Bands
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Bands
Grateful Dead
Today In History
June 12th
6 shows
73 tapes
Years
1995
29.9k
PlaybackListensHours
48h56675
7d1.2k161
30d29.9k4.2k
49 shows
341 tapes
1994
10.3k
PlaybackListensHours
48h801110
7d3.3k419
30d10.3k1.4k
85 shows
460 tapes
1993
39.1k
PlaybackListensHours
48h3.3k454
7d5.2k664
30d39.1k5.1k
83 shows
656 tapes
1992
38.3k
PlaybackListensHours
48h4.6k608
7d4k520
30d38.3k5.1k
57 shows
538 tapes
1991
35.5k
PlaybackListensHours
48h6.7k844
7d9.2k1.3k
30d35.5k4.9k
78 shows
973 tapes
1990
46.4k
PlaybackListensHours
48h3.3k429
7d16.3k2k
30d46.4k6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h2.9k360
7d5.5k678
30d47.2k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k133
7d2.5k289
30d20.5k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h4.3k481
7d4.1k462
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h997112
7d1.7k189
30d11.7k1.3k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.8k205
7d3.3k382
30d22k2.6k
73 shows
1,356 tapes
1984
20k
PlaybackListensHours
48h3.4k402
7d6.6k784
30d20k2.5k
67 shows
1,075 tapes
1983
25.2k
PlaybackListensHours
48h1.4k177
7d2.8k375
30d25.2k3.3k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.2k152
7d2.9k361
30d41.5k5.1k
63 shows
753 tapes
1981
42.9k
PlaybackListensHours
48h1.9k236
7d4k504
30d42.9k5.4k
92 shows
868 tapes
1980
67.9k
PlaybackListensHours
48h4.9k577
7d11.4k1.2k
30d67.9k7.9k
91 shows
794 tapes
1979
20.8k
PlaybackListensHours
48h1.7k230
7d3.1k439
30d20.8k2.9k
79 shows
600 tapes
1978
45.2k
PlaybackListensHours
48h1.8k255
7d3.8k519
30d45.2k6.1k
87 shows
592 tapes
1977
285.7k
PlaybackListensHours
48h8.6k1.2k
7d41.3k5.7k
30d285.7k39.4k
64 shows
418 tapes
1976
60.2k
PlaybackListensHours
48h21.6k2.8k
7d15k2.1k
30d60.2k8.2k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h24627
7d1.2k123
30d6.3k646
25 shows
63 tapes
1974
93.6k
PlaybackListensHours
48h3.3k444
7d12k1.6k
30d93.6k11.9k
42 shows
324 tapes
1973
84.9k
PlaybackListensHours
48h6.1k851
7d15k2k
30d84.9k10.8k
75 shows
445 tapes
1972
65.4k
PlaybackListensHours
48h2.3k295
7d5.1k634
30d65.4k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k173
7d3.5k392
30d33.2k3.8k
82 shows
357 tapes
1970
44.2k
PlaybackListensHours
48h1.4k167
7d7k718
30d44.2k4.7k
101 shows
375 tapes
1969
26.7k
PlaybackListensHours
48h1.4k177
7d3.7k584
30d26.7k4k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h42856
7d1.5k191
30d7.3k921
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h13217
7d23934
30d1.6k214
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h40128
7d66742
30d7.9k523
32 shows
78 tapes
1965
618
PlaybackListensHours
48h191
7d1127
30d61836
2 shows
2 tapes
1990
Sources
Taper: Don Pearson and Dan Healy
3:10:40
SBD
Rating:
8.00 / 1 rating
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] May 28, 2020
SHNID:
gd1990-10-30.150234.UltraMatrix.sbd.cm.miller.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: Nakamichi CM300/CP4 > DAT Master (shnid=143864) supplies: Scarlet Begonias (0:00 - 0:18) Drums (5:48 - 6:39) Werewolves Of London (0:00 - 0:18) Notes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Tim Dalton and SIRMick for the patch source -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
3:10:39
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] May 28, 2020
SHNID:
gd1990-10-31.150006.sbd.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: Nakamichi CM300/CP4 > DAT Master (shnid=143864) supplies: Scarlet Begonias (0:00 - 0:18) Drums (5:48 - 6:39) Werewolves Of London (0:00 - 0:18) Notes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Tim Dalton and SIRMick for the patch source
Transferrer: Matrix by dusborne
3:13:02
SBD
Transferrer:
Matrix by dusborne
SHNID:
gd1990-10-31.125745.mtx.dusborne.flac16
Source:
2 Source Matrix by dusborne; Soundboard (shinid:8070) Source: SBD > DAT > CDR > WAV > SHNv3; DAE(EAC) > SHNTOOL > MKWACT via Chris L. and Audience (shnid:90844) Source: Audience Master Cassette Nakamichi 300's Shotguns > Marantz PMD-430 w/Dolby B; Tapers: Alf Houck and Robert Wright Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC; Transfer and Mastered by Bill Koucky March 16, 2008
Taper Notes:
View Notes---Thank you Tim Symons for the SBD discs. ---Thank you Chris Ladner for your work on the SBD. ---Thank you Alf Houck and Robert Wright for recording the show. ---Thank you Bill Koucky for your transfer and master of the AUD. ---Thank you Green Mountain Bros. ---Thank you Germain for your advice, encouragement, guidance and seeding. Matrix by dusborne 09-20-2013 ------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered Dave Usborne 09-20-2013
Source 4 of 12
3:10:03
SBD
Rating:
8.59 / 28 ratings
SHNID:
gd90-10-31.sbd.ladner.8070.sbeok.shnf
Source:
SBD > DAT > CDR > WAV > SHNv3
Taper Notes:
View NotesSBD > DAT > CDR > WAV > SHNv3; seed discs via Tim Symons, DAE(EAC) > SHNTOOL > MKWACT via neo_levo; reportedly with Werewolves splice, but fewer pops than previous shn sets
Taper: Tim Dalton
3:12:50
Taper:
Tim Dalton
Transferrer:
Sirmick and Charlie Miller
SHNID:
gd1990-10-31.143864.nak300-cp4.dalton.miller.sirmick.flac1648
Source:
Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton
Lineage:
Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648
Taper Notes:
View NotesThanks to Tim Dalton for lending his masters. Thanks to Charlie Miller for another of his countless transfers. edited and mastered SIRMick November 2018
Taper: Rick Katzeff and Ted Mattes
3:18:18
Taper:
Rick Katzeff and Ted Mattes
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1990-10-31.142734.FOB.Schoeps.Katzeff.Mattes.Miller.Noel.fixed.t-flac1648
Source:
<b>flac16/48kHz</b>; Rick Katzeff FOB Recording: Schoeps CMC3 MK4 (ORTF)> MIT cables > Jensen 16 P.S. > DAT (Panasonic sv250), mics on stand; 6'3" (s1), 6'5" (s2); Charlie Miller Transfer from clone of master: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for sharing his clone with us. - Thanks to Rick Katzeff for recording the show. - Thanks to Charlie Miller for the transfer & coordinating all of this. - Trick or treat, Omar is FOB. Note update: (7/22/18) - Taper info is confirmed. - Text file, tags & checksums are up to date. - He's Gone is fixed. - If you downloaded this prior to 7/22, you will want to replace this in its entirety. - If you downloaded this today, 7/22/18, all you need is s2t05 - He's Gone. - My apologies for any inconvenience.
Taper: Dave Brotman and Ted Mattes
3:12:48
Taper:
Dave Brotman and Ted Mattes
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1990-10-31.142715.FOB.Schoeps.Brotman.Mattes.Miller.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>; Dave Brotman FOB Recording: Schoeps CMC3 MK4 (ORTF)> MIT cables > Jensen 16 P.S. > DAT (Panasonic sv250), mics on stand; 6'3" (s1), 6'5" (s2); Charlie Miller
Lineage:
Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for sharing his master with us. - Thanks to Dave Brotman for recording the show with Ted's rigs. - Thanks to Charlie Miller for the transfer & coordinating all of this. - Trick or treat, Omar is FOB.
Taper: Jim Oade from the Gastwirt Collection
3:12:08
Taper:
Jim Oade from the Gastwirt Collection
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1990-10-31.139615.FOB-Schoeps-cmc4-mk41.oade.gastwirt.miller.sirmick.flac1648
Source:
<b>flac16/48kHz</b>; Source: (FOB) Schoeps cmc4 mk41 > modified Panasonic SV-250 > Dat x 2 (48k) - Recorded by Jim Oade and provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 . wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick October 2017
Taper: Dan Liff
3:12:49
Taper:
Dan Liff
Transferrer:
Rob Berger and Doug Lamarre
SHNID:
gd1990-10-31.139125.aud.liff.lamarre.berger.flac1648
Source:
<b>flac16/48kHz</b>; source: aud dat master > dat; Doug Lamarre’s clone; taped by Dan Liff r.i.p; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded by Rob Berger
Taper: Mark Teitlebaum;Rick Katzeff
3:18:02
Taper:
Mark Teitlebaum;Rick Katzeff
Transferrer:
John Ammons and Joe Noel
SHNID:
gd1990-10-31.138688.FOB.BK.Schoeps.Teitlebaum.Katzeff.Ammons.Noel.t-flac16
Source:
<b>flac16/48kHz</b>; Set I: Mark Teitlebaum FOB recording w/stand; B&K 4011 at 110 degrees ORTF > Neumann PS > Panasonic SV255; Set II: Rick Katzeff FOB recording w/stand; Schoeps CMC34 at 110 degrees ORTF > MIT Cables > Oade PS > Panasonic SV250; John Ammons
Lineage:
from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: raw waves track'd, flac'd, pack'd & patch'd in Audacity & exported as flac 16/48; Checksum & tags created in xACT
Taper Notes:
View Notespatch info: - Source #125745 (matrix by dusborne) supplies - s2t05 - 13:01 - 13:08
Taper: Alf Houck and Robert Wright
3:08:47
Taper:
Alf Houck and Robert Wright
Transferrer:
Bill Koucky
SHNID:
gd1990-10-31.nak300.houck-wright.gmb.90844.sbeok.flac16
Source:
Audience Master Cassette Nakamichi 300's Shotguns > Marantz PMD-430 w/Dolby B
Lineage:
Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96]
Taper Notes:
View NotesMastering Notes: - Discs are seamless. - Crossfades applied for tape flips after Loose Lucy during Drum. - Tuning before Encore was paused out on master, crossfade applied. - 1st set will fit on one disc if both tunings are removed.
Taper: Andrew F.
3:08:47
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1990-10-31.nak300.andrewf.85914.flac16
Source:
Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX tapes, with no Dolby
Lineage:
MAC > Sony TC-D5M (no Dolby) > Audiophile 2496 analog RCA-In > Soundforge > CD-Wave > TLH v.1.0.0.72 > FLAC
Taper Notes:
View Notes- Small drop-out in Loose Lucy at 5:50. - The break between Disc One and Disc Two is seamless. - Jerry transposed Fire on the Mountain down by a whole tone. - Aprx 5 to 10 seconds missing from Drums due to tape flip. - Soundforge was used to make fades and clean up around the tape flips.