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Today In History
June 13th
Years
1995
29.8k
PlaybackListensHours
48h49365
7d1.2k163
30d29.8k4.2k
49 shows
343 tapes
1994
10.4k
PlaybackListensHours
48h1.5k246
7d3.4k427
30d10.4k1.4k
85 shows
460 tapes
1993
38.7k
PlaybackListensHours
48h2.7k357
7d6.3k804
30d38.7k5.1k
83 shows
656 tapes
1992
39.6k
PlaybackListensHours
48h4.4k586
7d4.6k600
30d39.6k5.2k
57 shows
539 tapes
1991
38.2k
PlaybackListensHours
48h4.2k549
7d8.2k1.1k
30d38.2k5.2k
78 shows
973 tapes
1990
47.3k
PlaybackListensHours
48h2.8k374
7d17.4k2.2k
30d47.3k6.1k
78 shows
1,139 tapes
1989
47.8k
PlaybackListensHours
48h2.9k363
7d5.5k686
30d47.8k6k
78 shows
1,017 tapes
1988
20k
PlaybackListensHours
48h1.5k173
7d2.4k279
30d20k2.3k
82 shows
882 tapes
1987
33.8k
PlaybackListensHours
48h7.5k898
7d4.5k506
30d33.8k3.7k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h1.1k125
7d1.7k195
30d11.7k1.3k
47 shows
684 tapes
1985
22.2k
PlaybackListensHours
48h1.7k204
7d3.4k397
30d22.2k2.6k
73 shows
1,357 tapes
1984
20.7k
PlaybackListensHours
48h5.4k624
7d7.2k858
30d20.7k2.6k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h1.4k182
7d2.7k353
30d21.3k2.8k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.5k189
7d2.6k318
30d41.5k5.1k
63 shows
753 tapes
1981
41.1k
PlaybackListensHours
48h1.8k227
7d4k496
30d41.1k5.1k
92 shows
868 tapes
1980
64.1k
PlaybackListensHours
48h9.6k1.1k
7d8.1k911
30d64.1k7.4k
91 shows
794 tapes
1979
20.6k
PlaybackListensHours
48h1.8k243
7d3.2k455
30d20.6k2.9k
79 shows
608 tapes
1978
43.4k
PlaybackListensHours
48h2k275
7d3.8k525
30d43.4k5.9k
87 shows
592 tapes
1977
277.7k
PlaybackListensHours
48h9.4k1.3k
7d33.4k4.6k
30d277.7k38.3k
64 shows
419 tapes
1976
70.7k
PlaybackListensHours
48h15.5k2.1k
7d24.8k3.3k
30d70.7k9.6k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h38840
7d83384
30d6.3k643
25 shows
63 tapes
1974
91.3k
PlaybackListensHours
48h3.9k505
7d11.5k1.5k
30d91.3k11.6k
42 shows
324 tapes
1973
86.8k
PlaybackListensHours
48h5.4k713
7d16.6k2.3k
30d86.8k11.1k
75 shows
445 tapes
1972
64.6k
PlaybackListensHours
48h2.9k375
7d4.5k574
30d64.6k7.8k
88 shows
361 tapes
1971
32.9k
PlaybackListensHours
48h1.9k208
7d3.4k384
30d32.9k3.8k
82 shows
357 tapes
1970
40.3k
PlaybackListensHours
48h1.8k203
7d4k453
30d40.3k4.3k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.5k203
7d3.2k488
30d27.1k4k
112 shows
326 tapes
1968
7.4k
PlaybackListensHours
48h50463
7d1.5k202
30d7.4k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14621
7d23132
30d1.6k213
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h30223
7d77947
30d7.9k523
32 shows
78 tapes
1965
619
PlaybackListensHours
48h262
7d956
30d61936
2 shows
2 tapes
1990
9/19/90
tuning
7:16
Jack Straw
7:00
Bertha
8:29
Me and My Uncle ->
3:10
Big River
6:48
It Must Have Been the Roses
6:33
Stuck Inside of Mobile with the Memphis Blues Again
10:53
Help on the Way ->
4:19
Slipknot! ->
6:36
Franklin's Tower
13:49
tuning
4:45
Playing in the Band ->
10:39
Ship of Fools ->
6:40
Playin' jam ->
2:33
Uncle John's Band ->
10:45
Let It Grow ->
12:35
Trio Jam ->
9:59
Drums ->
12:15
Space ->
9:34
Goin' Down the Road Feeling Bad ->
7:39
Stella Blue ->
10:38
Around and Around
8:33
encore break
2:43
The Mighty Quinn (Quinn The Eskimo)
4:58
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:57:07
SBD
Rating:
8.00 / 1 rating
Taper:
Don Pearson and Dan Healy
Transferrer:
Charlie Miller
SHNID:
gd1990-09-19.147888.UltraMatrix.sbd.cm.miller.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: (FOB) Schoeps > Dat (shnid=1664) supplies: Franklin's Tower (13:29 - end of track) All Transfers and Mastering By Charlie Miller [email protected] September 24, 2019 Notes: -- Recorded by Don Pearson -- Set 2 tape flip patched with a Dat Master -- This file set is 16 bit @ 44.1
Taper: Don Pearson
2:57:07
SBD
Taper:
Don Pearson
Transferrer:
Charlie Miller
SHNID:
gd1990-09-19.147623.ultramatrix.sbd.miller.flac24
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: (FOB) Schoeps > Dat (shnid=1664) supplies: Franklin's Tower (13:29 - end of track) All Transfers and Mastering By Charlie Miller [email protected] September 24, 2019 Notes: -- Recorded by Don Pearson -- Set 2 tape flip patched with a Dat Master
Transferrer: Charlie Miller
2:50:22
SBD
Rating:
8.67 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1990-09-19.sbd.miller.85003.sbeok.flac16
Source:
Set 1: SBD -> Cassette Master -> Sonic Solutions -> CD DSet 2: SBD -> Dat Master -> Sonic Solutions -> CD D
Lineage:
CD -> Samplitude Professional v9.1.1 -> FLAC
Taper Notes:
View NotesOriginal Transfer and Mastering By David Gans Additional Editing and Tracking By Charlie Miller [email protected] May 9, 2007 Notes: -- Set 2 is seamless
Transferrer: Matrix by Joe Noel
3:05:18
SBD
Rating:
10.00 / 1 rating
Transferrer:
Matrix by Joe Noel
SHNID:
gd1990-09-19.138055.mtx.photoleon.t-flac16
Source:
<b>flac16/48kHz</b>; MTX from Audience recording: Recording by Tom Darian; From Section A Row 19, seat 2 FOB - near center; B&K 4011's ORTF -> ProLnk Cables -> Neumann p48v -> Sony TCD-D10 line-in wide-open; Transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 +2dB digital gain added in the transfer from DAT to CDR master and SBD Recording: Set 1: SBD -> Cassette Master -> Sonic Solutions -> CD; Set 2: SBD -> Dat Master -> Sonic Solutions -> CD; Transfer Info: CD -> Samplitude Professional v9.1.1 -> FLAC
Transferrer: hansokolow
3:07:42
SBD
Transferrer:
hansokolow
SHNID:
gd1990-09-19.mtx.hansokolow.fix-96157.97641.flac16
Source:
matrix of DSBD: shnid=85003 and DAUD: shnid=11664
Taper Notes:
View NotesThis is a redo of a show I already made a matrix of, but this is using Charlie Miller's superior SBD source, which has an analog generation in set 1, but set 2 is all digital. I used Dave Brotman's FOB Schoeps source, as it was the clearest to my ears, and the glitches in the first track were fairly easy to fix. No music is lost in these glitches, in fact music is doubled, so I cut out what was unnecessary and blended the rest. There is a lot of taper banter and crowd noise in the first track of each set that I left in, almost 6 minutes for set 1 and about 4:30 for set 2. The first set of the SBD has a cassette generation, so time stretching was needed. Much of the crowd noise between songs is cut out of the SBD, including the last drumbeat of Memphis Blues.
Transferrer: hansokolow
3:05:29
SBD
Transferrer:
hansokolow
SHNID:
gd1990-09-19.mtx.hansokolow.96157.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View Notes----------------------------------- This is a matrix, done by hansokolow in ProTools, of the following digital sources: DSBD: shnid= 3373 SBD>DAT>CDR>EAC>SHN ----------------------------------- DAUD: shnid=11664 FOB-AUD(Scheops)>DAT>CDR>EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) Taper: Dave Brotman Location: 15th row, center. Remastering: SHN>WAV>WaveLab5.0>Steinberg Mastering Edition Enhanced>CDWAV>WAV>SHN ----------------------------------- My Notes: One of the first shows I made a matrix of, so I don't have notes, but it turned out quite well. Caveat: I don't take meticulous notes of every splice and adjustment I make, it's already time consuming enough, but I will explain my process. Every disc I make is seamless for longer media. I use the most reliable source, usually whichever is digital, if both are the same generally it's the SBD, and the other sources is time shifted to match that. With analog sources there is always some wavering. Within reason I try to adjust for the by making small, millisecond cuts, lining up the drum beats. These are smoothed over and when mixed with another source, undetectable. There still may be occasional phasing, particularly in the vocals and the cymbals. Believe me that I do everything I can to minimize problems like that. That includes cutting out spots of diginoise and blips and things. Whenever there is something missing from one source but present on the other, I bring up the volume a tad on the source that's left, to minimize the jarring nature of one source dropping out. When the crowd noise at the start of a set is less than two minutes or so, I don't make a separate crowd track. I export the final result to aiff files, and then convert those into flacs at the smallest setting, using xACT for Mac, and that also makes then SBE safe. I hope everyone enjoys the product of my labor, and I'm glad to give something back to the community that has given me and others so much music over the years. Thanks, brothers and sisters. -Tano ([email protected])
Source 7 of 16
2:54:14
SBD
Rating:
8.20 / 10 ratings
SHNID:
gd90-09-19.sbd.wiley.26081.sbeok.shnf
Source:
amalgam of 2 previous seeds <a href=
Taper Notes:
View Notesamalgam of 2 previous seeds <a href="http://db.etree.org/shn/3373" rel="ugc nofollow">A</a> and <a href="http://db.etree.org/shn/11664" rel="ugc nofollow">B</a>, remastered by Tim Wiley; see info file for details
Source 8 of 16
2:48:40
SBD
Rating:
8.43 / 14 ratings
SHNID:
gd90-09-19.sbd.ashley.14674.sbeok.shnf
Source:
Soundboard
Lineage:
SBD>>DAT>>CDA>>EAC>>SHN>>DAW(Bertha)>>SHN
Taper Notes:
View NotesJay Ashley remaster of previous sbd source. SBD>>DAT>>CDA>>EAC>>SHN>>DAW(Bertha)>>CDA/SHN
Source 9 of 16
2:48:48
SBD
Rating:
8.67 / 6 ratings
SHNID:
gd90-09-19.sbd.jeffm.3373.sbeok.shnf
Source:
SBD> DAT> CDR> WAV> SHN
Taper Notes:
View NotesSBD> DAT> CDR> EAC> SHN; via Jeff M.
Taper: Master Digital Audience Recording by Dave Brotman & Jeff Metchick
3:09:21
REMASTER
Rating:
10.00 / 1 rating
Taper:
Master Digital Audience Recording by Dave Brotman & Jeff Metchick
Transferrer:
Transfer by Charlie Miller Edited & Mastered by Joe Noel (Adobe Audition 2020) August 23, 2019
SHNID:
gd1990-09-19.150545.remaster.149583.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t.flac1648
Source:
Schoeps CMC3/MK4 (110°) > M1000 Cables > Oade pre > Jensen 16 PS > Master Dat (Panasonic SV-250/48k). Location: Section A, Row 18, Seat 1 (mics on stand @ 6'5")
Lineage:
Dat > Sony PCM r500 > Tascam DA-3000 > flac 16/48
Taper Notes:
View NotesNotes: - remaster of shnid 149583 - upgrade to shnid 11664 - lineage & location is confirmed by taper & j cards. - An excerpt of the post LiG jam was previously released on the CD accompanying Phil Lesh's memoir "Searching for the Sound" as "Trio Jam with Bruce Hornsby" - PitB through Trio Jam is officially released as part of Road Trips 2.1 - last second-set "Let It Grow": 12-31-86 [289]
Taper: George Sterry (OTS)
2:59:51
Taper:
George Sterry (OTS)
Transferrer:
Charlie Miller and Joe Noel and David Beckwith
SHNID:
gd1990-09-19.143131.OTS.ECM-909A.Sterry.Beckwith.Noel.Miller.t-flac2496
Source:
Sony ECM-909A > Cassette Master (Sony TC-158SD)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > FLAC 24/96
Taper Notes:
View NotesPatch info: - shnid 00998 (B&K's) - s1t03; 04:46 - 05:18 - s1t05; 02:05 - end - s1t06; start - 02:49 & 04:18 - 04:35 - s1t07; 08:37 - 09:44 (crowd banter) - s2t07; 05:32 - 05:45 & 07:22 - 08:27 - s2t08; 09:03 - 09:44 - s2t13; all (taper banter) Notes: - Thanks to George Sterry for recording the show - Thanks to David Beckwith for liberating these tapes from eBay - Thanks to Charlie for the DSD transfer - Thanks to Tom Darien for providing the patch source - partial d/o in Bertha, fixed - The tape flip faux pas that took out the end of Big River & start of IMHBTR has been fixed. - right channel d/o in IMHBTR has been fixed - end of Memphis Blues Again was clipped (tape flip) has been fixed - level fluctuations during PITB (intro), smoothed best as possible - 2 cuts in the Jam, post LIG, have been fixed - cut in drums (tape flip) has been fixed - transition between Stella > R&R has been fixed - pitch corrected
Source 12 of 16
3:09:09
SHNID:
gd1990-09-19.149583.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648
Taper: M Laurentus
3:01:43
Rating:
10.00 / 1 rating
Taper:
M Laurentus
SHNID:
gd1990-09-19.at835b.laurentus.96927.flac16
Source:
AT835B's > AT 8202â?Ts > SONY TCD-5M > MAC
Lineage:
MAC > SoundBlaster Extreme Hi-Fi Line In > Creative Recorder > CD Wave > FLAC
Taper: tdarian
2:59:06
Rating:
9.05 / 22 ratings
Taper:
tdarian
Transferrer:
Mike French
SHNID:
gd1990-09-19.bk4011.tdarian.french.88969.sbeok.flac16
Source:
B&K 4011's ORTF -> ProLink cables -> Neumann p48v -> Sony TCD-D10 DAT 48khz line-in wide-open Mics at 6'3" Section A - Row 18 - Seat 2 - FOB near center
Lineage:
Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700
Source 15 of 16
3:08:54
Rating:
8.50 / 4 ratings
SHNID:
gd90-09-19.schoeps-fob.wiley.11664.sbeok.shnf
Source:
Dave Brotman FOB(15th row, Center)-AUD(Scheops)>DAT>CDR>WAV>SHN
Taper Notes:
View NotesDave Brotman FOB(15th row, Center)-AUD(Scheops)>DAT>CDR; via Paul B; Seeded to Etree by T. Wiley
Source 16 of 16
3:08:14
Rating:
10.00 / 3 ratings
SHNID:
gd90-09-19.bk.sacks.9988.sbeok.shnf
Source:
Audience Recording
Lineage:
MAD(FOB-BK4011)>D>CD
Taper Notes:
View NotesMAD>D>CD; FOB B&K 4011's; Seeded to etree by Darrin Sacks