Bands
Featured
Bands
Grateful Dead
Today In History
June 14th
Years
1995
30.1k
PlaybackListensHours
48h54073
7d1.5k203
30d30.1k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h1.8k293
7d3.8k486
30d10.8k1.5k
85 shows
460 tapes
1993
40k
PlaybackListensHours
48h2.6k341
7d7.5k975
30d40k5.3k
83 shows
656 tapes
1992
42.8k
PlaybackListensHours
48h3.7k497
7d7.8k1k
30d42.8k5.7k
57 shows
539 tapes
1991
41.4k
PlaybackListensHours
48h3.5k461
7d11.5k1.5k
30d41.4k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3k403
7d18.7k2.3k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.9k364
7d7k865
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.7k
PlaybackListensHours
48h1.5k174
7d3.1k361
30d20.7k2.4k
82 shows
882 tapes
1987
36.9k
PlaybackListensHours
48h8k980
7d7.6k852
30d36.9k4k
88 shows
1,025 tapes
1986
12.3k
PlaybackListensHours
48h1.1k119
7d2.3k260
30d12.3k1.4k
47 shows
684 tapes
1985
23.2k
PlaybackListensHours
48h1.9k226
7d4.4k507
30d23.2k2.7k
73 shows
1,357 tapes
1984
23.2k
PlaybackListensHours
48h5.7k651
7d9.7k1.1k
30d23.2k2.9k
67 shows
1,075 tapes
1983
22k
PlaybackListensHours
48h1.5k188
7d3.3k441
30d22k2.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.7k209
7d3.3k407
30d42.2k5.2k
63 shows
753 tapes
1981
42k
PlaybackListensHours
48h1.9k239
7d4.9k608
30d42k5.3k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h9.7k1.2k
7d12.1k1.4k
30d68.1k7.9k
91 shows
794 tapes
1979
21.5k
PlaybackListensHours
48h1.7k243
7d4.1k581
30d21.5k3k
79 shows
608 tapes
1978
44.4k
PlaybackListensHours
48h2k265
7d4.8k658
30d44.4k6k
87 shows
592 tapes
1977
282.2k
PlaybackListensHours
48h10k1.4k
7d37.8k5.2k
30d282.2k39k
64 shows
419 tapes
1976
81.7k
PlaybackListensHours
48h13k1.7k
7d35.8k4.8k
30d81.7k11k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h37539
7d991101
30d6.4k660
25 shows
63 tapes
1974
93.2k
PlaybackListensHours
48h4k507
7d13.4k1.8k
30d93.2k11.8k
42 shows
324 tapes
1973
89.5k
PlaybackListensHours
48h5.5k720
7d19.4k2.6k
30d89.5k11.5k
75 shows
445 tapes
1972
66k
PlaybackListensHours
48h3k388
7d6k757
30d66k8k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h1.8k196
7d4.2k474
30d33.8k3.9k
82 shows
357 tapes
1970
41k
PlaybackListensHours
48h2k233
7d4.7k530
30d41k4.4k
101 shows
376 tapes
1969
27.7k
PlaybackListensHours
48h1.5k221
7d3.9k578
30d27.7k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h63178
7d1.7k227
30d7.6k951
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h10616
7d33345
30d1.7k226
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h29822
7d95360
30d8k536
32 shows
78 tapes
1965
627
PlaybackListensHours
48h302
7d1037
30d62737
2 shows
2 tapes
1990
Sources
Transferrer: Charlie Miller
2:53:49
SBD
Transferrer:
Charlie Miller
SHNID:
gd1990-12-30.141864.UltraMatrix.sbd.cm.miller.flac1644
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- I used a Dat Master to patch the flips and some tuning -- This file set is 16 bit
Transferrer: Charlie Miller
2:53:49
SBD
Transferrer:
Charlie Miller
SHNID:
gd1990-12-30.141848.sbd.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- I used a Dat Master to patch the flips and some tuning
Transferrer: Charlie Miller
2:53:15
SBD
Rating:
8.00 / 5 ratings
Transferrer:
Charlie Miller
SHNID:
gd1990-12-30.sbd.miller.119696.flac16
Source:
SBD (Dan Healy's UltraMatrix) -> Dat (48k)
Lineage:
Dat (Tascam DA20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAc(3 Discs Audio / 1 DVD FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- This is an upgrade to my previous transfer in every possible way
Source 4 of 10
2:52:49
SBD
Rating:
8.67 / 13 ratings
SHNID:
gd90-12-30.sbd.miller.22025.sbeok.shnf
Source:
Soundboard
Lineage:
SBD -> Dat (48k)
Taper Notes:
View NotesNotes: -- Static Pops removed with Cool Edit Pro -- I did the Dat > CD transfer back in 2000 -- Seemless transition between discs 2 and 3 -- Final Valley Road
Source 5 of 10
2:53:23
SBD
Rating:
8.00 / 2 ratings
SHNID:
gd90-12-30.sbd.wiley.11669.sbeok.shnf
Source:
SBD>??>DAT>CDR>WAV>SHN
Taper Notes:
View NotesSBD>??>DAT>CDR; Seeded to Etree by T. Wiley
Taper: Rob Darroch
1:15:12
Taper:
Rob Darroch
Transferrer:
John Ammons and Joe Noel
SHNID:
gd1990-12-30.138190.BK4001.fob.Darrouch.Ammons.t-flac16
Source:
<b>flac16/48kHz</b>; Set 1 Rob Darroch recording (hand held): B&K 4011 at 110 degrees ORTF on Schoeps t-bat > Pro-Link Cables > Mod Neumann PS > Panasonic SV255; John Ammons
Lineage:
from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
Taper Notes:
View Notes- Some minor hand clapping & yelping was cleaned up in between songs. - This is all there is for this night from this team. There was an over zealous FOB bust & that was all she wrote. Grateful to: Rob Darroch for recording this show. Grateful to: John Ammons for providing the DAT clones.
Taper: Jeff Bowen
2:51:33
Taper:
Jeff Bowen
Transferrer:
Jeff Bowen
SHNID:
gd1990-12-30.127333.nak304.bowen.flac16
Source:
Source: Nakamichi CM-300 CP-4 Shotgun Capsules > Sony TC-153SD Master (SA-X100)
Lineage:
SA-X100 Masters Transferred: Sony TC-D5M > HHb CDR 800 PRO Via Analog i/o > CD Masters > FLAC
Taper Notes:
View NotesLocation: OTS Taper Notes: This was the first and last time that I ever was present to record all four shows of the Grateful Dead NYE run, and the last time that I used my Sony TC-153SD cassette portable to master a show. I still miss Brent terribly, but I thought that Bruce Hornsby did a great job adding color to the band with tunes like ‘Valley Road’, to close out the first set. I remember experimenting with different microphone set ups on that run. I think I ran a different combo for the first couple of nights, but for the cavernous Oakland Coliseum, I thought that two Nakamichi CM-300 shotguns sounded best from the tapers section. It would be another eight years until I was able to upgrade to Neumann microphones so at the time, my CM-300 x 3 set was the best I had available. I still miss that trek to Oakland every December that we used to make to catch the New Years shows. Man was it cold and windy! Every time I hear Traffic’s ‘Rock And Roll Stew’, I think of tearing down my recording equipment after a Dead show in Oakland. Healy used to play that song for the house music after the show.
Taper: Da Weez
2:32:46
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1990-12-30.116142.NeumannKMF4.daweez.d5scott.flac16
Source:
<b>flac16:</b> Recorded by "Da Weez". Transferred and mastered to .wav files by D5scott; source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Unknown
2:27:48
Transferrer:
Keo
SHNID:
gd1990-12-30.Aud.Unk.Keo.116105.Flac1644
Source:
First or Second Generation Tapes (I Believe); Possible
Lineage:
Sennheiser 441's>Sony D5>Transfer Decks 2 Sony TCRX-410's No Dolby; Tapes:Maxell XLII-S 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper
Taper: Unknown
2:28:04
Transferrer:
Keo
SHNID:
gd1990-12-30.Aud.Unk.Keo.116104.Flac2496
Source:
First or Second Generation Tapes (I Believe); Possible
Lineage:
Sennheiser 441's>Sony D5>Transfer Decks 2 Sony TCRX-410's No Dolby; Tapes:Maxell XLII-S 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz