Just A Little Light > | 1990-07-04 | Grateful Dead

gd1990-07-04.153738.ultramatrix.miller.flac2496

UltraMatrix SBD > Cassette Master (TDK MA-X90)

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24

gd1990-07-04.sbd.miller.tetzeli.fix-26351.81523.sbeok.flac16

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- There was a bad cable going from the sbd to the ultra box in set 2 (right channel only)
-- I pasted the left channel over the right channel in these few spots
-- They turned off the sbd feed to the ultra box for U.S. Blues so is just the ambient mics
-- My previous sbd (shnid=26351) is also an ultramatrix with the same issue
-- Multiple masters were used to make this show complete

Transferrer: Bill Tetzeli

Patched fix of shnid 26351

gd90-07-04.sbd.miller.26351.sbeok.shnf

View NotesI patched in 1:25-6:57 of drums from the incredible FOB located on archive.org (shnid 8573).  It's an excellent recording (as is this) and I heartily recommend downloading it.  All SHNs were converted to FLAC, SBEs were cleaned up using shntool.

Many thanks to Charlie Miller for the SBD seed and to Ladner for the AUD patch source.

Bill Tetzeli ([email protected])
5:44 PM 7/18/2006

Source 4 of 15

SBD> Dat> Cassette Master

Cassette Master> ART DIO (24bit/96k)> Sound Forge 7> CD> EAC> SHN; SHN Conversion By Charlie Miller

Charlie Miller and Joe Noel

View NotesSBD> Dat> Cassette Master; Transfer: Cassette Master> ART DIO (24bit/96k)> Sound Forge 7> CD> EAC> SHN; SHN Conversion By Charlie Miller

Taper: Dave Brotman

gd1990-07-04.143599.FOB.Schoeps.Brotman.Miller.Noel.t-flac1648

Dave Brotman (FOB) Recording: Schoeps CMC5/MK4 (ortf) > Oade Pre-Amp > Dat (Panasonic SV-255/48k) Location: Row V Seats 4 + 5

Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48

Recorded and transfered by Allen Ryals (billtmcdee) Patched and Pitched by Jason Chastain Mastered by Jamie Waddell Tracked and Flac'd by Norm Bowen

View NotesPatch info:
- shnid 140955 (Schoeps CMC421)
- s2t13; all
- s2t14; all

Notes:
- DAT master courtesy of Dave Brotman.
- Thanks to Charlie for the transfer & coordinating.
- Thanks to Rick Katzeff & John Ammons for the patch source
- Dozens of little tiny pops were cleaned up

Taper: Recorded and transfered by Allen Ryals (billtmcdee) Patched and Pitched by Jason Chastain Mastered by Jamie Waddell Tracked and Flac'd by Norm Bowen

2:42:43

Taper:

gd1990-07-04.147812.mac.billtmcdee.t.flac2496

Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette

Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722

Recorded and transfered by Allen Ryals (billtmcdee) Patched and Pitched by Jason Chastain Mastered by Jamie Waddell Tracked and Flac'd by Norm Bowen

View NotesMany thanks to:
Kenny Watts for the 722
Kevin Klopp for loaning me his mic stands

Taper: Recorded and transfered by Allen Ryals (billtmcdee) Patched and Pitched by Jason Chastain Mastered by Jamie Waddell Tracked and Flac'd by Norm Bowen

2:42:43

Taper:

gd1990-07-04.147811.mac.billtmcdee.t.flac1648

Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette

Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722

View NotesMany thanks to:
Kenny Watts for the 722
Kevin Klopp for loaning me his mic stands

Taper: Rick Katzeff

John Ammons and Joe Noel

gd1990-07-04.140955.OTS.FOB.Schoeps.Katzeff.Ammons.Noel.t-flac1648

<b>flac16/48kHz</b>; Recording by Rick Katzeff: Set I: Schoeps CMC32s (omni's spaced 8 1/2 feet) > Panasonic SV255 (front row OTS); Set II: Schoeps CMC421 at "100 degrees RED" > Panasonic SV255 (FOB); Transfer by John Ammons: DAT clone > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave

gd1990-07-04.137897.dbx.hale.flac16

View NotesNotes:
- This is a bold & upfront recording.

Taper: Hale

Front of lawn, dead center, 16' mic stand; NAK-CM-100 w/CP-4 shotgun capsules left & right and Senheiser-441 panned to center > Tascam PortaOne 4-track Cassette (dbx type II on) > Maxell XLII-S 100's (without the 100's Fire would have cut, so glad they came out w/ 100's); Maxell XLII-S100 > Onkyo TA-2027(I have 2 NAK's and neither one work, bought the Onkyo as it has 1/4" mic inputs L & R) > dbx 224x > Sony M-10 (16 bit WAVE & tracked) > Soundforge 9 (fades at start and tape flipps) > encoded to FLAC (level 8) w/TLH

gd1990-07-04.133536.aud.Holtz.NakCM104.flac2496

View NotesThere are many sweet recordings of this show.  The C. Miller SBD is great and I've 
heard another audience made w/ AKG's on an M-3 DAT that's incredible. Many tapers 
were setting up in front of one stack or the other.  I usually went for dead center 
if I could get near or at the front of the tapers section when it's on a large lawn 
like at Sandstone. I taped Alpine one day in front of the right stack because I got 
stuck in a traffic jam getting in and couldn't get anything decent in the center.
This day was probably the hottest (heat index was like 116 and humid) that I remember 
at a Dead show.  I recall Jerry wearing shorts.  I had two front row tickets that I 
gave to friends so I could tape. They wouldn't let anyone in with gear if they didn't 
have a lawn ticket. So although this audience might not be the best, it's not bad and
it's definitely in stereo.

Taper: Greg Holtz

Field: 2x Nakamichi CM100 mics with CP-4 shotgun capsules > Sony TC-D5M analog cassette recorder > Maxell MX90 tapes;

MAC > Tascam 112 analog cassette deck > Edirol UA-5 USB Audio Interface > 24/96 > PC > Audacity (tracks and fades) > Trader's Little Helper > flac 24/96

gd1990-07-04.131537.cmc421.fob.deal.petty.flac16

View NotesJune 2015 recollection:

Sandstone Amphitheater is a fairly unique place, an open air shed-like venue but with no roof over the audience.  It was a blisteringly hot and sunny 4th of July, with no shade at all.  During the show we saw two or three people being led or carried out from sun/heat problems.  It was brutal.  If my mind serves me correctly, the stage was facing west, so during the first set all of the band members were bathed in that incredibly hot Kansas afternoon sun.  I thought at the time that this show was sluggish and a bit disjointed, largely because of the heat and it's effect on the instruments, and possibly aggravated by the copious amounts of sweat that was undoubtedly oozing from the players onto their instruments.  I recall Jerry wiping off the neck of his guitar several times.  Of course I was roasting hot as well, so I am sure my mindset was torched by the heat in some way or another.  I recall wearing a cold wet towel on my head for most of the show in a vain attempt to cool down.  It did not work.

We all hope that you enjoy listening to this music in air-conditioned comfort.  Or Perhaps you should wait until a really hot and sunny day, and set your speakers outside to best replicate the conditions we suffered to bring you this show.  Enjoy!

Taper: Lance Deal

Source info: Set 1: Schoeps CMC 421's> Schoeps VMS 52 UB(?)> Technics SVMD1; Set 2: Schoeps CMC 521's> Schoeps VMS 52 UB> Technics SVMD1; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on October 14, 2014 by Will Petty

Taper: Chuck Miller

gd1990-07-04.s1.127374.josephsonC640.chuckm.flac16

Source: Josephson C-640 w/ KA-20 (cardioid) capsules (NOS, OTS, 8' up) > 5532 differential pre-amp (+21db) > Panasonic AG6400 (Hi-Fi audio, VHS master) > JVC HR-D725U (Hi-Fi audio, VHS Gen 1)

Transfer: JVC HR-D725U (Hi-Fi audio, VHS Gen 1) > Tascam DR-680 > SDHC card > PC Digital editing: Steinberg CuBase SX (pre and post set fades, iZotope RX DeClick, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer, a 1 second section of s1t06 was patched with the analog cassette master of the same source) Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC, SBE check & FLAC fingerprint > AudioShell tag editor

gd1990-07-04.AKG451.Darby.117550.Flac1644

View NotesRecording notes: There is wind noise/rumble througout this recording. Due to equipment failure I don't have the Set Two recording.

Recorded, transfered, processed and distributed by Chuck Miller ([email protected])

Taper: Mike Darby

Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/20 Feet Directly In Front Of Left Lawn Stack/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes (Sony Metal-ES); Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudiGate Software

gd1990-07-04.AKG451.Darby.117549.Flac2448

View NotesComments:Another HUGE thanks out to Mr. Darby for recording
and sharing his source of this excellent sounding show and
performance!Nice full sound on this recording and definately
an upgrade to the audience source that circulates!
As always ENJOY!

Taper: Mike Darby

gd90-07-04.akg.ladner.8573.sbeok.shnf

View NotesComments:Another HUGE thanks out to Mr. Darby for recording
and sharing his source of this excellent sounding show and
performance!Nice full sound on this recording and definately
an upgrade to the audience source that circulates!
As always ENJOY!

Source 15 of 15

AUD (AKG 414) > DAT (Sony D-3) > CDR > WAV > SHNv3