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Today In History
June 6th
Years
1995
29.2k
PlaybackListensHours
48h1.7k242
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h58983
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h5.3k715
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1.6k208
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h3.9k515
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.7k348
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3.3k416
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.3k150
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.5k274
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h76686
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h1.9k228
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.4k189
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.4k180
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.9k238
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.1k273
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.8k681
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.2k176
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h4.7k604
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h12.8k1.8k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h6.1k843
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h87173
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.4k544
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.2k558
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.3k405
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.1k241
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h8.4k837
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.5k582
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h59873
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h14021
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h30022
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h423
7d1277
30d57234
2 shows
2 tapes
1990
9/19/90
crowd -tuning
7:17
Jack Straw
7:00
Bertha
8:30
Me and My Uncle ->
3:10
Big River
6:49
It Must Have Been the Roses
6:33
Stuck Inside of Mobile with the Memphis Blues Again
10:54
Help on the Way ->
4:19
Slipknot! ->
6:37
Franklin's Tower
13:50
crowd - tuning
4:45
Playing in the Band ->
10:39
Ship of Fools ->
6:40
Playin' jam ->
2:33
Uncle John's Band ->
10:46
Let It Grow ->
12:36
Trio Jam ->
10:00
Drums ->
12:16
Space ->
9:34
Goin' Down the Road Feeling Bad ->
7:39
Stella Blue ->
10:39
Around and Around
8:33
encore break
2:44
The Mighty Quinn (Quinn The Eskimo)
4:58
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:57:07
SBD
Rating:
8.00 / 1 rating
Taper:
Don Pearson and Dan Healy
Transferrer:
Charlie Miller
SHNID:
gd1990-09-19.147888.UltraMatrix.sbd.cm.miller.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: (FOB) Schoeps > Dat (shnid=1664) supplies: Franklin's Tower (13:29 - end of track) All Transfers and Mastering By Charlie Miller [email protected] September 24, 2019 Notes: -- Recorded by Don Pearson -- Set 2 tape flip patched with a Dat Master -- This file set is 16 bit @ 44.1
Taper: Don Pearson
2:57:07
SBD
Taper:
Don Pearson
Transferrer:
Charlie Miller
SHNID:
gd1990-09-19.147623.ultramatrix.sbd.miller.flac24
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: (FOB) Schoeps > Dat (shnid=1664) supplies: Franklin's Tower (13:29 - end of track) All Transfers and Mastering By Charlie Miller [email protected] September 24, 2019 Notes: -- Recorded by Don Pearson -- Set 2 tape flip patched with a Dat Master
Transferrer: Charlie Miller
2:50:22
SBD
Rating:
8.67 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1990-09-19.sbd.miller.85003.sbeok.flac16
Source:
Set 1: SBD -> Cassette Master -> Sonic Solutions -> CD DSet 2: SBD -> Dat Master -> Sonic Solutions -> CD D
Lineage:
CD -> Samplitude Professional v9.1.1 -> FLAC
Taper Notes:
View NotesOriginal Transfer and Mastering By David Gans Additional Editing and Tracking By Charlie Miller [email protected] May 9, 2007 Notes: -- Set 2 is seamless
Transferrer: Matrix by Joe Noel
3:05:18
SBD
Rating:
10.00 / 1 rating
Transferrer:
Matrix by Joe Noel
SHNID:
gd1990-09-19.138055.mtx.photoleon.t-flac16
Source:
<b>flac16/48kHz</b>; MTX from Audience recording: Recording by Tom Darian; From Section A Row 19, seat 2 FOB - near center; B&K 4011's ORTF -> ProLnk Cables -> Neumann p48v -> Sony TCD-D10 line-in wide-open; Transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 +2dB digital gain added in the transfer from DAT to CDR master and SBD Recording: Set 1: SBD -> Cassette Master -> Sonic Solutions -> CD; Set 2: SBD -> Dat Master -> Sonic Solutions -> CD; Transfer Info: CD -> Samplitude Professional v9.1.1 -> FLAC
Transferrer: hansokolow
3:07:42
SBD
Transferrer:
hansokolow
SHNID:
gd1990-09-19.mtx.hansokolow.fix-96157.97641.flac16
Source:
matrix of DSBD: shnid=85003 and DAUD: shnid=11664
Taper Notes:
View NotesThis is a redo of a show I already made a matrix of, but this is using Charlie Miller's superior SBD source, which has an analog generation in set 1, but set 2 is all digital. I used Dave Brotman's FOB Schoeps source, as it was the clearest to my ears, and the glitches in the first track were fairly easy to fix. No music is lost in these glitches, in fact music is doubled, so I cut out what was unnecessary and blended the rest. There is a lot of taper banter and crowd noise in the first track of each set that I left in, almost 6 minutes for set 1 and about 4:30 for set 2. The first set of the SBD has a cassette generation, so time stretching was needed. Much of the crowd noise between songs is cut out of the SBD, including the last drumbeat of Memphis Blues.
Transferrer: hansokolow
3:05:29
SBD
Transferrer:
hansokolow
SHNID:
gd1990-09-19.mtx.hansokolow.96157.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View Notes----------------------------------- This is a matrix, done by hansokolow in ProTools, of the following digital sources: DSBD: shnid= 3373 SBD>DAT>CDR>EAC>SHN ----------------------------------- DAUD: shnid=11664 FOB-AUD(Scheops)>DAT>CDR>EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) Taper: Dave Brotman Location: 15th row, center. Remastering: SHN>WAV>WaveLab5.0>Steinberg Mastering Edition Enhanced>CDWAV>WAV>SHN ----------------------------------- My Notes: One of the first shows I made a matrix of, so I don't have notes, but it turned out quite well. Caveat: I don't take meticulous notes of every splice and adjustment I make, it's already time consuming enough, but I will explain my process. Every disc I make is seamless for longer media. I use the most reliable source, usually whichever is digital, if both are the same generally it's the SBD, and the other sources is time shifted to match that. With analog sources there is always some wavering. Within reason I try to adjust for the by making small, millisecond cuts, lining up the drum beats. These are smoothed over and when mixed with another source, undetectable. There still may be occasional phasing, particularly in the vocals and the cymbals. Believe me that I do everything I can to minimize problems like that. That includes cutting out spots of diginoise and blips and things. Whenever there is something missing from one source but present on the other, I bring up the volume a tad on the source that's left, to minimize the jarring nature of one source dropping out. When the crowd noise at the start of a set is less than two minutes or so, I don't make a separate crowd track. I export the final result to aiff files, and then convert those into flacs at the smallest setting, using xACT for Mac, and that also makes then SBE safe. I hope everyone enjoys the product of my labor, and I'm glad to give something back to the community that has given me and others so much music over the years. Thanks, brothers and sisters. -Tano ([email protected])
Source 7 of 16
2:54:14
SBD
Rating:
8.20 / 10 ratings
SHNID:
gd90-09-19.sbd.wiley.26081.sbeok.shnf
Source:
amalgam of 2 previous seeds <a href=
Taper Notes:
View Notesamalgam of 2 previous seeds <a href="http://db.etree.org/shn/3373" rel="ugc nofollow">A</a> and <a href="http://db.etree.org/shn/11664" rel="ugc nofollow">B</a>, remastered by Tim Wiley; see info file for details
Source 8 of 16
2:48:40
SBD
Rating:
8.43 / 14 ratings
SHNID:
gd90-09-19.sbd.ashley.14674.sbeok.shnf
Source:
Soundboard
Lineage:
SBD>>DAT>>CDA>>EAC>>SHN>>DAW(Bertha)>>SHN
Taper Notes:
View NotesJay Ashley remaster of previous sbd source. SBD>>DAT>>CDA>>EAC>>SHN>>DAW(Bertha)>>CDA/SHN
Source 9 of 16
2:48:48
SBD
Rating:
8.67 / 6 ratings
SHNID:
gd90-09-19.sbd.jeffm.3373.sbeok.shnf
Source:
SBD> DAT> CDR> WAV> SHN
Taper Notes:
View NotesSBD> DAT> CDR> EAC> SHN; via Jeff M.
Taper: Master Digital Audience Recording by Dave Brotman & Jeff Metchick
3:09:21
REMASTER
Rating:
10.00 / 1 rating
Taper:
Master Digital Audience Recording by Dave Brotman & Jeff Metchick
Transferrer:
Transfer by Charlie Miller Edited & Mastered by Joe Noel (Adobe Audition 2020) August 23, 2019
SHNID:
gd1990-09-19.150545.remaster.149583.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t.flac1648
Source:
Schoeps CMC3/MK4 (110°) > M1000 Cables > Oade pre > Jensen 16 PS > Master Dat (Panasonic SV-250/48k). Location: Section A, Row 18, Seat 1 (mics on stand @ 6'5")
Lineage:
Dat > Sony PCM r500 > Tascam DA-3000 > flac 16/48
Taper Notes:
View NotesNotes: - remaster of shnid 149583 - upgrade to shnid 11664 - lineage & location is confirmed by taper & j cards. - An excerpt of the post LiG jam was previously released on the CD accompanying Phil Lesh's memoir "Searching for the Sound" as "Trio Jam with Bruce Hornsby" - PitB through Trio Jam is officially released as part of Road Trips 2.1 - last second-set "Let It Grow": 12-31-86 [289]
Taper: George Sterry (OTS)
2:59:51
Taper:
George Sterry (OTS)
Transferrer:
Charlie Miller and Joe Noel and David Beckwith
SHNID:
gd1990-09-19.143131.OTS.ECM-909A.Sterry.Beckwith.Noel.Miller.t-flac2496
Source:
Sony ECM-909A > Cassette Master (Sony TC-158SD)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > FLAC 24/96
Taper Notes:
View NotesPatch info: - shnid 00998 (B&K's) - s1t03; 04:46 - 05:18 - s1t05; 02:05 - end - s1t06; start - 02:49 & 04:18 - 04:35 - s1t07; 08:37 - 09:44 (crowd banter) - s2t07; 05:32 - 05:45 & 07:22 - 08:27 - s2t08; 09:03 - 09:44 - s2t13; all (taper banter) Notes: - Thanks to George Sterry for recording the show - Thanks to David Beckwith for liberating these tapes from eBay - Thanks to Charlie for the DSD transfer - Thanks to Tom Darien for providing the patch source - partial d/o in Bertha, fixed - The tape flip faux pas that took out the end of Big River & start of IMHBTR has been fixed. - right channel d/o in IMHBTR has been fixed - end of Memphis Blues Again was clipped (tape flip) has been fixed - level fluctuations during PITB (intro), smoothed best as possible - 2 cuts in the Jam, post LIG, have been fixed - cut in drums (tape flip) has been fixed - transition between Stella > R&R has been fixed - pitch corrected
Source 12 of 16
3:09:09
SHNID:
gd1990-09-19.149583.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648
Taper: M Laurentus
3:01:43
Rating:
10.00 / 1 rating
Taper:
M Laurentus
SHNID:
gd1990-09-19.at835b.laurentus.96927.flac16
Source:
AT835B's > AT 8202â?Ts > SONY TCD-5M > MAC
Lineage:
MAC > SoundBlaster Extreme Hi-Fi Line In > Creative Recorder > CD Wave > FLAC
Taper: tdarian
2:59:06
Rating:
9.05 / 22 ratings
Taper:
tdarian
Transferrer:
Mike French
SHNID:
gd1990-09-19.bk4011.tdarian.french.88969.sbeok.flac16
Source:
B&K 4011's ORTF -> ProLink cables -> Neumann p48v -> Sony TCD-D10 DAT 48khz line-in wide-open Mics at 6'3" Section A - Row 18 - Seat 2 - FOB near center
Lineage:
Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700
Source 15 of 16
3:08:54
Rating:
8.50 / 4 ratings
SHNID:
gd90-09-19.schoeps-fob.wiley.11664.sbeok.shnf
Source:
Dave Brotman FOB(15th row, Center)-AUD(Scheops)>DAT>CDR>WAV>SHN
Taper Notes:
View NotesDave Brotman FOB(15th row, Center)-AUD(Scheops)>DAT>CDR; via Paul B; Seeded to Etree by T. Wiley
Source 16 of 16
3:08:14
Rating:
10.00 / 3 ratings
SHNID:
gd90-09-19.bk.sacks.9988.sbeok.shnf
Source:
Audience Recording
Lineage:
MAD(FOB-BK4011)>D>CD
Taper Notes:
View NotesMAD>D>CD; FOB B&K 4011's; Seeded to etree by Darrin Sacks