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Today In History
June 6th
5 shows
39 tapes
Years
1995
29.2k
PlaybackListensHours
48h2.2k304
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h67896
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h4.9k659
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1.3k166
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h3k395
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.8k360
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3.7k466
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.3k150
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.7k289
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h82792
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k237
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.5k194
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.4k188
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.8k230
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.2k283
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.8k672
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.3k182
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h6.4k817
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h14.3k1.9k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h7.4k1k
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h85471
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.2k528
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.3k568
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.2k391
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.1k238
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h7.8k764
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.4k570
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h59874
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13820
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h44432
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h483
7d1277
30d57234
2 shows
2 tapes
1990
9/20/90
Tuning
3:22
Feel Like A Stranger
8:48
Althea
9:03
It's All Over Now
10:26
Ramble On Rose
8:52
El Paso
5:49
Brown Eyed Women
6:26
Greatest Story Ever Told
4:09
U.S. Blues
5:32
Tuning
1:37
Truckin' ->
8:57
China Cat Sunflower ->
7:58
I Know You Rider ->
7:01
Man Smart (Women Smarter) ->
6:10
Drums ->
14:47
Space ->
10:16
Dark Star ->
12:02
Playing In The Band (Reprise) ->
4:02
Dark Star ->
15:51
Throwing Stones ->
10:03
Touch Of Grey
11:01
Turn On Your Lovelight
6:54
FIN
View on archive.org
Sources
Taper: Recorded for Vince Welnick by Don Pearson and Dan Healy
2:54:58
SBD
Taper:
Recorded for Vince Welnick by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 16, 2022
SHNID:
gd1990-09-20.156488.UltraMatrix.sbd.cm.miller.t.flac1644
Source:
Ultramatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded for Vince Welnick by Don Pearson and Dan Healy -- Thanks to David Beckwith for his help with this project -- This is 156442 2496 > 1644.1
Taper: Recorded for Vince Welnick by Don Pearson and Dan Healy
2:54:58
SBD
Taper:
Recorded for Vince Welnick by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 16, 2022
SHNID:
gd1990-09-20.156442.ultramtrix.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded for Vince Welnick by Don Pearson and Dan Healy -- Thanks to David Beckwith for his help with this project
Transferrer: Charlie Miller
2:59:06
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1990-09-20.sbd.miller.108849.flac16
Source:
SBD -> Dat
Lineage:
Dat -> Samplitude Professional v11.1 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless
Transferrer: Charlie Miller
2:59:43
SBD
Rating:
9.33 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1990-09-20.sbd.miller.28691.sbeok.shnf
Source:
SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN
Lineage:
Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> M-Audio Dio 2448 -> Compaq Presario 5452
Taper Notes:
View NotesEditing Info: ------------ Recorded with Samplitude 2496 v6.0 Edited with Cool Edit Pro v2.0 (Fades, Normalized to 98% Prior to tracking) Tracked with CDWave v1.71 Converted to SHN with MKW v0.97 Beta1 Transfer and editing done by Charlie Miller [email protected] 9/7/02 There was a flaw in the original transfer (d3t05 - Throwing Stones) that has been fixed. Flaws in d1t02 and d3t01 were also fixed 9/28/02
Transferrer: Matrix by photoleon
2:59:09
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Matrix by photoleon
SHNID:
gd1990-09-20.138036.mtx.photoleon.flac16
Source:
2 source matrix: shnid: 108849 - SBD -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC and shnid: 88970 - Ambient Recording by Ted Darian; B&K 4011's ORTF-> ProLink cable-> Neumann p48v-> Sony TCD-D10 DAT 48khz line-in wide open Mics on stand at 6'+; transfer and edit notes: Tascam DA20mkII 48k DAT master> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700
Transferrer: Bill Tetzeli
2:59:09
SBD
Rating:
10.00 / 1 rating
Transferrer:
Bill Tetzeli
SHNID:
gd1990-09-20.sbd.miller.tetzeli.28691-fix.34629.sbeok.shnf
Source:
Fixed version of shnid 28691
Taper Notes:
View NotesFixed version of shnid 28691 - transition between CDs 2 and 3 is now seamless. Bill Tetzeli [email protected] 9:43 PM 2/7/2006
Transferrer: Dan Haugh
2:57:38
SBD
Rating:
2.00 / 2 ratings
Transferrer:
Dan Haugh
SHNID:
gd1990-09-20.mtx.dan.30868.sbeok.shnf
Source:
SBD + AUD Matrix Mix (50%-SBD/50%-AUD)
Taper Notes:
View Notes--------------------------------------------------------- Source Info SBD Taper: ? Source: SBD > DAT > Samplitude > Cool Edit Pro > SHN Location: At the soundboard AUD Taper: Dave Brotman Source: FOB > Scheops > DAT > CDR Location: Row 15, Center --------------------------------------------------------- Tech Notes SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch both of the sources. CEP2.0 used to adjust the volume for the SBD & AUD. This is a 50% SBD, 50% AUD mix. - Mixed by [email protected] - Shn conversion done by [email protected] 28-JLY-2004 - Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case. --------------------------------------------------------- Notes D1 prior to stereo mixdown the right channel was slightly lower on the SBD source. I bumped them up 1.5db to match the left channel. Set 2 was fine, no adjustments. D2 and D3 can be assembled seamlessly on longer media. Both the SBD and the AUD sources had breaks bwtn the D2 and D3 change. Fortunately at different spots. I patched the missing SBD portion, approx 5 seconds, with the AUD. I patched the missing AUD portion, approx 2 seconds, with the SBD. The result was smooth and most likely unnoticeable. There was approx 1:10 of crowd cut btwn the last song and the encore on the AUD source. I trimmed the SBD accordingly b/c it wasn't worth the effort to patch crowd cheer. It still sounds pretty smooth anyway.
Source 8 of 21
2:59:46
SBD
Rating:
9.54 / 48 ratings
SHNID:
gd90-09-20.sbd.ashley.14855.sbeok.shnf
Source:
Soundboard
Lineage:
SBD>>Dat>>(*)>>SHN>>DAW(Bertha)>>SHN
Taper Notes:
View NotesBertha Remaster of the original <a href="http://db.etree.org/shninfo_detail.php?shnid=12111" rel="ugc nofollow">DSBD Source</a> . SBD>>Dat>>(*)>>SHN>>DAW(Bertha)>>CDA - Sound A+
Source 9 of 21
2:59:43
SBD
Rating:
9.65 / 18 ratings
SHNID:
gd90-09-20.sbd.miller.12111.sbeok.shnf
Source:
SBD -> Dat -> WAV-> SHN
Taper Notes:
View NotesSBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN; Seeded to etree by Charlie Miller
Taper: Tape from Tim Buller
1:51:02
SBD
Rating:
10.00 / 1 rating
Taper:
Tape from Tim Buller
Transferrer:
CD Mastering by C.J. Eichinger
SHNID:
gd1990-09-20.sbd.eichinger.465.sbeok.shnf
Source:
Healy Ultramix SBD > DAT > CD-R
Taper: Dave Brotman & Jeff Metchick Master Digital Recording
3:03:30
REMASTER
Rating:
10.00 / 2 ratings
Taper:
Dave Brotman & Jeff Metchick Master Digital Recording
Transferrer:
Charlie Miller Transfer Edited & Mastered by Joe Noel August 23, 2020
SHNID:
gd1990-09-20.150546.remaster.149578.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t.flac1648
Source:
Schoeps CMC3/MK4 (ORTF) > M1000 Cables > Oade pre > Jensen 16 PS > Master Dat (Panasonic SV-250/48k). Location: Sec A Row 18 Seat 01 (FOB, mics on stand @ 6'5")
Lineage:
Dat > Sony PCM r500 > Tascam DA-3000 > flac 16/48
Taper Notes:
View NotesNotes: - reMaster of shnid 149578 - upgrade[s] of shnid 9989, 11633 & 132709 - lineage & location is confirmed by taper & j cards. - Final night of a six night run at the World's easiest arena to sneak into. - last "El Paso": 04-03-89 [113] - last "Playin Reprise": 07-04-89 [92]
Taper: Dave Brotman & Jeff Metchick Master Digital Recording
3:03:19
Rating:
10.00 / 1 rating
Taper:
Dave Brotman & Jeff Metchick Master Digital Recording
Transferrer:
Charlie Miller Transfer Edited & Mastered by Joe Noel April 07, 2019
SHNID:
gd1990-09-20.149578.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648
Source:
Recording info: Schoeps CMC3/MK4 (110°) > M1000 Cables > Oade pre > Jensen 16 PS > Master Dat (Panasonic SV-250/48k). Location: Section A, Row 18, Seat 1 (mics on stand @ 6'5")
Lineage:
Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16/48
Taper Notes:
View NotesNotes: - upgrade to shnid 11664 - location & lineage is confirmed. - An excerpt of the post LiG jam was previously released on the CD accompanying Phil Lesh's memoir "Searching for the Sound" as "Trio Jam with Bruce Hornsby" - PitB through Trio Jam is officially released as part of Road Trips 2.1 - last second-set "Let It Grow": 12-31-86 [289]
Taper: Ron Ackerman
2:50:36
Rating:
8.00 / 1 rating
Taper:
Ron Ackerman
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1990-09-20.141168.OTS.AKG.Ackerman.Miller.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48
Taper Notes:
View NotesNotes: - Final night of a six night run at the World's easiest arena to sneak in to. - tape pauses cross faded. - last El Paso: 04-03-89 - last PitB reprise: 10-16-89 - Yeah there are some repeats, but this 1st set is really well played. - Second set is a classic rope-a-dope
Source 14 of 21
2:51:06
Rating:
10.00 / 1 rating
SHNID:
gd1990-09-20.152739.mtx.seamons.ht131.flac16
Source:
Matrix by Hunter Seamons using Soundtrack Pro (FLAC > AIFF > Soundtrack > Final Cut Pro for EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) July 4, 2021
Taper Notes:
View NotesNotes: Some clicks removed. SBD encore break trimmed out.
Taper: Taped By Dave Boedicker,Official Taper Section.
2:48:10
Taper:
Taped By Dave Boedicker,Official Taper Section.
Transferrer:
Dave Boedicker
SHNID:
gd1990-09-20.150669.nak300.boedicker.flac1644
Source:
Nakamichi 300 Mics W/CP4 Shotguns>Sony WM-D6C Cassette Deck>1 TDM MA-90 Metal Cassette Tape(1stSet) And 1 100 Minute
Lineage:
Sony Metal SR Cassette Tape(2nd Set)>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper> Flace Level 8.Sector Boundaries Aligned Using Traders Little Helper.
Taper Notes:
View NotesNotes: 1)Tape Flip After "Ramble On Rose"(1st Several Seconds Clipeed On Next Song "El Paso") 2)Tape Flip During Space 3)Tape Flip After "Throwing Stones"(1st few Seconds Clipped On Next Song "Touch Of Grey") Warts And All Enjoy!!!
Taper: Rick Katzeff
3:03:17
Taper:
Rick Katzeff
Transferrer:
Willl Petty and Lance Deal
SHNID:
gd1990-09-20.132709.cmc34.fob.katzeff.deal.petty.flac16
Source:
Recording info: FOB (Section A, Row 18, Seat 1); Schoeps CMC 34's (ortf)> M-1000> Oade p/s> SV-255 by Rick Katzeff; DAT's provided by Lance Deal;
Lineage:
Fostex D-5 (AES/BU)> Luminous Monarch cable> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5); Tranferred and liberated to etree on March 23, 2015 by Will Petty
Taper Notes:
View Notes* Big thanks to Barry, the security guy!
Taper: M. Laurentus
2:57:59
Rating:
10.00 / 3 ratings
Taper:
M. Laurentus
Transferrer:
M. Laurentus
SHNID:
gd1990-09-20.AT835B.laurentus.96918.flac16
Source:
Loge/Taper Section Sec 56D,Row A,Seat-14 AT835B's- AT 8202's-SONY TCD-5M
Lineage:
Cassette-SoundBlaster Extreme Hi-Fi Line In-Creative Recorder-CD Wave- FLAC
Taper: tdarian
2:51:28
Rating:
9.11 / 9 ratings
Taper:
tdarian
Transferrer:
Mike French
SHNID:
gd1990-09-20.bk4011.tdarian.french.88970.sbeok.flac16
Source:
B&K 4011's ORTF -> ProLink cable -> Neumann p48v -> Sony TCD-D10 DAT 48khz line-in wide open Mics on stand at 6'+
Lineage:
Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700
Taper Notes:
View NotesAmbient Recording by tdarian Tapers From Hell - A Journey to the Impact Zone B&K 4011's ORTF -> ProLink cable -> Neumann p48v -> Sony TCD-D10 DAT 48khz line-in wide open Mics on stand at 6'+ "My primary crowd control weapon: Backstage passes to send the loud mouths away"..... "with "Barry" the usher keeping the crowd as quiet as he could. And covering the mic stand from the aisle side " transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 CDR master transfer by Mike French (TFH), in apprx. 2002 compiled for FLAC by Mike French, on 2007-11-28
Transferrer: Dan Haugh
2:57:38
Transferrer:
Dan Haugh
SHNID:
gd1990-09-20.dts.dan.31773.sbeok.flac16
Source:
DTS-Audio-CD 5.1 Mix
Taper Notes:
View Notes--------------------------------------------------------- Source Info SBD Taper: ? Source: SBD > DAT > Samplitude > Cool Edit Pro > SHN Location: At the soundboard AUD Taper: Dave Brotman Source: FOB > Scheops > DAT > CDR Location: Row 15, Center --------------------------------------------------------- Tech Notes SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch the SBD & AUD sources. CEP2.0 used to adjust the volume for the SBD, AUD, center and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - Shn conversion done by [email protected] 28-JLY-2004 - Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case. --------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD > DAT Right Channel +1.5db SBD > DAT Center Mixed to mono -4.5db SBD > DAT Surround Left Channel -1.5db FOB > Scheops > DAT Right Channel -1.5db FOB > Scheops > DAT Sub/LFE Mixed to mono -3db SBD > DAT --------------------------------------------------------- Notes D1 the right channel was slightly lower on the SBD source. I bumped them up 1.5db to match the left channel. Set 2 was fine, no adjustments. D2 and D3 can be assembled seamlessly on longer media. Both the SBD and the AUD sources had breaks bwtn the D2 and D3 change. Fortunately at different spots. I patched the missing SBD portion, approx 5 seconds, with the AUD. I patched the missing AUD portion, approx 2 seconds, with the SBD. The result was smooth and most likely unnoticeable. I ran the center channel lower than usual (-4.5db) for this DTS 5.1 mix. The levels on the AUD source were slightly higher than the SBD source. This would have sounded strange so I reduced the AUD by -1.5db. There was approx 1:10 of crowd cut btwn the last song and the encore on the AUD source. I trimmed the SBD accordingly b/c it wasn't worth the effort to patch crowd cheer. It still sounds pretty smooth anyway. If you play this DTS-Audio-CD and hear static it is b/c you didn't really read the text file, did you? --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from .shn files. --------------------------------------------------------- Notes From The Original Text Files SBD There was a flaw in the original transfer (d3t05 - Throwing Stones) that has been fixed. AUD D2t01 (Tuning) Digital pop @ 1:06 removed. D2t03 (Truckin') Digital pop @ 1:14 removed and a Drop out @ 5:11 removed.
Taper: Dave Brotman
2:58:31
Rating:
10.00 / 1 rating
Taper:
Dave Brotman
Transferrer:
Tim Wiley
SHNID:
gd1990-09-20.schoeps.wiley.11633.sbeok.shnf
Source:
FOB-AUD(Scheops)>DAT>CDR>
Lineage:
EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable)
Taper Notes:
View NotesCOMMENTS: D2t01 (Tunning) Digital pop @ 1:06 removed. D2t03 (Truckin') Digital pop @ 1:14 removed and a Drop out @ 5:11 removed. Conversion/Seeded to Etree by T. Wiley 8/21/02 EAC: Secure to extract all disks @ 100% quality no reported errors. CD WAV: To select tracks. Cool Edit Pro: See comments above. SHN: Via mkwact(seekable) Another Installment Of The Music Never Stopped Project! Thanks to Paul B. for source disks. ENJOY!!
Transferrer: Darrin Sacks
2:59:25
Rating:
10.00 / 3 ratings
Transferrer:
Darrin Sacks
SHNID:
gd1990-09-20.schoepsmk4.bratman.9989.sbeok.shnf
Source:
Recorded by Dave Bratman FOB DFC, (Section 2, row 15, seat 1) Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects).
Taper Notes:
View NotesTapers became friends with the head security guard and ran a D5 copy for him every nite (a tradition that was apparently carried on in following years by other tapers) Secondary Source: Healy SBD/AUD Ultramix > DAT > CD-R -- Secondary Source supplies patches in Truckin' at 6:30-6:32 and at 8:40-8:42