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1990
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Today In History
June 16th
5 shows
82 tapes
Years
1995
30.1k
49 shows
343 tapes
1994
12.7k
85 shows
460 tapes
1993
38k
83 shows
656 tapes
1992
45.1k
57 shows
539 tapes
1991
43k
78 shows
973 tapes
1990
48.5k
78 shows
1,139 tapes
1989
48.9k
78 shows
1,017 tapes
1988
20.3k
82 shows
882 tapes
1987
42.7k
88 shows
1,025 tapes
1986
12.5k
47 shows
684 tapes
1985
24.7k
73 shows
1,357 tapes
1984
27k
67 shows
1,075 tapes
1983
21k
71 shows
1,069 tapes
1982
42.4k
63 shows
753 tapes
1981
31.2k
92 shows
868 tapes
1980
71.1k
91 shows
794 tapes
1979
21.7k
79 shows
608 tapes
1978
38.8k
87 shows
592 tapes
1977
267.8k
64 shows
418 tapes
1976
91.9k
45 shows
298 tapes
1975
6.3k
25 shows
63 tapes
1974
89.9k
42 shows
324 tapes
1973
90.4k
75 shows
445 tapes
1972
62.9k
88 shows
361 tapes
1971
33.7k
82 shows
357 tapes
1970
39.3k
101 shows
376 tapes
1969
28.3k
112 shows
326 tapes
1968
8.1k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8k
32 shows
78 tapes
1965
639
2 shows
2 tapes
1990
3/26/90
Crowd/Tuning
2:33
Hell In A Bucket
6:16
Dupree's Diamond Blues
6:55
Just A Little Light
5:29
Black Throated Wind
7:31
Big Railroad Blues
5:51
Picasso Moon (Tape Flip After Song)
8:52
Row Jimmy
12:19
Blow Away
12:40
Set Break
0:07
Built To Last
5:14
Victim Or The Crime>
10:30
China Cat Sunflower>
5:48
I Know Rider
5:24
Women Are Smarter>
6:18
Drums>
11:15
Spac..e>(Tape Flip Inside A Second Or So Missing)
8:01
I Need A Miracle>
4:06
Dear Mr. Fantasy>
5:24
Gimme Some Lovin>
5:12
Morning Dew
11:12
Encore Break
1:00
Brokedown Palace
5:28
Crowd
0:18
FIN
View on archive.org
Sources
Transferrer: Matrix by Dave Usborne
2:34:10
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1990-03-26.127210.mtx.dusborne.flac16
Source:
2 Source Matrix by Dusborne; Soundboard (shnid:087350) Recording Info: SBD -> Dat -> Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16; All Transfers And Mastering By Charlie Miller and Audience (shnid:094411) Sennheiser ME-80's>Technics SV-MD1 DAT MASTER > Tascam DA-30MKII > Sound Devices 702 > Soundforge 9 (Fades & Sample Rate Conversion) > CDWAV > FLAC; Recorded, Transferred & Uploaded By Keith Litzenberger
Taper Notes:
View NotesMatrix by dusborne 02-21-2014 ------------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 02-25-2014
Taper: Master Digital Audience Recording by Ted Mattes
2:34:26
REMASTER
Taper:
Master Digital Audience Recording by Ted Mattes
Transferrer:
Transfer by Charlie Miller Edited & reMastered using Adobe Audition by Joe Noel March 28, 2020
SHNID:
gd1990-03-26.149395.FOB.Schoeps.Mattes.Miller.Noel.reMaster.t-flac1648
Source:
rom the Teddy Ballgame Archive - a reMaster of shnid 142991 Source: (FOB) Schoeps CMC4 MK21 (ORTF) > DAT (Panasonic SV-250) Location: Sec 5 Row E Seat 7
Lineage:
Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
Taper Notes:
View NotesPatch info: - shnid 141115 (AKG 460B/CK63 ULS) - s2t08; 5:03 - 5:55 Notes: - Thanks to Ted Mattes for recording the show. - Thanks to Charlie Miller for the transfer. - Thanks to Ray Ackerman for suppling the patch source. - last Dupree's: 04-05-89 - last Big RxR Blues: 09-18-88 - final Built to Last - FM broadcast on WPYX - upgrade to shnid 13304 - this source is complete.
Taper: Richard Berner friends
2:34:56
Taper:
Richard Berner friends
Transferrer:
bltz
SHNID:
gd1990-03-26.135063.bltz.flac2496
Source:
First set, Set II Victim, and, after China -> Rider: Richard Berner's B&K 4011's, 110 degrees ORTF, hand-held @ 5' high, Prolink -> Neumann Power Supply -> D10, 26th Row Center, FOB -> DAT Master, Apogee 701/BETA -> NAK 682 ZX -> Sony Metal-SR/90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24; China -> Rider: Schoeps CMC 421 Sub Cardioids, 100 degrees, 1 row in front of soundboard, about 4 seats right
Taper Notes:
View NotesOriginal Master Rescue Project. Master off previously unreleased Audience FOB DAT. SBDs of this are available on CD as a partial on "Dozin at the Knick", from GDP, and "Spring 1990", from the same fine folks. And, it is a large 96/24 set, in the 3+ GB range. Judge your choice to download accordingly. If you prefer audience to SBD/CDs, and don't mind having some versions, this is for you. Taping quality: equivalent to 1961 Bordeaux wine in terms of tape crafting. (1961 was apparently a very good year for Bordeaux.) Band Playing Quality: Row Jimmy and Blow Away are candy, as is most of the rest of this tour, given the large CD release... Some flaws, nach. Enjoy the audience being appreciative. Very 3-D auditory. Nice separation and bass. Source: Some fine, fine audience taping work. The provenance is a bit complex, thanks to the "FOB Daredevils": yet, it was taped in an FOB sweet spot for the most part. First set, thru Set II Victim, and, after China -> Rider: Richard Berner's B&K 4011's, 110º ORTF, hand-held @ 5' high, Prolink -> Neumann Power Supply -> D10, 26th Row Center, FOB -> DAT Master, Apogee 701/BETA -> NAK 682 ZX -> Sony Metal-SR/90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24. They seem to have kept the audience around them pretty disciplined; the change in sources is noticeable. China -> Rider: Schoeps CMC 421 Sub Cardioids, 100º, 1 row in front of soundboard, about 4 seats right. There may or may not be a full-security-body-tackle recorded, just because that crew delights in that kind of thing, then a likely fade-in back-of-board. All provenance bets are off at that point, but it still sounds very nice. Only posting in 96/24 to keep the sound quality up, feel free to convert it if you like, I hear there are open-source CD-burners that convert on the fly. Mastered with Bose Quiet-Comfort 20 Headphones with NC on. Thanks, Pete-O! Recorded by: Richard Berner and Friends Sown and Seeded by: bltz
Taper: Ted Mattes
2:33:53
Taper:
Ted Mattes
Transferrer:
Craig Hillwig;Lenny Stubbe
SHNID:
gd1990-03-26.133045.122541-fix.mattes.48khz.flac16
Source:
<b>flac16/48kHz</b>; Source: Schoeps CMC4/MK21 > Oade Cap Coupled Supply > Panasonic SV250 > DAT (48 khz); Config/Location: 110 degrees FOB Section 5, Row E, Seat 7;
Lineage:
Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.17(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (1) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe; this is a fixed version of <a href="http://db.etree.org/shn/122541">source ID 122541</a>
Taper Notes:
View NotesNotes: - Levels very conservative at beginning of each set, but quickly pick up - A 44.1k version exists Seeded to etree on: 10/24/2012 ***fix of SHNID 122541 due to an inverted left channel likely due to a faulty xlr cable in the recording gear chain. Craig Hillwig used xACT 2.35 and Audacity to decode, join files and invert the left channel in a 32 bit float. Lenny Stubbe used Sound Studio 3.6 and xACT 2.35 to add gain, track, tag, encode/align to FLAC and seed. Thanks to Craig for discovering this issue and taking the time to fix. 05/23/2015 **16 bit/48khz**
Taper: Ted Mattes
2:33:53
Taper:
Ted Mattes
Transferrer:
DAT clone (1) provided by: Craig Hillwig Transferred and seeded by: Lenny Stubbe
SHNID:
gd1990-03-26.122542.mk21.sbeok.flac16
Source:
Source: Schoeps CMC4/MK21 > Oade Cap Coupled Supply > Panasonic SV250 > DAT (48 khz); Config/Location: 110 degrees FOB Section 5, Row E, Seat 7;
Lineage:
Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.6 (iZotope Resampler)> xACT 2.17(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (1) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
Taper Notes:
View Notes- Levels very conservative at beginning of each set, but quickly pick up - A 48k version exists Seeded to etree on: 10/24/2012
Taper: Ted Mattes
2:33:53
Rating:
10.00 / 2 ratings
Taper:
Ted Mattes
Transferrer:
DAT clone (1) provided by: Craig Hillwig Transferred and seeded by: Lenny Stubbe
SHNID:
gd1990-03-26.122541.mk21.48khz.flac16
Source:
<b>flac16/48kHz</b>; Source: Schoeps CMC4/MK21 > Oade Cap Coupled Supply > Panasonic SV250 > DAT (48 khz); Config/Location: 110 degrees FOB Section 5, Row E, Seat 7;
Lineage:
Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.17(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (1) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
Taper Notes:
View Notes- Levels very conservative at beginning of each set, but quickly pick up - A 44.1k version exists Seeded to etree on: 10/24/2012
Taper: B.R. And Mr. Currier
2:39:04
Taper:
B.R. And Mr. Currier
Transferrer:
Rob Berger and Keo
SHNID:
gd1990-03-26.AKG451.Berger.Currier.Keo.120943.Flac1644
Source:
Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes
Lineage:
B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to B.R. and Mr. Currier for recording and to Mr. Berger for the initial mic and deck set up for this show.These are being shared in case the master dats don't surface.For me I could never have too many copies of this run of shows and this is another excellent recording and share from Mr. Currier's collection sent to me to work on to share with everyone! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: B.R. And Mr. Currier
2:39:04
Taper:
B.R. And Mr. Currier
Transferrer:
Rob Berger and Keo
SHNID:
gd1990-03-26.AKG451.Berger.Currier.Keo.120942.Flac2496
Source:
Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes
Lineage:
B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to B.R. and Mr. Currier for recording and to Mr. Berger for the initial mic and deck set up for this show.These are being shared in case the master dats don't surface.For me I could never have too many copies of this run of shows and this is another excellent recording and share from Mr. Currier's collection sent to me to work on to share with everyone! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Transferrer: Keo
2:33:43
Rating:
10.00 / 2 ratings
Transferrer:
Keo
SHNID:
gd1990-03-26.FM.richp.Keo.112093.Flac2496
Taper Notes:
View NotesHuge thanks to Rich for recording this and sharing with me!We went to this together and Rich had his VHS recorder programmed for the start of the broadcast,We worked this up the next day or so,can't recall what we used to transfer to cassette and I'm sure nothing too fancy or any high end equipment. This was good enough that I didn't grab my friends master audience of this night and I know since having the two earlier nights they were excellent as well.In a few small areas you can hear static or interuptions from the broadcast but to be expected from a FM broadcast and not too distracting at all.In the start of both sets I believe you can hear the SBD mix being added to the audience so maybe a matrix? To my knowledge this hasn't been shared with many other people other than my friend's who I have made copies for and not sure if Rich had made any copies of his master VHS copy and shared with others either.Have been out of touch with Rich for a good number of years (13 or so,too long) and I hope he's doing well and gets to hear this transfer of his recording I made!Thanks Buddy!Enjoy!
Taper: richp
2:33:43
Rating:
8.00 / 2 ratings
Taper:
richp
Transferrer:
Keo
SHNID:
gd1990-03-26.FM.richp.Keo.112092.Flac1644
Taper Notes:
View NotesHuge thanks to Rich for recording this and sharing with me!We went to this together and Rich had his VHS recorder programmed for the start of the broadcast,We worked this up the next day or so,can't recall what we used to transfer to cassette and I'm sure nothing too fancy or any high end equipment. This was good enough that I didn't grab my friends master audience of this night and I know since having the two earlier nights they were excellent as well.In a few small areas you can hear static or interuptions from the broadcast but to be expected from a FM broadcast and not too distracting at all.In the start of both sets I believe you can hear the SBD mix being added to the audience so maybe a matrix? To my knowledge this hasn't been shared with many other people other than my friend's who I have made copies for and not sure if Rich had made any copies of his master VHS copy and shared with others either.Have been out of touch with Rich for a good number of years (13 or so,too long) and I hope he's doing well and gets to hear this transfer of his recording I made!Thanks Buddy!Enjoy!