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Today In History
June 11th
Years
1995
29.8k
PlaybackListensHours
48h52571
7d1.4k198
30d29.8k4.2k
49 shows
341 tapes
1994
9.4k
PlaybackListensHours
48h1.5k190
7d2.4k311
30d9.4k1.3k
85 shows
460 tapes
1993
40.5k
PlaybackListensHours
48h2.8k375
7d7.5k961
30d40.5k5.3k
83 shows
656 tapes
1992
37.9k
PlaybackListensHours
48h2.1k276
7d5.2k669
30d37.9k5k
57 shows
539 tapes
1991
35.4k
PlaybackListensHours
48h4.2k527
7d12.8k1.8k
30d35.4k4.9k
78 shows
973 tapes
1990
41.7k
PlaybackListensHours
48h7.6k953
7d12.1k1.5k
30d41.7k5.4k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.8k338
7d5.7k714
30d47k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k128
7d2.6k307
30d20.5k2.4k
82 shows
882 tapes
1987
33.1k
PlaybackListensHours
48h2.4k272
7d4.2k473
30d33.1k3.6k
88 shows
1,025 tapes
1986
11.6k
PlaybackListensHours
48h943106
7d1.7k188
30d11.6k1.3k
47 shows
684 tapes
1985
21.4k
PlaybackListensHours
48h1.8k210
7d3.4k393
30d21.4k2.5k
73 shows
1,356 tapes
1984
17.2k
PlaybackListensHours
48h4.3k507
7d3.8k475
30d17.2k2.2k
67 shows
1,075 tapes
1983
29.1k
PlaybackListensHours
48h1.3k167
7d2.9k383
30d29.1k3.8k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k149
7d3.2k389
30d41.6k5.2k
63 shows
753 tapes
1981
43.3k
PlaybackListensHours
48h2.3k286
7d4k511
30d43.3k5.4k
92 shows
868 tapes
1980
69.4k
PlaybackListensHours
48h2.3k257
7d12k1.3k
30d69.4k8.1k
91 shows
794 tapes
1979
21.4k
PlaybackListensHours
48h1.5k212
7d2.9k416
30d21.4k3k
79 shows
600 tapes
1978
50k
PlaybackListensHours
48h1.9k259
7d4.2k562
30d50k6.8k
87 shows
592 tapes
1977
285.5k
PlaybackListensHours
48h10.5k1.4k
7d40.2k5.6k
30d285.5k39.4k
64 shows
419 tapes
1976
53.8k
PlaybackListensHours
48h17.9k2.3k
7d9.8k1.4k
30d53.8k7.4k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h20822
7d1.5k143
30d6.4k651
25 shows
63 tapes
1974
98.2k
PlaybackListensHours
48h3.8k492
7d12.1k1.6k
30d98.2k12.5k
42 shows
324 tapes
1973
80.4k
PlaybackListensHours
48h10.4k1.5k
7d10.6k1.4k
30d80.4k10.2k
75 shows
445 tapes
1972
66.1k
PlaybackListensHours
48h1.9k248
7d6k751
30d66.1k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k185
7d3.8k423
30d33.2k3.8k
82 shows
357 tapes
1970
45.4k
PlaybackListensHours
48h1.6k189
7d12k1.2k
30d45.4k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h1.2k161
7d4.3k706
30d26.6k4k
112 shows
326 tapes
1968
7.1k
PlaybackListensHours
48h54670
7d1.4k179
30d7.1k900
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8112
7d25334
30d1.6k211
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h44929
7d53635
30d7.8k525
32 shows
78 tapes
1965
585
PlaybackListensHours
48h564
7d895
30d58534
2 shows
2 tapes
1990
6/24/90
01 Tuning
2:25
02 Help On The Way
4:09
03 Slipknot!
4:05
04 Franklin's Tower
9:32
05 When I Paint My Masterpiece
6:06
06 Loose Lucy
9:23
07 Just A Little Light
6:49
08 Picasso Moon
8:39
09 Candyman
7:22
10 Let It Grow
11:30
11 Tuning
0:29
12 Foolish Heart
9:28
13 Man Smart (Woman Smarter)
8:45
14 Standing On The Moon
10:27
15 Box Of Rain
4:54
16 Estimated Prophet
13:00
17 He's Gone
12:09
18 Drums
10:38
19 Space
9:24
20 The Other One
6:39
21 Wharf Rat
9:37
22 Sugar Magnolia
8:50
23 Encore Break
2:20
24 Brokedown Palace
7:29
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
3:04:09
SBD
Transferrer:
Charlie Miller
SHNID:
gd1990-06-24.141862.UltraMatrix.sbd.cm.miller.flac1644
Source:
UltraMatrix SBD > Cassette Master (TDK MA-X)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Three sets of master were used to make this show complete -- This file set is 16 bit
Transferrer: Charlie Miller
3:04:09
SBD
Transferrer:
Charlie Miller
SHNID:
gd1990-06-24.141784.sbd.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-X)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Three sets of master were used to make this show complete
Transferrer: hansokolow
3:02:54
SBD
Rating:
8.00 / 3 ratings
Transferrer:
hansokolow
SHNID:
gd1990-06-24.mtx.hansokolow.108329.flac16
Source:
Matrix of these sources: SBD: shnid=12092 // DAUD: shnid=94258
Source 4 of 15
3:13:25
SBD
Rating:
8.52 / 24 ratings
Source:
sbd>mc>dat>cdr
Taper Notes:
View Notessbd>mc>dat>cdr; Unkown seeder
Taper: Mark Severson
3:02:50
Taper:
Mark Severson
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1990-06-24.163870.nak700.severson.miller.clugston.flac2496
Source:
Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Ted Mattes for the Schoeps CMC4 MK21 source which supplies a 0:10 patch in "He's Gone" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston January 2020
Taper: Mark Severson
3:02:50
Taper:
Mark Severson
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1990-06-24.163869.nak700.severson.miller.clugston.flac1648
Source:
Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Ted Mattes for the Schoeps CMC4 MK21 source which supplies a 0:10 patch in "He's Gone" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston January 2020
Taper: Dave Brotman
3:02:21
Taper:
Dave Brotman
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1990-06-24.143538.OTS.Schoeps.Brotman.Miller.Noel.t-flac1648
Source:
Dave Brotman (OTS) Recording: (Schoeps CMC4/MK21 > Oade Pre-Amp > Dat (Panasonic SV-250/48k)
Lineage:
Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
Taper Notes:
View NotesEdited & Mastered by Joe Noel Flac 16/48 > Audacity > Flac 16/48 November 02, 2018 Notes: - DAT master courtesy of Dave Brotman. - Thanks to Charlie for the transfer & coordinating. - Little Feet opened. - Welcome to the Phil Zone.
Taper: Ted Mattes
3:01:31
Taper:
Ted Mattes
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1990-06-24.141895.OTS.Schoeps.Mattes.Miller.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>; Ted Mattes Recording (OTS): Schoeps CMC4 MK21 (ORTF - 90º) > DAT (Panasonic SV250); Charlie Miller
Lineage:
Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
Taper Notes:
View NotesNotes: - Master DAT courtesy of Ted Mattes - Little Feet opened - Welcome to the Phil Zone
Source 9 of 15
3:08:29
SHNID:
gd1990-06-24.156401.mtx.photoleon.flac16
Source:
Matrix created in Adobe Audition by Joe Noel November 29, 2021
Taper Notes:
View NotesNotes: - First 02:46 of Set I is Source 2 only - The last :03 seconds of Wharf Rat is Source 1 only. - shnid 141862 was pitch corrected. - Little Feet opened - Welcome to the Phil Zone Thanks to; - Dave Brotman for the OTS recording - Marcus Buick, John Ammons & Rick Katzeff for the FOB recording - Don Pearson & Dan Healy for the SBD recording. - John Ammons for the (FOB) transfer. - Charlie Miller for the (SBD/OTS) transfers. - Jack Schlottman & John Ammons for the critique.
Taper: Recorded and transfered by Allen Ryals (billtmcdee) Patched and Pitched by Jason Chastain Mastered by Jamie Waddell Tracked and Flac'd by Norm Bowen
2:54:49
Taper:
Recorded and transfered by Allen Ryals (billtmcdee) Patched and Pitched by Jason Chastain Mastered by Jamie Waddell Tracked and Flac'd by Norm Bowen
SHNID:
gd1990-06-24.147810.mac.billtmcdee.t.flac2496
Source:
Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette
Lineage:
Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722
Taper Notes:
View NotesMany thanks to: Kenny Watts for the 722 Kevin Klopp for loaning me his mic stands
Taper: Recorded and transfered by Allen Ryals (billtmcdee) Patched and Pitched by Jason Chastain Mastered by Jamie Waddell Tracked and Flac'd by Norm Bowen
2:54:49
Rating:
8.00 / 1 rating
Taper:
Recorded and transfered by Allen Ryals (billtmcdee) Patched and Pitched by Jason Chastain Mastered by Jamie Waddell Tracked and Flac'd by Norm Bowen
SHNID:
gd1990-06-24.147809.mac.billtmcdee.t.flac1648
Source:
Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette
Lineage:
Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722
Taper Notes:
View NotesMany thanks to: Kenny Watts for the 722 Kevin Klopp for loaning me his mic stands
Taper: Rick Katzeff, Marcus Buick & John Ammons
3:05:03
Taper:
Rick Katzeff, Marcus Buick & John Ammons
Transferrer:
John Ammons and Joe Noel
SHNID:
gd1990-06-24.141255.FOB.OTS.Schoeps.Katzeff.Ammons.Noel.t-flac1648
Taper: d5scott
2:42:01
Taper:
d5scott
Transferrer:
d5scott
SHNID:
gd1990-06-24.beyerm160.d5scott.106896.flac16
Source:
Master audience recording with 2 Beyer M160 microphones > Sony TC-D5M (90 minute Maxell Metal Cassettes).
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Taper: Gerry Gordon
3:02:39
Rating:
10.00 / 2 ratings
Taper:
Gerry Gordon
Transferrer:
Keith Litzenberger
SHNID:
gd1990-06-24.sennME80.wklitz.94258.flac16
Source:
Sennheiser ME-80's>Technics SVM-D1 (DAT, Front Of Taper's Section)
Lineage:
Dat Master>Sony TCD-D0PROII>Edirol R-4>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC
Taper Notes:
View NotesRecorded by Gerry Gordon using Keith Litzenberger's gear
Source 15 of 15
3:05:01
Rating:
7.33 / 6 ratings
Source:
3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern
Taper Notes:
View NotesDigital Audience - Jill & Rob R: 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern. As always (per Healy) from the taper's section