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Today In History
June 7th
Years
1995
29.8k
PlaybackListensHours
48h1.1k154
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h64091
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h6.6k886
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.7k338
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h5.7k753
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h3k392
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h3.4k422
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.4k160
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.7k299
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h87998
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h2.1k246
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.4k187
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k190
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h2k243
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.5k318
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h6k705
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.3k193
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h3.1k417
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h12k1.7k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h5.1k708
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h87073
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.8k596
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h4.9k635
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.8k471
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2.3k260
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h10.5k1.1k
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h3.6k619
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h51662
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h11417
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h32023
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h453
7d1066
30d56034
2 shows
2 tapes
1990
10/31/90
tuning
2:32
Help on the Way ->
4:22
Slipknot! ->
4:47
Franklin's Tower
12:08
tuning
2:57
Little Red Rooster
9:46
Loose Lucy
8:21
Me and My Uncle ->
3:01
Big River
7:15
It Must Have Been the Roses
6:08
When I Paint My Masterpiece
6:35
Bird Song ->
13:31
Promised Land
5:01
tuning
3:17
Scarlet Begonias ->
9:56
Fire on the Mountain
14:34
Truckin' ->
8:13
He's Gone ->
8:13
Drums ->
11:18
Space ->
11:43
All Along the Watchtower ->
6:06
Stella Blue ->
11:16
Around and Around ->
5:57
Good Lovin'
6:22
encore break
1:34
Werewolves of London
7:55
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
3:10:40
SBD
Rating:
8.00 / 1 rating
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] May 28, 2020
SHNID:
gd1990-10-30.150234.UltraMatrix.sbd.cm.miller.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: Nakamichi CM300/CP4 > DAT Master (shnid=143864) supplies: Scarlet Begonias (0:00 - 0:18) Drums (5:48 - 6:39) Werewolves Of London (0:00 - 0:18) Notes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Tim Dalton and SIRMick for the patch source -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
3:10:39
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] May 28, 2020
SHNID:
gd1990-10-31.150006.sbd.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: Nakamichi CM300/CP4 > DAT Master (shnid=143864) supplies: Scarlet Begonias (0:00 - 0:18) Drums (5:48 - 6:39) Werewolves Of London (0:00 - 0:18) Notes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Tim Dalton and SIRMick for the patch source
Transferrer: Matrix by dusborne
3:13:02
SBD
Transferrer:
Matrix by dusborne
SHNID:
gd1990-10-31.125745.mtx.dusborne.flac16
Source:
2 Source Matrix by dusborne; Soundboard (shinid:8070) Source: SBD > DAT > CDR > WAV > SHNv3; DAE(EAC) > SHNTOOL > MKWACT via Chris L. and Audience (shnid:90844) Source: Audience Master Cassette Nakamichi 300's Shotguns > Marantz PMD-430 w/Dolby B; Tapers: Alf Houck and Robert Wright Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC; Transfer and Mastered by Bill Koucky March 16, 2008
Taper Notes:
View Notes---Thank you Tim Symons for the SBD discs. ---Thank you Chris Ladner for your work on the SBD. ---Thank you Alf Houck and Robert Wright for recording the show. ---Thank you Bill Koucky for your transfer and master of the AUD. ---Thank you Green Mountain Bros. ---Thank you Germain for your advice, encouragement, guidance and seeding. Matrix by dusborne 09-20-2013 ------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered Dave Usborne 09-20-2013
Source 4 of 12
3:10:03
SBD
Rating:
8.59 / 28 ratings
SHNID:
gd90-10-31.sbd.ladner.8070.sbeok.shnf
Source:
SBD > DAT > CDR > WAV > SHNv3
Taper Notes:
View NotesSBD > DAT > CDR > WAV > SHNv3; seed discs via Tim Symons, DAE(EAC) > SHNTOOL > MKWACT via neo_levo; reportedly with Werewolves splice, but fewer pops than previous shn sets
Taper: Tim Dalton
3:12:50
Taper:
Tim Dalton
Transferrer:
Sirmick and Charlie Miller
SHNID:
gd1990-10-31.143864.nak300-cp4.dalton.miller.sirmick.flac1648
Source:
Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton
Lineage:
Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648
Taper Notes:
View NotesThanks to Tim Dalton for lending his masters. Thanks to Charlie Miller for another of his countless transfers. edited and mastered SIRMick November 2018
Taper: Rick Katzeff and Ted Mattes
3:18:18
Taper:
Rick Katzeff and Ted Mattes
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1990-10-31.142734.FOB.Schoeps.Katzeff.Mattes.Miller.Noel.fixed.t-flac1648
Source:
<b>flac16/48kHz</b>; Rick Katzeff FOB Recording: Schoeps CMC3 MK4 (ORTF)> MIT cables > Jensen 16 P.S. > DAT (Panasonic sv250), mics on stand; 6'3" (s1), 6'5" (s2); Charlie Miller Transfer from clone of master: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for sharing his clone with us. - Thanks to Rick Katzeff for recording the show. - Thanks to Charlie Miller for the transfer & coordinating all of this. - Trick or treat, Omar is FOB. Note update: (7/22/18) - Taper info is confirmed. - Text file, tags & checksums are up to date. - He's Gone is fixed. - If you downloaded this prior to 7/22, you will want to replace this in its entirety. - If you downloaded this today, 7/22/18, all you need is s2t05 - He's Gone. - My apologies for any inconvenience.
Taper: Dave Brotman and Ted Mattes
3:12:48
Taper:
Dave Brotman and Ted Mattes
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1990-10-31.142715.FOB.Schoeps.Brotman.Mattes.Miller.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>; Dave Brotman FOB Recording: Schoeps CMC3 MK4 (ORTF)> MIT cables > Jensen 16 P.S. > DAT (Panasonic sv250), mics on stand; 6'3" (s1), 6'5" (s2); Charlie Miller
Lineage:
Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for sharing his master with us. - Thanks to Dave Brotman for recording the show with Ted's rigs. - Thanks to Charlie Miller for the transfer & coordinating all of this. - Trick or treat, Omar is FOB.
Taper: Jim Oade from the Gastwirt Collection
3:12:08
Taper:
Jim Oade from the Gastwirt Collection
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1990-10-31.139615.FOB-Schoeps-cmc4-mk41.oade.gastwirt.miller.sirmick.flac1648
Source:
<b>flac16/48kHz</b>; Source: (FOB) Schoeps cmc4 mk41 > modified Panasonic SV-250 > Dat x 2 (48k) - Recorded by Jim Oade and provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 . wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick October 2017
Taper: Dan Liff
3:12:49
Taper:
Dan Liff
Transferrer:
Rob Berger and Doug Lamarre
SHNID:
gd1990-10-31.139125.aud.liff.lamarre.berger.flac1648
Source:
<b>flac16/48kHz</b>; source: aud dat master > dat; Doug Lamarre’s clone; taped by Dan Liff r.i.p; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded by Rob Berger
Taper: Mark Teitlebaum;Rick Katzeff
3:18:02
Taper:
Mark Teitlebaum;Rick Katzeff
Transferrer:
John Ammons and Joe Noel
SHNID:
gd1990-10-31.138688.FOB.BK.Schoeps.Teitlebaum.Katzeff.Ammons.Noel.t-flac16
Source:
<b>flac16/48kHz</b>; Set I: Mark Teitlebaum FOB recording w/stand; B&K 4011 at 110 degrees ORTF > Neumann PS > Panasonic SV255; Set II: Rick Katzeff FOB recording w/stand; Schoeps CMC34 at 110 degrees ORTF > MIT Cables > Oade PS > Panasonic SV250; John Ammons
Lineage:
from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: raw waves track'd, flac'd, pack'd & patch'd in Audacity & exported as flac 16/48; Checksum & tags created in xACT
Taper Notes:
View Notespatch info: - Source #125745 (matrix by dusborne) supplies - s2t05 - 13:01 - 13:08
Taper: Alf Houck and Robert Wright
3:08:47
Taper:
Alf Houck and Robert Wright
Transferrer:
Bill Koucky
SHNID:
gd1990-10-31.nak300.houck-wright.gmb.90844.sbeok.flac16
Source:
Audience Master Cassette Nakamichi 300's Shotguns > Marantz PMD-430 w/Dolby B
Lineage:
Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96]
Taper Notes:
View NotesMastering Notes: - Discs are seamless. - Crossfades applied for tape flips after Loose Lucy during Drum. - Tuning before Encore was paused out on master, crossfade applied. - 1st set will fit on one disc if both tunings are removed.
Taper: Andrew F.
3:08:47
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1990-10-31.nak300.andrewf.85914.flac16
Source:
Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX tapes, with no Dolby
Lineage:
MAC > Sony TC-D5M (no Dolby) > Audiophile 2496 analog RCA-In > Soundforge > CD-Wave > TLH v.1.0.0.72 > FLAC
Taper Notes:
View Notes- Small drop-out in Loose Lucy at 5:50. - The break between Disc One and Disc Two is seamless. - Jerry transposed Fire on the Mountain down by a whole tone. - Aprx 5 to 10 seconds missing from Drums due to tape flip. - Soundforge was used to make fades and clean up around the tape flips.