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Bands
Grateful Dead
Today In History
June 13th
7 shows
49 tapes
Years
1995
30.2k
PlaybackListensHours
48h57376
7d1.5k202
30d30.2k4.2k
49 shows
341 tapes
1994
10.8k
PlaybackListensHours
48h757108
7d3.8k482
30d10.8k1.5k
85 shows
460 tapes
1993
41.3k
PlaybackListensHours
48h3.4k463
7d7.4k959
30d41.3k5.4k
83 shows
656 tapes
1992
39.9k
PlaybackListensHours
48h5k658
7d5.6k725
30d39.9k5.3k
57 shows
538 tapes
1991
39.2k
PlaybackListensHours
48h7k877
7d13k1.8k
30d39.2k5.3k
78 shows
973 tapes
1990
48.7k
PlaybackListensHours
48h3.1k402
7d18.6k2.3k
30d48.7k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h3.1k377
7d7.1k883
30d48.9k6.1k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.2k143
7d3k349
30d21k2.4k
82 shows
882 tapes
1987
34.8k
PlaybackListensHours
48h4.7k527
7d5.6k628
30d34.8k3.8k
88 shows
1,025 tapes
1986
12.2k
PlaybackListensHours
48h1k113
7d2.2k244
30d12.2k1.4k
47 shows
684 tapes
1985
22.9k
PlaybackListensHours
48h1.8k215
7d4.2k488
30d22.9k2.7k
73 shows
1,356 tapes
1984
21.2k
PlaybackListensHours
48h3.4k407
7d7.8k937
30d21.2k2.7k
67 shows
1,075 tapes
1983
26k
PlaybackListensHours
48h1.4k184
7d3.5k469
30d26k3.4k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.3k154
7d3.6k436
30d42.1k5.2k
63 shows
753 tapes
1981
44.1k
PlaybackListensHours
48h2k247
7d5.1k645
30d44.1k5.5k
92 shows
868 tapes
1980
69.1k
PlaybackListensHours
48h5.3k638
7d12.6k1.4k
30d69.1k8k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.8k245
7d3.9k557
30d21.7k3k
79 shows
600 tapes
1978
46.1k
PlaybackListensHours
48h1.9k260
7d4.8k652
30d46.1k6.3k
87 shows
592 tapes
1977
290.3k
PlaybackListensHours
48h8.8k1.2k
7d45.9k6.3k
30d290.3k40k
64 shows
418 tapes
1976
71.6k
PlaybackListensHours
48h22.2k2.9k
7d26.4k3.5k
30d71.6k9.7k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h25527
7d1.4k136
30d6.4k659
25 shows
63 tapes
1974
95.3k
PlaybackListensHours
48h3.6k471
7d13.7k1.8k
30d95.3k12.1k
42 shows
324 tapes
1973
88.8k
PlaybackListensHours
48h5.9k808
7d18.9k2.5k
30d88.8k11.4k
75 shows
445 tapes
1972
66.4k
PlaybackListensHours
48h2.4k305
7d6.1k765
30d66.4k8.1k
88 shows
361 tapes
1971
34k
PlaybackListensHours
48h1.7k186
7d4.3k487
30d34k3.9k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.5k174
7d7.8k819
30d45k4.8k
101 shows
375 tapes
1969
27.4k
PlaybackListensHours
48h1.4k171
7d4.5k677
30d27.4k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h41554
7d1.7k224
30d7.6k954
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14418
7d28540
30d1.6k220
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h40729
7d90558
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h191
7d1268
30d63237
2 shows
2 tapes
1990
Sources
Taper: Don Pearson and Dan Healy
3:10:40
SBD
Rating:
8.00 / 1 rating
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] May 28, 2020
SHNID:
gd1990-10-30.150234.UltraMatrix.sbd.cm.miller.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: Nakamichi CM300/CP4 > DAT Master (shnid=143864) supplies: Scarlet Begonias (0:00 - 0:18) Drums (5:48 - 6:39) Werewolves Of London (0:00 - 0:18) Notes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Tim Dalton and SIRMick for the patch source -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
3:10:39
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] May 28, 2020
SHNID:
gd1990-10-31.150006.sbd.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: Nakamichi CM300/CP4 > DAT Master (shnid=143864) supplies: Scarlet Begonias (0:00 - 0:18) Drums (5:48 - 6:39) Werewolves Of London (0:00 - 0:18) Notes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Tim Dalton and SIRMick for the patch source
Transferrer: Matrix by dusborne
3:13:02
SBD
Transferrer:
Matrix by dusborne
SHNID:
gd1990-10-31.125745.mtx.dusborne.flac16
Source:
2 Source Matrix by dusborne; Soundboard (shinid:8070) Source: SBD > DAT > CDR > WAV > SHNv3; DAE(EAC) > SHNTOOL > MKWACT via Chris L. and Audience (shnid:90844) Source: Audience Master Cassette Nakamichi 300's Shotguns > Marantz PMD-430 w/Dolby B; Tapers: Alf Houck and Robert Wright Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC; Transfer and Mastered by Bill Koucky March 16, 2008
Taper Notes:
View Notes---Thank you Tim Symons for the SBD discs. ---Thank you Chris Ladner for your work on the SBD. ---Thank you Alf Houck and Robert Wright for recording the show. ---Thank you Bill Koucky for your transfer and master of the AUD. ---Thank you Green Mountain Bros. ---Thank you Germain for your advice, encouragement, guidance and seeding. Matrix by dusborne 09-20-2013 ------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered Dave Usborne 09-20-2013
Source 4 of 12
3:10:03
SBD
Rating:
8.59 / 28 ratings
SHNID:
gd90-10-31.sbd.ladner.8070.sbeok.shnf
Source:
SBD > DAT > CDR > WAV > SHNv3
Taper Notes:
View NotesSBD > DAT > CDR > WAV > SHNv3; seed discs via Tim Symons, DAE(EAC) > SHNTOOL > MKWACT via neo_levo; reportedly with Werewolves splice, but fewer pops than previous shn sets
Taper: Tim Dalton
3:12:50
Taper:
Tim Dalton
Transferrer:
Sirmick and Charlie Miller
SHNID:
gd1990-10-31.143864.nak300-cp4.dalton.miller.sirmick.flac1648
Source:
Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton
Lineage:
Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648
Taper Notes:
View NotesThanks to Tim Dalton for lending his masters. Thanks to Charlie Miller for another of his countless transfers. edited and mastered SIRMick November 2018
Taper: Rick Katzeff and Ted Mattes
3:18:18
Taper:
Rick Katzeff and Ted Mattes
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1990-10-31.142734.FOB.Schoeps.Katzeff.Mattes.Miller.Noel.fixed.t-flac1648
Source:
<b>flac16/48kHz</b>; Rick Katzeff FOB Recording: Schoeps CMC3 MK4 (ORTF)> MIT cables > Jensen 16 P.S. > DAT (Panasonic sv250), mics on stand; 6'3" (s1), 6'5" (s2); Charlie Miller Transfer from clone of master: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for sharing his clone with us. - Thanks to Rick Katzeff for recording the show. - Thanks to Charlie Miller for the transfer & coordinating all of this. - Trick or treat, Omar is FOB. Note update: (7/22/18) - Taper info is confirmed. - Text file, tags & checksums are up to date. - He's Gone is fixed. - If you downloaded this prior to 7/22, you will want to replace this in its entirety. - If you downloaded this today, 7/22/18, all you need is s2t05 - He's Gone. - My apologies for any inconvenience.
Taper: Dave Brotman and Ted Mattes
3:12:48
Taper:
Dave Brotman and Ted Mattes
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1990-10-31.142715.FOB.Schoeps.Brotman.Mattes.Miller.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>; Dave Brotman FOB Recording: Schoeps CMC3 MK4 (ORTF)> MIT cables > Jensen 16 P.S. > DAT (Panasonic sv250), mics on stand; 6'3" (s1), 6'5" (s2); Charlie Miller
Lineage:
Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for sharing his master with us. - Thanks to Dave Brotman for recording the show with Ted's rigs. - Thanks to Charlie Miller for the transfer & coordinating all of this. - Trick or treat, Omar is FOB.
Taper: Jim Oade from the Gastwirt Collection
3:12:08
Taper:
Jim Oade from the Gastwirt Collection
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1990-10-31.139615.FOB-Schoeps-cmc4-mk41.oade.gastwirt.miller.sirmick.flac1648
Source:
<b>flac16/48kHz</b>; Source: (FOB) Schoeps cmc4 mk41 > modified Panasonic SV-250 > Dat x 2 (48k) - Recorded by Jim Oade and provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 . wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick October 2017
Taper: Dan Liff
3:12:49
Taper:
Dan Liff
Transferrer:
Rob Berger and Doug Lamarre
SHNID:
gd1990-10-31.139125.aud.liff.lamarre.berger.flac1648
Source:
<b>flac16/48kHz</b>; source: aud dat master > dat; Doug Lamarre’s clone; taped by Dan Liff r.i.p; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded by Rob Berger
Taper: Mark Teitlebaum;Rick Katzeff
3:18:02
Taper:
Mark Teitlebaum;Rick Katzeff
Transferrer:
John Ammons and Joe Noel
SHNID:
gd1990-10-31.138688.FOB.BK.Schoeps.Teitlebaum.Katzeff.Ammons.Noel.t-flac16
Source:
<b>flac16/48kHz</b>; Set I: Mark Teitlebaum FOB recording w/stand; B&K 4011 at 110 degrees ORTF > Neumann PS > Panasonic SV255; Set II: Rick Katzeff FOB recording w/stand; Schoeps CMC34 at 110 degrees ORTF > MIT Cables > Oade PS > Panasonic SV250; John Ammons
Lineage:
from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: raw waves track'd, flac'd, pack'd & patch'd in Audacity & exported as flac 16/48; Checksum & tags created in xACT
Taper Notes:
View Notespatch info: - Source #125745 (matrix by dusborne) supplies - s2t05 - 13:01 - 13:08
Taper: Alf Houck and Robert Wright
3:08:47
Taper:
Alf Houck and Robert Wright
Transferrer:
Bill Koucky
SHNID:
gd1990-10-31.nak300.houck-wright.gmb.90844.sbeok.flac16
Source:
Audience Master Cassette Nakamichi 300's Shotguns > Marantz PMD-430 w/Dolby B
Lineage:
Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96]
Taper Notes:
View NotesMastering Notes: - Discs are seamless. - Crossfades applied for tape flips after Loose Lucy during Drum. - Tuning before Encore was paused out on master, crossfade applied. - 1st set will fit on one disc if both tunings are removed.
Taper: Andrew F.
3:08:47
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1990-10-31.nak300.andrewf.85914.flac16
Source:
Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX tapes, with no Dolby
Lineage:
MAC > Sony TC-D5M (no Dolby) > Audiophile 2496 analog RCA-In > Soundforge > CD-Wave > TLH v.1.0.0.72 > FLAC
Taper Notes:
View Notes- Small drop-out in Loose Lucy at 5:50. - The break between Disc One and Disc Two is seamless. - Jerry transposed Fire on the Mountain down by a whole tone. - Aprx 5 to 10 seconds missing from Drums due to tape flip. - Soundforge was used to make fades and clean up around the tape flips.