RELISTENTOTHE Grateful Dead
Re
1990
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Grateful Dead
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Today In History
June 16th
Years
1995
30.1k
PlaybackListensHours
48h1.5k179
7d1.4k185
30d30.1k4.2k
49 shows
343 tapes
1994
12.7k
PlaybackListensHours
48h1.6k244
7d4.5k665
30d12.7k1.8k
85 shows
460 tapes
1993
38k
PlaybackListensHours
48h1.8k243
7d6.9k909
30d38k5k
83 shows
656 tapes
1992
45.1k
PlaybackListensHours
48h2.8k374
7d8.2k1.1k
30d45.1k6k
57 shows
539 tapes
1991
43k
PlaybackListensHours
48h2.7k359
7d11.1k1.4k
30d43k5.8k
78 shows
973 tapes
1990
48.5k
PlaybackListensHours
48h5.2k736
7d12.4k1.6k
30d48.5k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.2k271
7d7.4k925
30d48.9k6.1k
78 shows
1,017 tapes
1988
20.3k
PlaybackListensHours
48h1.1k133
7d3.4k397
30d20.3k2.3k
82 shows
882 tapes
1987
42.7k
PlaybackListensHours
48h4.2k519
7d13.8k1.7k
30d42.7k4.8k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h86299
7d2.6k292
30d12.5k1.4k
47 shows
684 tapes
1985
24.7k
PlaybackListensHours
48h6.7k767
7d5.9k693
30d24.7k2.9k
73 shows
1,357 tapes
1984
27k
PlaybackListensHours
48h2.3k285
7d12.1k1.4k
30d27k3.3k
67 shows
1,075 tapes
1983
21k
PlaybackListensHours
48h959121
7d3.4k441
30d21k2.7k
71 shows
1,069 tapes
1982
42.4k
PlaybackListensHours
48h1.3k161
7d3.6k443
30d42.4k5.3k
63 shows
753 tapes
1981
31.2k
PlaybackListensHours
48h2k246
7d5.3k665
30d31.2k3.9k
92 shows
868 tapes
1980
71.1k
PlaybackListensHours
48h3.9k444
7d15.3k1.8k
30d71.1k8.3k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.1k158
7d4.1k580
30d21.7k3k
79 shows
608 tapes
1978
38.8k
PlaybackListensHours
48h1.6k213
7d4.9k672
30d38.8k5.2k
87 shows
592 tapes
1977
267.8k
PlaybackListensHours
48h7.8k1.1k
7d26.6k3.7k
30d267.8k37k
64 shows
418 tapes
1976
91.9k
PlaybackListensHours
48h15.9k2.2k
7d42k5.6k
30d91.9k12.4k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h42845
7d88291
30d6.3k647
25 shows
63 tapes
1974
89.9k
PlaybackListensHours
48h3.2k412
7d9.8k1.3k
30d89.9k11.4k
42 shows
324 tapes
1973
90.4k
PlaybackListensHours
48h4k522
7d18.7k2.6k
30d90.4k11.6k
75 shows
445 tapes
1972
62.9k
PlaybackListensHours
48h2.5k316
7d6.6k846
30d62.9k7.7k
88 shows
361 tapes
1971
33.7k
PlaybackListensHours
48h1.5k169
7d4.3k482
30d33.7k3.9k
82 shows
357 tapes
1970
39.3k
PlaybackListensHours
48h1.2k149
7d4.3k504
30d39.3k4.2k
101 shows
376 tapes
1969
28.3k
PlaybackListensHours
48h1.5k235
7d3.8k540
30d28.3k4.2k
112 shows
326 tapes
1968
8.1k
PlaybackListensHours
48h75193
7d1.7k205
30d8.1k1k
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h13318
7d31345
30d1.7k233
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h45828
7d89261
30d8k538
32 shows
78 tapes
1965
639
PlaybackListensHours
48h302
7d1097
30d63938
2 shows
2 tapes
1990
7/4/90
gd1990-07-04s1t01
6:24
gd1990-07-04s1t02
5:38
gd1990-07-04s1t03
2:01
gd1990-07-04s1t04
8:38
gd1990-07-04s1t05
1:19
gd1990-07-04s1t06
6:09
gd1990-07-04s1t07
1:23
gd1990-07-04s1t08
7:10
gd1990-07-04s1t09
1:53
gd1990-07-04s1t10
6:42
gd1990-07-04s1t11
1:52
gd1990-07-04s1t12
6:52
gd1990-07-04s1t13
4:41
gd1990-07-04s2t01
1:11
gd1990-07-04s2t02
9:07
gd1990-07-04s2t03
7:58
gd1990-07-04s2t04
4:50
gd1990-07-04s2t05
10:04
gd1990-07-04s2t06
16:49
gd1990-07-04s2t07
9:17
gd1990-07-04s2t08
8:16
gd1990-07-04s2t09
5:59
gd1990-07-04s2t10
5:09
gd1990-07-04s2t11
9:09
gd1990-07-04s2t12
8:41
gd1990-07-04s2t13
5:31
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:48:53
SBD
Rating:
10.00 / 1 rating
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] October 4, 2021
SHNID:
gd1990-07-04.154442.UltraMatrix.sbd.cm.miller.t.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK MA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- There was a bad cable going from the sbd to the ultra box in set 2 (right channel only) -- I pasted the left channel over the right channel in these few spots -- They turned off the sbd feed to the ultra box for U.S. Blues so is just the ambient mics -- My previous sbd (shnid=26351) is also an ultramatrix with the same issue -- Multiple masters were used to make this show complete -- This is 153738 2496 > 1644
Taper: Recorded by Don Pearson and Dan Healy
2:48:54
SBD
Rating:
8.00 / 1 rating
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] October 4, 2021
SHNID:
gd1990-07-04.153738.ultramatrix.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- There was a bad cable going from the sbd to the ultra box in set 2 (right channel only) -- I pasted the left channel over the right channel in these few spots -- They turned off the sbd feed to the ultra box for U.S. Blues so is just the ambient mics -- My previous sbd (shnid=26351) is also an ultramatrix with the same issue -- Multiple masters were used to make this show complete
Taper: Hale
2:51:21
Taper:
Hale
Transferrer:
Hale
SHNID:
gd1990-07-04.137897.dbx.hale.flac16
Source:
Front of lawn, dead center, 16' mic stand; NAK-CM-100 w/CP-4 shotgun capsules left & right and Senheiser-441 panned to center > Tascam PortaOne 4-track Cassette (dbx type II on) > Maxell XLII-S 100's (without the 100's Fire would have cut, so glad they came out w/ 100's); Maxell XLII-S100 > Onkyo TA-2027(I have 2 NAK's and neither one work, bought the Onkyo as it has 1/4" mic inputs L & R) > dbx 224x > Sony M-10 (16 bit WAVE & tracked) > Soundforge 9 (fades at start and tape flipps) > encoded to FLAC (level 8) w/TLH
Taper Notes:
View NotesThere are many sweet recordings of this show. The C. Miller SBD is great and I've heard another audience made w/ AKG's on an M-3 DAT that's incredible. Many tapers were setting up in front of one stack or the other. I usually went for dead center if I could get near or at the front of the tapers section when it's on a large lawn like at Sandstone. I taped Alpine one day in front of the right stack because I got stuck in a traffic jam getting in and couldn't get anything decent in the center. This day was probably the hottest (heat index was like 116 and humid) that I remember at a Dead show. I recall Jerry wearing shorts. I had two front row tickets that I gave to friends so I could tape. They wouldn't let anyone in with gear if they didn't have a lawn ticket. So although this audience might not be the best, it's not bad and it's definitely in stereo.
Taper: Greg Holtz
2:48:53
Rating:
8.67 / 3 ratings
Taper:
Greg Holtz
Transferrer:
Greg Holtz
SHNID:
gd1990-07-04.133536.aud.Holtz.NakCM104.flac2496
Source:
Field: 2x Nakamichi CM100 mics with CP-4 shotgun capsules > Sony TC-D5M analog cassette recorder > Maxell MX90 tapes;
Lineage:
MAC > Tascam 112 analog cassette deck > Edirol UA-5 USB Audio Interface > 24/96 > PC > Audacity (tracks and fades) > Trader's Little Helper > flac 24/96
Taper Notes:
View NotesJune 2015 recollection: Sandstone Amphitheater is a fairly unique place, an open air shed-like venue but with no roof over the audience. It was a blisteringly hot and sunny 4th of July, with no shade at all. During the show we saw two or three people being led or carried out from sun/heat problems. It was brutal. If my mind serves me correctly, the stage was facing west, so during the first set all of the band members were bathed in that incredibly hot Kansas afternoon sun. I thought at the time that this show was sluggish and a bit disjointed, largely because of the heat and it's effect on the instruments, and possibly aggravated by the copious amounts of sweat that was undoubtedly oozing from the players onto their instruments. I recall Jerry wiping off the neck of his guitar several times. Of course I was roasting hot as well, so I am sure my mindset was torched by the heat in some way or another. I recall wearing a cold wet towel on my head for most of the show in a vain attempt to cool down. It did not work. We all hope that you enjoy listening to this music in air-conditioned comfort. Or Perhaps you should wait until a really hot and sunny day, and set your speakers outside to best replicate the conditions we suffered to bring you this show. Enjoy!
Taper: Chuck Miller
1:04:18
Taper:
Chuck Miller
Transferrer:
Chuck Miller
SHNID:
gd1990-07-04.s1.127374.josephsonC640.chuckm.flac16
Source:
Source: Josephson C-640 w/ KA-20 (cardioid) capsules (NOS, OTS, 8' up) > 5532 differential pre-amp (+21db) > Panasonic AG6400 (Hi-Fi audio, VHS master) > JVC HR-D725U (Hi-Fi audio, VHS Gen 1)
Lineage:
Transfer: JVC HR-D725U (Hi-Fi audio, VHS Gen 1) > Tascam DR-680 > SDHC card > PC Digital editing: Steinberg CuBase SX (pre and post set fades, iZotope RX DeClick, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer, a 1 second section of s1t06 was patched with the analog cassette master of the same source) Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC, SBE check & FLAC fingerprint > AudioShell tag editor
Taper Notes:
View NotesRecording notes: There is wind noise/rumble througout this recording. Due to equipment failure I don't have the Set Two recording. Recorded, transfered, processed and distributed by Chuck Miller ([email protected])
Taper: Mike Darby
2:44:30
Rating:
9.00 / 2 ratings
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1990-07-04.AKG451.Darby.117550.Flac1644
Source:
Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/20 Feet Directly In Front Of Left Lawn Stack/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes (Sony Metal-ES); Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudiGate Software
Taper Notes:
View NotesComments:Another HUGE thanks out to Mr. Darby for recording and sharing his source of this excellent sounding show and performance!Nice full sound on this recording and definately an upgrade to the audience source that circulates! As always ENJOY!