8k356
7d2.2k292
30d33.3k4.4k
57 shows
539 tapes
1991
36.1k
PlaybackListensHours
48h9.1k1.2k
7d4.6k617
30d36.1k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.6k339
7d5.4k706
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.9k
PlaybackListensHours
48h3k371
7d7.2k900
30d45.9k5.7k
78 shows
1,013 tapes
1988
20.8k
PlaybackListensHours
48h1.3k155
7d2.8k322
30d20.8k2.4k
82 shows
882 tapes
1987
36.2k
PlaybackListensHours
48h2.2k251
7d6.3k659
30d36.2k4k
88 shows
1,025 tapes
1986
14.7k
PlaybackListensHours
48h90199
7d1.8k205
30d14.7k1.7k
47 shows
683 tapes
1985
20.6k
PlaybackListensHours
48h1.8k215
7d3.8k445
30d20.6k2.4k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h1.1k146
7d2.9k368
30d15.3k2k
67 shows
1,075 tapes
1983
32.6k
PlaybackListensHours
48h1.5k204
7d3.4k434
30d32.6k4.3k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.8k222
7d3.5k436
30d40.8k5.1k
63 shows
753 tapes
1981
51.4k
PlaybackListensHours
48h2.3k300
7d4.3k554
30d51.4k6.5k
92 shows
868 tapes
1980
68.7k
PlaybackListensHours
48h6k642
7d8.5k986
30d68.7k8k
91 shows
794 tapes
1979
25.5k
PlaybackListensHours
48h1.3k184
7d2.9k401
30d25.5k3.6k
79 shows
600 tapes
1978
57.7k
PlaybackListensHours
48h2.2k290
7d11.1k1.4k
30d57.7k7.9k
87 shows
592 tapes
1977
295.4k
PlaybackListensHours
48h18.1k2.5k
7d28.7k3.9k
30d295.4k40.8k
64 shows
419 tapes
1976
47k
PlaybackListensHours
48h3.7k506
7d25.4k3.5k
30d47k6.4k
45 shows
298 tapes
1975
5.6k
PlaybackListensHours
48h79278
7d1.2k112
30d5.6k582
25 shows
63 tapes
1974
96.5k
PlaybackListensHours
48h4.3k561
7d9.8k1.2k
30d96.5k12.2k
42 shows
324 tapes
1973
77.4k
PlaybackListensHours
48h4.5k592
7d8.9k1.2k
30d77.4k9.8k
75 shows
445 tapes
1972
74.8k
PlaybackListensHours
48h3.5k426
7d6.6k802
30d74.8k9k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h2.1k229
7d5k557
30d33.1k3.8k
82 shows
356 tapes
1970
36.3k
PlaybackListensHours
48h9.3k954
7d9.1k912
30d36.3k3.9k
101 shows
376 tapes
1969
25.1k
PlaybackListensHours
48h2.3k366
7d4.7k744
30d25.1k3.7k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h42351
7d1.2k150
30d6.6k829
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h10014
7d28540
30d1.4k198
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h23318
7d96261
30d7.9k525
32 shows
78 tapes
1965
549
PlaybackListensHours
48h493
7d785
30d54933
2 shows
2 tapes
1992
3/16/92
[crowd - tuning]
5:06
Let The Good Times Roll
3:47
Feel Like A Stranger
10:05
Friend of the Devil
9:28
C.C. Rider ->
5:46
It Takes A Lot To Laugh, It Takes A Train To Cry
4:31
[crowd - tuning]
2:31
Black Throated Wind
7:34
Ramble On Rose
8:45
Let It Grow
13:35
[crowd - tuning]
1:42
Corrina ->
9:39
Scarlet Begonias ->
11:11
Fire on the Mountain ->
10:54
Estimated Prophet ->
12:24
Drums ->
17:52
Space ->
9:50
All Along The Watchtower ->
9:42
Morning Dew
11:17
[encore break]
2:28
Johnny B. Goode
5:15
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:41:57
SBD
Rating:
10.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1992-03-16.138167.sbd.miller.sbeok.flac16
Source:
SBD > Cassette Master (TDK SA-X100/Tascam Deck)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This is shnid 138163 24 > 16
Transferrer: Charlie Miller
2:41:57
SBD
Transferrer:
Charlie Miller
SHNID:
gd1992-03-16.138163.sbd.miller.flac24
Source:
SBD > Cassette Master (TDK SA-X100/Tascam Deck)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Transferrer: Kevin Tobin
2:46:17
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1992-03-16.dts.tobin.122040.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix</b> SBD (shn id 13571)SBD->DAT->?->Cas->CD->EAC->SHN via Dan + AUD1 (shn id 85338)Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape. Mics on 7-foot stand in front row of OTS:
Lineage:
MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. + AUD2 (no shn id) Audience recording from Video soundtrack - dts mixing by Kevin Tobin
Taper Notes:
View NotesSBD 1 Source: shnid = 13571 SBD->DAT->?->Cas->CD->EAC->SHN Dan ([email protected]) AUD1 Source: no shnid LCPM audio from video soundtrack - used for patching only AUD2 Source: shnid = 85338 AUD Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape. Mics on 7-foot stand in front row of OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. Notes: - The band's sound system was not loud enough at this concert. - Some loud feedback (Jerry's guitar) during Watchtower. - Soundforge used to make fades. - TLH used for FLAC compression, and making checksums. --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 16-SEP-2012 - Trader Little Helper -Tagged 16-SEP-2012 - Tag&Rename --------------------------------------------------------- Audio Patches: 1) About 2 minutes into Drums. 8 minute and 46.682 seconds were added to SBD1 soundtrack from AUD1 in order to match the video. 2) I used the video soundtrack as the timing reference and while the SBD1 was very fast averaging about 2.1 seconds a minute faster than the video, the AUD2 matched the video almost exactly. 3) As video came in 48k 16 bit, I used the 48k 24 bit Andrew F. recording and upped the bitrate of the soundboard using rBrain so that it matched the video and audience to mix the matrix for the video. Matrix was mixed down to 44.1k 16 bit using rBrain8. ----------------------------------------------------------- Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -1db Matrix Surround Left Channel +1db AUD Right Channel +1db AUD Sub/LFE Mixed to mono -1db Matrix -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Kevin Tobin
2:46:17
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Kevin Tobin
SHNID:
gd1992-03-16.upg-sbd.tobin.122021.flac16
Source:
SBD->DAT->?->Cas->CD->EAC->SHN via Dan - patched and speed corrected version of shnid 13571 by Kevin Tobin
Taper Notes:
View NotesPatched using AUD1 no shnid LCPM audio from video soundtrack - used for patching only --------------------------------------------------------- Audio Patches: 1) About 2 minutes into Drums. 8 minute and 46.682 seconds were added to SBD1 soundtrack from AUD1 in order to match the video. 2) I used the video soundtrack as the timing reference and while the SBD1 was very fast averaging about 2.1 seconds a minute faster than the video, the AUD2 matched the video almost exactly. 3) As video came in 48k 16 bit, I used the 48k 24 bit Andrew F. recording and upped the bitrate of the soundboard using rBrain so that it matched the video and audience to mix the matrix for the video. Matrix was mixed down to 44.1k 16 bit using rBrain8. Brokedown House Production
Transferrer: Kevin Tobin
2:46:17
SBD
Rating:
6.00 / 1 rating
Transferrer:
Kevin Tobin
SHNID:
gd1992-03-16.mtx.tobin.122020.flac16
Source:
Matrix 3 Source Mix - SBD (shn id 13571)SBD->DAT->?->Cas->CD->EAC->SHN via Dan + AUD1 (shn id 85338)Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape. Mics on 7-foot stand in front row of OTS:
Lineage:
MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. + AUD2 (no shn id) Audience recording from Video soundtrack - matrix mixing by Kevin Tobin
Taper Notes:
View NotesAudio Source Information SBD + AUD Matrix 3 Source Mix (45%-AUD/55%-SBD) SBD 1 Source: shnid = 13571 SBD->DAT->?->Cas->CD->EAC->SHN Dan ([email protected]) AUD1 Source: no shnid LCPM audio from video soundtrack - used for patching only AUD2 Source: shnid = 85338 AUD Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape. Mics on 7-foot stand in front row of OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. Notes: - The band's sound system was not loud enough at this concert. - Some loud feedback (Jerry's guitar) during Watchtower. - Soundforge used to make fades. - TLH used for FLAC compression, and making checksums. --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 16-SEP-2012 - Trader Little Helper -Tagged 16-SEP-2012 - Tag&Rename --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD +1 AUD +1 SET TWO Stereo Matrix SBD +1 AUD +1 --------------------------------------------------------- Audio Patches: 1) About 2 minutes into Drums. 8 minute and 46.682 seconds were added to SBD1 soundtrack from AUD1 in order to match the video. 2) I used the video soundtrack as the timing reference and while the SBD1 was very fast averaging about 2.1 seconds a minute faster than the video, the AUD2 matched the video almost exactly. 3) As video came in 48k 16 bit, I used the 48k 24 bit Andrew F. recording and upped the bitrate of the soundboard using rBrain so that it matched the video and audience to mix the matrix for the video. Matrix was mixed down to 44.1k 16 bit using rBrain8. Brokedown House Production
Source 6 of 15
2:31:34
SBD
Rating:
7.09 / 11 ratings
SHNID:
gd92-03-16.sbd.13571.sbefail.shnf
Source:
SBD->DAT->?->Cas->CD->EAC->SHN via Dan
Taper Notes:
View NotesSBD->DAT->?->Cas->CD->EAC->SHN via Dan
Taper: Jim Wise
2:52:41
Taper:
Jim Wise
Transferrer:
Charlie Miller, Scott Clugston
SHNID:
gd1992-03-16.139653.fob.akg.414.wise.miller.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Jim Wise's FOB Audience DAT> AKG 414 > Sony D10 Pro II; Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648; Transfer by Charlie Miller; Mastered by Scott Clugston
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for the master fob source DAT Transfer by Charlie Miller Mastered by Scott Clugston 10/31/17
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
2:46:26
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1992-03-16.156985.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound (48k) mixed in Adobe Audition CC 2014
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 06-JUN-2022 - Trader Little Helper -Tagged 06-JUN-2022 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Taper: Recording by Dave Brotman & Jeff Metchick
2:53:22
Taper:
Recording by Dave Brotman & Jeff Metchick
Transferrer:
Transfer by Anonymous Edited & Mastered (Adobe Audition) by Joe Noel January 17, 2022
SHNID:
gd1992-03-16.155832.FOBSchoepsMasterDAT.BrotmanMetchickAnonNoel.t-flac1648
Source:
Recording info (Set I): FOB Schoeps CMC34 (ORTF) > Tao Research > M1000 cables > Panasonic SV-255mod (16/48) > Master DAT > clone Recording info (Set II): FOB Schoeps CMC34 (ORTF) > Tao Research > M1000 cables > Panasonic SV-255mod (16/48) > Master DAT Location: 18th Row Center
Lineage:
Transfer: Master DAT > Panasonic SV-3800 (spdif out) > Digigram VX Pocket sound card > Panasonic Toughbook (spdif in) > Steinberg Nuendo > WAV 1648
Taper Notes:
View NotesNotes: - Each tape was adjusted electronically & mechanically in the SV3800 to ensure proper play. - None of these tapes have emphasis. Thanks to; - Dave Brotman & Jeff Metchick for recording the show. - Anon for the transfer, while hiding out away from the Bay Area. - Ted Mattes, for organizing this project & seeing it though.
Transferrer: Pete Ebel
2:55:09
Transferrer:
Pete Ebel
SHNID:
gd1992-03-16.149240.fob.bk4011.ebel.fixed.flac16
Source:
FOB B&K 4011-> DAT
Lineage:
Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1)
Taper Notes:
View NotesTransfers by Pete Ebel Late 90's and December 18, 2019 Notes: ***This Version Fixes Digital Noise during Scarlet Begonias (shn ID #148530) - The housekeeping files are new. All other FLAC files are the same. Set #2 is Seamless
Transferrer: Pete Ebel
2:55:06
Transferrer:
Pete Ebel
SHNID:
gd1992-03-16.148530.fob.BK4011.ebel.fixed.flac16
Source:
FOB B&K 4011-> DAT
Lineage:
Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1)
Taper Notes:
View NotesTransfers by Pete Ebel Late 90's and November 25, 2019 Notes: ***This Version Fixes Digital Noise during Corrina - The housekeeping files are new. All other FLAC files are the same. Set #2 is Seamless
Transferrer: Pete Ebel
2:55:06
Transferrer:
Pete Ebel
SHNID:
gd1992-03-16.148408.fob.BK4011.ebel.flac16
Source:
FOB B&K 4011-> DAT
Lineage:
Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1)
Taper Notes:
View NotesTransfers by Pete Ebel Late 90's and November 25, 2019 Notes: Set #2 is Seamless
Taper: Dave Boedicker
2:47:05
Taper:
Dave Boedicker
Transferrer:
Dave Boedicker
SHNID:
gd1992-03-16.147757.nak300.Boedicker.flac1644
Source:
Nakamichi 300 Mics W/CP1 Cardioids>Sony WM-D6C Cassette Master>2 Maxell Metal Cassette Master Tapes(Sony MX-90 Minute 1st Set,MX-S 100 Minute Tape 2nd Set)>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)> Cd Wav Editor>Traders Little Helper>Flac Level 8.Sector BoundariesAligned Using Traders Little Helper.
Taper Notes:
View NotesNotes: 1)Tape Flip After "Train To Cry"(No Music Missed On Next Song "Black Throated Wind" 2)Tape Flip During Drums. Warts And All. Enjoy!!!
Taper: Andrew F.
2:50:38
Rating:
7.33 / 3 ratings
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1992-03-16.schoeps.andrewf.85423.sbeok.flac16
Source:
Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape. Mics on 7-foot stand in front row of OTS.
Lineage:
Master DAT > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC.
Taper Notes:
View Notes- The band's sound system was not loud enough at this concert. - Some loud feedback (Jerry's guitar) during Watchtower. - Soundforge used to make fades. - TLH used for SBE-OK, FLAC compression, and making checksums. - Discs two and three can be rejoined seamlessly onto longer media.
Taper: Andrew F.
2:50:38
Rating:
10.00 / 1 rating
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1992-03-16.schoeps.andrewf.85338.flac1648
Source:
Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape
Lineage:
MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC
Taper Notes:
View NotesNotes: - The band's sound system was not loud enough at this concert. - Some loud feedback (Jerry's guitar) during Watchtower. - Soundforge used to make fades. - TLH used for FLAC compression, and making checksums.