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Grateful Dead
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Today In History
June 13th
7 shows
49 tapes
Years
1995
30.2k
PlaybackListensHours
48h54271
7d1.5k202
30d30.2k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h846129
7d3.8k482
30d10.8k1.5k
85 shows
460 tapes
1993
41.3k
PlaybackListensHours
48h3.1k418
7d7.4k959
30d41.3k5.4k
83 shows
656 tapes
1992
39.9k
PlaybackListensHours
48h4.9k656
7d5.6k725
30d39.9k5.3k
57 shows
539 tapes
1991
39.2k
PlaybackListensHours
48h5.8k744
7d13k1.8k
30d39.2k5.3k
78 shows
973 tapes
1990
48.7k
PlaybackListensHours
48h2.6k341
7d18.6k2.3k
30d48.7k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.8k346
7d7.1k883
30d48.9k6.1k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.3k153
7d3k349
30d21k2.4k
82 shows
882 tapes
1987
34.8k
PlaybackListensHours
48h5.4k623
7d5.6k628
30d34.8k3.8k
88 shows
1,025 tapes
1986
12.2k
PlaybackListensHours
48h1k115
7d2.2k244
30d12.2k1.4k
47 shows
684 tapes
1985
22.9k
PlaybackListensHours
48h1.7k199
7d4.2k488
30d22.9k2.7k
73 shows
1,357 tapes
1984
21.2k
PlaybackListensHours
48h3.8k444
7d7.8k937
30d21.2k2.7k
67 shows
1,075 tapes
1983
26k
PlaybackListensHours
48h1.3k173
7d3.5k469
30d26k3.4k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.3k157
7d3.6k436
30d42.1k5.2k
63 shows
753 tapes
1981
44.1k
PlaybackListensHours
48h1.8k230
7d5.1k645
30d44.1k5.5k
92 shows
868 tapes
1980
69.1k
PlaybackListensHours
48h6.7k807
7d12.6k1.4k
30d69.1k8k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.6k227
7d3.9k557
30d21.7k3k
79 shows
608 tapes
1978
46.1k
PlaybackListensHours
48h1.9k266
7d4.8k652
30d46.1k6.3k
87 shows
592 tapes
1977
290.3k
PlaybackListensHours
48h8.6k1.2k
7d45.9k6.3k
30d290.3k40k
64 shows
419 tapes
1976
71.6k
PlaybackListensHours
48h19.5k2.6k
7d26.4k3.5k
30d71.6k9.7k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h34536
7d1.4k136
30d6.4k659
25 shows
63 tapes
1974
95.3k
PlaybackListensHours
48h3.6k475
7d13.7k1.8k
30d95.3k12.1k
42 shows
324 tapes
1973
88.8k
PlaybackListensHours
48h5.3k721
7d18.9k2.5k
30d88.8k11.4k
75 shows
445 tapes
1972
66.4k
PlaybackListensHours
48h2.5k318
7d6.1k765
30d66.4k8.1k
88 shows
361 tapes
1971
34k
PlaybackListensHours
48h1.9k212
7d4.3k487
30d34k3.9k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.4k166
7d7.8k819
30d45k4.8k
101 shows
376 tapes
1969
27.4k
PlaybackListensHours
48h1.4k177
7d4.5k677
30d27.4k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h44055
7d1.7k224
30d7.6k954
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14319
7d28540
30d1.6k220
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h35625
7d90558
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h182
7d1268
30d63237
2 shows
2 tapes
1990
4/3/90
Tuning
1:49
Shakedown Street
12:15
Hell In The Bucket >
6:14
Sugaree
12:34
We Can Run
7:51
When I Paint My Masterpiece
6:45
Row Jimmy
10:51
Picasso Moon >
7:11
Tennessee Jed >
7:39
Promised Land
4:39
Tuning
3:04
Estimated Prophet >
13:52
Scarlet Begonias >
6:55
Crazy Fingers >
8:09
Playing In The Band >
11:34
Drums >
8:45
Space >
6:24
I Will Take You Home >
4:00
Goin' Down The Road Feeling Bad >
6:13
Throwing Stones >
8:40
Not Fade Away
6:36
And We Bid You Good Night
3:31
FIN
View on archive.org
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:45:31
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] November 14, 2022
SHNID:
gd1990-04-03.158672.UltraMatrix.sbd.cm.miller.t.flac1644
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple masters were used to make this show complete -- This is 158650 2496 -> 1644
Taper: Recorded by Don Pearson and Dan Healy
2:45:31
SBD
Rating:
10.00 / 1 rating
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] November 14, 2022
SHNID:
gd1990-04-03.158650.ultramatrix.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple masters were used to make this show complete
Transferrer: hansokolow
2:47:07
SBD
Rating:
8.80 / 5 ratings
Transferrer:
hansokolow
SHNID:
gd1990-04-03.mtx.hansokolow.97566.flac16
Source:
matrix of SBD: shnid=17811 and AUD: shnid=3732 by hansokolow using ProTools
Taper Notes:
View NotesThis is a matrix, done by hansokolow in ProTools, of the following sources: SBD: shnid=17811 Source - Soundboard Master Cassette > Sonic Solutions @ 24 bits > CD (Sony Super Bit Mapping 2) > EAC > SHN (seekable) EAC/SHN by Darryl Hinko (flyerfanatic) EAC used to extract with proper offsets SHNtool to join and to check sector boundries CDwav used to retrack Cool Edit used for all splicing MKWact used to SHN Thanks to Dave Sanders for the source discs of the SBD and AUD ----------------------------------- AUD: shnid=3732 Source: FOB Nak 300/CP4's (Pair) + Sennheiser 441's (Pair) > Sony Mixer > Sony D10 Pro EAC'd and Shned - [email protected] ----------------------------------- hansokolow's notes: The SBD was squeezed, song by song, to match the DAUD. The SBD cuts out at 3:36 in Drums for a tapeflip, and comes back in at 4:04. For some reason the DAUD fades out at the start of GDTRFB, then fades back in, backed up a few seconds, so no music is lost. I removed the fades.
Source 4 of 16
2:43:26
SBD
Rating:
8.75 / 26 ratings
SHNID:
gd90-04-03.sbd.hinko.17811.sbeok.shnf
Source:
Soundboard Master Cassette > Sonic Solutions @ 24 bits > CD (Sony Super Bit Mapping 2) > EAC > SHN (seekable)
Taper Notes:
View NotesSoundboard Master Cassette > Sonic Solutions @ 24 bits > CD (Sony Super Bit Mapping 2) > EAC > SHN (seekable); via Darryl Hinko with thanks to Dave Sanders; Drums patched and tuning returned to first set from AUD source
Taper: Master Digital Audience Recording by Dave Brotman
1:42:33
REMASTER
Rating:
8.00 / 3 ratings
Taper:
Master Digital Audience Recording by Dave Brotman
Transferrer:
Transfer by Charlie Miller Edited & reMastered using Adobe Audition by Joe Noel March 31, 2020
SHNID:
gd1990-04-03.149447.FOB.Schoeps.Brotman.Mattes.Miller.Noel.reMaster.t-flac1648
Source:
From the Teddy Ballgame Archive - a reMaster of shnid 142003 Source: Schoeps CMC4 MK21 > Oade Modified Grace Preamp > Pro Link > DAT 48k (Panasonic SV-250) Location: Sec 5 Row J Seat 7
Lineage:
Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
Taper Notes:
View NotesNotes: - DAT master courtesy of Ted Mattes - Thanks to Charlie Miller for the transfer - Officially released as part of Spring 1990 (The Other One) box set. - Final show of Spring East Coast 1990 tour - I remember this one well. During set break we hit the fatty zone BTS & never left. We sat right on top of Brent & he flat out mesmerized me.
Taper: Michael Hessberg
2:43:43
Taper:
Michael Hessberg
Transferrer:
Joe Noel and Charlie Miller
SHNID:
gd1990-04-03.145750.ots.senn.me80.hessberg.miller.noel.t-flac16
Source:
(OTS) Sennheiser ME80 > Cassette Master (Sony TC-D5M/Maxell XLII-S100)
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k)
Taper Notes:
View NotesMaster Audience Recording by Micheal Hessberg DSD Transfer by Charlie Miller Edited & Mastered by Joe Noel February 14, 2019 This file set is 16 bit @ 44.1 Patch info: - shnid (Schoeps CMC4 MK21) - s2t06; 08:02 - end - s2t07; start - 00:18 Notes: - Thanks to Micheal Hessberg for recording the show - Thanks to Charlie for coordinating this & the DSD transfer - Thanks to Dave Brotman for suppling the patch source. - Officially released as part of Spring 1990 (The Other One) box set. - tapes pauses & flip (s1) were cross faded. - I remember this one pretty well. During set break we hit the fatty zone BTS & never left. We sat right on top of Brent & he flat out mesmerized me.
Taper: Michael Hessberg
2:43:43
Taper:
Michael Hessberg
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1990-04-03.145220.OTS.Senn.Hessberg.Miller.Noel.t-flac2496
Source:
(OTS) Sennheiser ME80 > Cassette Master (Sony TC-D5M/Maxell XLII-S100)
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k)
Taper Notes:
View NotesMaster Audience Recording by Micheal Hessberg DSD Transfer by Charlie Miller Edited & Mastered by Joe Noel February 14, 2019 Patch info: - shnid (Schoeps CMC4 MK21) - s2t06; 08:02 - end - s2t07; start - 00:18 Notes: - Thanks to Micheal Hessberg for recording the show - Thanks to Charlie for coordinating this & the DSD transfer - Thanks to Dave Brotman for suppling the patch source. - Officially released as part of Spring 1990 (The Other One) box set. - tapes pauses & flip (s1) were cross faded. - I remember this one pretty well. During set break we hit the fatty zone BTS & never left. We sat right on top of Brent & he flat out mesmerized me.
Taper: Dave Brotman and Ted Mattes
2:52:07
Taper:
Dave Brotman and Ted Mattes
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1990-04-03.142003.FOB.Schoeps.Brotman.Mattes.Miller.Noel.t-flac1648
Source:
<b>flac16/48kHz</B>; Dave Brotman FOB Recording using Ted Mattes' rig: Schoeps CMC4 MK21 > Oade Modified Grace Preamp > Pro Link > DAT 48k (Panasonic SV-250); Location: Sec 5 Row J Seat 7; Charlie Miller
Lineage:
Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
Taper Notes:
View NotesNotes: - DAT master courtesy of Ted Mattes - Thanks to Charlie for coordinating this - Officially released as part of Spring 1990 (The Other One) box set. - Final show of Spring East Coast 1990 tour - I remember this one pretty well. During set break we hit the fatty zone BTS & never left. We sat right on top of Brent & he flat out mesmerized me.
Taper: Tapes provided by Tom and Roger
2:46:39
Taper:
Tapes provided by Tom and Roger
Transferrer:
Transfer by Chris Larson ([email protected])
SHNID:
gd1990-04-03.152511.at815a.tom-roger-larson.flac1644
Source:
A: Audio Technica 815A Shotguns>Panasonicsv250
Lineage:
DAT(48kHz)>ZA2(S/PDIF)>WaveLab 3.03>CD-r
Taper: Rick Katzeff
2:49:09
Taper:
Rick Katzeff
Transferrer:
Joe Noel and John Ammons
SHNID:
gd1990-04-03.142216.FOB.Schoeps.Katzeff.Ammons.Noel.fix.t-flac1648
Source:
<b>flac16/48kHz</b>; Rick Katzeff FOB Recording: Schoeps CMC5 MK21 (@ 100ยบ spaced array) > DAT 48k (Panasonic SV-250). Mics were hand held; John Ammons Transfer from clone of DAT master: Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; the original version was missing Promised Land
Taper Notes:
View NotesNotes: - This is not to be confused with shnid 133277 which is attributed to Katzeff. 133277 had an inverted left channel & is also noted as using CMC 44 mics. The mics used here are confirmed nor does this source have a left channel issue. - Thanks to John for sharing the real McCoy with us. - Officially released as part of Spring 1990 (The Other One) box set. - dc offset was removed. - Final show of Spring East Coast 1990 tour - During set break we hit the fatty zone BTS & never left. We sat right on top of Brent & he flat out mesmerized me. - Found missing track working on a t-bone steak, a-la carte. - If you dl'd this before all you need is Promised Land & housekeeping file.
Source 11 of 16
2:51:41
Rating:
6.00 / 1 rating
SHNID:
gd1990-04-03.135201.bltz.flac24
Source:
Source: Nakamichi CM-300s/CP4 Shotguns -> Sony Walkman Pro/TDK MX-S 90 (Set II TDK SA100) -> JVC TD-W354 -> Zoom H6 -> WAV 96/24 -> Audacity -> FLAC 96/24
Taper Notes:
View NotesNotes: Part of the 1990 TOO CD Release. You may not be for you unless you are a multiple-version collector and/or enjoy audience, and there is certainly a lot of highly enthusiastic audience here. Rare to see Estimated open the 2nd set. For many, favorite of this 3-night run. I do believe Mr. Garcia is a bit excited. Very plesant throughout, IMHO, whether they are kicking back and enjoying a solo in Sugaree or ripping it up in Promised Land. "In a radio interview on WREK-FM, Georgia Tech's outstanding, progressive, student radio station Jerry said that he just loved the beautiful gardens, dogwoods, and azaleas in Atlanta and the band liked to visit Atlanta to enjoy the many spring attractions and would try to schedule at least one, if not two, days off in Atlanta to relax and "recharge". The combination between a loving, excited crowd and a rested band made for some amazing concerts. Additionally, the Dead's excellent sound engineering staff had the Omni mapped out to perfection. The sound would be consistently perfect." - fudoki, archive.org Source: Previously unreleased Cassette original master. Nakamichi CM-300s/CP4 Shotguns -> Sony Walkman Pro/TDK MX-S 90 (Set II TDK SA100) -> JVC TD-W354 -> Zoom H6 -> WAV 96/24 -> Audacity -> FLAC 96/24. Only posting in 96/24 to keep the sound quality up, and because I have a big pile to get through... feel free to down sample it with r8brain (a free download,) if you need, but I officially object. (h/t weallen, bt.etree, for r8brain x-ref). Recorded, tracked and seeded by bltz
Taper: Lance Deal, Ray Katzeff
2:52:06
Taper:
Lance Deal, Ray Katzeff
Transferrer:
Craig Hillwig;Lenny Stubbe
SHNID:
gd1990-04-03.133277.131206-fix.deal-katzeff.flac16
Source:
Source: FOB by Rick Katzeff using Schoeps CMC 44's> Oade p/s> SV 255> 1:1 clone; DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); fix of SHNID 131206 due to an inverted left channel likely due to a faulty xlr cable in the recording gear chain. Craig Hillwig used xACT 2.35 and Audacity to decode, join files and invert the left channel in a 32 bit float. Lenny Stubbe used Sound Studio 3.6 and xACT 2.35 to add gain, track, tag, encode/align to FLAC and seed
Taper Notes:
View Notes***fix of SHNID 131206 due to an inverted left channel likely due to a faulty xlr cable in the recording gear chain. Craig Hillwig used xACT 2.35 and Audacity to decode, join files and invert the left channel in a 32 bit float. Lenny Stubbe used Sound Studio 3.6 and xACT 2.35 to add gain, track, tag, encode/align to FLAC and seed. Thanks to Craig for discovering this issue and taking the time to fix. 05/31/2015
Taper: R. Katzeff
2:52:08
Taper:
R. Katzeff
Transferrer:
jwpetty
SHNID:
gd1990-04-03.131206.cmc44.fob.katzeff.jwpetty.flac16
Source:
Source: FOB by Rick Katzeff using Schoeps CMC 44's> Oade p/s> SV 255> 1:1 clone; DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on September 3, 2014 by Will Petty
Taper: Dave Cohen
2:44:18
Rating:
9.00 / 2 ratings
Taper:
Dave Cohen
Transferrer:
Dave Cohen
SHNID:
gd1990-04-03.nak.cohen.106904.flac16
Source:
2 Nakamichi CM300s/ CP4's w/1 Nakamichi CM300/CP2> Nakamichi 550 w/Maxell XLIIS90 cassette masters. Dolby B was used on the Master Cassettes. OTS 8 foot stand (sec. 128 Row CC Seat 12)
Lineage:
The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions).
Transferrer: [email protected]
2:47:28
Rating:
7.00 / 2 ratings
Transferrer:
[email protected]
Source:
FOB Nak 300/CP4's (Pair) + Sennheiser 441's (Pair) > Sony Mixer > Sony D10 Pro
Source 16 of 16
2:49:16
Rating:
8.00 / 10 ratings
SHNID:
gd90-04-03.nak.gardner.3577.sbeok.shnf
Source:
Nak 300/CP4's > PMD 420 by Alan Wallace, tapers section
Taper Notes:
View NotesNak 300/CP4's > PMD 420 by Alan Wallace, tapers section; MC> DAT> CD-R; note first few seconds of Promised Land missing; via Kevin Gills, Tony Gardner