RELISTENTOTHE Grateful Dead
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June 5th
Years
1995
27k
PlaybackListensHours
48h3k414
7d8.6k1.2k
30d27k3.8k
49 shows
340 tapes
1994
8k
PlaybackListensHours
48h69296
7d1.1k167
30d8k1.2k
85 shows
460 tapes
1993
31.5k
PlaybackListensHours
48h3.5k480
7d1.9k257
30d31.5k4.2k
83 shows
656 tapes
1992
32.7k
PlaybackListensHours
48h1k133
7d8.1k1k
30d32.7k4.4k
57 shows
539 tapes
1991
35.8k
PlaybackListensHours
48h1.7k229
7d8k1.1k
30d35.8k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.7k344
7d5k661
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.2k
PlaybackListensHours
48h3.9k494
7d5.7k709
30d45.2k5.6k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.2k140
7d4.1k444
30d21k2.4k
82 shows
882 tapes
1987
38.4k
PlaybackListensHours
48h2.7k287
7d8.6k821
30d38.4k4.2k
88 shows
1,025 tapes
1986
14.4k
PlaybackListensHours
48h940105
7d1.8k202
30d14.4k1.7k
47 shows
683 tapes
1985
19.9k
PlaybackListensHours
48h1.9k228
7d3.4k399
30d19.9k2.3k
73 shows
1,356 tapes
1984
20.3k
PlaybackListensHours
48h1.6k200
7d2.2k289
30d20.3k2.6k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.5k194
7d3.3k441
30d32.4k4.3k
71 shows
1,069 tapes
1982
40k
PlaybackListensHours
48h1.7k215
7d3.4k418
30d40k5k
63 shows
753 tapes
1981
56.7k
PlaybackListensHours
48h2.1k269
7d4.4k552
30d56.7k7.2k
92 shows
868 tapes
1980
67.5k
PlaybackListensHours
48h5.2k594
7d12.3k1.5k
30d67.5k7.9k
91 shows
794 tapes
1979
27.9k
PlaybackListensHours
48h1.4k193
7d3k406
30d27.9k3.9k
79 shows
600 tapes
1978
52.8k
PlaybackListensHours
48h8.4k1.1k
7d5.4k719
30d52.8k7.3k
87 shows
592 tapes
1977
329.3k
PlaybackListensHours
48h15.9k2.1k
7d25k3.5k
30d329.3k46k
64 shows
419 tapes
1976
37.9k
PlaybackListensHours
48h10.3k1.4k
7d17.3k2.4k
30d37.9k5.1k
45 shows
298 tapes
1975
5.1k
PlaybackListensHours
48h78672
7d71378
30d5.1k544
25 shows
63 tapes
1974
94.5k
PlaybackListensHours
48h4.2k529
7d10.2k1.3k
30d94.5k11.9k
42 shows
324 tapes
1973
76.5k
PlaybackListensHours
48h4.2k551
7d9.7k1.3k
30d76.5k9.7k
75 shows
445 tapes
1972
75k
PlaybackListensHours
48h3k365
7d6.8k832
30d75k9.1k
88 shows
361 tapes
1971
32.6k
PlaybackListensHours
48h2.2k250
7d5.3k592
30d32.6k3.7k
82 shows
356 tapes
1970
31.5k
PlaybackListensHours
48h6.6k638
7d3.8k409
30d31.5k3.5k
101 shows
376 tapes
1969
22.6k
PlaybackListensHours
48h3.2k519
7d6.7k892
30d22.6k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h52066
7d1.1k133
30d6.4k799
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h14922
7d28439
30d1.4k197
23 shows
55 tapes
1966
7.6k
PlaybackListensHours
48h51339
7d1k60
30d7.6k497
32 shows
78 tapes
1965
553
PlaybackListensHours
48h372
7d1086
30d55333
2 shows
2 tapes
1990
4/3/90
Shakedown Street
15:54
Hell in a Bucket >
6:38
Sugaree
12:02
We Can Run
8:59
When I Paint My Masterpiece
6:26
Row Jimmy
11:05
Picasso Moon >
7:42
Tennessee Jed >
7:48
The Promised Land
4:40
Jam -> Estimated Prophet->
16:50
Scarlet Begonias->
6:54
Crazy Fingers->
7:58
Playin' In The Band->
11:49
Drums->
6:11
Space->
8:44
I Will Take You Home->
4:18
Goin' Down The Road Feelin' Bad->
6:13
Throwing Stones->
8:44
Not Fade Away
8:54
E: We Bid You Good Night
3:52
FIN
View on archive.org
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:45:31
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] November 14, 2022
SHNID:
gd1990-04-03.158672.UltraMatrix.sbd.cm.miller.t.flac1644
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple masters were used to make this show complete -- This is 158650 2496 -> 1644
Taper: Recorded by Don Pearson and Dan Healy
2:45:31
SBD
Rating:
10.00 / 1 rating
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] November 14, 2022
SHNID:
gd1990-04-03.158650.ultramatrix.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple masters were used to make this show complete
Transferrer: hansokolow
2:47:07
SBD
Rating:
8.80 / 5 ratings
Transferrer:
hansokolow
SHNID:
gd1990-04-03.mtx.hansokolow.97566.flac16
Source:
matrix of SBD: shnid=17811 and AUD: shnid=3732 by hansokolow using ProTools
Taper Notes:
View NotesThis is a matrix, done by hansokolow in ProTools, of the following sources: SBD: shnid=17811 Source - Soundboard Master Cassette > Sonic Solutions @ 24 bits > CD (Sony Super Bit Mapping 2) > EAC > SHN (seekable) EAC/SHN by Darryl Hinko (flyerfanatic) EAC used to extract with proper offsets SHNtool to join and to check sector boundries CDwav used to retrack Cool Edit used for all splicing MKWact used to SHN Thanks to Dave Sanders for the source discs of the SBD and AUD ----------------------------------- AUD: shnid=3732 Source: FOB Nak 300/CP4's (Pair) + Sennheiser 441's (Pair) > Sony Mixer > Sony D10 Pro EAC'd and Shned - [email protected] ----------------------------------- hansokolow's notes: The SBD was squeezed, song by song, to match the DAUD. The SBD cuts out at 3:36 in Drums for a tapeflip, and comes back in at 4:04. For some reason the DAUD fades out at the start of GDTRFB, then fades back in, backed up a few seconds, so no music is lost. I removed the fades.
Source 4 of 16
2:43:26
SBD
Rating:
8.75 / 26 ratings
SHNID:
gd90-04-03.sbd.hinko.17811.sbeok.shnf
Source:
Soundboard Master Cassette > Sonic Solutions @ 24 bits > CD (Sony Super Bit Mapping 2) > EAC > SHN (seekable)
Taper Notes:
View NotesSoundboard Master Cassette > Sonic Solutions @ 24 bits > CD (Sony Super Bit Mapping 2) > EAC > SHN (seekable); via Darryl Hinko with thanks to Dave Sanders; Drums patched and tuning returned to first set from AUD source
Taper: Master Digital Audience Recording by Dave Brotman
1:42:33
REMASTER
Rating:
8.00 / 3 ratings
Taper:
Master Digital Audience Recording by Dave Brotman
Transferrer:
Transfer by Charlie Miller Edited & reMastered using Adobe Audition by Joe Noel March 31, 2020
SHNID:
gd1990-04-03.149447.FOB.Schoeps.Brotman.Mattes.Miller.Noel.reMaster.t-flac1648
Source:
From the Teddy Ballgame Archive - a reMaster of shnid 142003 Source: Schoeps CMC4 MK21 > Oade Modified Grace Preamp > Pro Link > DAT 48k (Panasonic SV-250) Location: Sec 5 Row J Seat 7
Lineage:
Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
Taper Notes:
View NotesNotes: - DAT master courtesy of Ted Mattes - Thanks to Charlie Miller for the transfer - Officially released as part of Spring 1990 (The Other One) box set. - Final show of Spring East Coast 1990 tour - I remember this one well. During set break we hit the fatty zone BTS & never left. We sat right on top of Brent & he flat out mesmerized me.
Taper: Michael Hessberg
2:43:43
Taper:
Michael Hessberg
Transferrer:
Joe Noel and Charlie Miller
SHNID:
gd1990-04-03.145750.ots.senn.me80.hessberg.miller.noel.t-flac16
Source:
(OTS) Sennheiser ME80 > Cassette Master (Sony TC-D5M/Maxell XLII-S100)
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k)
Taper Notes:
View NotesMaster Audience Recording by Micheal Hessberg DSD Transfer by Charlie Miller Edited & Mastered by Joe Noel February 14, 2019 This file set is 16 bit @ 44.1 Patch info: - shnid (Schoeps CMC4 MK21) - s2t06; 08:02 - end - s2t07; start - 00:18 Notes: - Thanks to Micheal Hessberg for recording the show - Thanks to Charlie for coordinating this & the DSD transfer - Thanks to Dave Brotman for suppling the patch source. - Officially released as part of Spring 1990 (The Other One) box set. - tapes pauses & flip (s1) were cross faded. - I remember this one pretty well. During set break we hit the fatty zone BTS & never left. We sat right on top of Brent & he flat out mesmerized me.
Taper: Michael Hessberg
2:43:43
Taper:
Michael Hessberg
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1990-04-03.145220.OTS.Senn.Hessberg.Miller.Noel.t-flac2496
Source:
(OTS) Sennheiser ME80 > Cassette Master (Sony TC-D5M/Maxell XLII-S100)
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k)
Taper Notes:
View NotesMaster Audience Recording by Micheal Hessberg DSD Transfer by Charlie Miller Edited & Mastered by Joe Noel February 14, 2019 Patch info: - shnid (Schoeps CMC4 MK21) - s2t06; 08:02 - end - s2t07; start - 00:18 Notes: - Thanks to Micheal Hessberg for recording the show - Thanks to Charlie for coordinating this & the DSD transfer - Thanks to Dave Brotman for suppling the patch source. - Officially released as part of Spring 1990 (The Other One) box set. - tapes pauses & flip (s1) were cross faded. - I remember this one pretty well. During set break we hit the fatty zone BTS & never left. We sat right on top of Brent & he flat out mesmerized me.
Taper: Dave Brotman and Ted Mattes
2:52:07
Taper:
Dave Brotman and Ted Mattes
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1990-04-03.142003.FOB.Schoeps.Brotman.Mattes.Miller.Noel.t-flac1648
Source:
<b>flac16/48kHz</B>; Dave Brotman FOB Recording using Ted Mattes' rig: Schoeps CMC4 MK21 > Oade Modified Grace Preamp > Pro Link > DAT 48k (Panasonic SV-250); Location: Sec 5 Row J Seat 7; Charlie Miller
Lineage:
Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
Taper Notes:
View NotesNotes: - DAT master courtesy of Ted Mattes - Thanks to Charlie for coordinating this - Officially released as part of Spring 1990 (The Other One) box set. - Final show of Spring East Coast 1990 tour - I remember this one pretty well. During set break we hit the fatty zone BTS & never left. We sat right on top of Brent & he flat out mesmerized me.
Taper: Tapes provided by Tom and Roger
2:46:39
Taper:
Tapes provided by Tom and Roger
Transferrer:
Transfer by Chris Larson ([email protected])
SHNID:
gd1990-04-03.152511.at815a.tom-roger-larson.flac1644
Source:
A: Audio Technica 815A Shotguns>Panasonicsv250
Lineage:
DAT(48kHz)>ZA2(S/PDIF)>WaveLab 3.03>CD-r
Taper: Rick Katzeff
2:49:09
Taper:
Rick Katzeff
Transferrer:
Joe Noel and John Ammons
SHNID:
gd1990-04-03.142216.FOB.Schoeps.Katzeff.Ammons.Noel.fix.t-flac1648
Source:
<b>flac16/48kHz</b>; Rick Katzeff FOB Recording: Schoeps CMC5 MK21 (@ 100ยบ spaced array) > DAT 48k (Panasonic SV-250). Mics were hand held; John Ammons Transfer from clone of DAT master: Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; the original version was missing Promised Land
Taper Notes:
View NotesNotes: - This is not to be confused with shnid 133277 which is attributed to Katzeff. 133277 had an inverted left channel & is also noted as using CMC 44 mics. The mics used here are confirmed nor does this source have a left channel issue. - Thanks to John for sharing the real McCoy with us. - Officially released as part of Spring 1990 (The Other One) box set. - dc offset was removed. - Final show of Spring East Coast 1990 tour - During set break we hit the fatty zone BTS & never left. We sat right on top of Brent & he flat out mesmerized me. - Found missing track working on a t-bone steak, a-la carte. - If you dl'd this before all you need is Promised Land & housekeeping file.
Source 11 of 16
2:51:41
Rating:
6.00 / 1 rating
SHNID:
gd1990-04-03.135201.bltz.flac24
Source:
Source: Nakamichi CM-300s/CP4 Shotguns -> Sony Walkman Pro/TDK MX-S 90 (Set II TDK SA100) -> JVC TD-W354 -> Zoom H6 -> WAV 96/24 -> Audacity -> FLAC 96/24
Taper Notes:
View NotesNotes: Part of the 1990 TOO CD Release. You may not be for you unless you are a multiple-version collector and/or enjoy audience, and there is certainly a lot of highly enthusiastic audience here. Rare to see Estimated open the 2nd set. For many, favorite of this 3-night run. I do believe Mr. Garcia is a bit excited. Very plesant throughout, IMHO, whether they are kicking back and enjoying a solo in Sugaree or ripping it up in Promised Land. "In a radio interview on WREK-FM, Georgia Tech's outstanding, progressive, student radio station Jerry said that he just loved the beautiful gardens, dogwoods, and azaleas in Atlanta and the band liked to visit Atlanta to enjoy the many spring attractions and would try to schedule at least one, if not two, days off in Atlanta to relax and "recharge". The combination between a loving, excited crowd and a rested band made for some amazing concerts. Additionally, the Dead's excellent sound engineering staff had the Omni mapped out to perfection. The sound would be consistently perfect." - fudoki, archive.org Source: Previously unreleased Cassette original master. Nakamichi CM-300s/CP4 Shotguns -> Sony Walkman Pro/TDK MX-S 90 (Set II TDK SA100) -> JVC TD-W354 -> Zoom H6 -> WAV 96/24 -> Audacity -> FLAC 96/24. Only posting in 96/24 to keep the sound quality up, and because I have a big pile to get through... feel free to down sample it with r8brain (a free download,) if you need, but I officially object. (h/t weallen, bt.etree, for r8brain x-ref). Recorded, tracked and seeded by bltz
Taper: Lance Deal, Ray Katzeff
2:52:06
Taper:
Lance Deal, Ray Katzeff
Transferrer:
Craig Hillwig;Lenny Stubbe
SHNID:
gd1990-04-03.133277.131206-fix.deal-katzeff.flac16
Source:
Source: FOB by Rick Katzeff using Schoeps CMC 44's> Oade p/s> SV 255> 1:1 clone; DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); fix of SHNID 131206 due to an inverted left channel likely due to a faulty xlr cable in the recording gear chain. Craig Hillwig used xACT 2.35 and Audacity to decode, join files and invert the left channel in a 32 bit float. Lenny Stubbe used Sound Studio 3.6 and xACT 2.35 to add gain, track, tag, encode/align to FLAC and seed
Taper Notes:
View Notes***fix of SHNID 131206 due to an inverted left channel likely due to a faulty xlr cable in the recording gear chain. Craig Hillwig used xACT 2.35 and Audacity to decode, join files and invert the left channel in a 32 bit float. Lenny Stubbe used Sound Studio 3.6 and xACT 2.35 to add gain, track, tag, encode/align to FLAC and seed. Thanks to Craig for discovering this issue and taking the time to fix. 05/31/2015
Taper: R. Katzeff
2:52:08
Taper:
R. Katzeff
Transferrer:
jwpetty
SHNID:
gd1990-04-03.131206.cmc44.fob.katzeff.jwpetty.flac16
Source:
Source: FOB by Rick Katzeff using Schoeps CMC 44's> Oade p/s> SV 255> 1:1 clone; DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on September 3, 2014 by Will Petty
Taper: Dave Cohen
2:44:18
Rating:
9.00 / 2 ratings
Taper:
Dave Cohen
Transferrer:
Dave Cohen
SHNID:
gd1990-04-03.nak.cohen.106904.flac16
Source:
2 Nakamichi CM300s/ CP4's w/1 Nakamichi CM300/CP2> Nakamichi 550 w/Maxell XLIIS90 cassette masters. Dolby B was used on the Master Cassettes. OTS 8 foot stand (sec. 128 Row CC Seat 12)
Lineage:
The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions).
Transferrer: [email protected]
2:47:28
Rating:
7.00 / 2 ratings
Transferrer:
[email protected]
Source:
FOB Nak 300/CP4's (Pair) + Sennheiser 441's (Pair) > Sony Mixer > Sony D10 Pro
Source 16 of 16
2:49:16
Rating:
8.00 / 10 ratings
SHNID:
gd90-04-03.nak.gardner.3577.sbeok.shnf
Source:
Nak 300/CP4's > PMD 420 by Alan Wallace, tapers section
Taper Notes:
View NotesNak 300/CP4's > PMD 420 by Alan Wallace, tapers section; MC> DAT> CD-R; note first few seconds of Promised Land missing; via Kevin Gills, Tony Gardner