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Today In History
June 7th
Years
1995
29.8k
PlaybackListensHours
48h1.1k151
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h64891
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h6.7k903
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.8k352
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h6k791
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h3.1k403
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h3.5k431
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.4k164
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.7k302
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h917102
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h2.1k249
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.4k189
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k190
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h2k245
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.5k329
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h6.1k706
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.4k196
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h3.1k416
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h12.3k1.7k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h5.1k710
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h87173
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.9k609
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h5.1k660
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.8k473
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2.4k267
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h10.7k1.1k
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h3.6k618
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h51662
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10817
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h32223
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h453
7d1066
30d56034
2 shows
2 tapes
1992
2/22/92
Bertha ->
7:04
Greatest Story Ever Told
5:51
Stagger Lee
6:33
Wang Dang Doodle
10:36
Queen Jane Approximately
7:12
So Many Roads
6:52
Loose Lucy
9:01
Wave to the Wind
9:09
Don’t Ease Me In
3:40
crowd - tuning
1:33
One More Saturday Night
4:55
Mississippi Half-Step Uptown Toodeloo
7:33
Estimated Prophet ->
10:38
He’s Gone ->
9:34
Drums ->
17:37
Space ->
8:22
The Wheel ->
6:37
All Along the Watchtower ->
6:08
Black Peter ->
11:10
Sugar Magnolia
8:04
encore break
1:59
U.S. Blues
5:24
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:43:11
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] May 8, 2020
SHNID:
gd1992-02-22.150007.sbd.cm.miller.flac16
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: (FOB) Schoeps CMC3/MK4 > DAT (shnid=77722) supplies: Space (1:12 - 2:46) Notes: -- Recorded by Don Pearson and Dan Healy -- The signal from the board was too loud and is oversaturated but still has it's moments -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
2:43:01
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] May 8, 2020
SHNID:
gd1992-02-22.149848.sbd.miller.flac2496
Source:
SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: (FOB) Schoeps CMC3/MK4 > DAT (shnid=77722) supplies: Space (1:12 - 2:46) All Transfers and Mastering By Charlie Miller [email protected] May 8, 2020 Notes: -- Recorded by Don Pearson and Dan Healy -- The signal from the board was too loud and is oversaturated but still has it's moments
Taper: Joani Walker and Paul Scotton
2:43:40
SBD
Rating:
8.00 / 5 ratings
Taper:
Joani Walker and Paul Scotton
Transferrer:
Charlie Miller
SHNID:
gd1992-02-22.sbd.walker-scotton.miller.96395.sbeok.flac16
Source:
SBD -> Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16
Taper Notes:
View NotesPatch Info: (FOB) B K 4011 -> Dat (shnid=77722) supplies: Queen Jane Approximately (post song tuning) Loose Lucy (0:00 - 0:05) (FOB) Schoeps CMC3.MK4 -> Dat (shnid=77722) supplies: Space (1:10 - 2:46) Notes: -- Set 2 is seamless -- Thanks to Joani Walker and Paul Scotton for the Cassettes
Source 4 of 8
2:28:43
SBD
Rating:
7.33 / 12 ratings
SHNID:
gd92-02-22.sbd.gardner.9981.sbeok.shnf
Source:
SBD>MC>C>DAT>CDR
Taper Notes:
View NotesSBD>MC>C>DAT>CDR; via Paul; Seeded to etree bt Tony G
Taper: Rick Gastwirk
2:45:26
Taper:
Rick Gastwirk
Transferrer:
SIRMick and Charlie Miller
SHNID:
gd1992-02-22.138245.schoeps-cmc4-mk21.gastwirt.miller.sirmick.sbeok.flac16
Source:
<b>flac16/48kHz</b>; Source: Audience recording > Schoeps cmc4 mk21 > Oade modified Panasonic SV-255 > Dat (48k); Fob recording by Rick Gastwirt;
Lineage:
Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfer by Charlie Miller; Lineage: wav 16/48 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16/48; edited and mastered SIRMick May 2017
Taper Notes:
View Notesedited and mastered SIRMick May 2017
Taper: Master Digital FOB Recording & Transfer by Marcus Buick
2:45:32
Taper:
Master Digital FOB Recording & Transfer by Marcus Buick
Transferrer:
Edited & Mastered using Adobe Audition by Joe Noel June 28, 2020
SHNID:
gd1992-02-22.150344.FOB.Schoeps.Buick.Noel.t-1648
Source:
Schoeps MK4 CMC3mod (ORTF, FOB)> MIT shotgun XLR > TAO/Oadie > MIT shotgun XLR > Panasonic SV250mod > Master DAT (16bit48kHz) on-stand (6Õ2Ó)
Lineage:
Transfer: Master DAT > Panasonic SV3800 > S/PDIF(16bit48kHz) > Edirol-R4 > WAV 48/16
Taper Notes:
View NotesProduction Note from Marcus; The first show of the 1992 year was again at the Coliseum Arena; This was the 9th show in 5 months, at the same venue, in the Bay Area, with 2 more over the next 2 evenings. We must have been feeling brazen (or had a tall dude in our crew) because standing at 5Õ10Ó the mics would have been 4Ó above my head this evening, and while we push the boundaries, we arenÕt fools. Someone tall was blocking the mics from the view of the soundboard; John Ammons is tall and he may have been our blocker. The Master tapes indicate both sets were run at 6Õ2Ó which is about as high as we would ever run stands FOB. An interesting thing I noticed on the first night is an overly ambitious snare drum slap-back. This may be due to the microphone height, the timing delay to the rear PA, or a combination of the two. The mics were definitely picking up odd hall acoustics. I didnÕt notice this any other night or on any other tape. This show is significant in that two songs were played for the first time; So Many Roads & Wave to the Wind, a Jerry song and a Phil song, respectively. No technical issues. A fine capture of a significant event. Recording, Transfer, and Production Notes by Marcus Buick Additional Notes; - Thanks to Marcus Buick for sharing this recording - Thanks to John Ammons for coordinating this - Thanks to Pete Oshman for the use of the SV3800 - this is an upgrade to shnid 77722 (Set II) * 1st performance - The mics were removed from the stand during Sugar Mags as busts started going down around taper - Before encore, taper moved mics closer to the stage; continued hand-held operation due to ongoing FOB taper crackdowns
Taper: D5scott
2:36:56
Rating:
10.00 / 1 rating
Taper:
D5scott
Transferrer:
D5scott
SHNID:
gd1992-02-22.117851.BeyerM160.d5scott.flac16
Source:
Source: 2 Beyer M160 microphones - up front/center > Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Jamie Young and Marcus
2:44:53
Taper:
Jamie Young and Marcus
Transferrer:
Michael Hughey
SHNID:
gd1992-02-22.fob.young-marcus.gems.77722.sbeok.flac16
Source:
Set 1: B&K 4011 (ORTF) Hand Held -> Canare Cable -> Neumann Supply -> Modified Sony D10 Pro, Set 2: Schoeps CMC34 -> Panasonic sv250
Lineage:
DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav > Adobe Audition (48K to 44.1K resample, 1-bit, w/dither) > CDwav (tracking only) > FLAC frontend
Taper Notes:
View Notes- Balanced levels of two mic sources. Set 1 (+1 dB), Set 2 (-1 dB) - d1t02- Bertha- 00:38-01:40 - smoothed level adjustments w/ 4dB reverse fade in minor transfer artifacts (clicks,pops) manually removed in SF8 pencil tool or Adobe Audition - Remediated numerous mic bumps from the Sugar Magnolia>US Blues segment when tapers were getting busted/breaking down - Several instances of clipping relieved during US Blues as tapers relocated - No compression, Noise Reduction or EQ - verbose edit details in separate file