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June 15th
7 shows
74 tapes
Years
1995
30.1k
PlaybackListensHours
48h62984
7d1.4k193
30d30.1k4.2k
49 shows
343 tapes
1994
11.7k
PlaybackListensHours
48h2.3k378
7d4.2k594
30d11.7k1.7k
85 shows
460 tapes
1993
38.6k
PlaybackListensHours
48h2.1k277
7d7.7k1k
30d38.6k5.1k
83 shows
656 tapes
1992
43.8k
PlaybackListensHours
48h2.2k291
7d7.7k1k
30d43.8k5.8k
57 shows
539 tapes
1991
41.9k
PlaybackListensHours
48h2.9k377
7d11.2k1.5k
30d41.9k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3.2k428
7d15.4k1.9k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.6k333
7d7.4k913
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.4k
PlaybackListensHours
48h1.2k146
7d3.2k376
30d20.4k2.4k
82 shows
882 tapes
1987
40.5k
PlaybackListensHours
48h6.8k867
7d11.5k1.4k
30d40.5k4.5k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h85597
7d2.5k279
30d12.5k1.4k
47 shows
684 tapes
1985
23.3k
PlaybackListensHours
48h3.6k426
7d4.5k525
30d23.3k2.7k
73 shows
1,357 tapes
1984
25.7k
PlaybackListensHours
48h4.1k493
7d12.5k1.5k
30d25.7k3.2k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h1.2k148
7d3.5k460
30d21.3k2.8k
71 shows
1,069 tapes
1982
42.5k
PlaybackListensHours
48h1.5k186
7d3.4k425
30d42.5k5.3k
63 shows
753 tapes
1981
35.9k
PlaybackListensHours
48h1.8k226
7d5k630
30d35.9k4.5k
92 shows
868 tapes
1980
69.8k
PlaybackListensHours
48h6.9k798
7d14k1.6k
30d69.8k8.1k
91 shows
794 tapes
1979
21.8k
PlaybackListensHours
48h1.3k184
7d4.2k593
30d21.8k3.1k
79 shows
608 tapes
1978
42.3k
PlaybackListensHours
48h1.6k220
7d5.1k689
30d42.3k5.7k
87 shows
592 tapes
1977
278k
PlaybackListensHours
48h9.5k1.3k
7d32.8k4.5k
30d278k38.4k
64 shows
418 tapes
1976
85.9k
PlaybackListensHours
48h11.5k1.6k
7d39.4k5.3k
30d85.9k11.6k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h41742
7d85890
30d6.4k654
25 shows
63 tapes
1974
93.1k
PlaybackListensHours
48h3.3k418
7d10.4k1.4k
30d93.1k11.8k
42 shows
324 tapes
1973
90k
PlaybackListensHours
48h4.5k594
7d20.5k2.8k
30d90k11.6k
75 shows
445 tapes
1972
63.5k
PlaybackListensHours
48h2.7k342
7d6.3k805
30d63.5k7.8k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h1.4k150
7d4.7k518
30d33.9k3.9k
82 shows
357 tapes
1970
39.5k
PlaybackListensHours
48h1.6k196
7d4.5k522
30d39.5k4.2k
101 shows
376 tapes
1969
27.8k
PlaybackListensHours
48h1.7k269
7d3.5k490
30d27.8k4.1k
112 shows
326 tapes
1968
7.7k
PlaybackListensHours
48h813100
7d1.6k199
30d7.7k970
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h11116
7d29842
30d1.7k228
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h25318
7d99767
30d8k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h362
7d1128
30d63237
2 shows
2 tapes
1990
7/4/90
Tuning
2:00
Cold Rain and Snow>
6:40
Walkin' Blues
7:32
Mississippi Half-Step
10:37
Queen Jane Approximately
7:41
Loose Lucy
8:53
It's All Over Now
8:49
Loser
7:23
Promised Land
4:45
Tuning
1:14
Victim or the Crime>
9:34
Foolish Heart>
8:17
Just a Little Light>
5:00
Scarlet Begonias>
10:30
Fire on the Mountain>
17:38
Drums>
9:12
The Wheel>
8:19
Gimme Some Lovin'>
6:17
Stella Blue>
5:28
Sugar Magnolia
9:25
Tuning
8:50
U.S. Blues
1:27
U.S. Blues
5:50
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:48:53
SBD
Rating:
10.00 / 1 rating
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] October 4, 2021
SHNID:
gd1990-07-04.154442.UltraMatrix.sbd.cm.miller.t.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK MA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- There was a bad cable going from the sbd to the ultra box in set 2 (right channel only) -- I pasted the left channel over the right channel in these few spots -- They turned off the sbd feed to the ultra box for U.S. Blues so is just the ambient mics -- My previous sbd (shnid=26351) is also an ultramatrix with the same issue -- Multiple masters were used to make this show complete -- This is 153738 2496 > 1644
Taper: Recorded by Don Pearson and Dan Healy
2:48:54
SBD
Rating:
8.00 / 1 rating
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] October 4, 2021
SHNID:
gd1990-07-04.153738.ultramatrix.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- There was a bad cable going from the sbd to the ultra box in set 2 (right channel only) -- I pasted the left channel over the right channel in these few spots -- They turned off the sbd feed to the ultra box for U.S. Blues so is just the ambient mics -- My previous sbd (shnid=26351) is also an ultramatrix with the same issue -- Multiple masters were used to make this show complete
Transferrer: Bill Tetzeli
2:49:59
SBD
Rating:
8.40 / 12 ratings
Transferrer:
Bill Tetzeli
SHNID:
gd1990-07-04.sbd.miller.tetzeli.fix-26351.81523.sbeok.flac16
Source:
Patched fix of shnid 26351
Taper Notes:
View NotesI patched in 1:25-6:57 of drums from the incredible FOB located on archive.org (shnid 8573). It's an excellent recording (as is this) and I heartily recommend downloading it. All SHNs were converted to FLAC, SBEs were cleaned up using shntool. Many thanks to Charlie Miller for the SBD seed and to Ladner for the AUD patch source. Bill Tetzeli ([email protected]) 5:44 PM 7/18/2006
Source 4 of 15
2:44:31
SBD
Rating:
8.29 / 30 ratings
SHNID:
gd90-07-04.sbd.miller.26351.sbeok.shnf
Source:
SBD> Dat> Cassette Master
Lineage:
Cassette Master> ART DIO (24bit/96k)> Sound Forge 7> CD> EAC> SHN; SHN Conversion By Charlie Miller
Taper Notes:
View NotesSBD> Dat> Cassette Master; Transfer: Cassette Master> ART DIO (24bit/96k)> Sound Forge 7> CD> EAC> SHN; SHN Conversion By Charlie Miller
Taper: Dave Brotman
2:51:53
Taper:
Dave Brotman
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1990-07-04.143599.FOB.Schoeps.Brotman.Miller.Noel.t-flac1648
Source:
Dave Brotman (FOB) Recording: Schoeps CMC5/MK4 (ortf) > Oade Pre-Amp > Dat (Panasonic SV-255/48k) Location: Row V Seats 4 + 5
Lineage:
Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
Taper Notes:
View NotesPatch info: - shnid 140955 (Schoeps CMC421) - s2t13; all - s2t14; all Notes: - DAT master courtesy of Dave Brotman. - Thanks to Charlie for the transfer & coordinating. - Thanks to Rick Katzeff & John Ammons for the patch source - Dozens of little tiny pops were cleaned up
Taper: Recorded and transfered by Allen Ryals (billtmcdee) Patched and Pitched by Jason Chastain Mastered by Jamie Waddell Tracked and Flac'd by Norm Bowen
2:42:43
Taper:
Recorded and transfered by Allen Ryals (billtmcdee) Patched and Pitched by Jason Chastain Mastered by Jamie Waddell Tracked and Flac'd by Norm Bowen
SHNID:
gd1990-07-04.147812.mac.billtmcdee.t.flac2496
Source:
Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette
Lineage:
Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722
Taper Notes:
View NotesMany thanks to: Kenny Watts for the 722 Kevin Klopp for loaning me his mic stands
Taper: Recorded and transfered by Allen Ryals (billtmcdee) Patched and Pitched by Jason Chastain Mastered by Jamie Waddell Tracked and Flac'd by Norm Bowen
2:42:43
Taper:
Recorded and transfered by Allen Ryals (billtmcdee) Patched and Pitched by Jason Chastain Mastered by Jamie Waddell Tracked and Flac'd by Norm Bowen
SHNID:
gd1990-07-04.147811.mac.billtmcdee.t.flac1648
Source:
Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette
Lineage:
Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722
Taper Notes:
View NotesMany thanks to: Kenny Watts for the 722 Kevin Klopp for loaning me his mic stands
Taper: Rick Katzeff
2:51:38
Taper:
Rick Katzeff
Transferrer:
John Ammons and Joe Noel
SHNID:
gd1990-07-04.140955.OTS.FOB.Schoeps.Katzeff.Ammons.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>; Recording by Rick Katzeff: Set I: Schoeps CMC32s (omni's spaced 8 1/2 feet) > Panasonic SV255 (front row OTS); Set II: Schoeps CMC421 at "100 degrees RED" > Panasonic SV255 (FOB); Transfer by John Ammons: DAT clone > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave
Taper Notes:
View NotesNotes: - This is a bold & upfront recording.
Taper: Hale
2:51:21
Taper:
Hale
Transferrer:
Hale
SHNID:
gd1990-07-04.137897.dbx.hale.flac16
Source:
Front of lawn, dead center, 16' mic stand; NAK-CM-100 w/CP-4 shotgun capsules left & right and Senheiser-441 panned to center > Tascam PortaOne 4-track Cassette (dbx type II on) > Maxell XLII-S 100's (without the 100's Fire would have cut, so glad they came out w/ 100's); Maxell XLII-S100 > Onkyo TA-2027(I have 2 NAK's and neither one work, bought the Onkyo as it has 1/4" mic inputs L & R) > dbx 224x > Sony M-10 (16 bit WAVE & tracked) > Soundforge 9 (fades at start and tape flipps) > encoded to FLAC (level 8) w/TLH
Taper Notes:
View NotesThere are many sweet recordings of this show. The C. Miller SBD is great and I've heard another audience made w/ AKG's on an M-3 DAT that's incredible. Many tapers were setting up in front of one stack or the other. I usually went for dead center if I could get near or at the front of the tapers section when it's on a large lawn like at Sandstone. I taped Alpine one day in front of the right stack because I got stuck in a traffic jam getting in and couldn't get anything decent in the center. This day was probably the hottest (heat index was like 116 and humid) that I remember at a Dead show. I recall Jerry wearing shorts. I had two front row tickets that I gave to friends so I could tape. They wouldn't let anyone in with gear if they didn't have a lawn ticket. So although this audience might not be the best, it's not bad and it's definitely in stereo.
Taper: Greg Holtz
2:48:53
Rating:
8.67 / 3 ratings
Taper:
Greg Holtz
Transferrer:
Greg Holtz
SHNID:
gd1990-07-04.133536.aud.Holtz.NakCM104.flac2496
Source:
Field: 2x Nakamichi CM100 mics with CP-4 shotgun capsules > Sony TC-D5M analog cassette recorder > Maxell MX90 tapes;
Lineage:
MAC > Tascam 112 analog cassette deck > Edirol UA-5 USB Audio Interface > 24/96 > PC > Audacity (tracks and fades) > Trader's Little Helper > flac 24/96
Taper Notes:
View NotesJune 2015 recollection: Sandstone Amphitheater is a fairly unique place, an open air shed-like venue but with no roof over the audience. It was a blisteringly hot and sunny 4th of July, with no shade at all. During the show we saw two or three people being led or carried out from sun/heat problems. It was brutal. If my mind serves me correctly, the stage was facing west, so during the first set all of the band members were bathed in that incredibly hot Kansas afternoon sun. I thought at the time that this show was sluggish and a bit disjointed, largely because of the heat and it's effect on the instruments, and possibly aggravated by the copious amounts of sweat that was undoubtedly oozing from the players onto their instruments. I recall Jerry wiping off the neck of his guitar several times. Of course I was roasting hot as well, so I am sure my mindset was torched by the heat in some way or another. I recall wearing a cold wet towel on my head for most of the show in a vain attempt to cool down. It did not work. We all hope that you enjoy listening to this music in air-conditioned comfort. Or Perhaps you should wait until a really hot and sunny day, and set your speakers outside to best replicate the conditions we suffered to bring you this show. Enjoy!
Taper: Lance Deal
2:51:37
Taper:
Lance Deal
Transferrer:
Willl Petty
SHNID:
gd1990-07-04.131537.cmc421.fob.deal.petty.flac16
Source:
Source info: Set 1: Schoeps CMC 421's> Schoeps VMS 52 UB(?)> Technics SVMD1; Set 2: Schoeps CMC 521's> Schoeps VMS 52 UB> Technics SVMD1; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on October 14, 2014 by Will Petty
Taper: Chuck Miller
1:04:18
Taper:
Chuck Miller
Transferrer:
Chuck Miller
SHNID:
gd1990-07-04.s1.127374.josephsonC640.chuckm.flac16
Source:
Source: Josephson C-640 w/ KA-20 (cardioid) capsules (NOS, OTS, 8' up) > 5532 differential pre-amp (+21db) > Panasonic AG6400 (Hi-Fi audio, VHS master) > JVC HR-D725U (Hi-Fi audio, VHS Gen 1)
Lineage:
Transfer: JVC HR-D725U (Hi-Fi audio, VHS Gen 1) > Tascam DR-680 > SDHC card > PC Digital editing: Steinberg CuBase SX (pre and post set fades, iZotope RX DeClick, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer, a 1 second section of s1t06 was patched with the analog cassette master of the same source) Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC, SBE check & FLAC fingerprint > AudioShell tag editor
Taper Notes:
View NotesRecording notes: There is wind noise/rumble througout this recording. Due to equipment failure I don't have the Set Two recording. Recorded, transfered, processed and distributed by Chuck Miller ([email protected])
Taper: Mike Darby
2:44:30
Rating:
9.00 / 2 ratings
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1990-07-04.AKG451.Darby.117550.Flac1644
Source:
Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/20 Feet Directly In Front Of Left Lawn Stack/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes (Sony Metal-ES); Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudiGate Software
Taper Notes:
View NotesComments:Another HUGE thanks out to Mr. Darby for recording and sharing his source of this excellent sounding show and performance!Nice full sound on this recording and definately an upgrade to the audience source that circulates! As always ENJOY!
Taper: Mike Darby
2:44:30
Rating:
10.00 / 1 rating
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1990-07-04.AKG451.Darby.117549.Flac2448
Source:
Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/20 Feet Directly In Front Of Left Lawn Stack/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes (Sony Metal-ES); Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging By Keo With AudioGate Software
Taper Notes:
View NotesComments:Another HUGE thanks out to Mr. Darby for recording and sharing his source of this excellent sounding show and performance!Nice full sound on this recording and definately an upgrade to the audience source that circulates! As always ENJOY!
Source 15 of 15
2:51:06
Rating:
8.00 / 17 ratings
SHNID:
gd90-07-04.akg.ladner.8573.sbeok.shnf
Source:
AUD (AKG 414) > DAT (Sony D-3) > CDR > WAV > SHNv3
Taper Notes:
View NotesAUD (AKG 414Âs) > DAT (Sony D-3) > CDR > WAV > SHNv3; DAE(EAC)>tracking (CDWAV)> boundary check (SHNTOOL)> SHN(MKWACT)> FTP via neo_levo