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1992
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Years
1995
29.8k
49 shows
343 tapes
1994
12.4k
85 shows
460 tapes
1993
37.5k
83 shows
656 tapes
1992
44.8k
57 shows
539 tapes
1991
42.2k
78 shows
973 tapes
1990
47.2k
78 shows
1,139 tapes
1989
47.6k
78 shows
1,017 tapes
1988
19.7k
82 shows
882 tapes
1987
41.6k
88 shows
1,025 tapes
1986
12.2k
47 shows
684 tapes
1985
24.1k
73 shows
1,357 tapes
1984
26.4k
67 shows
1,075 tapes
1983
20.1k
71 shows
1,069 tapes
1982
41.7k
63 shows
753 tapes
1981
29.3k
92 shows
868 tapes
1980
69.5k
91 shows
794 tapes
1979
20.8k
79 shows
608 tapes
1978
37.1k
87 shows
592 tapes
1977
249.5k
64 shows
418 tapes
1976
91.1k
45 shows
298 tapes
1975
6.1k
25 shows
63 tapes
1974
86.7k
42 shows
324 tapes
1973
88.6k
75 shows
445 tapes
1972
57.5k
88 shows
361 tapes
1971
32.7k
82 shows
357 tapes
1970
38.2k
101 shows
376 tapes
1969
27.9k
112 shows
326 tapes
1968
7.4k
41 shows
125 tapes
1967
1.6k
23 shows
55 tapes
1966
7.9k
32 shows
78 tapes
1965
622
2 shows
2 tapes
1992
3/13/92
Tuning
3:25
Mississippi-Half Step
8:21
The Same Thing
9:51
Brown-Eyed Women
5:38
El Paso
7:17
Candyman
7:26
When I Paint My Masterpiece
5:34
Bird Song
13:06
Tuning
3:55
Way To Go Home
6:01
Crazy Fingers
8:22
Women Are Smarter
7:55
Wave To The Wind
9:27
Drumz
11:54
Space
8:37
The Wheel
4:25
Wharf Rat
9:32
Throwing stones
9:28
Lovelight
10:36
Box Of Rain
5:29
FIN
View on archive.org
Sources
Taper: Rich Gastwirt
2:35:44
Taper:
Rich Gastwirt
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1992-03-13.139621.Schoeps-cmc4-mk4-ortf.gastwirt.miller.sirmick.flac1648
Source:
<b>flac16/48kHz</b>; Source: Schoeps cmc4 mk4 (ortf) > Oade modified Panasonic SV-255 > Dat (48k) - Taped by Rich Gastwirt from 1st row tapers section; Transfer: Set I - Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Set II - Dat > Panasonic SV-3700 > Tascam DA-3000 . wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; editerd and mastered SIRMick October 2017
Taper Notes:
View NotesNotes: - Half-Step, Crazy Fingers and Drums each needed small patches because of tape problems. None of them were more than about 3 seconds. The patch sourced used was shnid 9477. Thanks to Tony Gardner for that. Thanks to the Dynamic Duo, rich and Charlie edited and mastered SIRMick October 2017
Taper: Recording by Dave Brotman & Jeff Metchick
2:36:08
Taper:
Recording by Dave Brotman & Jeff Metchick
Transferrer:
Transfer by Anonymous Edited & Mastered (Adobe Audition) by Joe Noel January 16, 2022
SHNID:
gd1992-03-13.155831.FOBSchoepsMasterDAT.BrotmanMetchickAnonNoel.t-flac1648
Source:
Recording: FOB Schoeps CMC34 (ORTF) > Tao Research > M1000 cables > Panasonic SV-255mod (16/48) > Master DAT Location: 18th Row Center
Lineage:
Transfer: Master DAT > Panasonic SV-3800 (spdif out) > Digigram VX Pocket sound card > Panasonic Toughbook (spdif in) > Steinberg Nuendo > WAV 1648
Taper Notes:
View NotesNotes: - Each tape was adjusted electronically & mechanically in the SV3800 to ensure proper play. - None of these tapes have emphasis. - taper bust during Candyman, but the tapers prevail! - The patch is undetectable. - Billy busts out a train horn during Drums. Thanks to; - Dave Brotman & Jeff Metchick for recording the show. - Anon for the transfer, while hiding out away from the Bay Area. - Ted Mattes, for organizing this project & seeing it though. - Pete Ebel for the patch source
Taper: bltz
2:34:33
Rating:
2.00 / 1 rating
Taper:
bltz
Transferrer:
bltz
SHNID:
gd1992-03-13.134996.bltz.flac2496
Source:
Source: Nakamichi CM-300s/2-Mic, CP-1 Cardioids, ORTF -> Sony Walkman Pro, Maxell MX-S 100 Cassette Tape -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24
Taper Notes:
View NotesNotes: Part of the Original Master Rescue Project. This may be the last show I saw/recorded with Jerry Garcia. A pretty shocking/surprising train horn during Space is the harbinger of a huge Casey Jones breakout at Robert F. Kennedy Stadium on 1992-06-20. Some controversy on Archive whether this is a good show, but I was certainly entertained, they seemed to be doing their jobs admirably (although Vince was always a wee bit "off", to me,) and the audience seems, unusually, pretty happy. Only one source on Archive.org, and none that I could find on bt.etree. This is a bit saturated in a few spots.