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June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.1k423
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h69497
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h3.4k461
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1k130
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.7k228
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.6k339
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.9k488
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k139
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k283
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h953106
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.9k220
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.5k199
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k191
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.7k212
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.9k563
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.4k190
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.4k1.1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.7k2.1k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h10.6k1.5k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h76170
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.2k524
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h4.1k540
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.9k360
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k248
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h6.4k616
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h3.1k500
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h52966
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14820
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h50038
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h372
7d1468
30d57134
2 shows
2 tapes
1990
7/4/90
gd1990-07-04s1t01
6:24
gd1990-07-04s1t02
5:38
gd1990-07-04s1t03
2:01
gd1990-07-04s1t04
8:38
gd1990-07-04s1t05
1:19
gd1990-07-04s1t06
6:09
gd1990-07-04s1t07
1:23
gd1990-07-04s1t08
7:10
gd1990-07-04s1t09
1:53
gd1990-07-04s1t10
6:42
gd1990-07-04s1t11
1:52
gd1990-07-04s1t12
6:52
gd1990-07-04s1t13
4:41
gd1990-07-04s2t01
1:11
gd1990-07-04s2t02
9:07
gd1990-07-04s2t03
7:58
gd1990-07-04s2t04
4:50
gd1990-07-04s2t05
10:04
gd1990-07-04s2t06
16:49
gd1990-07-04s2t07
9:17
gd1990-07-04s2t08
8:16
gd1990-07-04s2t09
5:59
gd1990-07-04s2t10
5:09
gd1990-07-04s2t11
9:09
gd1990-07-04s2t12
8:41
gd1990-07-04s2t13
5:31
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:48:53
SBD
Rating:
10.00 / 1 rating
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] October 4, 2021
SHNID:
gd1990-07-04.154442.UltraMatrix.sbd.cm.miller.t.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK MA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- There was a bad cable going from the sbd to the ultra box in set 2 (right channel only) -- I pasted the left channel over the right channel in these few spots -- They turned off the sbd feed to the ultra box for U.S. Blues so is just the ambient mics -- My previous sbd (shnid=26351) is also an ultramatrix with the same issue -- Multiple masters were used to make this show complete -- This is 153738 2496 > 1644
Taper: Recorded by Don Pearson and Dan Healy
2:48:54
SBD
Rating:
8.00 / 1 rating
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] October 4, 2021
SHNID:
gd1990-07-04.153738.ultramatrix.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- There was a bad cable going from the sbd to the ultra box in set 2 (right channel only) -- I pasted the left channel over the right channel in these few spots -- They turned off the sbd feed to the ultra box for U.S. Blues so is just the ambient mics -- My previous sbd (shnid=26351) is also an ultramatrix with the same issue -- Multiple masters were used to make this show complete
Transferrer: Bill Tetzeli
2:49:59
SBD
Rating:
8.40 / 12 ratings
Transferrer:
Bill Tetzeli
SHNID:
gd1990-07-04.sbd.miller.tetzeli.fix-26351.81523.sbeok.flac16
Source:
Patched fix of shnid 26351
Taper Notes:
View NotesI patched in 1:25-6:57 of drums from the incredible FOB located on archive.org (shnid 8573). It's an excellent recording (as is this) and I heartily recommend downloading it. All SHNs were converted to FLAC, SBEs were cleaned up using shntool. Many thanks to Charlie Miller for the SBD seed and to Ladner for the AUD patch source. Bill Tetzeli ([email protected]) 5:44 PM 7/18/2006
Source 4 of 15
2:44:31
SBD
Rating:
8.29 / 30 ratings
SHNID:
gd90-07-04.sbd.miller.26351.sbeok.shnf
Source:
SBD> Dat> Cassette Master
Lineage:
Cassette Master> ART DIO (24bit/96k)> Sound Forge 7> CD> EAC> SHN; SHN Conversion By Charlie Miller
Taper Notes:
View NotesSBD> Dat> Cassette Master; Transfer: Cassette Master> ART DIO (24bit/96k)> Sound Forge 7> CD> EAC> SHN; SHN Conversion By Charlie Miller
Taper: Dave Brotman
2:51:53
Taper:
Dave Brotman
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1990-07-04.143599.FOB.Schoeps.Brotman.Miller.Noel.t-flac1648
Source:
Dave Brotman (FOB) Recording: Schoeps CMC5/MK4 (ortf) > Oade Pre-Amp > Dat (Panasonic SV-255/48k) Location: Row V Seats 4 + 5
Lineage:
Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
Taper Notes:
View NotesPatch info: - shnid 140955 (Schoeps CMC421) - s2t13; all - s2t14; all Notes: - DAT master courtesy of Dave Brotman. - Thanks to Charlie for the transfer & coordinating. - Thanks to Rick Katzeff & John Ammons for the patch source - Dozens of little tiny pops were cleaned up
Taper: Recorded and transfered by Allen Ryals (billtmcdee) Patched and Pitched by Jason Chastain Mastered by Jamie Waddell Tracked and Flac'd by Norm Bowen
2:42:43
Taper:
Recorded and transfered by Allen Ryals (billtmcdee) Patched and Pitched by Jason Chastain Mastered by Jamie Waddell Tracked and Flac'd by Norm Bowen
SHNID:
gd1990-07-04.147812.mac.billtmcdee.t.flac2496
Source:
Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette
Lineage:
Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722
Taper Notes:
View NotesMany thanks to: Kenny Watts for the 722 Kevin Klopp for loaning me his mic stands
Taper: Recorded and transfered by Allen Ryals (billtmcdee) Patched and Pitched by Jason Chastain Mastered by Jamie Waddell Tracked and Flac'd by Norm Bowen
2:42:43
Taper:
Recorded and transfered by Allen Ryals (billtmcdee) Patched and Pitched by Jason Chastain Mastered by Jamie Waddell Tracked and Flac'd by Norm Bowen
SHNID:
gd1990-07-04.147811.mac.billtmcdee.t.flac1648
Source:
Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette
Lineage:
Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722
Taper Notes:
View NotesMany thanks to: Kenny Watts for the 722 Kevin Klopp for loaning me his mic stands
Taper: Rick Katzeff
2:51:38
Taper:
Rick Katzeff
Transferrer:
John Ammons and Joe Noel
SHNID:
gd1990-07-04.140955.OTS.FOB.Schoeps.Katzeff.Ammons.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>; Recording by Rick Katzeff: Set I: Schoeps CMC32s (omni's spaced 8 1/2 feet) > Panasonic SV255 (front row OTS); Set II: Schoeps CMC421 at "100 degrees RED" > Panasonic SV255 (FOB); Transfer by John Ammons: DAT clone > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave
Taper Notes:
View NotesNotes: - This is a bold & upfront recording.
Taper: Hale
2:51:21
Taper:
Hale
Transferrer:
Hale
SHNID:
gd1990-07-04.137897.dbx.hale.flac16
Source:
Front of lawn, dead center, 16' mic stand; NAK-CM-100 w/CP-4 shotgun capsules left & right and Senheiser-441 panned to center > Tascam PortaOne 4-track Cassette (dbx type II on) > Maxell XLII-S 100's (without the 100's Fire would have cut, so glad they came out w/ 100's); Maxell XLII-S100 > Onkyo TA-2027(I have 2 NAK's and neither one work, bought the Onkyo as it has 1/4" mic inputs L & R) > dbx 224x > Sony M-10 (16 bit WAVE & tracked) > Soundforge 9 (fades at start and tape flipps) > encoded to FLAC (level 8) w/TLH
Taper Notes:
View NotesThere are many sweet recordings of this show. The C. Miller SBD is great and I've heard another audience made w/ AKG's on an M-3 DAT that's incredible. Many tapers were setting up in front of one stack or the other. I usually went for dead center if I could get near or at the front of the tapers section when it's on a large lawn like at Sandstone. I taped Alpine one day in front of the right stack because I got stuck in a traffic jam getting in and couldn't get anything decent in the center. This day was probably the hottest (heat index was like 116 and humid) that I remember at a Dead show. I recall Jerry wearing shorts. I had two front row tickets that I gave to friends so I could tape. They wouldn't let anyone in with gear if they didn't have a lawn ticket. So although this audience might not be the best, it's not bad and it's definitely in stereo.
Taper: Greg Holtz
2:48:53
Rating:
8.67 / 3 ratings
Taper:
Greg Holtz
Transferrer:
Greg Holtz
SHNID:
gd1990-07-04.133536.aud.Holtz.NakCM104.flac2496
Source:
Field: 2x Nakamichi CM100 mics with CP-4 shotgun capsules > Sony TC-D5M analog cassette recorder > Maxell MX90 tapes;
Lineage:
MAC > Tascam 112 analog cassette deck > Edirol UA-5 USB Audio Interface > 24/96 > PC > Audacity (tracks and fades) > Trader's Little Helper > flac 24/96
Taper Notes:
View NotesJune 2015 recollection: Sandstone Amphitheater is a fairly unique place, an open air shed-like venue but with no roof over the audience. It was a blisteringly hot and sunny 4th of July, with no shade at all. During the show we saw two or three people being led or carried out from sun/heat problems. It was brutal. If my mind serves me correctly, the stage was facing west, so during the first set all of the band members were bathed in that incredibly hot Kansas afternoon sun. I thought at the time that this show was sluggish and a bit disjointed, largely because of the heat and it's effect on the instruments, and possibly aggravated by the copious amounts of sweat that was undoubtedly oozing from the players onto their instruments. I recall Jerry wiping off the neck of his guitar several times. Of course I was roasting hot as well, so I am sure my mindset was torched by the heat in some way or another. I recall wearing a cold wet towel on my head for most of the show in a vain attempt to cool down. It did not work. We all hope that you enjoy listening to this music in air-conditioned comfort. Or Perhaps you should wait until a really hot and sunny day, and set your speakers outside to best replicate the conditions we suffered to bring you this show. Enjoy!
Taper: Lance Deal
2:51:37
Taper:
Lance Deal
Transferrer:
Willl Petty
SHNID:
gd1990-07-04.131537.cmc421.fob.deal.petty.flac16
Source:
Source info: Set 1: Schoeps CMC 421's> Schoeps VMS 52 UB(?)> Technics SVMD1; Set 2: Schoeps CMC 521's> Schoeps VMS 52 UB> Technics SVMD1; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on October 14, 2014 by Will Petty
Taper: Chuck Miller
1:04:18
Taper:
Chuck Miller
Transferrer:
Chuck Miller
SHNID:
gd1990-07-04.s1.127374.josephsonC640.chuckm.flac16
Source:
Source: Josephson C-640 w/ KA-20 (cardioid) capsules (NOS, OTS, 8' up) > 5532 differential pre-amp (+21db) > Panasonic AG6400 (Hi-Fi audio, VHS master) > JVC HR-D725U (Hi-Fi audio, VHS Gen 1)
Lineage:
Transfer: JVC HR-D725U (Hi-Fi audio, VHS Gen 1) > Tascam DR-680 > SDHC card > PC Digital editing: Steinberg CuBase SX (pre and post set fades, iZotope RX DeClick, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer, a 1 second section of s1t06 was patched with the analog cassette master of the same source) Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC, SBE check & FLAC fingerprint > AudioShell tag editor
Taper Notes:
View NotesRecording notes: There is wind noise/rumble througout this recording. Due to equipment failure I don't have the Set Two recording. Recorded, transfered, processed and distributed by Chuck Miller ([email protected])
Taper: Mike Darby
2:44:30
Rating:
9.00 / 2 ratings
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1990-07-04.AKG451.Darby.117550.Flac1644
Source:
Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/20 Feet Directly In Front Of Left Lawn Stack/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes (Sony Metal-ES); Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudiGate Software
Taper Notes:
View NotesComments:Another HUGE thanks out to Mr. Darby for recording and sharing his source of this excellent sounding show and performance!Nice full sound on this recording and definately an upgrade to the audience source that circulates! As always ENJOY!
Taper: Mike Darby
2:44:30
Rating:
10.00 / 1 rating
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1990-07-04.AKG451.Darby.117549.Flac2448
Source:
Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/20 Feet Directly In Front Of Left Lawn Stack/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes (Sony Metal-ES); Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging By Keo With AudioGate Software
Taper Notes:
View NotesComments:Another HUGE thanks out to Mr. Darby for recording and sharing his source of this excellent sounding show and performance!Nice full sound on this recording and definately an upgrade to the audience source that circulates! As always ENJOY!
Source 15 of 15
2:51:06
Rating:
8.00 / 17 ratings
SHNID:
gd90-07-04.akg.ladner.8573.sbeok.shnf
Source:
AUD (AKG 414) > DAT (Sony D-3) > CDR > WAV > SHNv3
Taper Notes:
View NotesAUD (AKG 414Âs) > DAT (Sony D-3) > CDR > WAV > SHNv3; DAE(EAC)>tracking (CDWAV)> boundary check (SHNTOOL)> SHN(MKWACT)> FTP via neo_levo