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Today In History
June 10th
Years
1995
29.8k
PlaybackListensHours
48h57077
7d2.1k285
30d29.8k4.2k
49 shows
341 tapes
1994
8.7k
PlaybackListensHours
48h2k257
7d1.8k240
30d8.7k1.2k
85 shows
460 tapes
1993
39.3k
PlaybackListensHours
48h2.4k301
7d9k1.2k
30d39.3k5.2k
83 shows
656 tapes
1992
37k
PlaybackListensHours
48h1.5k197
7d4.8k614
30d37k4.9k
57 shows
539 tapes
1991
35k
PlaybackListensHours
48h2.9k419
7d11.7k1.6k
30d35k4.8k
78 shows
973 tapes
1990
38.5k
PlaybackListensHours
48h9.6k1.2k
7d9.3k1.2k
30d38.5k5k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.5k308
7d6.5k807
30d47k5.9k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.1k135
7d2.7k310
30d21k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h2.1k237
7d4.7k520
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h79591
7d1.8k197
30d11.7k1.3k
47 shows
684 tapes
1985
21.3k
PlaybackListensHours
48h1.7k194
7d3.7k437
30d21.3k2.5k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h5.5k637
7d2.6k335
30d15.3k2k
67 shows
1,075 tapes
1983
33.4k
PlaybackListensHours
48h1.2k157
7d3k402
30d33.4k4.4k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k148
7d3.8k466
30d41.6k5.2k
63 shows
753 tapes
1981
45.9k
PlaybackListensHours
48h1.9k236
7d4.5k573
30d45.9k5.8k
92 shows
868 tapes
1980
69.5k
PlaybackListensHours
48h2.6k300
7d14.6k1.6k
30d69.5k8.1k
91 shows
794 tapes
1979
22.9k
PlaybackListensHours
48h1.5k210
7d2.9k413
30d22.9k3.2k
79 shows
600 tapes
1978
51.7k
PlaybackListensHours
48h1.9k254
7d5.7k756
30d51.7k7.1k
87 shows
592 tapes
1977
285.6k
PlaybackListensHours
48h17.1k2.3k
7d36.3k5.1k
30d285.6k39.4k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h11.8k1.6k
7d8.9k1.2k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h33836
7d1.8k162
30d6.3k644
25 shows
63 tapes
1974
98.8k
PlaybackListensHours
48h4.2k559
7d12.3k1.6k
30d98.8k12.5k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h10.7k1.4k
7d8.9k1.2k
30d79.3k10.1k
75 shows
445 tapes
1972
68.1k
PlaybackListensHours
48h2.1k275
7d6.8k827
30d68.1k8.3k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h1.7k197
7d4.1k452
30d33.5k3.8k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.8k199
7d15.5k1.6k
30d45k4.8k
101 shows
376 tapes
1969
26.5k
PlaybackListensHours
48h1.1k163
7d6.2k1k
30d26.5k4k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h70688
7d1.3k168
30d6.9k870
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9114
7d27740
30d1.5k206
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h41726
7d55340
30d7.8k523
32 shows
78 tapes
1965
576
PlaybackListensHours
48h654
7d885
30d57633
2 shows
2 tapes
1990
9/19/90
tuning
1:18
Jack Straw
7:05
Bertha
8:25
Me and My Uncle ->
3:07
Big River
6:49
It Must Have Been the Roses
5:48
Stuck Inside of Mobile with the Memphis Blues Again
10:53
Help on the Way ->
4:19
Slipknot! ->
6:36
Franklin's Tower
13:48
tuning
2:34
Playing in the Band ->
10:42
Ship of Fools ->
6:43
Playing in the Band reprise ->
2:26
Uncle John's Band ->
10:43
Let It Grow ->
12:00
Jam ->
12:32
Drums ->
10:03
Space ->
9:33
Goin' Down the Road Feeling Bad ->
7:38
Stella Blue ->
10:38
Around and Around
8:32
encore break
2:40
The Mighty Quinn (Quinn The Eskimo)
4:59
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:57:07
SBD
Rating:
8.00 / 1 rating
Taper:
Don Pearson and Dan Healy
Transferrer:
Charlie Miller
SHNID:
gd1990-09-19.147888.UltraMatrix.sbd.cm.miller.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: (FOB) Schoeps > Dat (shnid=1664) supplies: Franklin's Tower (13:29 - end of track) All Transfers and Mastering By Charlie Miller [email protected] September 24, 2019 Notes: -- Recorded by Don Pearson -- Set 2 tape flip patched with a Dat Master -- This file set is 16 bit @ 44.1
Taper: Don Pearson
2:57:07
SBD
Taper:
Don Pearson
Transferrer:
Charlie Miller
SHNID:
gd1990-09-19.147623.ultramatrix.sbd.miller.flac24
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: (FOB) Schoeps > Dat (shnid=1664) supplies: Franklin's Tower (13:29 - end of track) All Transfers and Mastering By Charlie Miller [email protected] September 24, 2019 Notes: -- Recorded by Don Pearson -- Set 2 tape flip patched with a Dat Master
Transferrer: Charlie Miller
2:50:22
SBD
Rating:
8.67 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1990-09-19.sbd.miller.85003.sbeok.flac16
Source:
Set 1: SBD -> Cassette Master -> Sonic Solutions -> CD DSet 2: SBD -> Dat Master -> Sonic Solutions -> CD D
Lineage:
CD -> Samplitude Professional v9.1.1 -> FLAC
Taper Notes:
View NotesOriginal Transfer and Mastering By David Gans Additional Editing and Tracking By Charlie Miller [email protected] May 9, 2007 Notes: -- Set 2 is seamless
Transferrer: Matrix by Joe Noel
3:05:18
SBD
Rating:
10.00 / 1 rating
Transferrer:
Matrix by Joe Noel
SHNID:
gd1990-09-19.138055.mtx.photoleon.t-flac16
Source:
<b>flac16/48kHz</b>; MTX from Audience recording: Recording by Tom Darian; From Section A Row 19, seat 2 FOB - near center; B&K 4011's ORTF -> ProLnk Cables -> Neumann p48v -> Sony TCD-D10 line-in wide-open; Transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 +2dB digital gain added in the transfer from DAT to CDR master and SBD Recording: Set 1: SBD -> Cassette Master -> Sonic Solutions -> CD; Set 2: SBD -> Dat Master -> Sonic Solutions -> CD; Transfer Info: CD -> Samplitude Professional v9.1.1 -> FLAC
Transferrer: hansokolow
3:07:42
SBD
Transferrer:
hansokolow
SHNID:
gd1990-09-19.mtx.hansokolow.fix-96157.97641.flac16
Source:
matrix of DSBD: shnid=85003 and DAUD: shnid=11664
Taper Notes:
View NotesThis is a redo of a show I already made a matrix of, but this is using Charlie Miller's superior SBD source, which has an analog generation in set 1, but set 2 is all digital. I used Dave Brotman's FOB Schoeps source, as it was the clearest to my ears, and the glitches in the first track were fairly easy to fix. No music is lost in these glitches, in fact music is doubled, so I cut out what was unnecessary and blended the rest. There is a lot of taper banter and crowd noise in the first track of each set that I left in, almost 6 minutes for set 1 and about 4:30 for set 2. The first set of the SBD has a cassette generation, so time stretching was needed. Much of the crowd noise between songs is cut out of the SBD, including the last drumbeat of Memphis Blues.
Transferrer: hansokolow
3:05:29
SBD
Transferrer:
hansokolow
SHNID:
gd1990-09-19.mtx.hansokolow.96157.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View Notes----------------------------------- This is a matrix, done by hansokolow in ProTools, of the following digital sources: DSBD: shnid= 3373 SBD>DAT>CDR>EAC>SHN ----------------------------------- DAUD: shnid=11664 FOB-AUD(Scheops)>DAT>CDR>EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) Taper: Dave Brotman Location: 15th row, center. Remastering: SHN>WAV>WaveLab5.0>Steinberg Mastering Edition Enhanced>CDWAV>WAV>SHN ----------------------------------- My Notes: One of the first shows I made a matrix of, so I don't have notes, but it turned out quite well. Caveat: I don't take meticulous notes of every splice and adjustment I make, it's already time consuming enough, but I will explain my process. Every disc I make is seamless for longer media. I use the most reliable source, usually whichever is digital, if both are the same generally it's the SBD, and the other sources is time shifted to match that. With analog sources there is always some wavering. Within reason I try to adjust for the by making small, millisecond cuts, lining up the drum beats. These are smoothed over and when mixed with another source, undetectable. There still may be occasional phasing, particularly in the vocals and the cymbals. Believe me that I do everything I can to minimize problems like that. That includes cutting out spots of diginoise and blips and things. Whenever there is something missing from one source but present on the other, I bring up the volume a tad on the source that's left, to minimize the jarring nature of one source dropping out. When the crowd noise at the start of a set is less than two minutes or so, I don't make a separate crowd track. I export the final result to aiff files, and then convert those into flacs at the smallest setting, using xACT for Mac, and that also makes then SBE safe. I hope everyone enjoys the product of my labor, and I'm glad to give something back to the community that has given me and others so much music over the years. Thanks, brothers and sisters. -Tano ([email protected])
Source 7 of 16
2:54:14
SBD
Rating:
8.20 / 10 ratings
SHNID:
gd90-09-19.sbd.wiley.26081.sbeok.shnf
Source:
amalgam of 2 previous seeds <a href=
Taper Notes:
View Notesamalgam of 2 previous seeds <a href="http://db.etree.org/shn/3373" rel="ugc nofollow">A</a> and <a href="http://db.etree.org/shn/11664" rel="ugc nofollow">B</a>, remastered by Tim Wiley; see info file for details
Source 8 of 16
2:48:40
SBD
Rating:
8.43 / 14 ratings
SHNID:
gd90-09-19.sbd.ashley.14674.sbeok.shnf
Source:
Soundboard
Lineage:
SBD>>DAT>>CDA>>EAC>>SHN>>DAW(Bertha)>>SHN
Taper Notes:
View NotesJay Ashley remaster of previous sbd source. SBD>>DAT>>CDA>>EAC>>SHN>>DAW(Bertha)>>CDA/SHN
Source 9 of 16
2:48:48
SBD
Rating:
8.67 / 6 ratings
SHNID:
gd90-09-19.sbd.jeffm.3373.sbeok.shnf
Source:
SBD> DAT> CDR> WAV> SHN
Taper Notes:
View NotesSBD> DAT> CDR> EAC> SHN; via Jeff M.
Taper: Master Digital Audience Recording by Dave Brotman & Jeff Metchick
3:09:21
REMASTER
Rating:
10.00 / 1 rating
Taper:
Master Digital Audience Recording by Dave Brotman & Jeff Metchick
Transferrer:
Transfer by Charlie Miller Edited & Mastered by Joe Noel (Adobe Audition 2020) August 23, 2019
SHNID:
gd1990-09-19.150545.remaster.149583.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t.flac1648
Source:
Schoeps CMC3/MK4 (110°) > M1000 Cables > Oade pre > Jensen 16 PS > Master Dat (Panasonic SV-250/48k). Location: Section A, Row 18, Seat 1 (mics on stand @ 6'5")
Lineage:
Dat > Sony PCM r500 > Tascam DA-3000 > flac 16/48
Taper Notes:
View NotesNotes: - remaster of shnid 149583 - upgrade to shnid 11664 - lineage & location is confirmed by taper & j cards. - An excerpt of the post LiG jam was previously released on the CD accompanying Phil Lesh's memoir "Searching for the Sound" as "Trio Jam with Bruce Hornsby" - PitB through Trio Jam is officially released as part of Road Trips 2.1 - last second-set "Let It Grow": 12-31-86 [289]
Taper: George Sterry (OTS)
2:59:51
Taper:
George Sterry (OTS)
Transferrer:
Charlie Miller and Joe Noel and David Beckwith
SHNID:
gd1990-09-19.143131.OTS.ECM-909A.Sterry.Beckwith.Noel.Miller.t-flac2496
Source:
Sony ECM-909A > Cassette Master (Sony TC-158SD)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > FLAC 24/96
Taper Notes:
View NotesPatch info: - shnid 00998 (B&K's) - s1t03; 04:46 - 05:18 - s1t05; 02:05 - end - s1t06; start - 02:49 & 04:18 - 04:35 - s1t07; 08:37 - 09:44 (crowd banter) - s2t07; 05:32 - 05:45 & 07:22 - 08:27 - s2t08; 09:03 - 09:44 - s2t13; all (taper banter) Notes: - Thanks to George Sterry for recording the show - Thanks to David Beckwith for liberating these tapes from eBay - Thanks to Charlie for the DSD transfer - Thanks to Tom Darien for providing the patch source - partial d/o in Bertha, fixed - The tape flip faux pas that took out the end of Big River & start of IMHBTR has been fixed. - right channel d/o in IMHBTR has been fixed - end of Memphis Blues Again was clipped (tape flip) has been fixed - level fluctuations during PITB (intro), smoothed best as possible - 2 cuts in the Jam, post LIG, have been fixed - cut in drums (tape flip) has been fixed - transition between Stella > R&R has been fixed - pitch corrected
Source 12 of 16
3:09:09
SHNID:
gd1990-09-19.149583.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648
Taper: M Laurentus
3:01:43
Rating:
10.00 / 1 rating
Taper:
M Laurentus
SHNID:
gd1990-09-19.at835b.laurentus.96927.flac16
Source:
AT835B's > AT 8202â?Ts > SONY TCD-5M > MAC
Lineage:
MAC > SoundBlaster Extreme Hi-Fi Line In > Creative Recorder > CD Wave > FLAC
Taper: tdarian
2:59:06
Rating:
9.05 / 22 ratings
Taper:
tdarian
Transferrer:
Mike French
SHNID:
gd1990-09-19.bk4011.tdarian.french.88969.sbeok.flac16
Source:
B&K 4011's ORTF -> ProLink cables -> Neumann p48v -> Sony TCD-D10 DAT 48khz line-in wide-open Mics at 6'3" Section A - Row 18 - Seat 2 - FOB near center
Lineage:
Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700
Source 15 of 16
3:08:54
Rating:
8.50 / 4 ratings
SHNID:
gd90-09-19.schoeps-fob.wiley.11664.sbeok.shnf
Source:
Dave Brotman FOB(15th row, Center)-AUD(Scheops)>DAT>CDR>WAV>SHN
Taper Notes:
View NotesDave Brotman FOB(15th row, Center)-AUD(Scheops)>DAT>CDR; via Paul B; Seeded to Etree by T. Wiley
Source 16 of 16
3:08:14
Rating:
10.00 / 3 ratings
SHNID:
gd90-09-19.bk.sacks.9988.sbeok.shnf
Source:
Audience Recording
Lineage:
MAD(FOB-BK4011)>D>CD
Taper Notes:
View NotesMAD>D>CD; FOB B&K 4011's; Seeded to etree by Darrin Sacks