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Today In History
June 14th
10 shows
102 tapes
Years
1995
30.1k
PlaybackListensHours
48h54874
7d1.5k203
30d30.1k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h1.8k289
7d3.8k486
30d10.8k1.5k
85 shows
460 tapes
1993
40k
PlaybackListensHours
48h2.7k352
7d7.5k975
30d40k5.3k
83 shows
656 tapes
1992
42.8k
PlaybackListensHours
48h4.2k555
7d7.8k1k
30d42.8k5.7k
57 shows
539 tapes
1991
41.4k
PlaybackListensHours
48h3.9k505
7d11.5k1.5k
30d41.4k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3.1k413
7d18.7k2.3k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h3.1k381
7d7k865
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.7k
PlaybackListensHours
48h1.5k182
7d3.1k361
30d20.7k2.4k
82 shows
882 tapes
1987
36.9k
PlaybackListensHours
48h8.4k1k
7d7.6k852
30d36.9k4k
88 shows
1,025 tapes
1986
12.3k
PlaybackListensHours
48h1.1k127
7d2.3k260
30d12.3k1.4k
47 shows
684 tapes
1985
23.2k
PlaybackListensHours
48h1.9k224
7d4.4k507
30d23.2k2.7k
73 shows
1,357 tapes
1984
23.2k
PlaybackListensHours
48h6k686
7d9.7k1.1k
30d23.2k2.9k
67 shows
1,075 tapes
1983
22k
PlaybackListensHours
48h1.5k194
7d3.3k441
30d22k2.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.7k210
7d3.3k407
30d42.2k5.2k
63 shows
753 tapes
1981
42k
PlaybackListensHours
48h1.9k245
7d4.9k608
30d42k5.3k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h10.3k1.2k
7d12.1k1.4k
30d68.1k7.9k
91 shows
794 tapes
1979
21.5k
PlaybackListensHours
48h1.8k251
7d4.1k581
30d21.5k3k
79 shows
608 tapes
1978
44.4k
PlaybackListensHours
48h2.1k278
7d4.8k658
30d44.4k6k
87 shows
592 tapes
1977
282.2k
PlaybackListensHours
48h10.2k1.4k
7d37.8k5.2k
30d282.2k39k
64 shows
419 tapes
1976
81.7k
PlaybackListensHours
48h14.3k1.9k
7d35.8k4.8k
30d81.7k11k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h40842
7d991101
30d6.4k660
25 shows
63 tapes
1974
93.2k
PlaybackListensHours
48h4.2k530
7d13.4k1.8k
30d93.2k11.8k
42 shows
324 tapes
1973
89.5k
PlaybackListensHours
48h5.6k747
7d19.4k2.6k
30d89.5k11.5k
75 shows
445 tapes
1972
66k
PlaybackListensHours
48h3.1k395
7d6k757
30d66k8k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h1.9k206
7d4.2k474
30d33.8k3.9k
82 shows
357 tapes
1970
41k
PlaybackListensHours
48h2k234
7d4.7k530
30d41k4.4k
101 shows
376 tapes
1969
27.7k
PlaybackListensHours
48h1.6k226
7d3.9k578
30d27.7k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h62378
7d1.7k227
30d7.6k951
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h12718
7d33345
30d1.7k226
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h33125
7d95360
30d8k536
32 shows
78 tapes
1965
627
PlaybackListensHours
48h322
7d1037
30d62737
2 shows
2 tapes
1992
2/22/92
tuning
0:30
Bertha
6:57
The Promised Land
5:49
Stagger Lee
6:35
Wang Dang Doodle
10:35
So Many Roads
7:12
Queen Jane Approximately
6:51
Loose Lucy
9:01
Wave To The Wind
9:08
Don't Ease Me In
4:26
One More Saturday Night
4:54
Mississippi Half-Step Uptown Toodeloo
7:32
Estimate Prophet >
11:11
He's Gone >
9:09
Drums >
17:28
Space >
8:24
The Wheel >
6:33
All Along The Watchtower >
6:05
Black Peter >
11:12
Sugar Magnolia
8:12
crowd
1:48
U.S. Blues
5:21
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:43:11
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] May 8, 2020
SHNID:
gd1992-02-22.150007.sbd.cm.miller.flac16
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: (FOB) Schoeps CMC3/MK4 > DAT (shnid=77722) supplies: Space (1:12 - 2:46) Notes: -- Recorded by Don Pearson and Dan Healy -- The signal from the board was too loud and is oversaturated but still has it's moments -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
2:43:01
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] May 8, 2020
SHNID:
gd1992-02-22.149848.sbd.miller.flac2496
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: (FOB) Schoeps CMC3/MK4 > DAT (shnid=77722) supplies: Space (1:12 - 2:46) All Transfers and Mastering By Charlie Miller [email protected] May 8, 2020 Notes: -- Recorded by Don Pearson and Dan Healy -- The signal from the board was too loud and is oversaturated but still has it's moments
Taper: Joani Walker and Paul Scotton
2:43:40
SBD
Rating:
8.00 / 5 ratings
Taper:
Joani Walker and Paul Scotton
Transferrer:
Charlie Miller
SHNID:
gd1992-02-22.sbd.walker-scotton.miller.96395.sbeok.flac16
Source:
SBD -> Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16
Taper Notes:
View NotesPatch Info: (FOB) B K 4011 -> Dat (shnid=77722) supplies: Queen Jane Approximately (post song tuning) Loose Lucy (0:00 - 0:05) (FOB) Schoeps CMC3.MK4 -> Dat (shnid=77722) supplies: Space (1:10 - 2:46) Notes: -- Set 2 is seamless -- Thanks to Joani Walker and Paul Scotton for the Cassettes
Source 4 of 8
2:28:43
SBD
Rating:
7.33 / 12 ratings
SHNID:
gd92-02-22.sbd.gardner.9981.sbeok.shnf
Source:
SBD>MC>C>DAT>CDR
Taper Notes:
View NotesSBD>MC>C>DAT>CDR; via Paul; Seeded to etree bt Tony G
Taper: Rick Gastwirk
2:45:26
Taper:
Rick Gastwirk
Transferrer:
SIRMick and Charlie Miller
SHNID:
gd1992-02-22.138245.schoeps-cmc4-mk21.gastwirt.miller.sirmick.sbeok.flac16
Source:
<b>flac16/48kHz</b>; Source: Audience recording > Schoeps cmc4 mk21 > Oade modified Panasonic SV-255 > Dat (48k); Fob recording by Rick Gastwirt;
Lineage:
Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfer by Charlie Miller; Lineage: wav 16/48 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16/48; edited and mastered SIRMick May 2017
Taper Notes:
View Notesedited and mastered SIRMick May 2017
Taper: Master Digital FOB Recording & Transfer by Marcus Buick
2:45:32
Taper:
Master Digital FOB Recording & Transfer by Marcus Buick
Transferrer:
Edited & Mastered using Adobe Audition by Joe Noel June 28, 2020
SHNID:
gd1992-02-22.150344.FOB.Schoeps.Buick.Noel.t-1648
Source:
Schoeps MK4 CMC3mod (ORTF, FOB)> MIT shotgun XLR > TAO/Oadie > MIT shotgun XLR > Panasonic SV250mod > Master DAT (16bit48kHz) on-stand (6Õ2Ó)
Lineage:
Transfer: Master DAT > Panasonic SV3800 > S/PDIF(16bit48kHz) > Edirol-R4 > WAV 48/16
Taper Notes:
View NotesProduction Note from Marcus; The first show of the 1992 year was again at the Coliseum Arena; This was the 9th show in 5 months, at the same venue, in the Bay Area, with 2 more over the next 2 evenings. We must have been feeling brazen (or had a tall dude in our crew) because standing at 5Õ10Ó the mics would have been 4Ó above my head this evening, and while we push the boundaries, we arenÕt fools. Someone tall was blocking the mics from the view of the soundboard; John Ammons is tall and he may have been our blocker. The Master tapes indicate both sets were run at 6Õ2Ó which is about as high as we would ever run stands FOB. An interesting thing I noticed on the first night is an overly ambitious snare drum slap-back. This may be due to the microphone height, the timing delay to the rear PA, or a combination of the two. The mics were definitely picking up odd hall acoustics. I didnÕt notice this any other night or on any other tape. This show is significant in that two songs were played for the first time; So Many Roads & Wave to the Wind, a Jerry song and a Phil song, respectively. No technical issues. A fine capture of a significant event. Recording, Transfer, and Production Notes by Marcus Buick Additional Notes; - Thanks to Marcus Buick for sharing this recording - Thanks to John Ammons for coordinating this - Thanks to Pete Oshman for the use of the SV3800 - this is an upgrade to shnid 77722 (Set II) * 1st performance - The mics were removed from the stand during Sugar Mags as busts started going down around taper - Before encore, taper moved mics closer to the stage; continued hand-held operation due to ongoing FOB taper crackdowns
Taper: D5scott
2:36:56
Rating:
10.00 / 1 rating
Taper:
D5scott
Transferrer:
D5scott
SHNID:
gd1992-02-22.117851.BeyerM160.d5scott.flac16
Source:
Source: 2 Beyer M160 microphones - up front/center > Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Jamie Young and Marcus
2:44:53
Taper:
Jamie Young and Marcus
Transferrer:
Michael Hughey
SHNID:
gd1992-02-22.fob.young-marcus.gems.77722.sbeok.flac16
Source:
Set 1: B&K 4011 (ORTF) Hand Held -> Canare Cable -> Neumann Supply -> Modified Sony D10 Pro, Set 2: Schoeps CMC34 -> Panasonic sv250
Lineage:
DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav > Adobe Audition (48K to 44.1K resample, 1-bit, w/dither) > CDwav (tracking only) > FLAC frontend
Taper Notes:
View Notes- Balanced levels of two mic sources. Set 1 (+1 dB), Set 2 (-1 dB) - d1t02- Bertha- 00:38-01:40 - smoothed level adjustments w/ 4dB reverse fade in minor transfer artifacts (clicks,pops) manually removed in SF8 pencil tool or Adobe Audition - Remediated numerous mic bumps from the Sugar Magnolia>US Blues segment when tapers were getting busted/breaking down - Several instances of clipping relieved during US Blues as tapers relocated - No compression, Noise Reduction or EQ - verbose edit details in separate file