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June 6th
Years
1995
29.2k
PlaybackListensHours
48h2.3k316
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h69499
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h4.7k638
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1.1k151
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h2.7k358
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.8k359
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3.8k477
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.3k149
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.7k290
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h83292
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k234
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.5k195
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.5k191
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.8k227
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.1k280
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.8k672
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.3k184
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h6.7k857
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h14.7k2k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h7.7k1.1k
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h85971
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.2k524
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.3k566
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.2k386
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.1k232
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h7.5k740
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.4k570
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h58973
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13720
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h47134
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h493
7d1277
30d57234
2 shows
2 tapes
1990
7/18/90
Tuning
0:24
Help On The Way >
4:33
Slipknot! >
4:13
Franklin's Tower
10:37
New Minglewood Blues
9:37
Easy To Love You
5:45
Peggy-O
6:38
When I Paint My Masterpiece
6:56
Brown Eyed Women
7:49
Cassidy
8:17
Deal
8:43
Tuning
2:32
China Cat Sunflower >
7:29
I Know You Rider >
5:56
Looks Like Rain >
8:23
Terrapin Station >
20:02
Drums >
6:12
Space >
7:56
The Other One >
12:46
Morning Dew
11:49
Encore Break
3:26
The Weight
7:46
FIN
View on archive.org
Sources
Taper: Don Pearson
2:47:49
SBD
Taper:
Don Pearson
Transferrer:
Charlie Miller
SHNID:
gd1990-07-18.147774.UltraMatrix.sbd.cm.miller.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK MA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson -- Two different sets of masters were used to make this show complete -- This file set is 16 bit @ 44.1
Taper: Don Pearson
2:47:49
SBD
Rating:
10.00 / 1 rating
Taper:
Don Pearson
Transferrer:
Charlie Miller
SHNID:
gd1990-07-18.147560.sbd.ultramatrix.pearson.miller.flac24
Source:
UltraMatrix SBD > Cassette Master (TDK MA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson -- Two different sets of masters were used to make this show complete
Transferrer: Charlie Miller
2:47:32
SBD
Rating:
9.45 / 11 ratings
Transferrer:
Charlie Miller
SHNID:
gd1990-07-18.sbd.miller.95807.sbeok.flac16
Source:
Set 1: SBD -> Cassette Master -> ART DIO (24bit/96k) ->Sound Forge 7 -> CD; Set 2: SBD -> Dat Master (48k)
Lineage:
Set 1: CD -> Samplitude Professional v10.1 -> FLAC
Taper Notes:
View NotesPatch Info: (FOB) Neumann KM54 -> Dat -> CD (shnid=7358) supplies: Help On The Way (0:00 - 0:11) Notes: -- Set 2 is seamless -- Set 1 is a remaster of shnid=26352 -- Thanks to Andy Lemieux, David Gans and David Hollister for Set 1 -- Thanks to Joani Walker and Paul Scotton for the Set 2 tape
Transferrer: Charlie Miller
2:45:50
SBD
Rating:
9.00 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1990-07-18.sbd.miller.braverman.fix-26352.32218.sbeok.shnf
Source:
Set 1: SBD -> Dat -> Cassette Master DSet 2: SBD -> Dat -> CD D
Lineage:
Cassette Master -> ART DIO (24bit/96k) -> Sound Forge 7 -> CD -> EAC -> SHN
Taper Notes:
View NotesTHIS FILE IS APPENDED FROM A PREVIOUS ETREE SEED. THAT TEXT FILE APPEARS BELOW. THIS SEED IS BASED ON CHARLIE MILLER'S SEED #26352. IF YOU HAVE SEED 26352, YOU NEED ONLY TO DOWNLOAD THE FOLLOWING FILES AND SUBSTITUTE FOR THE PREVIOUS SHN FILES: gd90-07-18d1t01.shn gd90-07-18d1t02.shn gd90-07-18d2t07.shn gd90-07-18d3t01.shn gd90-07-18d3t02.shn gd90-07-18d3t03.shn gd90-07-18d3t04.shn gd90-07-18.md5 THIS SEED IS BASED ON 26352, WITH CHANGES AS NOTED: 1. The beginning of Help on the Way is restored, including about 23 seconds of tuning and crowd noise, from the cassette master source (etree #12579). 2. Fixed tracking between d1t1 and d1t2. 3. d2t06 should be relabeled as "jam," not "drums." There is a cool four-minute theme after Terrapin. 4. d3t01 (drums) is now d2t07, following normal disk splitting convention. You may, of course, put it anywhere you'd like. Drums and space are seamless. 5. Fixed small gap at the beginning of d2t07. 6. Moved the last 30 seconds of space to the beginning of The Other One; this is where the Other One theme develops. 7. Cut about a minute of dead air before the encore. 8. Cut about 30 seconds of dead air after the encore.
Source 5 of 24
2:47:44
SBD
Rating:
7.85 / 14 ratings
SHNID:
gd90-07-18.sbd.miller.26352.sbeok.shnf
Source:
Set 1: SBD> Dat> Cassette Master; Set 2: SBD> Dat> CD; Set 1 Transfer: Cassette Master> ART DIO (24bit/96k)> Sound Forge 7> CD> EAC> SHN; SHN Conversion By Charlie Miller
Taper Notes:
View NotesSBD, mixed source: Set 1: SBD> Dat> Cassette Master; Set 2: SBD> Dat> CD; Set 1 Transfer: Cassette Master> ART DIO (24bit/96k)> Sound Forge 7> CD> EAC> SHN; SHN Conversion By Charlie Miller; see pub comments for additional lineage notes
Transferrer: Matrix by Dave Usborne
2:49:56
SBD
Rating:
10.00 / 1 rating
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1990-07-18.132853.mtx.dusborne.flac16
Source:
2 Source Matrix by Dusborne; Soundboard (shnid:095807) Set 1: SBD -> Cassette Master -> ART DIO (24bit/96k) -> Sound Forge 7 -> CD; Set 2: SBD -> Dat Master (48k) and Audience (shnid:118904) 2 Nakamichi CM300 Omnis Spaced at 2 meters -> Nakamichi 550 w/dolby B; Maxell XLIIS90s cassettes
Taper Notes:
View NotesMatrix by dusborne 03-08-2015 ------------------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 03-08-2015
Transferrer: Jay Ashley
2:47:39
SBD
Rating:
8.86 / 8 ratings
Transferrer:
Jay Ashley
SHNID:
gd1990-07-18.sbd.bertha.28889.sbeok.shnf
Source:
Set1 SBD>>DAT>>MC>>SHN>>DAW(Bertha)>>CDA/SHN; Set2 SBD>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA/SHN
Taper Notes:
View NotesNotes: Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by [email protected]. Completed on October 31, 2004. Set 1 and Set 2 were processed separately in an attempt to get the sound between the two sources as close as possible at flat setting. The original source for set 1 appears to have some limiting or audio compression applied which accounts for the difference in levels between the sets, and also made the task of matching the sound that much more difficult. The mix starts out rough and settles in at about 1 minute in to track d1t01. There are phase issues throughout due to the matrix recording techniques, and also due to the in and out of the vocal mics.
Source 8 of 24
2:44:07
SBD
Rating:
9.08 / 26 ratings
SHNID:
gd90-07-18.sbd.wilson.12760.sbeok.shnf
Source:
Soundboard
Transferrer: Peter Braverman
5:28:14
SBD
Transferrer:
Peter Braverman
SHNID:
gd1990-07-18.sbd.braverman.12579.shnf
Source:
Soundboard
Taper Notes:
View NotesThanks to Mike W and Mike Lai for the discs. Retracked and seeded by Peter Braverman ([email protected]), July 2002. *yes, that's FIVE cassette generations, but don't be deterred -- this is a great set and it sounds great.
Taper: Dave Brotman
2:53:04
Rating:
10.00 / 1 rating
Taper:
Dave Brotman
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1990-07-18.143605.FOB.Scheops.Brotman.Miller.Noel.t-flac1648
Source:
Dave Brotman Master Dat Recording: (FOB/Row 20/21) Schoeps CMC3/MK4 (ortf) > M1000 > Oade Pre-Amp > Dat (Panasonic SV-255/48k)
Lineage:
Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
Taper Notes:
View NotesEdited & Mastered by Joe Noel Flac 16/48 > Audacity > 16/48 November 07, 2018 Notes: - Master DAT courtesy of Dave Brotman - Thanks to Charlie for coordinating this effort & the transfer
Source 11 of 24
2:48:10
SHNID:
gd1990-07-18.156402.mtx.photoleon.flac16
Source:
Matrixes created (Adobe Audition) by Joe Noel November 21, 2021
Taper: Recorded and transfered by Allen Ryals (billtmcdee) Patched and Pitched by Jason Chastain Mastered by Jamie Waddell Tracked and Flac'd by Norm Bowen
2:37:58
Taper:
Recorded and transfered by Allen Ryals (billtmcdee) Patched and Pitched by Jason Chastain Mastered by Jamie Waddell Tracked and Flac'd by Norm Bowen
SHNID:
gd1990-07-18.147817.mac.billtmcdee.t.flac2496
Source:
Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette
Lineage:
Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722
Taper Notes:
View NotesThis show was recorded differently than the rest of the tour. I mic'd the rear/delay speaker stacks hanging off of the pavilion area with mics spaced about 40-50 feet apart. My tour buddy Steve "Baldy" Ulman and I had been discussing mic'ing the rear stacks all summer and decided to pull it off here. He went in early with two towels to save small spots for the mic stands and I came in behind with two mic stands and the gear. We spaced out the mics and hit record with the mics pointing up at the speakers instead of trying to mic the main PA speakers located under the covered section. The results were better than expected! Occasionally you can hear a blown speaker in the stacks distorting, but still way worth it! Many thanks to: Baldy Kenny Watts for the 722 Kevin Klopp for loaning me his mic stands
Taper: Recorded and transfered by Allen Ryals (billtmcdee) Patched and Pitched by Jason Chastain Mastered by Jamie Waddell Tracked and Flac'd by Norm Bowen
2:37:58
Taper:
Recorded and transfered by Allen Ryals (billtmcdee) Patched and Pitched by Jason Chastain Mastered by Jamie Waddell Tracked and Flac'd by Norm Bowen
SHNID:
gd1990-07-18.147816.mac.billtmcdee.t.flac1648
Source:
Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette
Lineage:
Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722
Taper Notes:
View NotesThis show was recorded differently than the rest of the tour. I mic'd the rear/delay speaker stacks hanging off of the pavilion area with mics spaced about 40-50 feet apart. My tour buddy Steve "Baldy" Ulman and I had been discussing mic'ing the rear stacks all summer and decided to pull it off here. He went in early with two towels to save small spots for the mic stands and I came in behind with two mic stands and the gear. We spaced out the mics and hit record with the mics pointing up at the speakers instead of trying to mic the main PA speakers located under the covered section. The results were better than expected! Occasionally you can hear a blown speaker in the stacks distorting, but still way worth it! Many thanks to: Baldy Kenny Watts for the 722 Kevin Klopp for loaning me his mic stands
Taper: Rick Katzeff
2:52:23
Taper:
Rick Katzeff
Transferrer:
John Ammons and Joe Noel
SHNID:
gd1990-07-18.138229.Scheops.Katzeff.Ammons.fob.t-flac16
Source:
<b>flac16/48kHz</b>; Rick Katzeff recording: Schoeps CMC34 at 110 degrees ORTF on Schoeps t-bar > Oade PS > Panasonic SV255. 1st set 20th row hand held DFC; 2nd set 25th row DFC with 6'3" stand; John Ammons;
Lineage:
from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
Taper: Craig Hillwig
2:40:39
Rating:
8.00 / 3 ratings
Taper:
Craig Hillwig
Transferrer:
Lenny Stubbe
SHNID:
gd1990-07-18.137862.km54.flac16
Source:
Source: Neumann KM54 > Neumann P/S > Denon DTR-80P (44.1 khz); Location: FOB;
Lineage:
Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/44.1)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>xACT 2.38(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Mike P.; DAT seed provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
Taper Notes:
View NotesNotes: - signal lost for few seconds after LL Rain into the beginning of Terrapin and for 13 seconds at end of Drumz and beginning of Space - tape stopped for encore break - amazing jam out of Terrapin making the song a solid 19 minutes that I chose not to track out. But it is considered by some significant enough to note Seeded to etree on: 02/21/2017
Source 16 of 24
2:42:15
Rating:
10.00 / 1 rating
SHNID:
gd1990-07-18.137862.km54.patched.flac16
Source:
Updated Source: Neumann KM54 > Neumann P/S > Denon DTR-80P (44.1 khz); Location: FOB;
Taper: Steve Hill
2:42:55
Rating:
10.00 / 1 rating
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1990-07-18.Nak100sSenn421.Hill.Keo.131339.Flac2496
Taper Notes:
View NotesComments:Another Huge Thanks out to Steve for recording and sharing his source for this show! Some higher recording levels in the second set, still all and all another excellent share from the Hill collection of masters and The Grateful Dead's 1990 Summer Tour!!!!! AS ALWAYS ENJOY!!!!!!!!!!!
Taper: Steve Hill
2:42:55
Rating:
8.00 / 1 rating
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1990-07-18.Nak100sSenn421.Hill.Keo.131337.Flac1644
Taper Notes:
View NotesComments:Another Huge Thanks out to Steve for recording and sharing his source for this show! Some higher recording levels in the second set, still all and all another excellent share from the Hill collection of masters and The Grateful Dead's 1990 Summer Tour!!!!! AS ALWAYS ENJOY!!!!!!!!!!!
Taper: Dave Cohen and Justin Lee
2:40:42
Taper:
Dave Cohen and Justin Lee
SHNID:
gd1990-07-18.nak300.cohenlee.118904.flac16
Source:
Recorded by Dave Cohen and Justin Lee 2 Nakamichi CM300 Omnis Spaced at 2 meters>Nakamichi 550 w/dolby B Maxell XLIIS90s cassettes 3/4 of the way back in OTS, DFC; The Master Cassettes were played back with Azimuth adjustment and Dolby Decoded on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). FLAC'd using Audiofile Engineering Sample Manager. Transfer by Dave Cohen
Source 20 of 24
2:43:02
SHNID:
gd1990-07-18.118892.aud.dak5245-pzm.flac
Source:
Recorded & Transfered By: Robert Mullen; Source: Master Audience Cassettes; This was recorded with 2 sets of mics input to a 4 channel mixer down to 2 channels into the recorder. The 4 mics were mounted on a stand 8' in height. We were located in the designated "taper" section for this recording. Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master Cassettes(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8)
Taper Notes:
View NotesComments: These were the only shows I was able to get to in 1990. Since it was two nights in a row, maybe we'll get a Dew. Got one, with a great show as well. These were some of the last shows before the band lost Brent 8 days later. Enjoy the recording folks. Please: Convert to lossy format only for personal use. Please: Do Not Buy or Sell This Recording. Please: Trade Freely, Keeping The Recorder And Lineage Information Intact. Please: Relax and Enjoy!
Taper: Mike Darby
2:45:04
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1990-07-18.AKG451.Darby.117698.Flac1644
Source:
Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
Taper Notes:
View NotesComments:A Huge thanks out to Mr. Darby for recording and sharing his source for this show! This was an excellent performance and this recording captures it 100%.Included are two ticket stub scans,one from Mr. Darby and one from me!
Taper: Mike Darby
2:45:04
Rating:
8.00 / 1 rating
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1990-07-18.AKG451.Darby.117697.Flac2448
Source:
Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
Taper Notes:
View NotesComments:A Huge thanks out to Mr. Darby for recording and sharing his source for this show! This was an excellent performance and this recording captures it 100%.Included are two ticket stub scans,one from Mr. Darby and one from me! As always ENJOY!
Taper: Cousinit
2:42:13
Rating:
8.50 / 5 ratings
Taper:
Cousinit
Transferrer:
Cousinit
SHNID:
gd1990-07-18.nak300.cousinit.97366.flac16
Source:
NAK550>2 CM300's w/CP4 Shotguns, 1 CM300 (Center Mic)
Lineage:
MC>WAV>FLAC
Taper Notes:
View NotesPatch in Other One at 7:03-7:18 with SHN ID 7538
Source 24 of 24
2:42:20
Rating:
8.60 / 11 ratings
SHNID:
gd90-07-18.neumann-fob.gardner.7358.sbeok.shnf