1990
Bands
Featured
Bands
Grateful Dead
Today In History
June 16th
5 shows
82 tapes
Years
1995
30.1k
PlaybackListensHours
48h1.5k179
7d1.4k185
30d30.1k4.2k
49 shows
343 tapes
1994
12.7k
PlaybackListensHours
48h1.6k244
7d4.5k665
30d12.7k1.8k
85 shows
460 tapes
1993
38k
PlaybackListensHours
48h1.8k243
7d6.9k909
30d38k5k
83 shows
656 tapes
1992
45.1k
PlaybackListensHours
48h2.8k374
7d8.2k1.1k
30d45.1k6k
57 shows
539 tapes
1991
43k
PlaybackListensHours
48h2.7k359
7d11.1k1.4k
30d43k5.8k
78 shows
973 tapes
1990
48.5k
PlaybackListensHours
48h5.2k736
7d12.4k1.6k
30d48.5k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.2k271
7d7.4k925
30d48.9k6.1k
78 shows
1,017 tapes
1988
20.3k
PlaybackListensHours
48h1.1k133
7d3.4k397
30d20.3k2.3k
82 shows
882 tapes
1987
42.7k
PlaybackListensHours
48h4.2k519
7d13.8k1.7k
30d42.7k4.8k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h86299
7d2.6k292
30d12.5k1.4k
47 shows
684 tapes
1985
24.7k
PlaybackListensHours
48h6.7k767
7d5.9k693
30d24.7k2.9k
73 shows
1,357 tapes
1984
27k
PlaybackListensHours
48h2.3k285
7d12.1k1.4k
30d27k3.3k
67 shows
1,075 tapes
1983
21k
PlaybackListensHours
48h959121
7d3.4k441
30d21k2.7k
71 shows
1,069 tapes
1982
42.4k
PlaybackListensHours
48h1.3k161
7d3.6k443
30d42.4k5.3k
63 shows
753 tapes
1981
31.2k
PlaybackListensHours
48h2k246
7d5.3k665
30d31.2k3.9k
92 shows
868 tapes
1980
71.1k
PlaybackListensHours
48h3.9k444
7d15.3k1.8k
30d71.1k8.3k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.1k158
7d4.1k580
30d21.7k3k
79 shows
608 tapes
1978
38.8k
PlaybackListensHours
48h1.6k213
7d4.9k672
30d38.8k5.2k
87 shows
592 tapes
1977
267.8k
PlaybackListensHours
48h7.8k1.1k
7d26.6k3.7k
30d267.8k37k
64 shows
418 tapes
1976
91.9k
PlaybackListensHours
48h15.9k2.2k
7d42k5.6k
30d91.9k12.4k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h42845
7d88291
30d6.3k647
25 shows
63 tapes
1974
89.9k
PlaybackListensHours
48h3.2k412
7d9.8k1.3k
30d89.9k11.4k
42 shows
324 tapes
1973
90.4k
PlaybackListensHours
48h4k522
7d18.7k2.6k
30d90.4k11.6k
75 shows
445 tapes
1972
62.9k
PlaybackListensHours
48h2.5k316
7d6.6k846
30d62.9k7.7k
88 shows
361 tapes
1971
33.7k
PlaybackListensHours
48h1.5k169
7d4.3k482
30d33.7k3.9k
82 shows
357 tapes
1970
39.3k
PlaybackListensHours
48h1.2k149
7d4.3k504
30d39.3k4.2k
101 shows
376 tapes
1969
28.3k
PlaybackListensHours
48h1.5k235
7d3.8k540
30d28.3k4.2k
112 shows
326 tapes
1968
8.1k
PlaybackListensHours
48h75193
7d1.7k205
30d8.1k1k
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h13318
7d31345
30d1.7k233
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h45828
7d89261
30d8k538
32 shows
78 tapes
1965
639
PlaybackListensHours
48h302
7d1097
30d63938
2 shows
2 tapes
1990
Sources
Transferrer: Dan Haugh
2:57:38
SBD
Rating:
2.00 / 2 ratings
Transferrer:
Dan Haugh
SHNID:
gd1990-09-20.mtx.dan.30868.sbeok.shnf
Source:
SBD + AUD Matrix Mix (50%-SBD/50%-AUD)
Taper Notes:
View Notes--------------------------------------------------------- Source Info SBD Taper: ? Source: SBD > DAT > Samplitude > Cool Edit Pro > SHN Location: At the soundboard AUD Taper: Dave Brotman Source: FOB > Scheops > DAT > CDR Location: Row 15, Center --------------------------------------------------------- Tech Notes SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch both of the sources. CEP2.0 used to adjust the volume for the SBD & AUD. This is a 50% SBD, 50% AUD mix. - Mixed by [email protected] - Shn conversion done by [email protected] 28-JLY-2004 - Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case. --------------------------------------------------------- Notes D1 prior to stereo mixdown the right channel was slightly lower on the SBD source. I bumped them up 1.5db to match the left channel. Set 2 was fine, no adjustments. D2 and D3 can be assembled seamlessly on longer media. Both the SBD and the AUD sources had breaks bwtn the D2 and D3 change. Fortunately at different spots. I patched the missing SBD portion, approx 5 seconds, with the AUD. I patched the missing AUD portion, approx 2 seconds, with the SBD. The result was smooth and most likely unnoticeable. There was approx 1:10 of crowd cut btwn the last song and the encore on the AUD source. I trimmed the SBD accordingly b/c it wasn't worth the effort to patch crowd cheer. It still sounds pretty smooth anyway.
Taper: Dave Brotman & Jeff Metchick Master Digital Recording
3:03:30
REMASTER
Rating:
10.00 / 2 ratings
Taper:
Dave Brotman & Jeff Metchick Master Digital Recording
Transferrer:
Charlie Miller Transfer Edited & Mastered by Joe Noel August 23, 2020
SHNID:
gd1990-09-20.150546.remaster.149578.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t.flac1648
Source:
Schoeps CMC3/MK4 (ORTF) > M1000 Cables > Oade pre > Jensen 16 PS > Master Dat (Panasonic SV-250/48k). Location: Sec A Row 18 Seat 01 (FOB, mics on stand @ 6'5")
Lineage:
Dat > Sony PCM r500 > Tascam DA-3000 > flac 16/48
Taper Notes:
View NotesNotes: - reMaster of shnid 149578 - upgrade[s] of shnid 9989, 11633 & 132709 - lineage & location is confirmed by taper & j cards. - Final night of a six night run at the World's easiest arena to sneak into. - last "El Paso": 04-03-89 [113] - last "Playin Reprise": 07-04-89 [92]
Taper: Dave Brotman & Jeff Metchick Master Digital Recording
3:03:19
Rating:
10.00 / 1 rating
Taper:
Dave Brotman & Jeff Metchick Master Digital Recording
Transferrer:
Charlie Miller Transfer Edited & Mastered by Joe Noel April 07, 2019
SHNID:
gd1990-09-20.149578.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648
Source:
Recording info: Schoeps CMC3/MK4 (110°) > M1000 Cables > Oade pre > Jensen 16 PS > Master Dat (Panasonic SV-250/48k). Location: Section A, Row 18, Seat 1 (mics on stand @ 6'5")
Lineage:
Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16/48
Taper Notes:
View NotesNotes: - upgrade to shnid 11664 - location & lineage is confirmed. - An excerpt of the post LiG jam was previously released on the CD accompanying Phil Lesh's memoir "Searching for the Sound" as "Trio Jam with Bruce Hornsby" - PitB through Trio Jam is officially released as part of Road Trips 2.1 - last second-set "Let It Grow": 12-31-86 [289]
Taper: tdarian
2:51:28
Rating:
9.11 / 9 ratings
Taper:
tdarian
Transferrer:
Mike French
SHNID:
gd1990-09-20.bk4011.tdarian.french.88970.sbeok.flac16
Source:
B&K 4011's ORTF -> ProLink cable -> Neumann p48v -> Sony TCD-D10 DAT 48khz line-in wide open Mics on stand at 6'+
Lineage:
Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700
Taper Notes:
View NotesAmbient Recording by tdarian Tapers From Hell - A Journey to the Impact Zone B&K 4011's ORTF -> ProLink cable -> Neumann p48v -> Sony TCD-D10 DAT 48khz line-in wide open Mics on stand at 6'+ "My primary crowd control weapon: Backstage passes to send the loud mouths away"..... "with "Barry" the usher keeping the crowd as quiet as he could. And covering the mic stand from the aisle side " transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 CDR master transfer by Mike French (TFH), in apprx. 2002 compiled for FLAC by Mike French, on 2007-11-28
Transferrer: Dan Haugh
2:57:38
Transferrer:
Dan Haugh
SHNID:
gd1990-09-20.dts.dan.31773.sbeok.flac16
Source:
DTS-Audio-CD 5.1 Mix
Taper Notes:
View Notes--------------------------------------------------------- Source Info SBD Taper: ? Source: SBD > DAT > Samplitude > Cool Edit Pro > SHN Location: At the soundboard AUD Taper: Dave Brotman Source: FOB > Scheops > DAT > CDR Location: Row 15, Center --------------------------------------------------------- Tech Notes SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch the SBD & AUD sources. CEP2.0 used to adjust the volume for the SBD, AUD, center and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - Shn conversion done by [email protected] 28-JLY-2004 - Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case. --------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD > DAT Right Channel +1.5db SBD > DAT Center Mixed to mono -4.5db SBD > DAT Surround Left Channel -1.5db FOB > Scheops > DAT Right Channel -1.5db FOB > Scheops > DAT Sub/LFE Mixed to mono -3db SBD > DAT --------------------------------------------------------- Notes D1 the right channel was slightly lower on the SBD source. I bumped them up 1.5db to match the left channel. Set 2 was fine, no adjustments. D2 and D3 can be assembled seamlessly on longer media. Both the SBD and the AUD sources had breaks bwtn the D2 and D3 change. Fortunately at different spots. I patched the missing SBD portion, approx 5 seconds, with the AUD. I patched the missing AUD portion, approx 2 seconds, with the SBD. The result was smooth and most likely unnoticeable. I ran the center channel lower than usual (-4.5db) for this DTS 5.1 mix. The levels on the AUD source were slightly higher than the SBD source. This would have sounded strange so I reduced the AUD by -1.5db. There was approx 1:10 of crowd cut btwn the last song and the encore on the AUD source. I trimmed the SBD accordingly b/c it wasn't worth the effort to patch crowd cheer. It still sounds pretty smooth anyway. If you play this DTS-Audio-CD and hear static it is b/c you didn't really read the text file, did you? --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from .shn files. --------------------------------------------------------- Notes From The Original Text Files SBD There was a flaw in the original transfer (d3t05 - Throwing Stones) that has been fixed. AUD D2t01 (Tuning) Digital pop @ 1:06 removed. D2t03 (Truckin') Digital pop @ 1:14 removed and a Drop out @ 5:11 removed.