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1990
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June 16th
5 shows
82 tapes
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1995
30.1k
49 shows
343 tapes
1994
12.7k
85 shows
460 tapes
1993
38k
83 shows
656 tapes
1992
45.1k
57 shows
539 tapes
1991
43k
78 shows
973 tapes
1990
48.5k
78 shows
1,139 tapes
1989
48.9k
78 shows
1,017 tapes
1988
20.3k
82 shows
882 tapes
1987
42.7k
88 shows
1,025 tapes
1986
12.5k
47 shows
684 tapes
1985
24.7k
73 shows
1,357 tapes
1984
27k
67 shows
1,075 tapes
1983
21k
71 shows
1,069 tapes
1982
42.4k
63 shows
753 tapes
1981
31.2k
92 shows
868 tapes
1980
71.1k
91 shows
794 tapes
1979
21.7k
79 shows
608 tapes
1978
38.8k
87 shows
592 tapes
1977
267.8k
64 shows
418 tapes
1976
91.9k
45 shows
298 tapes
1975
6.3k
25 shows
63 tapes
1974
89.9k
42 shows
324 tapes
1973
90.4k
75 shows
445 tapes
1972
62.9k
88 shows
361 tapes
1971
33.7k
82 shows
357 tapes
1970
39.3k
101 shows
376 tapes
1969
28.3k
112 shows
326 tapes
1968
8.1k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8k
32 shows
78 tapes
1965
639
2 shows
2 tapes
1990
7/18/90
Crowd/Tuning
4:01
Help On The Way>
4:26
Slipknot>
4:10
Franklin's Tower
10:18
Minglewood Blues
9:26
Easy To Love You
5:39
Peggy-O
6:26
Masterpiece
6:46
Brown Eyed Women
7:39
Cassidy
6:54
Deal/Set Break
8:23
Crowd/Tuning
4:09
China Cat Sunflower>
4:44
I Know You Rider>
8:21
Looks Like Rain>
8:10
Terrapin Station>
19:33
Drums>
5:35
Space>
8:22
The Other One>
12:07
Morning Dew/Encore Break
13:10
The Weight
6:45
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:45:50
SBD
Rating:
9.00 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1990-07-18.sbd.miller.braverman.fix-26352.32218.sbeok.shnf
Source:
Set 1: SBD -> Dat -> Cassette Master DSet 2: SBD -> Dat -> CD D
Lineage:
Cassette Master -> ART DIO (24bit/96k) -> Sound Forge 7 -> CD -> EAC -> SHN
Taper Notes:
View NotesTHIS FILE IS APPENDED FROM A PREVIOUS ETREE SEED. THAT TEXT FILE APPEARS BELOW. THIS SEED IS BASED ON CHARLIE MILLER'S SEED #26352. IF YOU HAVE SEED 26352, YOU NEED ONLY TO DOWNLOAD THE FOLLOWING FILES AND SUBSTITUTE FOR THE PREVIOUS SHN FILES: gd90-07-18d1t01.shn gd90-07-18d1t02.shn gd90-07-18d2t07.shn gd90-07-18d3t01.shn gd90-07-18d3t02.shn gd90-07-18d3t03.shn gd90-07-18d3t04.shn gd90-07-18.md5 THIS SEED IS BASED ON 26352, WITH CHANGES AS NOTED: 1. The beginning of Help on the Way is restored, including about 23 seconds of tuning and crowd noise, from the cassette master source (etree #12579). 2. Fixed tracking between d1t1 and d1t2. 3. d2t06 should be relabeled as "jam," not "drums." There is a cool four-minute theme after Terrapin. 4. d3t01 (drums) is now d2t07, following normal disk splitting convention. You may, of course, put it anywhere you'd like. Drums and space are seamless. 5. Fixed small gap at the beginning of d2t07. 6. Moved the last 30 seconds of space to the beginning of The Other One; this is where the Other One theme develops. 7. Cut about a minute of dead air before the encore. 8. Cut about 30 seconds of dead air after the encore.
Transferrer: Matrix by Dave Usborne
2:49:56
SBD
Rating:
10.00 / 1 rating
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1990-07-18.132853.mtx.dusborne.flac16
Source:
2 Source Matrix by Dusborne; Soundboard (shnid:095807) Set 1: SBD -> Cassette Master -> ART DIO (24bit/96k) -> Sound Forge 7 -> CD; Set 2: SBD -> Dat Master (48k) and Audience (shnid:118904) 2 Nakamichi CM300 Omnis Spaced at 2 meters -> Nakamichi 550 w/dolby B; Maxell XLIIS90s cassettes
Taper Notes:
View NotesMatrix by dusborne 03-08-2015 ------------------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 03-08-2015
Transferrer: Jay Ashley
2:47:39
SBD
Rating:
8.86 / 8 ratings
Transferrer:
Jay Ashley
SHNID:
gd1990-07-18.sbd.bertha.28889.sbeok.shnf
Source:
Set1 SBD>>DAT>>MC>>SHN>>DAW(Bertha)>>CDA/SHN; Set2 SBD>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA/SHN
Taper Notes:
View NotesNotes: Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by [email protected]. Completed on October 31, 2004. Set 1 and Set 2 were processed separately in an attempt to get the sound between the two sources as close as possible at flat setting. The original source for set 1 appears to have some limiting or audio compression applied which accounts for the difference in levels between the sets, and also made the task of matching the sound that much more difficult. The mix starts out rough and settles in at about 1 minute in to track d1t01. There are phase issues throughout due to the matrix recording techniques, and also due to the in and out of the vocal mics.
Taper: Recorded and transfered by Allen Ryals (billtmcdee) Patched and Pitched by Jason Chastain Mastered by Jamie Waddell Tracked and Flac'd by Norm Bowen
2:37:58
Taper:
Recorded and transfered by Allen Ryals (billtmcdee) Patched and Pitched by Jason Chastain Mastered by Jamie Waddell Tracked and Flac'd by Norm Bowen
SHNID:
gd1990-07-18.147817.mac.billtmcdee.t.flac2496
Source:
Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette
Lineage:
Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722
Taper Notes:
View NotesThis show was recorded differently than the rest of the tour. I mic'd the rear/delay speaker stacks hanging off of the pavilion area with mics spaced about 40-50 feet apart. My tour buddy Steve "Baldy" Ulman and I had been discussing mic'ing the rear stacks all summer and decided to pull it off here. He went in early with two towels to save small spots for the mic stands and I came in behind with two mic stands and the gear. We spaced out the mics and hit record with the mics pointing up at the speakers instead of trying to mic the main PA speakers located under the covered section. The results were better than expected! Occasionally you can hear a blown speaker in the stacks distorting, but still way worth it! Many thanks to: Baldy Kenny Watts for the 722 Kevin Klopp for loaning me his mic stands
Taper: Recorded and transfered by Allen Ryals (billtmcdee) Patched and Pitched by Jason Chastain Mastered by Jamie Waddell Tracked and Flac'd by Norm Bowen
2:37:58
Taper:
Recorded and transfered by Allen Ryals (billtmcdee) Patched and Pitched by Jason Chastain Mastered by Jamie Waddell Tracked and Flac'd by Norm Bowen
SHNID:
gd1990-07-18.147816.mac.billtmcdee.t.flac1648
Source:
Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette
Lineage:
Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722
Taper Notes:
View NotesThis show was recorded differently than the rest of the tour. I mic'd the rear/delay speaker stacks hanging off of the pavilion area with mics spaced about 40-50 feet apart. My tour buddy Steve "Baldy" Ulman and I had been discussing mic'ing the rear stacks all summer and decided to pull it off here. He went in early with two towels to save small spots for the mic stands and I came in behind with two mic stands and the gear. We spaced out the mics and hit record with the mics pointing up at the speakers instead of trying to mic the main PA speakers located under the covered section. The results were better than expected! Occasionally you can hear a blown speaker in the stacks distorting, but still way worth it! Many thanks to: Baldy Kenny Watts for the 722 Kevin Klopp for loaning me his mic stands
Taper: Craig Hillwig
2:40:39
Rating:
8.00 / 3 ratings
Taper:
Craig Hillwig
Transferrer:
Lenny Stubbe
SHNID:
gd1990-07-18.137862.km54.flac16
Source:
Source: Neumann KM54 > Neumann P/S > Denon DTR-80P (44.1 khz); Location: FOB;
Lineage:
Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/44.1)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>xACT 2.38(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Mike P.; DAT seed provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
Taper Notes:
View NotesNotes: - signal lost for few seconds after LL Rain into the beginning of Terrapin and for 13 seconds at end of Drumz and beginning of Space - tape stopped for encore break - amazing jam out of Terrapin making the song a solid 19 minutes that I chose not to track out. But it is considered by some significant enough to note Seeded to etree on: 02/21/2017
Source 20 of 24
2:43:02
SHNID:
gd1990-07-18.118892.aud.dak5245-pzm.flac
Source:
Recorded & Transfered By: Robert Mullen; Source: Master Audience Cassettes; This was recorded with 2 sets of mics input to a 4 channel mixer down to 2 channels into the recorder. The 4 mics were mounted on a stand 8' in height. We were located in the designated "taper" section for this recording. Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master Cassettes(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8)
Taper Notes:
View NotesComments: These were the only shows I was able to get to in 1990. Since it was two nights in a row, maybe we'll get a Dew. Got one, with a great show as well. These were some of the last shows before the band lost Brent 8 days later. Enjoy the recording folks. Please: Convert to lossy format only for personal use. Please: Do Not Buy or Sell This Recording. Please: Trade Freely, Keeping The Recorder And Lineage Information Intact. Please: Relax and Enjoy!