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June 5th
Years
1995
27k
PlaybackListensHours
48h3k414
7d8.6k1.2k
30d27k3.8k
49 shows
340 tapes
1994
8k
PlaybackListensHours
48h69296
7d1.1k167
30d8k1.2k
85 shows
460 tapes
1993
31.5k
PlaybackListensHours
48h3.5k480
7d1.9k257
30d31.5k4.2k
83 shows
656 tapes
1992
32.7k
PlaybackListensHours
48h1k133
7d8.1k1k
30d32.7k4.4k
57 shows
539 tapes
1991
35.8k
PlaybackListensHours
48h1.7k229
7d8k1.1k
30d35.8k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.7k344
7d5k661
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.2k
PlaybackListensHours
48h3.9k494
7d5.7k709
30d45.2k5.6k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.2k140
7d4.1k444
30d21k2.4k
82 shows
882 tapes
1987
38.4k
PlaybackListensHours
48h2.7k287
7d8.6k821
30d38.4k4.2k
88 shows
1,025 tapes
1986
14.4k
PlaybackListensHours
48h940105
7d1.8k202
30d14.4k1.7k
47 shows
683 tapes
1985
19.9k
PlaybackListensHours
48h1.9k228
7d3.4k399
30d19.9k2.3k
73 shows
1,356 tapes
1984
20.3k
PlaybackListensHours
48h1.6k200
7d2.2k289
30d20.3k2.6k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.5k194
7d3.3k441
30d32.4k4.3k
71 shows
1,069 tapes
1982
40k
PlaybackListensHours
48h1.7k215
7d3.4k418
30d40k5k
63 shows
753 tapes
1981
56.7k
PlaybackListensHours
48h2.1k269
7d4.4k552
30d56.7k7.2k
92 shows
868 tapes
1980
67.5k
PlaybackListensHours
48h5.2k594
7d12.3k1.5k
30d67.5k7.9k
91 shows
794 tapes
1979
27.9k
PlaybackListensHours
48h1.4k193
7d3k406
30d27.9k3.9k
79 shows
600 tapes
1978
52.8k
PlaybackListensHours
48h8.4k1.1k
7d5.4k719
30d52.8k7.3k
87 shows
592 tapes
1977
329.3k
PlaybackListensHours
48h15.9k2.1k
7d25k3.5k
30d329.3k46k
64 shows
419 tapes
1976
37.9k
PlaybackListensHours
48h10.3k1.4k
7d17.3k2.4k
30d37.9k5.1k
45 shows
298 tapes
1975
5.1k
PlaybackListensHours
48h78672
7d71378
30d5.1k544
25 shows
63 tapes
1974
94.5k
PlaybackListensHours
48h4.2k529
7d10.2k1.3k
30d94.5k11.9k
42 shows
324 tapes
1973
76.5k
PlaybackListensHours
48h4.2k551
7d9.7k1.3k
30d76.5k9.7k
75 shows
445 tapes
1972
75k
PlaybackListensHours
48h3k365
7d6.8k832
30d75k9.1k
88 shows
361 tapes
1971
32.6k
PlaybackListensHours
48h2.2k250
7d5.3k592
30d32.6k3.7k
82 shows
356 tapes
1970
31.5k
PlaybackListensHours
48h6.6k638
7d3.8k409
30d31.5k3.5k
101 shows
376 tapes
1969
22.6k
PlaybackListensHours
48h3.2k519
7d6.7k892
30d22.6k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h52066
7d1.1k133
30d6.4k799
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h14922
7d28439
30d1.4k197
23 shows
55 tapes
1966
7.6k
PlaybackListensHours
48h51339
7d1k60
30d7.6k497
32 shows
78 tapes
1965
553
PlaybackListensHours
48h372
7d1086
30d55333
2 shows
2 tapes
1990
6/24/90
01 Tuning
2:25
02 Help On The Way
4:09
03 Slipknot!
4:05
04 Franklin's Tower
9:32
05 When I Paint My Masterpiece
6:06
06 Loose Lucy
9:23
07 Just A Little Light
6:49
08 Picasso Moon
8:39
09 Candyman
7:22
10 Let It Grow
11:30
11 Tuning
0:29
12 Foolish Heart
9:28
13 Man Smart (Woman Smarter)
8:45
14 Standing On The Moon
10:27
15 Box Of Rain
4:54
16 Estimated Prophet
13:00
17 He's Gone
12:09
18 Drums
10:38
19 Space
9:24
20 The Other One
6:39
21 Wharf Rat
9:37
22 Sugar Magnolia
8:50
23 Encore Break
2:20
24 Brokedown Palace
7:29
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
3:04:09
SBD
Transferrer:
Charlie Miller
SHNID:
gd1990-06-24.141862.UltraMatrix.sbd.cm.miller.flac1644
Source:
UltraMatrix SBD > Cassette Master (TDK MA-X)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Three sets of master were used to make this show complete -- This file set is 16 bit
Transferrer: Charlie Miller
3:04:09
SBD
Transferrer:
Charlie Miller
SHNID:
gd1990-06-24.141784.sbd.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-X)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Three sets of master were used to make this show complete
Transferrer: hansokolow
3:02:54
SBD
Rating:
8.00 / 3 ratings
Transferrer:
hansokolow
SHNID:
gd1990-06-24.mtx.hansokolow.108329.flac16
Source:
Matrix of these sources: SBD: shnid=12092 // DAUD: shnid=94258
Source 4 of 15
3:13:25
SBD
Rating:
8.52 / 24 ratings
Source:
sbd>mc>dat>cdr
Taper Notes:
View Notessbd>mc>dat>cdr; Unkown seeder
Taper: Mark Severson
3:02:50
Taper:
Mark Severson
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1990-06-24.163870.nak700.severson.miller.clugston.flac2496
Source:
Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Ted Mattes for the Schoeps CMC4 MK21 source which supplies a 0:10 patch in "He's Gone" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston January 2020
Taper: Mark Severson
3:02:50
Taper:
Mark Severson
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1990-06-24.163869.nak700.severson.miller.clugston.flac1648
Source:
Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Ted Mattes for the Schoeps CMC4 MK21 source which supplies a 0:10 patch in "He's Gone" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston January 2020
Taper: Dave Brotman
3:02:21
Taper:
Dave Brotman
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1990-06-24.143538.OTS.Schoeps.Brotman.Miller.Noel.t-flac1648
Source:
Dave Brotman (OTS) Recording: (Schoeps CMC4/MK21 > Oade Pre-Amp > Dat (Panasonic SV-250/48k)
Lineage:
Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
Taper Notes:
View NotesEdited & Mastered by Joe Noel Flac 16/48 > Audacity > Flac 16/48 November 02, 2018 Notes: - DAT master courtesy of Dave Brotman. - Thanks to Charlie for the transfer & coordinating. - Little Feet opened. - Welcome to the Phil Zone.
Taper: Ted Mattes
3:01:31
Taper:
Ted Mattes
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1990-06-24.141895.OTS.Schoeps.Mattes.Miller.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>; Ted Mattes Recording (OTS): Schoeps CMC4 MK21 (ORTF - 90º) > DAT (Panasonic SV250); Charlie Miller
Lineage:
Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
Taper Notes:
View NotesNotes: - Master DAT courtesy of Ted Mattes - Little Feet opened - Welcome to the Phil Zone
Source 9 of 15
3:08:29
SHNID:
gd1990-06-24.156401.mtx.photoleon.flac16
Source:
Matrix created in Adobe Audition by Joe Noel November 29, 2021
Taper Notes:
View NotesNotes: - First 02:46 of Set I is Source 2 only - The last :03 seconds of Wharf Rat is Source 1 only. - shnid 141862 was pitch corrected. - Little Feet opened - Welcome to the Phil Zone Thanks to; - Dave Brotman for the OTS recording - Marcus Buick, John Ammons & Rick Katzeff for the FOB recording - Don Pearson & Dan Healy for the SBD recording. - John Ammons for the (FOB) transfer. - Charlie Miller for the (SBD/OTS) transfers. - Jack Schlottman & John Ammons for the critique.
Taper: Recorded and transfered by Allen Ryals (billtmcdee) Patched and Pitched by Jason Chastain Mastered by Jamie Waddell Tracked and Flac'd by Norm Bowen
2:54:49
Taper:
Recorded and transfered by Allen Ryals (billtmcdee) Patched and Pitched by Jason Chastain Mastered by Jamie Waddell Tracked and Flac'd by Norm Bowen
SHNID:
gd1990-06-24.147810.mac.billtmcdee.t.flac2496
Source:
Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette
Lineage:
Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722
Taper Notes:
View NotesMany thanks to: Kenny Watts for the 722 Kevin Klopp for loaning me his mic stands
Taper: Recorded and transfered by Allen Ryals (billtmcdee) Patched and Pitched by Jason Chastain Mastered by Jamie Waddell Tracked and Flac'd by Norm Bowen
2:54:49
Rating:
8.00 / 1 rating
Taper:
Recorded and transfered by Allen Ryals (billtmcdee) Patched and Pitched by Jason Chastain Mastered by Jamie Waddell Tracked and Flac'd by Norm Bowen
SHNID:
gd1990-06-24.147809.mac.billtmcdee.t.flac1648
Source:
Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette
Lineage:
Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722
Taper Notes:
View NotesMany thanks to: Kenny Watts for the 722 Kevin Klopp for loaning me his mic stands
Taper: Rick Katzeff, Marcus Buick & John Ammons
3:05:03
Taper:
Rick Katzeff, Marcus Buick & John Ammons
Transferrer:
John Ammons and Joe Noel
SHNID:
gd1990-06-24.141255.FOB.OTS.Schoeps.Katzeff.Ammons.Noel.t-flac1648
Taper: d5scott
2:42:01
Taper:
d5scott
Transferrer:
d5scott
SHNID:
gd1990-06-24.beyerm160.d5scott.106896.flac16
Source:
Master audience recording with 2 Beyer M160 microphones > Sony TC-D5M (90 minute Maxell Metal Cassettes).
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Taper: Gerry Gordon
3:02:39
Rating:
10.00 / 2 ratings
Taper:
Gerry Gordon
Transferrer:
Keith Litzenberger
SHNID:
gd1990-06-24.sennME80.wklitz.94258.flac16
Source:
Sennheiser ME-80's>Technics SVM-D1 (DAT, Front Of Taper's Section)
Lineage:
Dat Master>Sony TCD-D0PROII>Edirol R-4>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC
Taper Notes:
View NotesRecorded by Gerry Gordon using Keith Litzenberger's gear
Source 15 of 15
3:05:01
Rating:
7.33 / 6 ratings
Source:
3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern
Taper Notes:
View NotesDigital Audience - Jill & Rob R: 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern. As always (per Healy) from the taper's section