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Today In History
June 10th
5 shows
52 tapes
Years
1995
30.1k
PlaybackListensHours
48h60782
7d4.3k583
30d30.1k4.2k
49 shows
341 tapes
1994
9.1k
PlaybackListensHours
48h1.7k221
7d2.2k287
30d9.1k1.3k
85 shows
460 tapes
1993
39.7k
PlaybackListensHours
48h3.1k376
7d9.6k1.3k
30d39.7k5.2k
83 shows
656 tapes
1992
37.2k
PlaybackListensHours
48h2.1k270
7d5.3k681
30d37.2k4.9k
57 shows
539 tapes
1991
40k
PlaybackListensHours
48h3.1k445
7d12.5k1.7k
30d40k5.4k
78 shows
973 tapes
1990
39.4k
PlaybackListensHours
48h9k1.1k
7d10.6k1.4k
30d39.4k5.2k
78 shows
1,139 tapes
1989
48k
PlaybackListensHours
48h2.4k305
7d8.5k1.1k
30d48k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.1k133
7d3.4k389
30d21.8k2.5k
82 shows
882 tapes
1987
34.4k
PlaybackListensHours
48h1.7k197
7d6k654
30d34.4k3.7k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h68676
7d2.3k257
30d12.5k1.4k
47 shows
684 tapes
1985
22.1k
PlaybackListensHours
48h1.5k168
7d4.7k552
30d22.1k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h3.4k401
7d3.2k420
30d15.8k2k
67 shows
1,075 tapes
1983
33.9k
PlaybackListensHours
48h1.2k154
7d3.8k501
30d33.9k4.5k
71 shows
1,069 tapes
1982
42.3k
PlaybackListensHours
48h1.1k139
7d4.4k549
30d42.3k5.3k
63 shows
753 tapes
1981
50k
PlaybackListensHours
48h1.4k177
7d5.5k706
30d50k6.3k
92 shows
868 tapes
1980
73.6k
PlaybackListensHours
48h3.9k445
7d15.8k1.8k
30d73.6k8.5k
91 shows
794 tapes
1979
25.3k
PlaybackListensHours
48h1.5k225
7d3.6k507
30d25.3k3.5k
79 shows
600 tapes
1978
54.1k
PlaybackListensHours
48h1.8k244
7d11.8k1.5k
30d54.1k7.4k
87 shows
592 tapes
1977
296.5k
PlaybackListensHours
48h19.3k2.7k
7d45.5k6.3k
30d296.5k40.9k
64 shows
419 tapes
1976
51.2k
PlaybackListensHours
48h7.1k1k
7d16.4k2.3k
30d51.2k7k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h41044
7d2.1k192
30d6.6k673
25 shows
63 tapes
1974
104k
PlaybackListensHours
48h6k802
7d14.3k1.8k
30d104k13.2k
42 shows
324 tapes
1973
81.1k
PlaybackListensHours
48h6.6k847
7d11.1k1.4k
30d81.1k10.3k
75 shows
445 tapes
1972
71k
PlaybackListensHours
48h2.2k275
7d8k987
30d71k8.6k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.7k190
7d5.2k585
30d34.3k3.9k
82 shows
357 tapes
1970
45.8k
PlaybackListensHours
48h1.7k191
7d17.9k1.8k
30d45.8k4.9k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.5k239
7d7k1.1k
30d27.1k4.1k
112 shows
326 tapes
1968
7.2k
PlaybackListensHours
48h849113
7d1.5k192
30d7.2k901
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13418
7d34448
30d1.5k213
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h29317
7d86062
30d8k535
32 shows
78 tapes
1965
594
PlaybackListensHours
48h584
7d1076
30d59434
2 shows
2 tapes
1992
2/22/92
Bertha >
7:01
Promised Land
5:49
Stagger Lee
6:32
Wang Dang Doodle
10:33
So Many Roads
7:11
Queen Jane Approximately
5:56
Loose Lucy
8:58
Wave To The Wind >
9:09
Don't Ease Me In
3:35
Tuning
0:51
One More Saturday Night
4:55
Mississippi Half-Step Uptown Toodeloo >
7:32
Estimated Prophet >
10:33
He's Gone >
9:37
Drums >
17:34
Space >
10:18
The Wheel >
4:38
All Along The Watchtower >
6:07
Black Peter >
11:08
Sugar Magnolia
8:03
Encore Break
1:42
U.S. Blues
5:19
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:43:11
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] May 8, 2020
SHNID:
gd1992-02-22.150007.sbd.cm.miller.flac16
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: (FOB) Schoeps CMC3/MK4 > DAT (shnid=77722) supplies: Space (1:12 - 2:46) Notes: -- Recorded by Don Pearson and Dan Healy -- The signal from the board was too loud and is oversaturated but still has it's moments -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
2:43:01
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] May 8, 2020
SHNID:
gd1992-02-22.149848.sbd.miller.flac2496
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: (FOB) Schoeps CMC3/MK4 > DAT (shnid=77722) supplies: Space (1:12 - 2:46) All Transfers and Mastering By Charlie Miller [email protected] May 8, 2020 Notes: -- Recorded by Don Pearson and Dan Healy -- The signal from the board was too loud and is oversaturated but still has it's moments
Taper: Joani Walker and Paul Scotton
2:43:40
SBD
Rating:
8.00 / 5 ratings
Taper:
Joani Walker and Paul Scotton
Transferrer:
Charlie Miller
SHNID:
gd1992-02-22.sbd.walker-scotton.miller.96395.sbeok.flac16
Source:
SBD -> Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16
Taper Notes:
View NotesPatch Info: (FOB) B K 4011 -> Dat (shnid=77722) supplies: Queen Jane Approximately (post song tuning) Loose Lucy (0:00 - 0:05) (FOB) Schoeps CMC3.MK4 -> Dat (shnid=77722) supplies: Space (1:10 - 2:46) Notes: -- Set 2 is seamless -- Thanks to Joani Walker and Paul Scotton for the Cassettes
Source 4 of 8
2:28:43
SBD
Rating:
7.33 / 12 ratings
SHNID:
gd92-02-22.sbd.gardner.9981.sbeok.shnf
Source:
SBD>MC>C>DAT>CDR
Taper Notes:
View NotesSBD>MC>C>DAT>CDR; via Paul; Seeded to etree bt Tony G
Taper: Rick Gastwirk
2:45:26
Taper:
Rick Gastwirk
Transferrer:
SIRMick and Charlie Miller
SHNID:
gd1992-02-22.138245.schoeps-cmc4-mk21.gastwirt.miller.sirmick.sbeok.flac16
Source:
<b>flac16/48kHz</b>; Source: Audience recording > Schoeps cmc4 mk21 > Oade modified Panasonic SV-255 > Dat (48k); Fob recording by Rick Gastwirt;
Lineage:
Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfer by Charlie Miller; Lineage: wav 16/48 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16/48; edited and mastered SIRMick May 2017
Taper Notes:
View Notesedited and mastered SIRMick May 2017
Taper: Master Digital FOB Recording & Transfer by Marcus Buick
2:45:32
Taper:
Master Digital FOB Recording & Transfer by Marcus Buick
Transferrer:
Edited & Mastered using Adobe Audition by Joe Noel June 28, 2020
SHNID:
gd1992-02-22.150344.FOB.Schoeps.Buick.Noel.t-1648
Source:
Schoeps MK4 CMC3mod (ORTF, FOB)> MIT shotgun XLR > TAO/Oadie > MIT shotgun XLR > Panasonic SV250mod > Master DAT (16bit48kHz) on-stand (6Õ2Ó)
Lineage:
Transfer: Master DAT > Panasonic SV3800 > S/PDIF(16bit48kHz) > Edirol-R4 > WAV 48/16
Taper Notes:
View NotesProduction Note from Marcus; The first show of the 1992 year was again at the Coliseum Arena; This was the 9th show in 5 months, at the same venue, in the Bay Area, with 2 more over the next 2 evenings. We must have been feeling brazen (or had a tall dude in our crew) because standing at 5Õ10Ó the mics would have been 4Ó above my head this evening, and while we push the boundaries, we arenÕt fools. Someone tall was blocking the mics from the view of the soundboard; John Ammons is tall and he may have been our blocker. The Master tapes indicate both sets were run at 6Õ2Ó which is about as high as we would ever run stands FOB. An interesting thing I noticed on the first night is an overly ambitious snare drum slap-back. This may be due to the microphone height, the timing delay to the rear PA, or a combination of the two. The mics were definitely picking up odd hall acoustics. I didnÕt notice this any other night or on any other tape. This show is significant in that two songs were played for the first time; So Many Roads & Wave to the Wind, a Jerry song and a Phil song, respectively. No technical issues. A fine capture of a significant event. Recording, Transfer, and Production Notes by Marcus Buick Additional Notes; - Thanks to Marcus Buick for sharing this recording - Thanks to John Ammons for coordinating this - Thanks to Pete Oshman for the use of the SV3800 - this is an upgrade to shnid 77722 (Set II) * 1st performance - The mics were removed from the stand during Sugar Mags as busts started going down around taper - Before encore, taper moved mics closer to the stage; continued hand-held operation due to ongoing FOB taper crackdowns
Taper: D5scott
2:36:56
Rating:
10.00 / 1 rating
Taper:
D5scott
Transferrer:
D5scott
SHNID:
gd1992-02-22.117851.BeyerM160.d5scott.flac16
Source:
Source: 2 Beyer M160 microphones - up front/center > Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Jamie Young and Marcus
2:44:53
Taper:
Jamie Young and Marcus
Transferrer:
Michael Hughey
SHNID:
gd1992-02-22.fob.young-marcus.gems.77722.sbeok.flac16
Source:
Set 1: B&K 4011 (ORTF) Hand Held -> Canare Cable -> Neumann Supply -> Modified Sony D10 Pro, Set 2: Schoeps CMC34 -> Panasonic sv250
Lineage:
DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav > Adobe Audition (48K to 44.1K resample, 1-bit, w/dither) > CDwav (tracking only) > FLAC frontend
Taper Notes:
View Notes- Balanced levels of two mic sources. Set 1 (+1 dB), Set 2 (-1 dB) - d1t02- Bertha- 00:38-01:40 - smoothed level adjustments w/ 4dB reverse fade in minor transfer artifacts (clicks,pops) manually removed in SF8 pencil tool or Adobe Audition - Remediated numerous mic bumps from the Sugar Magnolia>US Blues segment when tapers were getting busted/breaking down - Several instances of clipping relieved during US Blues as tapers relocated - No compression, Noise Reduction or EQ - verbose edit details in separate file