Bands
Featured
Bands
Grateful Dead
Today In History
June 8th
9 shows
70 tapes
Years
1995
30k
PlaybackListensHours
48h53371
7d11.4k1.6k
30d30k4.2k
49 shows
341 tapes
1994
8.5k
PlaybackListensHours
48h841110
7d1.6k231
30d8.5k1.2k
85 shows
460 tapes
1993
37.6k
PlaybackListensHours
48h2.8k371
7d8k1.1k
30d37.6k5k
83 shows
656 tapes
1992
35.2k
PlaybackListensHours
48h2.3k289
7d4.1k528
30d35.2k4.7k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h7.4k1k
7d9k1.2k
30d40.6k5.5k
78 shows
972 tapes
1990
35.2k
PlaybackListensHours
48h3.4k432
7d6.9k905
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.8k348
7d8.7k1.1k
30d47.5k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.1k128
7d3.6k417
30d21.6k2.5k
82 shows
882 tapes
1987
37.5k
PlaybackListensHours
48h1.9k217
7d7.5k801
30d37.5k4.1k
88 shows
1,025 tapes
1986
15.2k
PlaybackListensHours
48h80088
7d2.3k260
30d15.2k1.7k
47 shows
683 tapes
1985
21.7k
PlaybackListensHours
48h1.5k177
7d4.9k577
30d21.7k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h979129
7d3.4k441
30d15.8k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k188
7d4.1k529
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.6k197
7d4.4k548
30d41.7k5.2k
63 shows
753 tapes
1981
52.7k
PlaybackListensHours
48h2.1k268
7d5.6k723
30d52.7k6.6k
92 shows
868 tapes
1980
70.5k
PlaybackListensHours
48h6.9k730
7d10.4k1.2k
30d70.5k8.3k
91 shows
794 tapes
1979
26.1k
PlaybackListensHours
48h1.2k177
7d3.5k489
30d26.1k3.7k
79 shows
600 tapes
1978
59.2k
PlaybackListensHours
48h1.6k226
7d12.5k1.6k
30d59.2k8.1k
87 shows
592 tapes
1977
301.5k
PlaybackListensHours
48h19.4k2.7k
7d34.8k4.8k
30d301.5k41.6k
64 shows
419 tapes
1976
49.4k
PlaybackListensHours
48h3.1k427
7d27.7k3.9k
30d49.4k6.7k
45 shows
298 tapes
1975
5.9k
PlaybackListensHours
48h81879
7d1.5k142
30d5.9k612
25 shows
63 tapes
1974
98.9k
PlaybackListensHours
48h4.9k630
7d12.2k1.6k
30d98.9k12.5k
42 shows
324 tapes
1973
79.9k
PlaybackListensHours
48h4.1k527
7d11.5k1.5k
30d79.9k10.2k
75 shows
445 tapes
1972
76.8k
PlaybackListensHours
48h2.9k352
7d8.6k1.1k
30d76.8k9.3k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.7k188
7d6.2k691
30d34.3k3.9k
82 shows
357 tapes
1970
42.2k
PlaybackListensHours
48h7k715
7d15k1.5k
30d42.2k4.5k
101 shows
376 tapes
1969
26.2k
PlaybackListensHours
48h2.2k344
7d5.8k944
30d26.2k3.9k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h39050
7d1.5k181
30d6.9k860
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9213
7d33547
30d1.5k205
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h21616
7d1.1k69
30d8k532
32 shows
78 tapes
1965
573
PlaybackListensHours
48h422
7d1026
30d57334
2 shows
2 tapes
1990
Sources
Transferrer: Charlie Miller
2:53:49
SBD
Transferrer:
Charlie Miller
SHNID:
gd1990-12-30.141864.UltraMatrix.sbd.cm.miller.flac1644
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- I used a Dat Master to patch the flips and some tuning -- This file set is 16 bit
Transferrer: Charlie Miller
2:53:49
SBD
Transferrer:
Charlie Miller
SHNID:
gd1990-12-30.141848.sbd.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- I used a Dat Master to patch the flips and some tuning
Transferrer: Charlie Miller
2:53:15
SBD
Rating:
8.00 / 5 ratings
Transferrer:
Charlie Miller
SHNID:
gd1990-12-30.sbd.miller.119696.flac16
Source:
SBD (Dan Healy's UltraMatrix) -> Dat (48k)
Lineage:
Dat (Tascam DA20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAc(3 Discs Audio / 1 DVD FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- This is an upgrade to my previous transfer in every possible way
Source 4 of 10
2:52:49
SBD
Rating:
8.67 / 13 ratings
SHNID:
gd90-12-30.sbd.miller.22025.sbeok.shnf
Source:
Soundboard
Lineage:
SBD -> Dat (48k)
Taper Notes:
View NotesNotes: -- Static Pops removed with Cool Edit Pro -- I did the Dat > CD transfer back in 2000 -- Seemless transition between discs 2 and 3 -- Final Valley Road
Source 5 of 10
2:53:23
SBD
Rating:
8.00 / 2 ratings
SHNID:
gd90-12-30.sbd.wiley.11669.sbeok.shnf
Source:
SBD>??>DAT>CDR>WAV>SHN
Taper Notes:
View NotesSBD>??>DAT>CDR; Seeded to Etree by T. Wiley
Taper: Rob Darroch
1:15:12
Taper:
Rob Darroch
Transferrer:
John Ammons and Joe Noel
SHNID:
gd1990-12-30.138190.BK4001.fob.Darrouch.Ammons.t-flac16
Source:
<b>flac16/48kHz</b>; Set 1 Rob Darroch recording (hand held): B&K 4011 at 110 degrees ORTF on Schoeps t-bat > Pro-Link Cables > Mod Neumann PS > Panasonic SV255; John Ammons
Lineage:
from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
Taper Notes:
View Notes- Some minor hand clapping & yelping was cleaned up in between songs. - This is all there is for this night from this team. There was an over zealous FOB bust & that was all she wrote. Grateful to: Rob Darroch for recording this show. Grateful to: John Ammons for providing the DAT clones.
Taper: Jeff Bowen
2:51:33
Taper:
Jeff Bowen
Transferrer:
Jeff Bowen
SHNID:
gd1990-12-30.127333.nak304.bowen.flac16
Source:
Source: Nakamichi CM-300 CP-4 Shotgun Capsules > Sony TC-153SD Master (SA-X100)
Lineage:
SA-X100 Masters Transferred: Sony TC-D5M > HHb CDR 800 PRO Via Analog i/o > CD Masters > FLAC
Taper Notes:
View NotesLocation: OTS Taper Notes: This was the first and last time that I ever was present to record all four shows of the Grateful Dead NYE run, and the last time that I used my Sony TC-153SD cassette portable to master a show. I still miss Brent terribly, but I thought that Bruce Hornsby did a great job adding color to the band with tunes like ‘Valley Road’, to close out the first set. I remember experimenting with different microphone set ups on that run. I think I ran a different combo for the first couple of nights, but for the cavernous Oakland Coliseum, I thought that two Nakamichi CM-300 shotguns sounded best from the tapers section. It would be another eight years until I was able to upgrade to Neumann microphones so at the time, my CM-300 x 3 set was the best I had available. I still miss that trek to Oakland every December that we used to make to catch the New Years shows. Man was it cold and windy! Every time I hear Traffic’s ‘Rock And Roll Stew’, I think of tearing down my recording equipment after a Dead show in Oakland. Healy used to play that song for the house music after the show.
Taper: Da Weez
2:32:46
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1990-12-30.116142.NeumannKMF4.daweez.d5scott.flac16
Source:
<b>flac16:</b> Recorded by "Da Weez". Transferred and mastered to .wav files by D5scott; source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Unknown
2:27:48
Transferrer:
Keo
SHNID:
gd1990-12-30.Aud.Unk.Keo.116105.Flac1644
Source:
First or Second Generation Tapes (I Believe); Possible
Lineage:
Sennheiser 441's>Sony D5>Transfer Decks 2 Sony TCRX-410's No Dolby; Tapes:Maxell XLII-S 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper
Taper: Unknown
2:28:04
Transferrer:
Keo
SHNID:
gd1990-12-30.Aud.Unk.Keo.116104.Flac2496
Source:
First or Second Generation Tapes (I Believe); Possible
Lineage:
Sennheiser 441's>Sony D5>Transfer Decks 2 Sony TCRX-410's No Dolby; Tapes:Maxell XLII-S 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz