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Today In History
June 6th
5 shows
39 tapes
Years
1995
29.2k
PlaybackListensHours
48h2.1k289
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h64091
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h5k675
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1.4k183
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h3.3k435
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.7k356
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3.6k450
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.3k153
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.6k283
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h82292
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k237
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.5k195
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.4k186
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.8k232
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.2k281
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.8k676
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.3k182
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h5.9k755
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h14.1k1.9k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h7.2k998
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h85471
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.4k543
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.2k555
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.2k395
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.2k246
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h8.1k794
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.4k574
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h60175
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h14321
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h39628
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h473
7d1277
30d57234
2 shows
2 tapes
1992
3/11/92
intro
1:54
Cold Rain and Snow
6:33
Wang Dang Doodle
8:24
Dire Wolf
3:41
Queen Jane
7:40
Althea
8:01
All Over Now
6:46
So Many Roads
8:29
Picasso Moon
6:31
China Cat Sunflower>
6:51
I Know You Rider
5:09
Playin in the Band>
7:10
Terrapin Station//
10:57
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:26:03
SBD
Rating:
6.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1992-03-11.141717.sbd.cm.miller.flac1644
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This file set is 16 bit
Transferrer: Charlie Miller
2:26:03
SBD
Transferrer:
Charlie Miller
SHNID:
gd1992-03-11.141616.sbd.miller.flac2496
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: (FOB) Schoeps CMC4/MK21 > Dat (shnid=138278) supplies: Space (4:43 - 4:55)
Source 3 of 12
2:21:21
SBD
Rating:
6.89 / 10 ratings
SHNID:
gd92-03-11.sbd.gardner.9398.sbeok.shnf
Source:
SBD>DAT>CDR (probable cassette gen)
Taper Notes:
View NotesSBD>DAT>CDR (probable cassette gen); Seeded to etree by Tony G
Taper: Rick Gastwirk
2:32:04
Taper:
Rick Gastwirk
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1992-03-11.138278.schoeps-cmc4-mk21.gastwirt.miller.sirmick.sbeok.flac16
Source:
<b>flac16/48kHz</b>; Source: Audience recording > Schoeps cmc4 mk21 > Oade modified Panasonic SV-255 > Dat (48k); Fob recording by Rick Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfer by Charlie Miller; Lineage: wav 16/48 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16/48; edited and mastered SIRMickMay 2017
Taper: Recording by Dave Brotman & Jeff Metchick
1:00:34
Taper:
Recording by Dave Brotman & Jeff Metchick
Transferrer:
Transfer by Anonymous Edited & Mastered (Adobe Audition) by Joe Noel January 11, 2022
SHNID:
gd1992-03-11.155829.Set1.FOBSchoepsMasterDAT.BrotmanMetchickAnonNoel.t-flac1648
Source:
Recording: FOB Schoeps CMC34 (ORTF) > Tao Research > M1000 cables > Panasonic SV-255mod (16/48) > Master DAT
Lineage:
Transfer: Master DAT > Panasonic SV-3800 (spdif out) > Digigram VX Pocket sound card > Panasonic Toughbook (spdif in) > Steinberg Nuendo > WAV 1648
Taper Notes:
View NotesNotes: - Each tape was adjusted electronically & mechanically in the SV3800 to ensure proper play. - None of these tapes have emphasis. Thanks to; - Dave Brotman & Jeff Metchick for recording the show. - Anon for the transfer, while hiding out away from the Bay Area. - Ted Mattes, for organizing this project & seeing it though.
Transferrer: Pete Ebel
2:35:37
Transferrer:
Pete Ebel
SHNID:
gd1992-03-11.148349.fob.BK4011.ebel.flac16
Source:
FOB B&K 4011-> DAT
Lineage:
Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1)
Taper Notes:
View NotesTransfers by Pete Ebel Late 90's and November 24, 2019 Notes: Set #2 is Seamless
Transferrer: Matrix by SirMick
2:32:05
Rating:
8.00 / 1 rating
Transferrer:
Matrix by SirMick
SHNID:
gd1992-03-11.138279.mtx.sirmick.sbeok.flac16
Source:
Matrix: 60/40; soundboard - shnid 9398, seeded by Tony Gardner and audience - shnid 138278, taped by Rich Gastwirt; edited and mastered SIRMick May 2017
Taper Notes:
View NotesComments: There is nothing particulary special about this show but it is well played. It contains a couple of my favourite Dead songs and a very classy version of "Around And Around" all of which were what moved me to put this together. Notes: - The audience recording was downsampled with iZotope RX 6 Advanced and matrix created with Adobe Audition 1.5 - There is a splice/crossfade in the soundboard source of "Space" at about 6:18, approximately 1:14 is missing. This has been patched with the audience recording. - I also patched tracks 1 of Set I and Set II and most of the encore break with the audience recording.
Taper: bltz
2:25:25
Rating:
8.00 / 1 rating
Taper:
bltz
Transferrer:
bltz
SHNID:
gd1992-03-11.135166.bltz.flac2496
Source:
Source: Nakamichi CM-300s/CP4 Shotguns -> Sony Walkman Pro/TDK MX-S 90 (Set II MX-S 100) -> JVC TD-W354 -> Zoom H6 -> WAV 96/24 -> Audacity -> FLAC 96/24
Taper Notes:
View NotesNotes: Nice clapping during Last Time, Black Peter; other audience enthusiasm makes this a pleasant AUD tape, if a bit boomy due to mics and setting. I don' know, baby. Ha!
Taper: Scott M.
1:28:06
Taper:
Scott M.
Transferrer:
Lenny Stubbe
SHNID:
gd1992-03-11.127220.sony.aud.flac16
Source:
Partial Show, Source: Sony condenser mics (2 channel) > Sony WM cassette deck; Config/Location: 20' from Garcia/in the hat FOB 7th and 3rd row center;
Lineage:
(master cassette) Nakamichi DR-1>Sound Devices 722 (24/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> WavEditor 1.5.7 (iZotope Resampler, MBIT+ Dither)> xACT 2.25(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Scott M.; Transferred and seeded by: Lenny Stubbe
Taper Notes:
View Notes- Thanks to Scotty for this way up front effort and for his many recording efforts and community contributions over the years. Glad to be able to preserve this fun recording. Notes from the taper: I had always loved recording things, taking pix, and pretty much archiving history when I could. I knew some tapers at the shows, but had no interest in buying all that stuff and setting up, etc I was 20ish years old and really didn't want to get involved with the taping aspect - plus there were PLENTY of tapers at the shows. My buddy Seth had this great Sony recording walkman - so I borrowed it on a couple of occasions, picked up some little mic on a wire and taped a couple of shows. The other shows I taped with this ghetto-style setup were 9/10/91 MSG w Branford, which you will never hear for that is brutal, and two Phish shows - 5/3/93 and Summer 93 at Jones Beach I had a 7th row center ticket the year before at Nassau -for 3/28/91 - the night of the Terrapin encore- which, because Jerry and the gang finished the 2 sets rather early, they threw us a bone and encored with Terrapin. I took this stub with me to this night - 3/11/92 at Nassau, thinking ok - ill just get into the show with my regular ticket, and weasel up to the front by showing ushers the stub from LAST YEAR. This ploy worked - and here I was dead center with the mics in the hat in the 7th row. Before Wang-Dang could get rolling, ushers were booting people from the row if they had no ticket. The people w the real tix came, but I had a friend in Row 3, so I went up there as Wang Dang got underway, as u can hear on the tape. I put myself in the 3rd row, pointed the mics as up and outwards as possible, and this is the result. So everything after Cold Rain is from the 3rd row in front of Jerry. I never thought this cassette would wind up anywhere but in a box in my apartment- to listen to for fun, and keep a lil piece of GD history that I recorded. But now it is here - its not SO bad - its close - and Lenny did a great job doing whatever he did to it to keep its integrity somewhat intact. Very close though - can't hear much distance in the recording. What you CAN hear though, are some quick conversations - the nice girl from North Carolina asking me what song is what every coupla tunes - her telling me shed love to hear Scarlet>Fire, and the like. You can even hear her ask me if our voices will be recorded on this, and I reply Yes. Shouts of 'Bobby' can be heard as well. And, as Bobby tells us 'well be back in just a lil bit' after fackin Picasso, you can hear me mutter 'oh nooo'. Hear her friend ask me for kind bud at some point. And, as we all used to do, calling songs before they started, I told this guy to get ready for Dire Wolf, and seconds later Jerry fired off the first few notes of Dire Wolf. When I heard all this the other night after Lenny sent it to me, I said 'Oh snap man I didn't know all this talk was on it!' But it is. And, as Bobby tells us 'well be back in just a lil bit' after fackin Picasso, you can hear me mutter 'oh nooo'. And thats the way it is. It is listenable, thats for sure. A lot of it is quite clear, as I did my best to have my chin up so the mics could catch the waves of music. Far from a pro recording though. But does give you the feel for what it sounded like up front at a GD show.. The recording ends at drums- and this is why - as Drums got underway, I left the front, and went to visit my buddies in the back corner of the floor section, Jerry's side. Upon my return, one usher was very proficient in his flashlighting of a stub, and read my ticket, and flew off the handle. He said "What??? This is a ticket from LAST YEAR!" I said, yup, but heres my regular one, and I was kinda baby faced and tried to talk my way out of it- how I just wanted to go close-up. He wasn't falling for it, grabbed my arm and said 'lets go'. I said I have to get my coat from where my friends were situated. He took me there, I got my coat, my pals were like 'whoaaaa' - I told em I'd see em at the car. Anyway, the guy takes me out into the hallway of the arena, and then to the doors where he escorted me out - the only ejection of my life - so I got to listen to Last Time>Peter>Around outside the glass doors of the Coliseum. -Scott Seeded to etree on: 02/27/2014
Taper: Scott M.
1:28:06
Taper:
Scott M.
Transferrer:
Lenny Stubbe
SHNID:
gd1992-03-11.127219.sony.aud.flac24
Source:
Partial Show, Source: Sony condenser mics (2 channel) > Sony WM cassette deck; Config/Location: 20' from Garcia/in the hat FOB 7th and 3rd row center;
Lineage:
(master cassette) Nakamichi DR-1>Sound Devices 722 (24/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>xACT 2.25(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Scott M.; Transferred and seeded by: Lenny Stubbe
Taper Notes:
View NotesNotes: - Thanks to Scotty for this way up front effort and for his many recording efforts and community contributions over the years. Glad to be able to preserve this fun recording. Notes from the taper: I had always loved recording things, taking pix, and pretty much archiving history when I could. I knew some tapers at the shows, but had no interest in buying all that stuff and setting up, etc I was 20ish years old and really didn't want to get involved with the taping aspect - plus there were PLENTY of tapers at the shows. My buddy Seth had this great Sony recording walkman - so I borrowed it on a couple of occasions, picked up some little mic on a wire and taped a couple of shows. The other shows I taped with this ghetto-style setup were 9/10/91 MSG w Branford, which you will never hear for that is brutal, and two Phish shows - 5/3/93 and Summer 93 at Jones Beach I had a 7th row center ticket the year before at Nassau -for 3/28/91 - the night of the Terrapin encore- which, because Jerry and the gang finished the 2 sets rather early, they threw us a bone and encored with Terrapin. I took this stub with me to this night - 3/11/92 at Nassau, thinking ok - ill just get into the show with my regular ticket, and weasel up to the front by showing ushers the stub from LAST YEAR. This ploy worked - and here I was dead center with the mics in the hat in the 7th row. Before Wang-Dang could get rolling, ushers were booting people from the row if they had no ticket. The people w the real tix came, but I had a friend in Row 3, so I went up there as Wang Dang got underway, as u can hear on the tape. I put myself in the 3rd row, pointed the mics as up and outwards as possible, and this is the result. So everything after Cold Rain is from the 3rd row in front of Jerry. I never thought this cassette would wind up anywhere but in a box in my apartment- to listen to for fun, and keep a lil piece of GD history that I recorded. But now it is here - its not SO bad - its close - and Lenny did a great job doing whatever he did to it to keep its integrity somewhat intact. Very close though - can't hear much distance in the recording. What you CAN hear though, are some quick conversations - the nice girl from North Carolina asking me what song is what every coupla tunes - her telling me shed love to hear Scarlet>Fire, and the like. You can even hear her ask me if our voices will be recorded on this, and I reply Yes. Shouts of 'Bobby' can be heard as well. And, as Bobby tells us 'well be back in just a lil bit' after fackin Picasso, you can hear me mutter 'oh nooo'. Hear her friend ask me for kind bud at some point. And, as we all used to do, calling songs before they started, I told this guy to get ready for Dire Wolf, and seconds later Jerry fired off the first few notes of Dire Wolf. When I heard all this the other night after Lenny sent it to me, I said 'Oh snap man I didn't know all this talk was on it!' But it is. And, as Bobby tells us 'well be back in just a lil bit' after fackin Picasso, you can hear me mutter 'oh nooo'. And thats the way it is. It is listenable, thats for sure. A lot of it is quite clear, as I did my best to have my chin up so the mics could catch the waves of music. Far from a pro recording though. But does give you the feel for what it sounded like up front at a GD show.. The recording ends at drums- and this is why - as Drums got underway, I left the front, and went to visit my buddies in the back corner of the floor section, Jerry's side. Upon my return, one usher was very proficient in his flashlighting of a stub, and read my ticket, and flew off the handle. He said "What??? This is a ticket from LAST YEAR!" I said, yup, but heres my regular one, and I was kinda baby faced and tried to talk my way out of it- how I just wanted to go close-up. He wasn't falling for it, grabbed my arm and said 'lets go'. I said I have to get my coat from where my friends were situated. He took me there, I got my coat, my pals were like 'whoaaaa' - I told em I'd see em at the car. Anyway, the guy takes me out into the hallway of the arena, and then to the doors where he escorted me out - the only ejection of my life - so I got to listen to Last Time>Peter>Around outside the glass doors of the Coliseum. -Scott Seeded to etree on: 02/27/2014
Taper: Baker
2:25:12
Taper:
Baker
Transferrer:
Keo
SHNID:
gd1992-03-11.Nak300-baker.keo.109266.flac2496
Source:
Master Audience Nakamichi CM300/CP4 Shotguns>Sony D-6 Tapes Maxell MX-s 90,100; Transfer Nakamichi MR-1 Cassette Deck>Dolby B>Korg MR 1000 @ 1 Bit/5.6mHz Tracking/Sample Rate Conversion with AudioGate software to 24/96kHz
Lineage:
Nakamichi MR-1 Cassette Deck>Dolby B>Korg MR 1000 @ 1 Bit/5.6mHz Tracking/Sample Rate Conversion with AudioGate software to 24/96kHz. No dithering.
Taper Notes:
View NotesThanks to Baker for lending me his tapes to work on.Another uncirculated audience recording and a great sounding show too!Tape flip after "It's All Over Now" ends up cutting thr first few seconds of "So Many Roads",also some music loudness loss from D-6 acting up after tape flip.Tape flip in "space" also, most likely only a second or two is missing.
Taper: Baker
2:25:14
Rating:
8.00 / 1 rating
Taper:
Baker
Transferrer:
Keo
SHNID:
gd1992-03-11.Nak300-baker.keo.109265.flac1644
Source:
Master Audience Nakamichi CM300/CP4 Shotguns>Sony D-6 Tapes Maxell MX-s 90,100; Transfer Nakamichi MR-1 Cassette Deck>Dolby B>Korg MR 1000 @ 1 Bit/5.6mHz Tracking/Sample Rate Conversion with AudioGate software to 32 Bit Float/96kHz Dithered with Korg Aqua to 16/44
Lineage:
Nakamichi MR-1 Cassette Deck>Dolby B>Korg MR 1000 @ 1 Bit/5.6mHz Tracking/Sample Rate Conversion with AudioGate software to 32 Bit Float/96kHz. Dithered with Korg Aqua to 16/44
Taper Notes:
View NotesThanks to Baker for lending me his tapes to work on.Another uncirculated audience recording and a great sounding show too!Tape flip after "It's All Over Now" ends up cutting thr first few seconds of "So Many Roads",also some music loudness loss from D-6 acting up after tape flip.Tape flip in "space" also, most likely only a second or two is missing.